Santana IV
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Santana IV
''Santana IV'' is the twenty-fourth studio album (thirty eighth album overall) by American rock band Santana, released in April 2016. Overview The album reunited most of the surviving members from the early 1970s lineup of the band (including Carlos Santana, Gregg Rolie, Neal Schon, Mike Carabello and Michael Shrieve) and was the first time that the quintet had recorded together since 1971's '' Santana III''. Timbalist José Areas was not invited to participate. Joining these "core" members were later Santana members Karl Perazzo (percussion) and Benny Rietveld (bass), with vocalist Ronald Isley guesting on two cuts. ''Santana IV'' included 16 new tracks written and produced by the band. Origins The origins for the reunion go back several years, when Schon suggested that he and Carlos Santana record together. Santana liked the idea but went on to suggest that they recruit Rolie, Shrieve and Carabello for what would be called ''Santana IV'' (picking up where they left off on S ...
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Santana (band)
Santana is an American rock band formed in San Francisco in 1966 by American guitarist Carlos Santana. The band has undergone multiple recording and performing line-ups in its history, with Santana the only consistent member. After signing with Columbia Records, the band's appearance at the Woodstock Festival in 1969 increased their profile and went on to record the commercially successful and critically-acclaimed albums ''Santana'' (1969), ''Abraxas'' (1970), and ''Santana III'' (1971). These were recorded by the group's "classic" line-up, featuring Gregg Rolie, Michael Carabello, Michael Shrieve, David Brown, and José "Chepito" Areas. Hit songs of this period include "Evil Ways", "Black Magic Woman", "Oye Como Va", and the instrumental " Samba Pa Ti". Following a change in line-up and musical direction in 1972, the band experimented with elements of jazz fusion on '' Caravanserai'' (1972), ''Welcome'' (1973), and ''Borboletta'' (1974). Santana reached a new peak of commerc ...
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Santana (1971 Album)
''Santana'' is the third studio album by the American rock band Santana. The band's second self-titled album, it is often referred to as ''III'' or ''Santana III'' to distinguish it from the band's 1969 debut album. The album was also known as ''Man with an Outstretched Hand'', after its album cover image. It was the third and last album by the Woodstock-era lineup, until their reunion on ''Santana IV'' in 2016. It was also considered by many to be the band's peak commercially and musically, as subsequent releases aimed towards more experimental jazz fusion and Latin music. The album also marked the addition of 17-year-old guitarist Neal Schon to the group. Release and reception The original album was recorded at Columbia Studios, San Francisco, and released in both stereo and quadraphonic. The album featured two singles that charted in the United States. "Everybody's Everything" peaked at No. 12 in October 1971, while "No One to Depend On", an uncredited adaptation of Wil ...
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Timbales
Timbales () or pailas are shallow single-headed drums with metal casing. They are shallower than single-headed tom-toms and usually tuned much higher, especially for their size.Orovio, Helio 1981. ''Diccionario de la música cubana: biográfico y técnico''. Entries for ''Paila criolla''; ''Timbal criollo''. They were developed as an alternative to classical timpani in Cuba in the early 20th century and later spread across Latin America and the United States. Timbales are struck with wooden sticks on the heads and shells, although bare hands are sometimes used. The player (called a ''timbalero'') uses a variety of stick strokes, rim shots, and rolls to produce a wide range of percussive expression during solos and at transitional sections of music, and usually plays the shells (or auxiliary percussion such as a cowbell or cymbal) to keep time in other parts of the song. The shells and the typical pattern played on them are referred to as ''cáscara''. Common stroke patterns incl ...
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Conga
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thought to be ...
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Michael Carabello
Michael Carabello (born November 18, 1947) is an American musician, best known for playing percussion with Santana during that band's early years. He is a member of the Rock and Roll Hall of Fame. Career Carabello was born in San Francisco and has Puerto Rican ancestry; he grew up in the city's Mission District. He joined Santana in 1968 shortly before the band signed with Columbia Records, and primarily played congas for the band while occasionally playing piano. He appeared on the albums '' Santana'', ''Abraxas'', and '' Santana III'', all of which were internationally successful, and he is also depicted with the band in the ''Woodstock'' film. He co-wrote several songs on those albums, and is the sole writer for the percussion-oriented track "Singing Winds, Crying Beasts" on ''Abraxas''. Carabello left Santana in 1971. He formed the short-lived jazz band Cobra in 1975, and then settled into a career of teaching and art. In 1998 Carabello was inducted into the Rock and Rol ...
