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Conga
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thought ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conga (music)
The term conga refers to the music groups within Cuban comparsas and the music they play. Comparsas are large ensembles of musicians, singers and dancers with a specific costume and choreography which perform in the street carnivals of Santiago de Cuba and Havana.Millet, José and Brea Rafael 1989. Del carnival santiaguero: congas y paseos. In Oscar Ruiz Miyares (ed) ''Guía cultural de Santiago de Cuba''. The instrumentation differs between ''congas santiagueras'' and ''congas habaneras''. ''Congas santiagueras'' include the ''Trompeta china, corneta china'' (Chinese cornet), which is an adaptation of the Cantonese suona introduced in Oriente Province, Oriente in 1915, and its percussion section comprises bocúes (similar to African ashiko drums), the quinto (drum), quinto (highest pitched conga drum), galletas and the pilón, as well as brakes which are struck with metal sticks. ''Congas habaneras'' lack the ''corneta china'' but include trumpets, trombones and saxophones, and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conga (music)
The term conga refers to the music groups within Cuban comparsas and the music they play. Comparsas are large ensembles of musicians, singers and dancers with a specific costume and choreography which perform in the street carnivals of Santiago de Cuba and Havana.Millet, José and Brea Rafael 1989. Del carnival santiaguero: congas y paseos. In Oscar Ruiz Miyares (ed) ''Guía cultural de Santiago de Cuba''. The instrumentation differs between ''congas santiagueras'' and ''congas habaneras''. ''Congas santiagueras'' include the ''Trompeta china, corneta china'' (Chinese cornet), which is an adaptation of the Cantonese suona introduced in Oriente Province, Oriente in 1915, and its percussion section comprises bocúes (similar to African ashiko drums), the quinto (drum), quinto (highest pitched conga drum), galletas and the pilón, as well as brakes which are struck with metal sticks. ''Congas habaneras'' lack the ''corneta china'' but include trumpets, trombones and saxophones, and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latin Percussion
{{for, the company, Latin Percussion Latin percussion is a family of percussion, membranophone, lamellophone and idiophone instruments used in Latin music. Instruments Afro-Cuban and Puerto Rican styles Folkloric and Santeria * Trap drums * Abakua and Arará drums * Chekere/ Shekere *Erikundi * Bata * Cowbell * Shaker *Conga * Cajon * Guiro * Barril de bomba * Pandereta plenera * Cuá * mouth sounds 20-21st century music (Salsa, Son Montuno, Bolero, etc.) * Bongo *Conga * Clave/ Wood block * Cowbell (cencerro) *Timbales * Shaker/Maraca *Güiro * Cajón South America *Timbales, a similar Afro-Cuban instrument *Surdo * Cuíca * Caixa *Reco-reco *Cabasa/Afuche * Repinique *Agogô * Tan-tan * Pandeiro *Tamborim *Apito * Berimbau Neo Samba and Neo-Bossa Nova additions *Conga *Timbales * Bongo * Clave/ Wood block * Cowbell Andean styles (Peru, Bolivia, South Ecuador, Argentina, Chile) *Rain Stick *Reco-reco * Sheep hooves, or chapchas * Chipaya box * Bombo * Huancara *Maraca Coasta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quinto (drum)
The quinto (literally ''fifth'' in Spanish) is the smallest and highest pitched type of conga drum. It is used as the lead drum in Cuban rumba styles such as guaguancó, yambú, columbia and guarapachangueo, and it is also present in congas de comparsa. Quinto phrases are played in both triple-pulse (12/8, 6/8) and duple-pulse (4/4, 2/2) structures. In columbia, triple pulse is the primary structure and duple pulse is secondary. In yambú and guaguancó duple-pulse is primary and triple-pulse is secondary. Quinto performance in rumba The optimum expression of quinto phrasing is shaped by its interaction with the dance and the song, in other words, the complete social event, which is rumba. Quinto interaction with the song During the verses of the song the quinto is capable of sublime creativity, while musically subordinate to the lead vocalist. There are natural pauses in the cadence of the verses, typically one or two measures in length, where the quinto can play succinct ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Songo Music
Songo is a genre of popular Cuban music, created by the group Los Van Van in the early 1970s. Songo incorporated rhythmic elements from folkloric rumba into popular dance music, and was a significant departure from the son montuno/mambo-based structure which had dominated popular music in Cuba since the 1940s. Blas Egües was the first drummer in Los Van Van, but it was the band's second drummer, José Luis Quintana "Changuito", who developed songo into the world-wide phenomenon it is today. Songo is the most famous of the post-Revolution Cuban rhythms, beginning with the mozambique, which drew from the deep well of Afro-Cuban folkloric rhythms (mainly rumba). During the 1970s, many Cuban bands created their own original rhythms: Los Van Van invented songo; Orquesta Ritmo Oriental—''nueva onda''; Orquesta Tipica Juventud—''bata cinco'', and Orquesta Revé named their invention—''changüí'', after the "funky," folkloric proto-son music of the 19th century. Songo is a precur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Makuta (drum)
''Makuta'' drums are tall cylindrical or barrel-shaped Afro-Cuban drums, often cited as an important influence on the development of the '' tumbadora'' or conga drum. They are used in sacred dance-drumming ceremonies associated with the descendants of slaves brought to Cuba from Central Africa. The word ''makuta'' is also used to refer to the dancing and rhythms associated with these drums. Construction Makuta drum construction has a number of regional variations, but the ensemble usually consists of only two drums. Generally, all are created from wooden staves, similar to the way a barrel would be constructed. Both sizes have a goat skin head at the top of the drum and are open on the opposite end. They are commonly around 1 meter in height and their heads vary from approximately 30 cm to 40 cm in diameter. The large lead drum is known variously as ''caja'', ''nsumbi'', or ''ngoma'' and is usually barrel shaped. Its head is attached with a tensioning system of metal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum
