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Colleoni Chapel
The Cappella Colleoni (Italian: "Colleoni Chapel") is a chapel and mausoleum attached to the Basilica of St. Mary Major in the northern Italian city of Bergamo. Dedicated to the saints Bartholomew, Mark and John the Baptist, it was built between 1472 and 1476 as the personal shrine for the condottiere Bartolomeo Colleoni, a member of one of the city's most notable families, and his beloved daughter Medea. The site chosen was that of the church's sacristy, which was demolished by Colleoni's soldiers. Whether or not the demolition was authorized by church administrators remains the subject of scholarly debate among Italian historians. The design was entrusted to Giovanni Antonio Amadeo, whose plan respected the style of the church, as can be seen from the octagonal tambour of the dome and in the lantern cusp, as well as in the use of polychrome marbles. Overview The façade is characterized by the use of inlaying and polychrome marble decoration in white, red and black lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bergamo - Cappella Colleoni
Bergamo (; lmo, Bèrghem ; from the proto- Germanic elements *''berg +*heim'', the "mountain home") is a city in the alpine Lombardy region of northern Italy, approximately northeast of Milan, and about from Switzerland, the alpine lakes Como and Iseo and 70 km (43 mi) from Garda and Maggiore. The Bergamo Alps (''Alpi Orobie'') begin immediately north of the city. With a population of around 120,000, Bergamo is the fourth-largest city in Lombardy. Bergamo is the seat of the Province of Bergamo, which counts over 1,103,000 residents (2020). The metropolitan area of Bergamo extends beyond the administrative city limits, spanning over a densely urbanized area with slightly less than 500,000 inhabitants. The Bergamo metropolitan area is itself part of the broader Milan metropolitan area, home to over 8 million people. The city of Bergamo is composed of an old walled core, known as ''Città Alta'' ("Upper Town"), nestled within a system of hills, and the modern expans ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loggia
In architecture, a loggia ( , usually , ) is a covered exterior gallery or corridor, usually on an upper level, but sometimes on the ground level of a building. The outer wall is open to the elements, usually supported by a series of columns or arches. They can be on principal fronts and/or sides of a building and are not meant for entrance but as an outdoor sitting room."Definition of Loggia" Lexic.us. Retrieved on 2014-10-24. An overhanging loggia may be supported by a baldresca. From the early , nearly every Italian |
History Of Italian Renaissance Domes
Italian Renaissance domes were designed during the Renaissance period of the fifteenth and sixteenth centuries in Italy. Beginning in Florence, the style spread to Rome and Venice and made the combination of dome, drum, and barrel vaults standard structural forms. Notable architects during the Italian Renaissance were Filippo Brunelleschi, builder of the dome of Florence Cathedral, Donato Bramante, Andrea Palladio, and Michelangelo, designer of the dome of St. Peter's Basilica. Fifteenth century Florence Cathedral After years of considering options, Filippo Brunelleschi and Lorenzo Ghiberti were made joint leaders of the project to build the dome for Florence Cathedral in 1420. Brunelleschi's plan to use suspended scaffolding for the workers won out over alternatives such as building a provisional stone support column in the center of the crossing or filling the space with earth. The octagonal brick domical vault was built between 1420 and 1436, with Ghiberti resigning in 1433. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of Medieval Arabic And Western European Domes
The early domes of the Middle Ages, particularly in those areas recently under Byzantine control, were an extension of earlier Roman architecture. The domed church architecture of Italy from the sixth to the eighth centuries followed that of the Byzantine provinces and, although this influence diminishes under Charlemagne, it continued on in Venice, Southern Italy, and Sicily. Charlemagne's Palatine Chapel is a notable exception, being influenced by Byzantine models from Ravenna and Constantinople. The Dome of the Rock, an Umayyad Muslim religious shrine built in Jerusalem, was designed similarly to nearby Byzantine martyria and Christian churches. Domes were also built as part of Muslim palaces, throne halls, pavilions, and baths, and blended elements of both Byzantine and Persian architecture, using both pendentives and squinches. The origin of the crossed-arch dome type is debated, but the earliest known example is from the tenth century at the Great Mosque of Córdoba. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cappella Colleoni Medea Colleoni
{{disambiguation, surname ...
