Sansepolcro
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Sansepolcro
Sansepolcro, formerly Borgo Santo Sepolcro, is a town and ''comune'' founded in the 11th century, located in the Italian Province of Arezzo in the eastern part of the region of Tuscany. Situated on the upper reaches of the Tiber river, the town is the birthplace of the painters Piero della Francesca, Raffaellino del Colle (a pupil of Raphael), Matteo di Giovanni, Santi di Tito and Angiolo Tricca. It was also the birthplace of the Italian mathematician Luca Pacioli, and of Matteo Cioni, who translated Piero della Francesca's treatise about perspective in painting (''De prospectiva pingendi'') into Latin. Today, the economy of the town is based on agriculture, industrial manufacturing, food processing and pharmaceuticals. It is the home of Buitoni pasta, founded by Giulia Buitoni in 1827. History According to tradition the founding of the town came about through two 9th-century pilgrims to the Holy Land, Arcanus and Giles, who returned to the region and built a chapel dedicated t ...
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Piero Della Francesca
Piero della Francesca (, also , ; – 12 October 1492), originally named Piero di Benedetto, was an Italian painter of the Early Renaissance. To contemporaries he was also known as a mathematician and geometer. Nowadays Piero della Francesca is chiefly appreciated for his art. His painting is characterized by its serene humanism, its use of geometric forms and perspective. His most famous work is the cycle of frescoes ''The History of the True Cross'' in the church of San Francesco in the Tuscan town of Arezzo. Biography Early years Piero was born Piero di Benedetto in the town of Borgo Santo Sepolcro, modern-day Tuscany, to Benedetto de' Franceschi, a tradesman, and Romana di Perino da Monterchi, members of the Florentine and Tuscan Franceschi noble family. His father died before his birth, and he was called Piero della Francesca after his mother, who was referred to as "la Francesca" due to her marriage into the Franceschi family (similar to how Lisa Gherardini became kno ...
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Sansepolcro Abbey
The Cathedral of Sansepolcro (Italian: ''Duomo di Sansepolcro''; officially a co-cathedral) is a Catholic church in Sansepolcro, Tuscany, central Italy. History According to tradition, the foundations of the cathedral dates to the 9th century, when two natives of the region who had been pilgrims in the Holy Land, Arcanus and Giles (or Egidio and Arcano), returned and settled on the site. There they built a chapel dedicated to Saint Leonard and established a monastic way of life. They had brought a stone from the Church of the Holy Sepulcher in Jerusalem (thus, ''San Sepolcro'') with them from that shrine, leading it to become a popular pilgrimage site. The first historical mention of a Benedictine monastery, dedicated to the Holy Sepulcher and the Four Evangelists, is documented as of 1012; the Abbey of Sansepolcro. The church was constructed in 1012–1049, initially dedicated to the Four Evangelists and the Holy Sepulchre (deriving from Sansepolcro's name). The monastery ...
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Cathedral Of Sansepolcro
The Cathedral of Sansepolcro (Italian: ''Duomo di Sansepolcro''; officially a co-cathedral) is a Catholic church in Sansepolcro, Tuscany, central Italy. History According to tradition, the foundations of the cathedral dates to the 9th century, when two natives of the region who had been pilgrims in the Holy Land, Arcanus and Giles (or Egidio and Arcano), returned and settled on the site. There they built a chapel dedicated to Saint Leonard and established a monastic way of life. They had brought a stone from the Church of the Holy Sepulcher in Jerusalem (thus, ''San Sepolcro'') with them from that shrine, leading it to become a popular pilgrimage site. The first historical mention of a Benedictine monastery, dedicated to the Holy Sepulcher and the Four Evangelists, is documented as of 1012; the Abbey of Sansepolcro. The church was constructed in 1012–1049, initially dedicated to the Four Evangelists and the Holy Sepulchre (deriving from Sansepolcro's name). The monastery wa ...
