San Bernardo Alle Terme
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San Bernardo Alle Terme
San Bernardo alle Terme is a Baroque style, Roman Catholic abbatial church located on Via Torino 94 in the rione Castro Pretorio of Rome, Italy. History The church was built on the remains of a circular tower, which marked a corner in the southwestern perimeter wall of the Baths of Diocletian (its pendant is today part of a hotel building, 225 meters southeast from San Bernardo alle Terme). These two towers flanked a large semicircular exedra; the distance between the towers attests to enormous scale of the original structure. In 1598, under the patronage of Caterina Sforza di Santafiora, this church was built for the French Cistercian group, the Feuillants, under the leadership of Giovanni Barreiro, abbot of Toulouse. Later, after the dissolution of the Feuillants during the French Revolution, the edifice and the annexed monastery were ceded to the Congregation of St. Bernard of Clairvaux, after whom the church is named.
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Rome
, established_title = Founded , established_date = 753 BC , founder = King Romulus (legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption = The territory of the ''comune'' (''Roma Capitale'', in red) inside the Metropolitan City of Rome (''Città Metropolitana di Roma'', in yellow). The white spot in the centre is Vatican City. , pushpin_map = Italy#Europe , pushpin_map_caption = Location within Italy##Location within Europe , pushpin_relief = yes , coordinates = , coor_pinpoint = , subdivision_type = Country , subdivision_name = Italy , subdivision_type2 = Region , subdivision_name2 = Lazio , subdivision_type3 = Metropolitan city , subdivision_name3 = Rome Capital , government_footnotes= , government_type = Strong Mayor–Council , leader_title2 = Legislature , leader_name2 = Capitoline Assemb ...
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Pantheon, Rome
The Pantheon (, ; la, Pantheum,Although the spelling ''Pantheon'' is standard in English, only ''Pantheum'' is found in classical Latin; see, for example, Pliny, '' Natural History'36.38 "Agrippas Pantheum decoravit Diogenes Atheniensis". See also ''Oxford Latin Dictionary'', s.v. "Pantheum"; ''Oxford English Dictionary'', s.v"Pantheon" "post-classical Latin ''pantheon'' a temple consecrated to all the gods (6th cent.; compare classical Latin ''pantheum'')". from Greek ''Pantheion'', " empleof all the gods") is a former Roman temple and, since 609 AD, a Catholic church (Basilica di Santa Maria ad Martyres or Basilica of St. Mary and the Martyrs) in Rome, Italy, on the site of an earlier temple commissioned by Marcus Agrippa during the reign of Augustus (27 BC – 14 AD). It was rebuilt by the emperor Hadrian and probably dedicated  126 AD. Its date of construction is uncertain, because Hadrian chose not to inscribe the new temple but rather to retain the i ...
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Giambattista Costaguti
Giambattista Costaguti (1636–1704) was a Catholic church, Catholic Cardinal (Catholicism), cardinal from 1690 to 1704. Biography Giambattista Costaguti was born in Rome in 1636, the son of Prospero Costaguti, marquis of Sipicciano (a member of the Genoa, Genoese nobility) and of his second wife Rocca Elvezia, Countess Vidman. He was the younger half-brother of Vincenzo Costaguti, who became a cardinal in 1643. Costaguti entered the church as a young man, serving as a clerk in the Apostolic Camera, and rising to become its Dean (Christianity), dean in 1669. In the Papal consistory, consistory of 13 February 1690, Pope Alexander VIII made him a cardinal priest. On 10 April 1690 he received the Galero, red hat and the titular church of San Bernardo alle Terme. He participated in the Papal conclave, 1691, papal conclave of 1691 that elected Pope Innocent XII. He opted for the titular church of Sant'Anastasia (Verona), Sant'Anastasia on 12 November 1691. He later participated in ...
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Galeazzo Marescotti
Galeazzo Marescotti (1 October 1627 – 3 July 1726) was an Italian cardinal. Biography He was born in Vignanello, Italy. His father was named Sforza Marescotti and his mother was Vittoria Ruspoli, both born to prominent aristocratic families of Bologna and Modena. Galeazzo studied in seminary, and after ordination by the age of 23 years was appointed to the papal office of prothonotary apostolic. From 1661 to 1663 he was governor of Ascoli Piceno. In 1663 he was appointed director of the Congregation of inquisitor Sancti Officii. In 1665 he was promoted to commissioner of the Holy Office of Pope Alexander VII. In 1668 he was appointed Titular Archbishop of Corinth by Pope Clement IX and was sent on a diplomatic mission to Vienna. He was appointed nuncio to Poland. On 4 March 1668, he was consecrated Bishop by Pietro Vidoni, Roman Catholic Diocese of Lodi, Bishop of Lodi with Giacomo de Angelis, Roman Catholic Archdiocese of Urbino-Urbania-Sant'Angelo in Vado, Archbishop of ...
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Giovanni Bona
Giovanni Bona (1609–1674) was an Italian Cistercian, cardinal (Catholicism), cardinal, liturgist and devotional author. Biography He was born of an old French family at Mondovì, in Piedmont, northern Italy, on 19 October, according to some 10 October, 1609. His father favoured a military career for him but, after passing some years at a nearby Jesuit college, he entered the Cistercian monastery of the Congregation of the Feuillants at Pinerolo in 1624. There, as also later at Rome, he pursued his studies with exceptional success. He worked for fifteen years in Turin, then as prior in Asti and as abbot in Mondovi, and in 1651 was called to preside over the whole congregation as superior general. During his seven years of official life in Rome he modestly declined all further honours, refusing the Bishopric of Asti. He welcomed the expiration of his third term, in the scholar's hope that he would be allowed to enjoy a life of retirement and study, but his intimate friend, P ...
