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San Salvatore, Bologna
Santissimo Salvatore is a Baroque-style Roman Catholic church in central Bologna, Emilia-Romagna, Italy. History A 12th-century church at the site once hosted the Canons Regular monks of Santa Maria di Reno. The church was constructed in its present form in 1605-1623 under the direction of the Barnabite priest Giovanni Ambrogio Mazenta, assisted by the architect Tommaso Martelli. It contains eight chapels, four on each side. The only feature from the prior structure to remain was the 16th-century bell tower. The facade has three copper statues by Orazio Provaglia, along with four evangelist statues attributed to Giovanni Tedeschi. The church is presently closed to the public and only open to prearranged tours. This first chapel, hosts a canvas of the ''Beatified Archangel Canetoli refuses the role of archbishop of Florence from Giuliano de’ Medici'' by Ercole Graziani the Younger. The flanking statues of ''Saints Augustine and Jerome'' are sculpted by Tedeschi. The next chap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bologna
Bologna (, , ; egl, label= Emilian, Bulåggna ; lat, Bononia) is the capital and largest city of the Emilia-Romagna region in Northern Italy. It is the seventh most populous city in Italy with about 400,000 inhabitants and 150 different nationalities. Its metropolitan area is home to more than 1,000,000 people. It is known as the Fat City for its rich cuisine, and the Red City for its Spanish-style red tiled rooftops and, more recently, its leftist politics. It is also called the Learned City because it is home to the oldest university in the world. Originally Etruscan, the city has been an important urban center for centuries, first under the Etruscans (who called it ''Felsina''), then under the Celts as ''Bona'', later under the Romans (''Bonōnia''), then again in the Middle Ages, as a free municipality and later ''signoria'', when it was among the largest European cities by population. Famous for its towers, churches and lengthy porticoes, Bologna has a well-preserved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St Thomas Becket
Thomas Becket (), also known as Saint Thomas of Canterbury, Thomas of London and later Thomas à Becket (21 December 1119 or 1120 – 29 December 1170), was an English nobleman who served as Lord Chancellor from 1155 to 1162, and then notably as Archbishop of Canterbury from 1162 until his murder in 1170. He is venerated as a saint and martyr by the Catholic Church and the Anglican Communion. He engaged in conflict with Henry II, King of England, over the rights and privileges of the Church and was murdered by followers of the king in Canterbury Cathedral. Soon after his death, he was canonised by Pope Alexander III. Sources The main sources for the life of Becket are a number of biographies written by contemporaries. A few of these documents are by unknown writers, although traditional historiography has given them names. The known biographers are John of Salisbury, Edward Grim, Benedict of Peterborough, William of Canterbury, William fitzStephen, Guernes of Pont ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Imperial Rome
The Roman Empire ( la, Imperium Romanum ; grc-gre, Βασιλεία τῶν Ῥωμαίων, Basileía tôn Rhōmaíōn) was the post-Roman Republic, Republican period of ancient Rome. As a polity, it included large territorial holdings around the Mediterranean Sea in Europe, North Africa, and Western Asia, and was ruled by Roman emperor, emperors. From the Constitutional reforms of Augustus, accession of Caesar Augustus as the first Roman emperor to the Crisis of the Third Century, military anarchy of the 3rd century, it was a Principate with Roman Italy, Italia as the metropole of Roman province, its provinces and the Rome, city of Rome as its sole capital. The Empire was later ruled by dominate, multiple emperors who shared control over the Western Roman Empire and the Byzantine Empire#Early history, Eastern Roman Empire. The city of Rome remained the nominal capital of both parts until AD 476 when the imperial insignia were sent to Constantinople following the capture of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacobus De Voragine