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Bishop Of Arezzo
The Italian Catholic diocese of Arezzo-Cortona-Sansepolcro has existed since 1986. In that year the historic diocese of Arezzo was combined with the diocese of Cortona and the diocese of Sansepolcro, the enlarged diocese being suffragan of the archdiocese of Florence. History Arezzo was the see of a diocese in Tuscany, directly dependent on the Holy See. Tradition says it was converted in the 1st century by Romulus of Fiesole, afterwards Bishop of Fiesole, a disciple of St. Paul. Another foundation tale has it that Christianity was brought to Arezzo by S. Barnabas, and by S. Timothy, the disciple of S. Paul. An equally implausible claim is that all of Arezzo was baptized during the episcopacy of Bishop Dicentius in the 5th century. The cities clerks often helped build the church for their own free time. The church helped reward these people with seats of Cardinals. Many of the seats are still there with the names of people who had helped donated and build the church. It bec ...
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Luca Pacioli
Fra Luca Bartolomeo de Pacioli (sometimes ''Paccioli'' or ''Paciolo''; 1447 – 19 June 1517) was an Italian mathematician, Franciscan friar, collaborator with Leonardo da Vinci, and an early contributor to the field now known as accounting. He is referred to as the father of accounting and bookkeeping and he was the first person to publish a work on the double-entry system of book-keeping on the continent. He was also called Luca di Borgo after his birthplace, Borgo Sansepolcro, Tuscany. Several of his works were plagiarised from Piero della Francesca, in what has been called "probably the first full-blown case of plagiarism in the history of mathematics". Life Luca Pacioli was born between 1446 and 1448 in the Tuscan town of Sansepolcro where he received an abbaco education. This was education in the vernacular (''i.e.'', the local tongue) rather than Latin and focused on the knowledge required of merchants. His father was Bartolomeo Pacioli; however, Luca Pacioli ...
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Raffaellino Del Colle
Raffaellino del Colle (1490–1566) was an Italian Mannerist painter active mostly in Umbria. He was born in the frazione of Colle in Borgo Sansepolcro, province of Arezzo, Tuscany, Italy. Biography He is also called ''Raffaellino della Colle'' or ''Raffaello dal Colle''. Raffaellino was a pupil of Raphael, whom he is held to have assisted in the decoration of the Farnesina and of the stanze in the Vatican Palace. After Raphael's death, Raffaellino continued working in the Vatican, helping complete the ''Sala di Constantino'' though now under the direction of Giulio Romano. After the 1527 Sack of Rome, like most of Romano's studio and most of the foreign art community, Raffaellino and other artists dispersed through Italy, most returning to their home cities. Rafaellino went to Città di Castello, near his birthplace, where he painted altar-pieces for the principal churches, which are now mostly to be found in that town's Municipal Art Gallery.
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Angiolo Tricca
Angiolo Tricca (17 February 1817 – 23 March 1884) was an Italian caricaturist and painter of historical themes. Born in Sansepolcro, he became a pupil of the painter Vincenzo Chialli. His best known works are the caricatures of Italian artists who attended the Caffè Michelangiolo in Florence (such as Collodi, Giovanni Fattori, Telemaco Signorini and Odoardo Borrani Odoardo Borrani (22 August 1833 – 14 September 1905) was an Italian painter associated with the Macchiaioli group. Biography He was born in Pisa. The Borrani family moved to Florence, where Odoardo enrolled at the Academy of Fine Arts in 1853. ...). He collaborated with making satirical cartoons, often pseudonymously, for journals published in Florence such as ''Il Piovano Arlotto'', ''Il Lampione'', and ''La Lanterna di Diogene''. He also opened a gallery and antiquarian shop, where he often copied or repaired antique works. One of his pupils was Federico Andreotti and his son, Fosco Tricca. Sources * Mart ...
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Buitoni
Buitoni () is an Italian food company based in Sansepolcro. It was founded in 1827. They are known for their factory-produced products of pasta and sauces. In 1985, the Buitoni family sold the company to Carlo De Benedetti; in 1988, it was acquired by Nestlé. In 2017, Nestlé began a brand reorganization and licensed a variety of Buitoni frozen ready meals in Italy to Frosta AG of Bremerhaven, Germany. Information Buitoni produces a range of pasta and sauces. The company exports products to about 50 countries and offers private-label production services. Casa Buitoni is located up in the hills of Tuscany along with the fields of tomatoes, wheat, vegetables, herbs, and olives. It was the house of Giulia's grandson, Giuseppe, and it now serves as a company product development center. Buitoni products are created and sampled in the casa, which includes a test kitchen, demonstration workshop and communications center. 2013 meat adulteration scandal In February 2013, traces of ho ...