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Art Movement
An art movement is a tendency or style in art with a specific common philosophy or goal, followed by a group of artists during a specific period of time, (usually a few months, years or decades) or, at least, with the heyday of the movement defined within a number of years. Art movements were especially important in modern art, when each consecutive movement was considered as a new avant-garde movement. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality ( figurative art). By the end of the 19th century many artists felt a need to create a new style which would encompass the fundamental changes taking place in technology, science and philosophy ( abstract art). Concept According to theories associated with modernism and the concept of postmodernism, ''art movements'' are especially important during the period of time corresponding to modern art. The per ...
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Nazarene Movement
The epithet Nazarene was adopted by a group of early 19th-century German Romantic painters who aimed to revive spirituality in art. The name Nazarene came from a term of derision used against them for their affectation of a biblical manner of clothing and hair style. History In 1809, six students at the Vienna Academy formed an artistic cooperative in Vienna called the Brotherhood of St. Luke or ''Lukasbund'', following a common name for medieval guilds of painters. In 1810 four of them, Johann Friedrich Overbeck, Franz Pforr, Ludwig Vogel and Johann Konrad Hottinger (1788-1827) moved to Rome, where they occupied the abandoned monastery of San Isidoro. They were joined by Philipp Veit, Peter von Cornelius, Julius Schnorr von Carolsfeld, Friedrich Wilhelm Schadow and a loose grouping of other German-speaking artists. They met up with Austrian romantic landscape artist Joseph Anton Koch (1768–1839) who became an unofficial tutor to the group. In 1827 they were joined by Jose ...
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Johann Friedrich Overbeck
Johann Friedrich Overbeck (3 July 1789 – 12 November 1869) was a German painter. As a member of the Nazarene movement, he also made four etchings. Early life and education Born in Lübeck, his ancestors for three generations had been Protestant pastors; his father Christian Adolph Overbeck (1755–1821) was doctor of law, poet, mystic pietist and burgomaster of Lübeck. Within a stone's throw of the family mansion in the Konigstrasse stood the '' Gymnasium'', where the uncle, doctor of theology and a voluminous writer, was the master; there the nephew became a classic scholar and received instruction in art. Artistry The young artist left Lübeck in March 1806, and entered as student the academy of Vienna, then under the direction of Heinrich Friedrich Füger. While Overbeck clearly accrued some of the polished technical aspects of the neoclassic painters, he was alienated by lack of religious spirituality in the themes chosen by his masters. Overbeck wrote to a friend that ...
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Giovanni Odazzi
Giovanni Odazzi (1663 – 6 June 1731) was an Italian painter and etcher of the Baroque period, active mainly in Rome. Biography Rest on Flight to Egypt He was a pupil of Ciro Ferri, then worked under the guidance of Giovanni Battista Gaulli. He also worked with Cornelis Bloemaert. Among his many works in Rome, he painted a ''Prophet Hosea'' for San Giovanni in Laterano and a ''Fall of Lucifer and rebel angels'' for the basilica of the Santi Apostoli, Rome. He frescoed the cupola of the cathedral of San Bruno in Velletri. He painted an ''Adoration of the Magi'' and ''Flight to Egypt'' for the church of Santa Maria in Aracoeli in Rome. He also painted altarpieces for Santa Maria degli Angeli, a ''Dream of Joseph'' for Santa Maria della Scala, San Clemente, a ''San Ciriaco'' for Santa Maria in Via Lata and San Giovanni in Laterano. He was knighted into the Academy of St Luke by Pope Clement XI.
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Giacomo Antonio Fancelli
Giacomo Antonio Fancelli or Iacopo Antonio Fancelli (1606–1674) was an Italian sculptor in stone and stucco of the Baroque era. Fancelli was born in Rome, the son of a stonecutter from Settignano. He was the brother of Cosimo Fancelli and a pupil of Bernini. In 1647-48 he created with his brother the stucco figures of "Clemenza" and "Contemplazione" on the pendentives of the second arch to the right of the central nave of St. Peter's Basilica and collaborated on the ornamentation of the pillars. Notable among his works are ''Nile'' (hiding his face, since the River Nile's source had not yet been discovered at that date) on Bernini's Fontana dei Quattro Fiumi (completed in 1651) and '' St Francis'' (c.1647) in the church of San Bernardo alle Terme on the Quirinal in Rome. In 1655, Carlo Rainaldi commissioned him to sculpt two angels for the facade of Sant'Andrea della Valle but only one was completed, allegedly because Fancelli stored off the job after Pope Alexander VII ...
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Saint Francis Of Assisi
Giovanni di Pietro di Bernardone, better known as Saint Francis of Assisi ( it, Francesco d'Assisi; – 3 October 1226), was a Mysticism, mystic Italian Catholic Church, Catholic friar, founder of the Franciscans, and one of the most venerated figures in Christianity. He was inspired to lead a life of poverty and Itinerant preacher, itinerant preaching. Pope Gregory IX canonized him on 16 July 1228. He is usually depicted in a robe with a rope as belt. In 1219, he went to Egypt in an attempt to convert the sultan al-Kamil and put an end to the conflict of the Fifth Crusade. In 1223, he arranged for the first Christmas live nativity scene. According to Christian tradition, in 1224 he received the stigmata during the Vision (spirituality), apparition of a Seraphic angel in a religious ecstasy. He founded the men's Order of Friars Minor, the women's Order of Saint Clare, Order of St. Clare, the Third Order of Saint Francis, Third Order of St. Francis and the Custody of th ...
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Mannerism
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant.Gombrich 1995, . Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music is not ...
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