Jacobus de Voragine (c. 123013/16 July 1298) was an Italian chronicler and archbishop of Genoa. He was the author, or more accurately the compiler, of the ''Golden Legend'', a collection of the legendary lives of the greater saints of the medieval church that was one of the most popular religious works of the Middle Ages. Biography Jacobus was born either in Varazze or in Genoa, where a family originally from Varazze and bearing that name is attested at the time. He entered the Dominican order in 1244, and became the prior at Como, Bologna and Asti in succession. Besides preaching with success in many parts of Italy, he also taught in the schools of his own fraternity. He was provincial of Lombardy from 1267 till 1286, when he was removed at the meeting of the order in Paris. He also represented his own province at the councils of Lucca (1288) and Ferrara (1290). On the last occasion he was one of the four delegates charged with signifying Pope Nicholas IV's desire for the de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Brizzi
Francesco Brizio (1574–1623) was an Italian painter and engraver of the Bolognese School, active in the early- Baroque. It appears Cesare Malvasia confused him with ''il Nosadella'' or Giovanni Francesco Bezzi, who lived and was active only in the 16th century. Brizio was born in Bologna. He was initially a pupil of Bartolommeo Passarotti, but then became a pupil under Agostino and Ludovico Carracci. He helped paint, along with Lucio Massari and Leonello Spada, stories of Torquato Tasso's epic in the loggias of the Palazzo Bentivoglio. He also frescoed a ceiling for the signori Conti Boschetti in Modena and in the Oratorio della SS Trinità in Pieve di Cento. In Bologna, he painted a ''Coronation of the Madonna del Borgo'' for the church of San Petronio. He also frescoed in the cloister of San Michele in Bosco. His son Filippo became a pupil of Guido Reni. Another pupil was Domenico Ambrogi. In engraving he was instructed by Agostino Carracci, and he is said to have fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacomo Cavedone
Giacomo Cavedone (also called ''Giacomo Cavedoni'') (1577–1660) was an Italian Baroque painter of the Bolognese School. Life He belonged to the generation of Carracci-inspired or trained painters that included Giovanni Andrea Donducci (Mastelletta); Alessandro Tiarini, Lucio Massari, Leonello Spada and Lorenzo Garbieri. He was born in Sassuolo, near Modena, and was able to obtain a three-year stipend to apprentice with Bernardino Baldi and Annibale Carracci. In the autumn of 1609, he sojourned in Rome for a year to work under Guido Reni, and is known to have worked in Venice from 1612 to 1613. He became one of Ludovico Carracci's primary assistants, and upon Ludovico's death in 1619 became ''Caposindaco'' of the ''Accademia degli Incamminati''. His career as a painter was cut short by a set of misfortunes; these included a 1623 fall from a church scaffold and, in 1630, the death of his wife and children from the plague. The ''1911 Britannica'' (where he is incorrectly calle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guido Reni
Guido Reni (; 4 November 1575 – 18 August 1642) was an Italian painter of the Baroque period, although his works showed a classical manner, similar to Simon Vouet, Nicolas Poussin, and Philippe de Champaigne. He painted primarily religious works, but also mythological and allegorical subjects. Active in Rome, Naples, and his native Bologna, he became the dominant figure in the Bolognese School that emerged under the influence of the Carracci. Biography Born in Bologna into a family of musicians, Guido Reni was the only child of Daniele Reni and Ginevra Pozzi.Spear, Richard E. "Reni, Guido". ''Grove Art Online. Oxford Art Online''. Oxford University Press. Apprenticed at the age of nine to the Bolognese studio of Denis Calvaert, he was soon joined in that studio by Albani and Domenichino. When Reni was about twenty years old, the three Calvaert pupils migrated to the rising rival studio, named ''Accademia degli Incamminati'' (Academy of the "newly embarked", or progress ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Francesco Gessi
Francesco Gessi (20 January 1588 – 1649) was an Italian painter of the Baroque period, active mainly in Bologna. Biography Born to a noble family, his father noticed his attraction to the arts and placed him in the apprenticeship with Denys Calvaert. This did not last, since he apparently disturbed the other pupils. He was more successful under the tutelage of Guido Reni. From there, he obtained commissions to fresco in Ravenna, Mantua, and also the ''Capella del Tesoro'' in the Naples Cathedral. Supposedly Guido Reni turned down the Neapolitan commission after being threatened by Belisario Corenzio and others. Gessi took up the work, but two of his pupils, Lorenzo Menini and Giovanni Battista Ruggieri, disappeared. Gessi ultimately desisted from attempting to complete the latter in the dangerously competitive art world of Naples. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guercino