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Hammond Organ
The Hammond organ is an electric organ invented by Laurens Hammond and John M. Hanert and first manufactured in 1935. Multiple models have been produced, most of which use sliding drawbars to vary sounds. Until 1975, Hammond organs generated sound by creating an electric current from rotating a metal tonewheel near an electromagnetic pickup, and then strengthening the signal with an amplifier to drive a speaker cabinet. The organ is commonly used with the Leslie speaker. Around two million Hammond organs have been manufactured. The organ was originally marketed by the Hammond Organ Company to churches as a lower-cost alternative to the wind-driven pipe organ, or instead of a piano. It quickly became popular with professional jazz musicians in organ trios—small groups centered on the Hammond organ. Jazz club owners found that organ trios were cheaper than hiring a big band. Jimmy Smith's use of the Hammond B-3, with its additional harmonic percussion feature, inspired a g ...
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Claus Zundel
Claus Zundel, also known as The Brave is a German composer, songwriter, producer and pianist. He has created several worldwide successful musical projects, most notable Sacred Spirit and B-Tribe (sold 20 million. copies combined), as well as more Indie projects such as " Moroccan Spirit", "Classical Spirit", "Divine Works", Ancient Spirit and his latest project "Tango Jointz". After being a successful producer in the 1980s with a German artist named Hubert Kah, Zundel produced several pop albums under Circa Records U.K between 1988 and 1992 for Sydney Youngblood. The most successful hit was "If Only I Could," which entered the top 3 in the charts of most European countries, including the UK. Zundel signed to the new label Circa Records run by Ashley Newton and Ray Cooper, later responsible for the huge success of the Spice Girls before they became executives of Virgin USA. All of the Youngblood records were distributed under Virgin Records U.K. The first album '' Feeling Free'' i ...
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Babá Ken Okulolo
Babá Ken Okulolo (born September 12, 1950) is a Nigerian bassist and bandleader who was first seen in the U.S. in 1985 with King Sunny Ade's world-touring band. He has played with renowned Afrobeat creator Fela Anikulapo Kuti, highlife master Victor Olaiya, and was a founder of the Afro-rock group Monomono in the 1970s. Now based in the San Francisco Bay Area, he leads four bands that represent his various musical specialties: Kotoja (an international Afro-funk band); the Nigerian Brothers (traditional folk music); the West African Highlife Band (highlife hits of yesteryear); and the Afro-Beat Connexion (modern Afrobeat collaboration with other African and American musicians). Babá Ken has also headlined such venues as Lincoln Center, The Fillmore, The Warfield, LACMA, the Oakland Coliseum, Yoshi's, The Greek Theater, and the Great American Music Hall The Great American Music Hall is a concert hall in San Francisco, California. It is located on O'Farrell Street in the Tender ...
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Nuru Kane
Nuru Kane (born Papa Nouroudine Kane) is a Senegalese singer/songwriter who plays guitar, bass and guimbri, a three-stringed bass in the band Bayefall Gnawa. Nuru's debut CD, ''Sigil'', which was released in the UK on March 14, 2006 and the rest of the world on April 24 by Riverboat Records and World Music Network, included griot, gnawa, and blues influences. In 2013, he released ''Exile'' by Riverboat Records and World Music Network. Nuru Kane played with his band ''Bayefall Gnawa'' at the 2004 Festival in the Desert in Mali, at the 2006 Africa Oye, as well as at the Oslo World Music Festival 2010 in Norway. Two of Nuru's songs, appear on soundtracks: ''Goree'' in the film ''The Mechanic'' (2011) at the graveyard scene and ''Toub'' in the film '' Wonderful World''. Discography ;Albums * ''Sigil'' (2006) * '' Number One Bus'' (2010) * '' Exile'' (2013) * '' Mayam''(2021) ;Contributing artist * ''The Rough Guide to the Music of Senegal'' (2013, World Music Network) * ''Th ...
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Billboard (magazine)
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-off ...
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Album-equivalent Unit
The album-equivalent unit, or album equivalent, is a measurement unit in music industry to define the consumption of music that equals the purchase of one album copy. This consumption includes streaming and song downloads in addition to traditional album sales. The album-equivalent unit was introduced in the mid- 2010s as an answer to the drop of album sales in the 21st century. Album sales more than halved from 1999 to 2009, declining from a $14.6 to $6.3 billion industry. For instance, the only albums that went platinum in the United States in 2014 were the '' Frozen'' soundtrack and Taylor Swift's ''1989'', whereas several artists' works had in 2013. The usage of the album-equivalent units revolutionized the charts from the "best-selling albums" ranking into the "most popular albums" ranking. The International Federation of the Phonographic Industry (IFPI) have used album-equivalent unit to measure their Global Recording Artist of the Year since 2013. Terminology The ter ...
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Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine and is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its " number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, and acquired its current name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985) and ''Billboard'' Top Pop Albums (1985–1992). The chart is based mostly on sales – both at retail and digital – of albums in the United States. The weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday (to coinc ...
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