The drum is a member of the percussion group of musical instruments. In the Hornbostel-Sachs classification system, it is a membranophone. Drums consist of at least one membrane, called a drumhead or drum skin, that is stretched over a shell and struck, either directly with the player's hands, or with a percussion mallet, to produce sound. There is usually a resonant head on the underside of the drum. Other techniques have been used to cause drums to make sound, such as the thumb roll. Drums are the world's oldest and most ubiquitous musical instruments, and the basic design has remained virtually unchanged for thousands of years. Drums may be played individually, with the player using a single drum, and some drums such as the djembe are almost always played in this way. Others are normally played in a set of two or more, all played by the one player, such as bongo drums and timpani. A number of different drums together with cymbals form the basic modern drum kit. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hand Drums
A hand drum is any type of drum that is typically played with the bare hand rather than a stick, mallet, hammer, or other type of beater. Types The following descriptions allude to traditional versions of the drums. Modern synthetic versions are available for most if not all of the drums listed through various manufacturers. Middle and Near East *The tar is a frame drum common in Middle Eastern music. *The tambourine is a frame drum with jingles attached to the shell. *The daf and the dayereh are Iranian frame drums. *The ghaval is the Azerbaijani frame drum. *The tonbak is the Persian goblet drum. *The doumbek is a goblet shaped drum used in Arabic, Jewish, Assyrian, Persian, Balkan, Greek, Armenian, Azeri and Turkish music. * Mirwas Africa *The most common African drum known to westerners is the djembe, a large, single-headed drum with a goblet shape. *The Ashiko is another African drum in the shape of a truncated cone. Similar to the Djembe it is rope strung. This drum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Makuta (drum)
''Makuta'' drums are tall cylindrical or barrel-shaped Afro-Cuban drums, often cited as an important influence on the development of the '' tumbadora'' or conga drum. They are used in sacred dance-drumming ceremonies associated with the descendants of slaves brought to Cuba from Central Africa. The word ''makuta'' is also used to refer to the dancing and rhythms associated with these drums. Construction Makuta drum construction has a number of regional variations, but the ensemble usually consists of only two drums. Generally, all are created from wooden staves, similar to the way a barrel would be constructed. Both sizes have a goat skin head at the top of the drum and are open on the opposite end. They are commonly around 1 meter in height and their heads vary from approximately 30 cm to 40 cm in diameter. The large lead drum is known variously as ''caja'', ''nsumbi'', or ''ngoma'' and is usually barrel shaped. Its head is attached with a tensioning system of metal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Merengue Music
Merengue is a type of music and dance originating in the Dominican Republic, which has become a very popular genre throughout Latin America, and also in several major cities in the United States with Latino communities. Merengue was inscribed on November 30, 2016 in the representative list of the Intangible Cultural Heritage of Humanity of UNESCO. Merengue was developed in the middle of the 1800s, originally played with European stringed instruments (bandurria and guitar). Years later, the stringed instruments were replaced by the accordion, thus conforming, together with the güira and the tambora, the instrumental structure of the typical merengue ensemble. This set, with its three instruments, represents the synthesis of the three cultures that made up the idiosyncrasy of Dominican culture. The European influence is represented by the accordion, the African by the Tambora, which is a two-head drum, and the Taino or aboriginal by the güira. The genre was later promoted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuban Rumba
Rumba is a secular genre of Cuban music involving dance, percussion, and song. It originated in the northern regions of Cuba, mainly in urban Havana and Matanzas, during the late 19th century. It is based on African music and dance traditions, namely Abakuá and yuka, as well as the Spanish-based '' coros de clave''. According to Argeliers León, rumba is one of the major "genre complexes" of Cuban music, and the term rumba complex is now commonly used by musicologists. This complex encompasses the three traditional forms of rumba (yambú, guaguancó and columbia), as well as their contemporary derivatives and other minor styles. Traditionally performed by poor workers of African descent in streets and ''solares'' (courtyards), rumba remains one of Cuba's most characteristic forms of music and dance. Vocal improvisation, elaborate dancing and polyrhythmic drumming are the key components of all rumba styles. '' Cajones'' (wooden boxes) were used as drums until the early 20th ce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Latin America
The music of Latin America refers to music originating from Latin America, namely the Romance-speaking regions of the Americas south of the United States. Latin American music also incorporates African music from enslaved African people who were transported from West and Central Africa to the Americas by European settlers, as well as music from the Indigenous peoples of the Americas. Due to its highly syncretic nature, Latin American music encompasses a wide variety of styles, including influential genres such as cumbia, bachata, bossa nova, merengue, rumba, salsa, samba, son, and tango. During the 20th century, many styles were influenced by the music of the United States giving rise to genres such as Latin pop, rock, jazz, hip hop, and reggaeton. Geographically, it usually refers to the Spanish and Portuguese-speaking regions of Latin America, but sometimes includes Francophone countries and territories of the Caribbean and South America as well. It also encompasses ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
