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Saptak
Saptak means "gamut" or "the series of eight notes". It denotes the set of swaras i.e. Ṣaḍja (Sa), Ṛiṣabha (Re), Gāndhāra (Ga), Madhyama (Ma), Panchama (Pa), Dhaivat (Dha), Niṣāda (Ni), Sadja (Sa) which comprise a musical scale in Indian classical music. In Sanskrit, saptak literally means "containing seven" and is derived from the Sanskrit word ''Sapta'' which means "seven". The Saptak comprises the Sapta Svaras, i.e. the seven svaras or the seven notes of classical music. The basic saptak is called the Madhya Saptak (Devanagari: मध्य सप्तक). For notes with lower frequencies, the artist may use the Mandra Saptak (Devanagari: मंद्र सप्तक)', which is an octave lower than the Madhya Saptak. For notes with higher frequencies, the Taar Saptak (Devanagari: तार सप्तक), which is an octave above the Madhya Saptak, is used. The usual scale of Indian music spans from Sa in the Madhya Saptak to Sa in the higher, Taar S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swara
Svara or swara (Devanagari: स्वर, generally pronounced as ''swar'') is a Sanskrit word that connotes simultaneously a breath, a vowel, the sound of a musical note corresponding to its name, and the successive steps of the octave or '' saptaka''. More comprehensively, it is the ancient Indian concept about the complete dimension of musical pitch. Most of the time a ''svara'' is identified as both musical note and tone, but a tone is a precise substitute for sur, related to tunefulness. Traditionally, Indians have just seven ''svara''s/notes with short names, e.g. saa, re/ri, ga, ma, pa, dha, ni which Indian musicians collectively designate as ''saptak'' or ''saptaka''. It is one of the reasons why ''svara'' is considered a symbolic expression for the number seven. Origins and history Etymology The word ''swara'' or ''svara'' (Sanskrit: स्वर) is derived from the root ''svr'' which means "to sound". To be precise, the ''svara'' is defined in the Sanskrit ''niruk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Svara
Svara or swara (Devanagari: स्वर, generally pronounced as ''swar'') is a Sanskrit word that connotes simultaneously a breath, a vowel, the sound of a musical note corresponding to its name, and the successive steps of the octave or '' saptaka''. More comprehensively, it is the ancient Indian concept about the complete dimension of musical pitch. Most of the time a ''svara'' is identified as both musical note and tone, but a tone is a precise substitute for sur, related to tunefulness. Traditionally, Indians have just seven ''svara''s/notes with short names, e.g. saa, re/ri, ga, ma, pa, dha, ni which Indian musicians collectively designate as ''saptak'' or ''saptaka''. It is one of the reasons why ''svara'' is considered a symbolic expression for the number seven. Origins and history Etymology The word ''swara'' or ''svara'' (Sanskrit: स्वर) is derived from the root ''svr'' which means "to sound". To be precise, the ''svara'' is defined in the Sanskrit ''niruk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sapta Svara
Svara or swara (Devanagari: स्वर, generally pronounced as ''swar'') is a Sanskrit word that connotes simultaneously a breath, a vowel, the sound of a musical note corresponding to its name, and the successive steps of the octave or ''saptaka''. More comprehensively, it is the ancient Indian concept about the complete dimension of musical pitch. Most of the time a ''svara'' is identified as both musical note and tone, but a tone is a precise substitute for sur, related to tunefulness. Traditionally, Indians have just seven ''svara''s/notes with short names, e.g. saa, re/ri, ga, ma, pa, dha, ni which Indian musicians collectively designate as ''saptak'' or ''saptaka''. It is one of the reasons why ''svara'' is considered a symbolic expression for the number seven. Origins and history Etymology The word ''swara'' or ''svara'' (Sanskrit: स्वर) is derived from the root ''svr'' which means "to sound". To be precise, the ''svara'' is defined in the Sanskrit ''niruk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ṣaḍja