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Province Of Arezzo
The province of Arezzo ( it, provincia di Arezzo) is the easternmost province in the Tuscany region of central Italy. Its capital is the city of Arezzo. The province is bordered by the regions of Marche, Emilia-Romagna, Umbria, and the provinces Siena and Florence of Tuscany. It has an area of , a total population of about 344,000 in 36 '' comuni'' (singular: ''comune'') The north of the province of Arezzo contains the Pratomagno and Casentino mountain ranges and valleys, and the southern areas of the region contain the fertile Tiber and Chiana valleys. The province capital Arezzo was a major Etruscan urban centre known as ''Aritim'', and a wall was built around the province in this period of rule. In Roman times, the settlement was given the latinized name ''Arretium'' and expanded down from the hills. Arretium assisted Ancient Rome in the Punic Wars against Ancient Carthage. After attacks from barbarians, the settlement mostly disappeared in around 400 AD. Towards the end o ...
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Tuscany
it, Toscano (man) it, Toscana (woman) , population_note = , population_blank1_title = , population_blank1 = , demographics_type1 = Citizenship , demographics1_footnotes = , demographics1_title1 = Italian , demographics1_info1 = 90% , demographics1_title2 = , demographics1_info2 = , demographics1_title3 = , demographics1_info3 = , timezone1 = CET , utc_offset1 = +1 , timezone1_DST = CEST , utc_offset1_DST = +2 , postal_code_type = , postal_code = , area_code_type = ISO 3166 code , area_code = IT-52 , blank_name_sec1 = GDP (nominal) , blank_info_sec1 = €118 billion (2018) , blank1_name_sec1 = GDP per capita , blank1_info_sec1 = €31,500 (2018) , blank2_name_sec1 = HDI (2019) , blank2_info_sec1 = 0.907 • 6th of 21 , blank_name_sec2 = NUTS Region , blank_info_sec2 ...
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Santi Di Tito
Santi di Tito (5 December 1536 – 25 July 1603) was one of the most influential and leading Italian painters of the proto- Baroque style – what is sometimes referred to as "Counter-Maniera" or Counter-Mannerism. Biography He was born in Florence, then its own city-state. There is little documentation to support the alleged training under Bronzino or Baccio Bandinelli. From 1558 to 1564, he worked in Rome on frescoes in Palazzo Salviati and the Sala Grande of the Belvedere (''Homage of the People'') alongside Giovanni de' Vecchi and Niccolò Circignani. He acquired a classical trait, described as ''Raphaelesque'' by S. J. Freedberg. This style contrasted with the reigning ornate Roman painterliness of Federico and Taddeo Zuccari or their Florentine equivalents: Vasari, Alessandro Allori, and Bronzino. After returning to Florence in 1564, he joined the Accademia del Disegno. He contributed two conventionally Mannerist paintings for the Duke's study and laboratory, t ...
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Matteo Di Giovanni
Matteo di Giovanni (c. 1430 – 1495) was an Italian Renaissance artist from the Sienese School. Biography Matteo di Giovanni di Bartolo was born in Borgo Sansepolcro around 1430. His family relocated to Siena and he is firmly associated with the art of that city. Matteo was twice married—first in 1463 to a wealthy noble woman and, after her death, to a rich widow, who made it possible for Matteo to buy real estate and by whom he fathered many children. Documentation concerning the early phases of Matteo's life and career as an artist is scanty and nothing is recorded about his apprenticeship. Left to conjecture, we might imagine him as having been trained in the workshop of sculptor/painter Lorenzo di Pietro, better known as Vecchietta but he clearly was influenced by Stefano di Giovanni, called Sassetta and Domenico di Bartolo. The miniaturist Girolamo da Cremona and the Florentine painter Antonio del Pollaiuolo also seemed to have contributed to Matteo's distinctive ...
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