Giovanni Francesco Barbieri (February 8, 1591 – December 22, 1666),Miller, 1964 better known as Guercino, or il Guercino , was an Italian Baroque painter and draftsman from Cento in the Emilia region, who was active in Rome and Bologna. The vigorous naturalism of his early manner contrasts with the classical equilibrium of his later works. His many drawings are noted for their luminosity and lively style. Biography Giovanni Francesco Barbieri was born into a family of peasant farmers in Cento, a town in the Po Valley mid-way between Bologna and Ferrara.Mahon, 1937a Being cross-eyed, at an early age he acquired the nickname by which he is universally known, Guercino (a diminutive of the Italian noun '' guercio'', meaning 'squinter').Turner, 2003 Mainly self-taught, at the age of 16, he worked as apprentice in the shop of Benedetto Gennari, a painter of the Bolognese School. An early commission was for the decoration with frescos (1615–1616) of Casa Pannini in Cento, wher ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro Tiarini
Alessandro Tiarini (20 March 1577 – 8 February 1668) was an Italian Baroque painter of the Bolognese School. Biography Alessandro Tiarini was born in Bologna. His mother died when he was a child, and he was raised by an aunt. Early on his family tried, unsuccessfully, to guide him towards becoming a cleric. He was the godson of painter Lavinia Fontana and initially apprenticed in Bologna under her father Prospero Fontana, and subsequently with Bartolomeo Cesi. He was not inducted into the Carracci Academy. Forced to flee from Bologna, due to what Malvasia and Amorini describe as a quarrel leading to the death of the other party, he moved to Florence, where he painted frescoes, façade decorations, and altarpieces (1599–1606) including an ''Adoration of the Shepherds'' (Pitti Palace). In Florence, he mainly worked under Domenico Passignano, but also Bernardino Poccetti and Jacopo da Empoli. He was lured back to Bologna and Reggio Emilia, by Ludovico Carracci. His ''Grieving ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Innocenzo Da Imola
Innocenzo (di Pietro) Francucci (c. 1490 – c. 1550), generally known as Innocenzo da Imola, was an Italian painter and draftsman. Biography The son of a goldsmith named Pietro, he was born in Imola sometime around 1490. After presumably studying with his father in Imola, by 1506 he had moved to nearby Bologna to study painting. According to Carlo Cesare Malvasia he entered the studio of Francesco Francia in 1508 (although the reliability of this claim has been questioned). He later went to Florence where in 1510 he worked under the direction of Mariotto Albertinelli. His earliest known works include ''The Virgin and Child with Saints Sebastian, Roch, Cosmas and Damian'' was signed and dated in 1515. ''The Virgin and Child with Saints John, Apollinaris and Catherine and a Bishop'', signed and dated in 1516. This second painting is in Cásola Valsenio, near Bologna. During his life he produced a series of religious frescoes and altarpieces, painted in a Raphaelesque ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Bononi
Carlo Bononi (1569? - 1632) was an Italian painter. From an 1876 book: '' Giulio Cromer, Carlo Bononi a pupil of Bastaruolo, and Alfonso Rivarola or Chenda, were the last artists of any eminence in Ferrara.'' Page 175 Biography Born and active mainly in Emilia and Ferrara, and considered to be mainly a painter of the School of Ferrara. He studied painting under Giuseppe Mazzuoli, known as ''il Bastarolo''. He knew Guercino and was eulogized by Guido Reni as having a "bounty of a most honest life, a great knowledge of design, and strength in colorizing". Bononi rose to prominence in Ferrara when the painter Scarsellino died, and the former called to Rome. He was initially buried in Santa Maria in Vado, for which he had helped decorate the ceiling with various canvases. Among his pupils were Alfonso Rivarola (il Chenda), Giovanni Battista dalla Torre, and Camillo Berlinghieri. His nephew, Leonello Bononi was also a painter. An important exhibition has been held at Pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
