San Zeno, Verona
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San Zeno, Verona
The Basilica di San Zeno (also known as ''San Zeno Maggiore'' or ''San Zenone'') is a minor basilica of Verona, northern Italy constructed between 967 and 1398 AD. Its fame rests partly on its Romanesque architecture and partly upon the tradition that its crypt was the place of the marriage of Shakespeare's '' Romeo and Juliet''. It stands adjacent to a Benedictine abbey, both dedicated to St Zeno of Verona. History St. Zeno died around 371-380. According to legend, at a site above his tomb along the Via Gallica, the first small church was erected by Theodoric the Great, king of the Ostrogoths. Erection of the present basilica and associated monastery began in the 9th century, when Bishop Ratoldus and King Pepin of Italy attended the translation of the saint's relics into the new church. This edifice was damaged or destroyed by a Magyar invasion in the early 10th-century, at which time Zeno's body was moved to the Cathedral of Santa Maria Matricolare: on May 21, 921, it was re ...
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Basilica Di San Zeno 01
In Ancient Roman architecture, a basilica is a large public building with multiple functions, typically built alongside the town's forum. The basilica was in the Latin West equivalent to a stoa in the Greek East. The building gave its name to the architectural form of the basilica. Originally, a basilica was an ancient Roman public building, where courts were held, as well as serving other official and public functions. Basilicas are typically rectangular buildings with a central nave flanked by two or more longitudinal aisles, with the roof at two levels, being higher in the centre over the nave to admit a clerestory and lower over the side-aisles. An apse at one end, or less frequently at both ends or on the side, usually contained the raised tribunal occupied by the Roman magistrates. The basilica was centrally located in every Roman town, usually adjacent to the forum and often opposite a temple in imperial-era forums. Basilicas were also built in private residences and ...
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Apse
In architecture, an apse (plural apses; from Latin 'arch, vault' from Ancient Greek 'arch'; sometimes written apsis, plural apsides) is a semicircular recess covered with a hemispherical vault or semi-dome, also known as an '' exedra''. In Byzantine, Romanesque, and Gothic Christian church (including cathedral and abbey) architecture, the term is applied to a semi-circular or polygonal termination of the main building at the liturgical east end (where the altar is), regardless of the shape of the roof, which may be flat, sloping, domed, or hemispherical. Smaller apses are found elsewhere, especially in shrines. Definition An apse is a semicircular recess, often covered with a hemispherical vault. Commonly, the apse of a church, cathedral or basilica is the semicircular or polygonal termination to the choir or sanctuary, or sometimes at the end of an aisle. Smaller apses are sometimes built in other parts of the church, especially for reliquaries or shrines of saints ...
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Verona SZeno1 Tango7174
Verona ( , ; vec, Verona or ) is a city on the Adige River in Veneto, Italy, with 258,031 inhabitants. It is one of the seven provincial capitals of the region. It is the largest city municipality in the region and the second largest in northeastern Italy. The metropolitan area of Verona covers an area of and has a population of 714,310 inhabitants. It is one of the main tourist destinations in northern Italy because of its artistic heritage and several annual fairs and shows as well as the opera season in the Arena, an ancient Roman amphitheater. Between the 13th and 14th century the city was ruled by the della Scala Family. Under the rule of the family, in particular of Cangrande I della Scala, the city experienced great prosperity, becoming rich and powerful and being surrounded by new walls. The Della Scala era is survived in numerous monuments around Verona. Two of William Shakespeare's plays are set in Verona: ''Romeo and Juliet'' (which also features Romeo's visit ...
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Veronese Bellringing Art
Veronese bell ringing is a style of ringing church bells that developed around Verona, Italy from the eighteenth century. The bells are rung full circle (mouth uppermost to mouth uppermost), being held up by a rope and wheel until a note is required. History Early history In ''The History of Verona'' Ludovico Moscardo records that on the 21 November 622 the bell towers of the city rang to announce the death of Bishop Mauro. It is not known how many towers and bells, but clearly by that date Verona had a tradition of ringing. In the following century the bell "the storm" ("dei temporali") was cast. It is of octagonal shape and thought to be one of the oldest such castings in Europe. It is now preserved in the San Zeno Museum in Verona. The earliest technical information on the casting of Veronese bells is by the master Gislimerio in 1149. He described the casting of the bells for San Zeno Maggiore. Gislimerio was the first of fifty bell founders which worked in Verona ...
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Benedetto Antelami
Benedetto Antelami (c. 1150 – c. 1230)"Antelami, Benedetto" in ''The New Encyclopædia Britannica''. Chicago: Encyclopædia Britannica Inc., 15th edn., 1992, Vol. 1, p. 441. was an Italian architect and sculptor of the Romanesque school, whose "sculptural style sprang from local north Italian traditions that can be traced back to late antiquity" Little is known about his life. He was probably originally from Lombardy, perhaps born in Val d'Intelvi. It is believed from the Provençal style of his art that he served as apprentice at Saint-Trophime d'Arles. In 1178 he was at work at the Parma Cathedral, where, in the right transept, he executed a bas-relief of the Deposition from the Cross. His name and the date are inscribed in the work, which, in addition to the Provençal element, shows both classical and Byzantine influence. Later, in 1196, he was working with the sculptural decoration of the Baptistry of Parma, a building of which he was probably also the archi ...
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