Shadja is the first svara out of the seven svaras of Hindustani music and Carnatic music. Shadja is the long form of the syllable सा. For simplicity in pronouncing while singing the syllable, Shadja is pronounced as Sa (notation - S). It is also called as षड्ज in the Devanagri script. Details The following is the information about Shadja and its importance in Indian classical music : * Shadja is the first svara in an octave or Saptak. * Shadja is also the first and the main svara in a raga. (Not always but mostly it is. ) * The svara that is played on the Tanpura for the singer is Shadja. It is played to know that one is singing on the right pitch and octave. * Shadja is the base or basic svara. It is a very fundamental svara in Classical music. * It is fascinating to know that after one raga is sung or played, and when one more raga is to be performed, then the svara Sa is played so that there is no confusion in mixing of svaras in both the ragas that are perform ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ṛiṣabha
Rishabh is the second svara out of the seven svaras of Hindustani music and Carnatic music. Rishabh is the long form of the syllable रे for simplicity while singing the syllable. Rishabh is pronounced as Re and Ri (notation - R). It is also called as ऋषभ in the Devanagri script. Detail The following is the information about Rishabh and its importance in Indian classical music : * Rishabh is the second ''svara'' in an octave or ''Saptak''. * Re is the immediate next svara of ''Shadja'' (Sa). * The svara of Rishabh is ''Komal'' and ''Shuddha''. * It is said that Shadja is the basic svara from which all the other 6 svaras are produced. When we break the word Shadja then we get, ''Shad'' and ''Ja''. It means that Shad is 6 and ja is 'giving birth' in Marathi. So basically the translation is : षड् - 6, ज -जन्म . Therefore, it collectively means giving birth to the other 6 notes of the music. So the svara Re is formed from Shadja. * The frequency of R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gāndhāra
Gandhar is the 3rd svara from the seven svaras of Hindustani music and Carnatic music. Gandhar is the long form of the syllable ग. For simplicity in pronouncing while singing the syllable, Gandhar is pronounced as Ga (notation - G). It is also called as गान्धार or गंधार in the Devanagri script. Details The following is the information about Gandhar and its importance in Indian classical music : * Gandhar is the third svara in an octave or Saptak. * Gandhar is the immediate next svara of Rishabh (Re). * The svara of Gandhar is Komal and Shuddha. * It is said that Shadja is the basic svara from which all the other 6 svaras are produced. When we break the word Shadja then we get, Shad And Ja. It means that Shad is 6 and ja is 'giving birth' in Marathi. So basically the translation is : षड् - 6, ज -जन्म . Therefore, it collectively means giving birth to the other 6 notes of the music. So the svara Ga is formed from Shadja. * The freq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Panchama
Pancham is the fifth svara from the seven svaras of Hindustani music and Carnatic music. Pancham is the long form of the syllable प. For simplicity in pronouncing while singing the syllable, Pancham is pronounced as Pa (notation - P). It is also called as पंचम in the Devanagri script. Details The following is the information about Panchama and its importance in Indian classical music : * Pancham is the fifth svara in an octave or Saptak. * Pancham is the immediate next svara of Madhyam (Ma). * The svara of Pancham is never or , it is always in any given raga just like the svara Shadja. * It is said that Shadja is the basic svara from which all the other 6 svaras are produced. When we break the word Shadja then we get, Shad And Ja. It means that Shad is 6 and ja is 'giving birth' in Marathi. So basically the translation is : षड् - 6, ज -जन्म. Therefore it collectively means giving birth to the other six notes of the music. So the svara Pa is form ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dhaivat
Dhaivat is the sixth svara from the seven svaras of Hindustani music and Carnatic music. Dhaivat is the long form of the syllable ध. For simplicity in pronouncing while singing the syllable, Dhaivat is pronounced as Dha (notation - D). It is also called as धैवत in the Devanagri script. Details The following is the information about Dhaivat and its importance in Indian classical music : * Dhaivat is the sixth svara in an octave or Saptak. * Dhaivat is the immediate next svara of Pancham (Pa). * The svara of Dhaivat is and Shuddha. * It is said that Shadja is the basic svara from which all the other six svaras are produced. When we break the word Shadja then we get, Shad And Ja. It means that Shad is 6 and ja is 'giving birth' in Marathi. So basically the translation is : षड् - 6, ज -जन्म . Therefore, it collectively means giving birth to the other 6 notes of the music. So the svara Dha is formed from Shadja. * The frequency of Dhaivat is 400 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niṣāda
