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Santa Caterina Dei Funari
Santa Caterina dei Funari is a church in Rome in Italy, in the rione of Sant'Angelo. The church is mainly known for its façade and its interior with frescoes and paintings. History The church is located where the Castro Aureo of the Circus Flaminius was located, built by Gaius Flaminius in 221 B.C. Prior to the 13th century, the seats of the surrounding semi-ruined amphitheater were used to dry the wares produced by the string- and rope-makers (''funari''), hence, the name of the church. Originally a small church dedicated to Santa Rosa di Viterbo was adjacent. The original church was a three-naved basilica, called "Santa Maria de Donna Rosa in Castro Aureo", named for the first time in 1192 in a document of Pope Celestine III. It was rebuilt in the 9th century with a single nave and dedicated to St Catherine of Alexandria and later also called Santa Caterina dei Funari. In 1534 Pope Paul III granted this church to St. Ignatius of Loyola, founder of the Jesuits. He establishe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rome
, established_title = Founded , established_date = 753 BC , founder = King Romulus (legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption = The territory of the ''comune'' (''Roma Capitale'', in red) inside the Metropolitan City of Rome (''Città Metropolitana di Roma'', in yellow). The white spot in the centre is Vatican City. , pushpin_map = Italy#Europe , pushpin_map_caption = Location within Italy##Location within Europe , pushpin_relief = yes , coordinates = , coor_pinpoint = , subdivision_type = Country , subdivision_name = Italy , subdivision_type2 = Region , subdivision_name2 = Lazio , subdivision_type3 = Metropolitan city , subdivision_name3 = Rome Capital , government_footnotes= , government_type = Strong Mayor–Council , leader_title2 = Legislature , leader_name2 = Capitoline Assemb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santo Spirito In Sassia
Church of the Holy Spirit in the Saxon District (Italian: ''La chiesa di Santo Spirito in Sassia'') is a 12th-century titular church in Rome, Italy. It is in '' Borgo Santo Spirito'', a street which got its name from the church, placed in the southern part of Rione Borgo. The current holder of the ''titulus'' is Cardinal-Deacon Dominique Mamberti. It has been the official sanctuary of Divine Mercy since 1994. History The church stands on the site of King Ine of Wessex's ''Schola Saxonum'', or "Saxon School", a charitable institution for West Saxon pilgrims. According to Roger of Wendover, Ine founded the Schola Saxonum in AD 727. It included a hostel and a chapel dedicated to Santa Maria. In mediaeval times a substantial number of pilgrims from Wessex, including fighting men, traveled the Via Francigena from Canterbury to Rome.Merkle, Benjamin R. (2009-11-02). ''The White Horse King: The Life of Alfred the Great'' (Kindle Locations 266-275 and 366-370). Thomas Nelson. Kindle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cartouche (design)
A cartouche (also cartouch) is an oval or oblong design with a slightly convex surface, typically edged with ornamental scrollwork. It is used to hold a painted or low-relief design. Since the early 16th century, the cartouche is a scrolling frame device, derived originally from Italian . Such cartouches are characteristically stretched, pierced and scrolling. Another cartouche figures prominently in the 16th-century title page of Giorgio Vasari's '' Lives of the Most Excellent Painters, Sculptors, and Architects'', framing a minor vignette with a pierced and scrolling papery cartouche. The engraved trade card of the London clockmaker Percy Webster shows a vignette of the shop in a scrolling cartouche frame of Rococo design that is composed entirely of scrolling devices. Gallery Ostia, horrea epagathiana 01.JPG, Roman rectangular cartouche on the frieze of the entrance of Horrea Epagathiana et Epaphroditiana, Ostia, Rome, 145-150 AD Heiligtum mainz4.jpg, Roman rectangular ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Escutcheon (heraldry)
In heraldry, an escutcheon () is a shield that forms the main or focal element in an Achievement (heraldry), achievement of arms. The word can be used in two related senses. In the first sense, an escutcheon is the shield upon which a coat of arms is displayed. In the second sense, an escutcheon can itself be a charge (heraldry), charge within a coat of arms. Escutcheon shapes are derived from actual shields that were used by knights in combat, and thus are varied and developed by region and by era. Since shields have been regarded as military equipment appropriate for men only, British ladies customarily bear their arms upon a Lozenge (heraldry), lozenge, or diamond-shape, while clergymen and ladies in continental Europe bear their arms upon a Cartouche (design), cartouche, or oval. Other shapes are also in use, such as the roundel (heraldry), roundel commonly used for arms granted to Aboriginal Canadians by the Canadian Heraldic Authority, or the Nguni shield used in Coats of ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rose Window
Rose window is often used as a generic term applied to a circular window, but is especially used for those found in Gothic cathedrals and churches. The windows are divided into segments by stone mullions and tracery. The term ''rose window'' was not used before the 17th century and comes from the English flower name rose. The name "wheel window" is often applied to a window divided by simple spokes radiating from a central boss or opening, while the term "rose window" is reserved for those windows, sometimes of a highly complex design, which can be seen to bear similarity to a multi-petalled rose. Rose windows are also called "Catherine windows" after Saint Catherine of Alexandria, who was sentenced to be executed on a spiked breaking wheel. A circular window without tracery such as are found in many Italian churches, is referred to as an ocular window or oculus. Rose windows are particularly characteristic of Gothic architecture and may be seen in all the major Gothic Cathedr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Volute
A volute is a spiral, scroll-like ornament that forms the basis of the Ionic order, found in the capital of the Ionic column. It was later incorporated into Corinthian order and Composite column capitals. Four are normally to be found on an Ionic capital, eight on Composite capitals and smaller versions (sometimes called ''helix'') on the Corinthian capital. The word derives from the Latin ''voluta'' ("scroll"). It has been suggested that the ornament was inspired by the curve of a ram's horns, or perhaps was derived from the natural spiral found in the ovule of a common species of clover native to Greece. Alternatively, it may simply be of geometrical origin."Volute". ''The Concise Oxford Dictionary of Archaeology''. Timothy Darvill. Oxford University Press, 2002 The ornament can be seen in Renaissance and Baroque architecture and is a common decoration in furniture design, silverware and ceramics. A method of drawing the complex geometry was devised by the ancient Roman arch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cherub
