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Santa Maria Presso San Satiro
Santa Maria presso San Satiro ( Saint Mary near Saint Satyrus) is a church in Milan. The Italian Renaissance structure (1476-1482) houses the early medieval shrine to Satyrus, brother of Saint Ambrose. The church is known for its false apse, an early example of ''trompe-l'œil'', attributed to Donato Bramante. History The church lies on the site of a primitive worship place erected by the archbishop Anspertus in 879, dedicated to Saint Satyrus, confessor and brother of Saints Ambrose and Marcellina. The current church was instead built from 1472 to 1482 under commission from Duchess Bona di Savoia and Duke Gian Galeazzo Sforza. According to some sources, the designer was Donato Bramante, who had recently moved from the Marche. However, recent documents prove that Bramante had a minor role, with most of the work being attributable to Giovanni Antonio Amadeo, who designed the façade. It is certain that Bramante is responsible for the sacristy perspective. According to sour ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milan
Milan ( , , Lombard: ; it, Milano ) is a city in northern Italy, capital of Lombardy, and the second-most populous city proper in Italy after Rome. The city proper has a population of about 1.4 million, while its metropolitan city has 3.26 million inhabitants. Its continuously built-up urban area (whose outer suburbs extend well beyond the boundaries of the administrative metropolitan city and even stretch into the nearby country of Switzerland) is the fourth largest in the EU with 5.27 million inhabitants. According to national sources, the population within the wider Milan metropolitan area (also known as Greater Milan), is estimated between 8.2 million and 12.5 million making it by far the largest metropolitan area in Italy and one of the largest in the EU.* * * * Milan is considered a leading alpha global city, with strengths in the fields of art, chemicals, commerce, design, education, entertainment, fashion, finance, healthcar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gian Galeazzo Sforza
Gian Galeazzo Sforza (20 June 1469 – 21 October 1494), also known as Giovan Galeazzo Sforza, was the sixth Duke of Milan. Early life Born in Abbiategrasso, he was only seven years old when in 1476 his father, Galeazzo Maria Sforza, was assassinated and he became the Duke of Milan. His uncle, Ludovico Sforza, acted as regent to the young duke, but quickly wrested all power from him and became the de facto ruler of Milan. Ludovico imprisoned Gian Galeazzo and later became the duke after Gian Galeazzo's death, which was widely viewed as suspicious. Marriage and issue In February 1489, Gian Galeazzo married his cousin Princess Isabella of Naples. Together they had four children: *Francesco Sforza (1491–1512) *Ippolita Maria Sforza (1493–1501) * Bona Sforza (1494–1557); married Sigismund I of Poland *Bianca Maria Sforza (posthumously 1495–1496) Death In 1491 Ludovico Sforza had Gian Galeazzo Sforza and his wife Isabella of Aragon transferred to the Visconti Ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of Medieval Arabic And Western European Domes
The early domes of the Middle Ages, particularly in those areas recently under Byzantine control, were an extension of earlier Roman architecture. The domed church architecture of Italy from the sixth to the eighth centuries followed that of the Byzantine provinces and, although this influence diminishes under Charlemagne, it continued on in Venice, Southern Italy, and Sicily. Charlemagne's Palatine Chapel is a notable exception, being influenced by Byzantine models from Ravenna and Constantinople. The Dome of the Rock, an Umayyad Muslim religious shrine built in Jerusalem, was designed similarly to nearby Byzantine martyria and Christian churches. Domes were also built as part of Muslim palaces, throne halls, pavilions, and baths, and blended elements of both Byzantine and Persian architecture, using both pendentives and squinches. The origin of the crossed-arch dome type is debated, but the earliest known example is from the tenth century at the Great Mosque of Córdoba. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Peroni
Giuseppe Peroni (6 May 1700 – 22 September 1776) was an Italian painter of the Baroque period. ''Extasis of Phillip Neri'' (1764), Santa Maria presso San Satiro, Milan Biography He was born and died in Parma, where he is said to have studied under Ilario Spolverini. He then moved to Bologna and attended the Accademia Clementina, where he would have worked under the masters Ercole Lelli, Felice Torelli, and Donato Creti, then moved to Rome to work with Agostino Masucci. He painted in the pre-eminent style of his time, the grand manner of Carlo Maratta. In Rome, In 1738, Giuseppe was able to garner a first prize for painting submitted to an exhibition at the Accademia di San Luca. He also became a priest by 1744. Returning to Parma, he became active in teaching at the local Academy of Fine Arts (founded 1757) and painting mostly altarpieces for churches. He painted a ''The Magdalene at the feet of Christ'' (1757) for the Certosa di Pavia, ''St Camillo de Lellis'' for the churc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colleoni Chapel
The Cappella Colleoni (Italian: "Colleoni Chapel") is a chapel and mausoleum attached to the Basilica of St. Mary Major in the northern Italian city of Bergamo. Dedicated to the saints Bartholomew, Mark and John the Baptist, it was built between 1472 and 1476 as the personal shrine for the condottiere Bartolomeo Colleoni, a member of one of the city's most notable families, and his beloved daughter Medea. The site chosen was that of the church's sacristy, which was demolished by Colleoni's soldiers. Whether or not the demolition was authorized by church administrators remains the subject of scholarly debate among Italian historians. The design was entrusted to Giovanni Antonio Amadeo, whose plan respected the style of the church, as can be seen from the octagonal tambour of the dome and in the lantern cusp, as well as in the use of polychrome marbles. Overview The façade is characterized by the use of inlaying and polychrome marble decoration in white, red and black lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sant'Eustorgio