Nishad is the seventh svara from the seven svaras of Hindustani music and Carnatic music. Nishad is the long form of the syllable नी. For simplicity in pronouncing while singing the syllable, Nishad is pronounced as Ni (notation - N). It is also called as निषाद in the Devanagri script. Details The following is the information about Nishada and its importance in Indian classical music : * Nishad is the seventh svara in an octave or Saptak. * Nishad is the immediate next svara of Dhaivat (Dha). * The svara of Nishad is Komal and Shuddha. * It is said that Shadja is the basic svara from which all the other 6 svaras are produced. When we break the word Shadja then we get, Shad And Ja. It means that Shad is 6 and ja is 'giving birth' in Marathi. So basically the translation is : षड् - 6, ज -जन्म . Therefore, it collectively means giving birth to the other six notes of the music. So the svara Ni is formed from Shadja. * The frequency of Nishad is 4 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shadja
Shadja is the first svara out of the seven svaras of Hindustani music and Carnatic music. Shadja is the long form of the syllable सा. For simplicity in pronouncing while singing the syllable, Shadja is pronounced as Sa (notation - S). It is also called as षड्ज in the Devanagri script. Details The following is the information about Shadja and its importance in Indian classical music : * Shadja is the first svara in an octave or Saptak. * Shadja is also the first and the main svara in a raga. (Not always but mostly it is. ) * The svara that is played on the Tanpura for the singer is Shadja. It is played to know that one is singing on the right pitch and octave. * Shadja is the base or basic svara. It is a very fundamental svara in Classical music. * It is fascinating to know that after one raga is sung or played, and when one more raga is to be performed, then the svara Sa is played so that there is no confusion in mixing of svaras in both the ragas that are performed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madhyama (music)
Madhyam is the fourth svara from the seven svaras of Hindustani music and Carnatic music. This article is written from the Hindustani perspective. Madhyam is the long form of the syllable म. For simplicity in pronouncing while singing the syllable, Madhyam is pronounced as Ma (notation - M). It is also called as मध्यम in the Devanagri script. Details The following is the information about Madhyam and its importance in Indian classical music : * Madhyam is the fourth svara in an octave or Saptak. * Ma is the immediate next svara of Gandhar (Ga). * The svara of Madhyam is and . In fact Madhyam is the only svara in the Saptak. * It is said that Shadja is the basic svara from which all the other six svaras are produced. Breaking the word Shadja yields Shad And Ja. It means that Shad is six and ja is 'giving birth' in Marathi. So basically the translation is : षड् - 6, ज -जन्म . Therefore, it collectively means giving birth to the other six notes o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Music
Owing to India's vastness and diversity, Indian music encompasses numerous genres in multiple varieties and forms which include classical music, folk (Bollywood), rock, and pop. It has a history spanning several millennia and developed over several geo-locations spanning the sub-continent. Music in India began as an integral part of socio-religious life. History Pre-history Paleolithic The 30,000-year-old paleolithic and neolithic cave paintings at the UNESCO world heritage site at Bhimbetka rock shelters in Madhya Pradesh show a type of dance. Mesolithic and chalcolithic cave art of Bhimbetka illustrates musical instruments such as Gongs, Bowed Lyre, daf etc. Neolithic Chalcolithic era (4000 BCE onward) narrow bar shaped polished stone celts like music instruments, one of the earlier musical instrument in India, were excavated at Sankarjang in the Angul district of Odisha. There is historical evidence in the form of sculptural evidence, i.e. musical instruments, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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