A cherub (; plural cherubim; he, כְּרוּב ''kərūḇ'', pl. ''kərūḇīm'', likely borrowed from a derived form of akk, 𒅗𒊏𒁍 ''karabu'' "to bless" such as ''karibu'', "one who blesses", a name for the lamassu) is one of the unearthly beings who directly attend to God, according to Abrahamic religions. The numerous depictions of cherubim assign to them many different roles, such as protecting the entrance of the Garden of Eden. Abrahamic religious traditions In Jewish angelic hierarchy, cherubim have the ninth (second-lowest) rank in Maimonides' ''Mishneh Torah'' (12th century), and the third rank in Kabbalistic works such as ''Berit Menuchah'' (14th century). ''De Coelesti Hierarchia'' places them in the highest rank alongside Seraphim and Thrones. In the Book of Ezekiel and (at least some) Christian icons, the cherub is depicted as having two pairs of wings, and four faces: that of a lion (representative of all wild animals), an ox ( domestic animals), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornucopia
In classical antiquity, the cornucopia (), from Latin ''cornu'' (horn) and ''copia'' (abundance), also called the horn of plenty, was a symbol of abundance and nourishment, commonly a large horn-shaped container overflowing with produce, flowers, or nuts. Baskets or panniers of this form were traditionally used in western Asia and Europe to hold and carry newly harvested food products. The horn-shaped basket would be worn on the back or slung around the torso, leaving the harvester's hands free for picking. In Greek/Roman mythology Mythology offers multiple explanations of the origin of the cornucopia. One of the best-known involves the birth and nurturance of the infant Zeus, who had to be hidden from his devouring father Cronus. In a cave on Mount Ida on the island of Crete, baby Zeus was cared for and protected by a number of divine attendants, including the goat Amaltheia ("Nourishing Goddess"), who fed him with her milk. The suckling future king of the gods had unusual ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pediment
Pediments are gables, usually of a triangular shape. Pediments are placed above the horizontal structure of the lintel, or entablature, if supported by columns. Pediments can contain an overdoor and are usually topped by hood moulds. A pediment is sometimes the top element of a portico. For symmetric designs, it provides a center point and is often used to add grandness to entrances. The tympanum, the triangular area within the pediment, is often decorated with a pedimental sculpture which may be freestanding or a relief sculpture. The tympanum may hold an inscription, or in modern times, a clock face. Pediments are found in ancient Greek architecture as early as 600 BC (e.g. the archaic Temple of Artemis). Variations of the pediment occur in later architectural styles such as Classical, Neoclassical and Baroque. Gable roofs were common in ancient Greek temples with a low pitch (angle of 12.5° to 16°). History The pediment is found in classical Greek temples, Et ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Architrave
In classical architecture, an architrave (; from it, architrave "chief beam", also called an epistyle; from Greek ἐπίστυλον ''epistylon'' "door frame") is the lintel or beam that rests on the capitals of columns. The term can also apply to all sides, including the vertical members, of a frame with mouldings around a door or window. The word "architrave" has come to be used to refer more generally to a style of mouldings (or other elements) framing a door, window or other rectangular opening, where the horizontal "head" casing extends across the tops of the vertical side casings where the elements join (forming a butt joint, as opposed to a miter joint). Classical architecture In an entablature in classical architecture, it is the lowest part, below the frieze and cornice. The word is derived from the Greek and Latin words ''arche'' and ''trabs'' combined to mean "main beam". The architrave is different in the different Classical orders. In the Tuscan o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aedicula
In ancient Roman religion, an ''aedicula'' (plural ''aediculae'') is a small shrine, and in classical architecture refers to a niche covered by a pediment or entablature supported by a pair of columns and typically framing a statue,"aedicula, n." ''OED Online'', Oxford University Press, September 2020www.oed.com/view/Entry/3077 Accessed 29 September 2020."aedicule, n." ''OED Online'', Oxford University Press, September 2020www.oed.com/view/Entry/3079 Accessed 29 September 2020 the early Christian ones sometimes contained funeral urns. Aediculae are also represented in art as a form of ornamentation. The word ''aedicula'' is the diminutive of the Latin ''aedes'', a temple building or dwelling place. The Latin word has been Anglicised as "aedicule" and as "edicule". Classical aediculae Many aediculae were household shrines (lararia) that held small altars or statues of the Lares and Di Penates. The Lares were Roman deities protecting the house and the family household gods. The P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Festoon
A festoon (from French ''feston'', Italian ''festone'', from a Late Latin ''festo'', originally a festal garland, Latin ''festum'', feast) is a wreath or garland hanging from two points, and in architecture typically a carved ornament depicting conventional arrangement of flowers, foliage or fruit bound together and suspended by ribbons. The motif is sometimes known as a swag when depicting fabric or linen.Sturgis, pp. 22-23 In modern English the verb forms, especially "festooned with", are often used very loosely or figuratively to mean having any type of fancy decoration or covering. Origins and design Its origin is probably due to the representation in stone of the garlands of natural flowers, etc., which were hung up over an entrance doorway on fête days, or suspended around an altar. The design was largely employed both by the Ancient Greeks and Romans and formed the principal decoration of altars, friezes and panels. The ends of the ribbons are sometimes formed into b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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