The Basilica of Sant'Eustorgio is a church in Milan in northern Italy, which is in the Basilicas Park city park. It was for many years an important stop for pilgrims on their journey to Rome or to the Holy Land, because it was said to contain the tomb of the Three Magi or ''Three Kings''. Probably founded in the 4th century, its name refers to Eustorgius I, the bishop of Milan to whom is attributed the translation of the supposed relics of the Magi to the city from Constantinople in 344. In 1764, when an ancient pillar was removed, a Christian burial was discovered, housing coins of emperor Constans, the son of Constantine the Great. The church was later rebuilt in Romanesque style. In the 12th century, when Milan was sacked by Frederick Barbarossa, the relics of the Magi were appropriated and subsequently taken to Cologne. It was only in 1903/4 that fragments of the bones and garments were sent back to Sant'Eustorgio's. Nowadays they are in the Three Kings altar nearby the e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cotto (material)
A brick is a type of block used to build walls, pavements and other elements in masonry construction. Properly, the term ''brick'' denotes a block composed of dried clay, but is now also used informally to denote other chemically cured construction blocks. Bricks can be joined using mortar, adhesives or by interlocking them. Bricks are usually produced at brickworks in numerous classes, types, materials, and sizes which vary with region and time period, and are produced in bulk quantities. ''Block'' is a similar term referring to a rectangular building unit composed of similar materials, but is usually larger than a brick. Lightweight bricks (also called lightweight blocks) are made from expanded clay aggregate. Fired bricks are one of the longest-lasting and strongest building materials, sometimes referred to as artificial stone, and have been used since circa 4000 BC. Air-dried bricks, also known as mud-bricks, have a history older than fired bricks, and have an additi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sacellum
In ancient Roman religion, a ''sacellum'' is a small shrine. The word is a diminutive from ''sacrum'' (neuter of ''sacer'', "belonging to a god"). The numerous ''sacella'' of ancient Rome included both shrines maintained on private properties by families, and public shrines. A ''sacellum'' might be square or round. Varro and Verrius Flaccus describe ''sacella'' in ways that at first seem contradictory, the former defining a ''sacellum'' in its entirety as equivalent to a ''cella'', which is specifically an enclosed space, and the latter insisting that a ''sacellum'' had no roof. "Enclosure," however, is the shared characteristic, roofed over or not. "The ''sacellum''," notes Jörg Rüpke, "was both less complex and less elaborately defined than a temple proper." The meaning can overlap with that of ''sacrarium'', a place where sacred objects ''(sacra)'' were stored or deposited for safekeeping. The ''sacella'' of the Argei, for instance, are also called ''sacraria''. In private ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pinacoteca Di Brera
The Pinacoteca di Brera ("Brera Art Gallery") is the main public gallery for paintings in Milan, Italy. It contains one of the foremost collections of Italian paintings from the 13th to the 20th century, an outgrowth of the cultural program of the Brera Academy, which shares the site in the Palazzo Brera. History The Palazzo Brera owes its name to the Germanic ''braida'', indicating a grassy opening in the city structure: compare the ''Bra'' of Verona. The convent on the site passed to the Jesuits (1572), then underwent a radical rebuilding by Francesco Maria Richini (1627–28). When the Jesuits were disbanded in 1773, the palazzo remained the seat of the astronomical Observatory and the Braidense National Library founded by the Jesuits. In 1774 the herbarium of the new botanical garden was added. The buildings were extended to designs by Giuseppe Piermarini, who was appointed professor in the Academy when it was formally founded in 1776, with Giuseppe Parini as dean. Pier ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Borgognone
Borgognone is a surname. Notable people with the surname include: *Ambrogio Bergognone (1470–1523), Italian painter *Dirk Borgognone (born 1968), former National Football League placekicker *Guillaume Courtois (1628–1679), French painter active in Italy *Jacques Courtois Jacques Courtois or Giacomo Cortese, called il Borgognone or le Bourguignon (12 ?December 162114 November 1676) was a Franche-Comtois–Italian painter, draughtsman, and etcher. He was mainly active in Rome and Florence and became known as th ... (1621–1676), French painter active in Italy {{surname Italian-language surnames ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanesque Architecture
Romanesque architecture is an architectural style of medieval Europe characterized by semi-circular arches. There is no consensus for the beginning date of the Romanesque style, with proposals ranging from the 6th to the 11th century, this later date being the most commonly held. In the 12th century it developed into the Gothic style, marked by pointed arches. Examples of Romanesque architecture can be found across the continent, making it the first pan-European architectural style since Imperial Roman architecture. The Romanesque style in England and Sicily is traditionally referred to as Norman architecture. Combining features of ancient Roman and Byzantine buildings and other local traditions, Romanesque architecture is known by its massive quality, thick walls, round arches, sturdy pillars, barrel vaults, large towers and decorative arcading. Each building has clearly defined forms, frequently of very regular, symmetrical plan; the overall appearance is one of simplic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barrel Vault
A barrel vault, also known as a tunnel vault, wagon vault or wagonhead vault, is an architectural element formed by the extrusion of a single curve (or pair of curves, in the case of a pointed barrel vault) along a given distance. The curves are typically circular in shape, lending a semi-cylindrical appearance to the total design. The barrel vault is the simplest form of a vault: effectively a series of arches placed side by side (i.e., one after another). It is a form of barrel roof. As with all arch-based constructions, there is an outward thrust generated against the walls underneath a barrel vault. There are several mechanisms for absorbing this thrust. One is to make the walls exceedingly thick and strong – this is a primitive and sometimes unacceptable method. A more elegant method is to build two or more vaults parallel to each other; the forces of their outward thrusts will thus negate each other. This method was most often used in construction of churches, where sever ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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