Cappella may refer to: * Cappella (band), Italian electronic music group * a cappella, unaccompanied singing People with the surname * Felix Cappella (1930-2011), Canadian race walker * Scipione Cappella (fl. 18th century), Italian painter See also * A cappella (other), including "A Cappella" * Capella (other) * Capela (other) Capela may refer to: Places *Capela (Penafiel), a parish in Penafiel Municipality, Portugal * Capela, Sergipe, a municipality in the Brazilian state of Sergipe * Capela, Alagoas, a municipality in the Brazilian state of Alagoas * Capela, Râmni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giambattista Tiepolo
Giovanni Battista Tiepolo ( , ; March 5, 1696 – March 27, 1770), also known as Giambattista (or Gianbattista) Tiepolo, was an Italian painter and printmaker from the Republic of Venice who painted in the Rococo style, considered an important member of the 18th-century Venetian school. He was prolific, and worked not only in Italy, but also in Germany and Spain. Giovan Battista Tiepolo, together with Giambattista Pittoni, Canaletto, Giovan Battista Piazzetta, Giuseppe Maria Crespi, and Francesco Guardi are considered the traditional Old Masters of that period. Successful from the beginning of his career, he has been described by Michael Levey as "the greatest decorative painter of eighteenth-century Europe, as well as its most able craftsman." Biography ''The Glory of St. Dominic'', 1723 Early life (1696–1726) Born in Venice, he was the youngest of six children of Domenico and Orsetta Tiepolo. His father was a small shipping merchant who belonged to a family that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grazioso Rusca
Grazioso Rusca (1757 – 18 June 1829) was a Swiss sculptor who was also active in northern Italy. Biography Originally from Rancate in the Swiss canton of Ticino, he was trained as a stonemason by architects including Simone Cantoni. He worked at the Veneranda Fabbrica del Duomo di Milano in Milan where he created reliefs for the cathedral's facade. In the 1880s, he worked with Austrian architect Leopold Pollack at the College of Pavia, creating two large statues representing Philosophy and Theology. From 1796 to 1797, his decorations for the Palazzo Belgioioso included bas-reliefs depicting Napoleon as Hercules helping Italy. In Bergamo's Cappella Colleoni, he sculpted the two angels supporting Pollack's altar table. Again working with Pollack in Bergamo, he decorated the high altar at Santa Maria Maggiore and created the bas-reliefs of Apollo and the muses at the Palazzo Agosti. In 1805, he replaced Carlo Maria Giudici at the Fabbrica del Duomo, earning him a position of gre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leopoldo Pollack
Leopoldo Pollack (1751 – 13 March 1806) was an Austrian-born Italian architect who was active in Milan where he became one of the leading proponents of Neoclassical architecture. Career In Vienna, Pollack was trained by Paul Ulrich Trientl before attending courses at the Academy under Vinzenz Fischer. After arriving in Milan in 1775, he became a pupil of Giuseppe Piermarini with whom he also collaborated. His most famous work is the Royal Villa or Villa Belgiojoso (1790–1796), one of Milan's most important Neoclassical buildings. Clearly influenced by Palladianism and French trends, it has a rusticated base, a giant order of columns and is topped with a series of statues. Pollack also designed the English garden behind the mansion. His elevations are inspired by Ange-Jacques Gabriel's Place de la Concorde although he used Ionic rather than Corinthian columns. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Solomonic Column
The Solomonic column, also called Barley-sugar column, is a helical column, characterized by a spiraling twisting shaft like a corkscrew. It is not associated with a specific classical order, although most examples have Corinthian or Composite capitals. But it may be crowned with any design, for example, making a Roman Doric solomonic or Ionic solomonic column. Etymology and origin Unlike the classical example of Trajan's Column of ancient Rome, which has a turned shaft decorated with a single continuous helical band of low-reliefs depicting Trajan’s military might in battle, the twisted column is known to be an eastern motif taken into Byzantine architecture and decoration. Twist-fluted columns were a feature of some eastern architecture of Late Antiquity. In the 4th century, Constantine the Great brought a set of columns to Rome and gave them to the original St. Peter's Basilica for reuse in the high altar and presbytery; '' The Donation of Constantine'', a painting from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Lombardo
Monument of the Doge Pietro Mocenigo 1481 :''Pietro Lombardo is also the Italian version of the name of the theologian Peter Lombard.'' Pietro Lombardo (1435–1515) was an Italian Renaissance sculptor and architect; born in Carona (Ticino), he was the father of Tullio Lombardo and Antonio Lombardo. ''''. Web. 18 Jun. 2011. In the late 15th century, Pietro Lombardo sculpted many Venetian tombs with the help of his sons. These tombs included those of |
Bartolomeo Manni
Bartolomeo or Bartolommeo is a masculine Italian given name, the Italian equivalent of Bartholomew. Its diminutive form is Baccio. Notable people with the name include: * Abramo Bartolommeo Massalongo (1824–1860), Italian paleobotanist and lichenologist * Bartolomeo Aimo (1889–1970), Italian professional bicycle road racer * Bartolomeo Altomonte, a.k.a. Bartholomäus Hohenberg (1694–1783), Austrian baroque painter * Bartolomeo Amico a.k.a. Bartholomeus Amicus (1562–1649), Jesuit priest, teacher and writer who spent his adult life in Naples * Bartolomeo Ammanati (1511–1592), Florentine architect and sculptor * Bartolomeo Avanzini (1608–1658), Italian architect of the Baroque period * Bartolomeo Bacilieri (1842–1923), Italian cardinal, Bishop of Verona 1900–1923 * Bartolommeo Bandinelli (1488–1560), Italian sculptor * Bartolomeo Barbarino (c. 1568–c. 1617 or later), Italian composer and singer of the early Baroque era * Bartolomeo Bassi (early 1600s-1640s), Genoese ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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