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Sabin (unit)
The sabin (or more precisely the square foot sabin) is a unit of sound absorption, used for expressing the total effective absorption for the interior of a room. Sound absorption can be expressed in terms of the percentage of energy absorbed compared with the percentage reflected. It can also be expressed as a coefficient, with a value of 1.00 representing a material which absorbs 100% of the energy, and a value of 0.00 meaning all the sound is reflected. The concept of a unit for absorption was first suggested by American physicist Wallace Clement Sabine, the founder of the field of architectural acoustics. He defined the "open-window unit" as the absorption of of open window. The unit was renamed the sabin after Sabine, and it is now defined as "the absorption due to unit area of a totally absorbent surface". Sabins may be calculated with either imperial or metric units. One square foot of 100% absorbing material has a value of one imperial sabin, and 1 square metre of 100% ...
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The Sabin Explained
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by ...
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Absorption (acoustics)
Acoustic absorption refers to the process by which a material, structure, or object takes in sound energy when sound waves are encountered, as opposed to reflecting the energy. Part of the absorbed energy is transformed into heat and part is transmitted through the absorbing body. The energy transformed into heat is said to have been 'lost'.Acoustic Absorbers and Diffusers: Theory, Design and Applicatio.CRC Press .2009.Peter D'Antoni When sound from a loudspeaker collides with the walls of a room part of the sound's energy is reflected, part is transmitted, and part is absorbed into the walls. Just as the acoustic energy was transmitted through the air as pressure differentials (or deformations), the acoustic energy travels through the material which makes up the wall in the same manner. Deformation causes mechanical losses via conversion of part of the sound energy into heat, resulting in acoustic attenuation, mostly due to the wall's viscosity. Similar attenuation mechanisms a ...
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Physicist
A physicist is a scientist who specializes in the field of physics, which encompasses the interactions of matter and energy at all length and time scales in the physical universe. Physicists generally are interested in the root or ultimate causes of phenomena, and usually frame their understanding in mathematical terms. Physicists work across a wide range of research fields, spanning all length scales: from sub-atomic and particle physics, through biological physics, to cosmological length scales encompassing the universe as a whole. The field generally includes two types of physicists: experimental physicists who specialize in the observation of natural phenomena and the development and analysis of experiments, and theoretical physicists who specialize in mathematical modeling of physical systems to rationalize, explain and predict natural phenomena. Physicists can apply their knowledge towards solving practical problems or to developing new technologies (also known as app ...
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Wallace Clement Sabine
Wallace Clement Sabine (June 13, 1868 – January 10, 1919) was an American physicist who founded the field of architectural acoustics. Sabine was the architectural acoustician of Boston's Symphony Hall, widely considered one of the two or three best concert halls in the world for its acoustics. Early life Wallace Clement Sabine was born on June 13, 1868 in Richwood, Ohio. He graduated with a Bachelor of Arts from Ohio State University in 1886 at the age of 18. He then attended Harvard University and graduated with a Master of Arts in 1888. His sister was Annie W. S. Siebert. Career After graduating, Sabine became an assistant professor of physics at Harvard in 1889. He became an instructor in 1890 and a member of the faculty in 1892. In 1895, he became an assistant professor and in 1905, he was promoted to professor of physics. In October 1906, he became dean of the Lawrence Scientific School, succeeding Nathaniel Shaler. Sabine's career is the story of the birth of ...
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Architectural Acoustics
Architectural acoustics (also known as building acoustics) is the science and engineering of achieving a good sound within a building and is a branch of acoustical engineering. The first application of modern scientific methods to architectural acoustics was carried out by the American physicist Wallace Sabine in the Fogg Museum lecture room. He applied his newfound knowledge to the design of Symphony Hall, Boston. Architectural acoustics can be about achieving good speech intelligibility in a theatre, restaurant or railway station, enhancing the quality of music in a concert hall or recording studio, or suppressing noise to make offices and homes more productive and pleasant places to work and live in. Architectural acoustic design is usually done by acoustic consultants. Building skin envelope This science analyzes noise transmission from building exterior envelope to interior and vice versa. The main noise paths are roofs, eaves, walls, windows, door and penetration ...
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Imperial Units
The imperial system of units, imperial system or imperial units (also known as British Imperial or Exchequer Standards of 1826) is the system of units first defined in the British Weights and Measures Act 1824 and continued to be developed through a series of Weights and Measures Acts and amendments. The imperial system developed from earlier English units as did the related but differing system of customary units of the United States. The imperial units replaced the Winchester Standards, which were in effect from 1588 to 1825. The system came into official use across the British Empire in 1826. By the late 20th century, most nations of the former empire had officially adopted the metric system as their main system of measurement, but imperial units are still used alongside metric units in the United Kingdom and in some other parts of the former empire, notably Canada. The modern UK legislation defining the imperial system of units is given in the Weights and Measures ...
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Metrication
Metrication or metrification is the act or process of converting to the metric system of measurement. All over the world, countries have transitioned from local and traditional units of measurement to the metric system. This process began in France during the 1790s, and is still continuing more than 200 years later, with the modern International System of Units, as the metric system has not yet been fully adopted in all countries and areas. Overview Most countries now have the metric system as their official system of weights and measures. Some have adopted it as their official system but have not yet completed the process of metrication. Some others have not made any commitment to adopting it. There is not a general consensus in the sources as to the number of countries that fall into each of these categories. According to a 2011 doctoral dissertation by Hector Vera, as of 2010, a total of seven countries had not "adopted the metric system as their exclusive system of measur ...
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Absorption Coefficient
The linear attenuation coefficient, attenuation coefficient, or narrow-beam attenuation coefficient characterizes how easily a volume of material can be penetrated by a beam of light, sound, particles, or other energy or matter. A coefficient value that is large represents a beam becoming 'attenuated' as it passes through a given medium, while a small value represents that the medium had little effect on loss. The SI unit of attenuation coefficient is the reciprocal metre (m−1). Extinction coefficient is another term for this quantity, often used in meteorology and climatology. Most commonly, the quantity measures the exponential decay of intensity, that is, the value of downward ''e''-folding distance of the original intensity as the energy of the intensity passes through a unit (''e.g.'' one meter) thickness of material, so that an attenuation coefficient of 1 m−1 means that after passing through 1 metre, the radiation will be reduced by a factor of '' e'', and for material ...
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Reverberation Time
Reverberation (also known as reverb), in acoustics, is a persistence of sound, after a sound is produced. Reverberation is created when a sound or signal is reflected causing numerous reflections to build up and then decay as the sound is absorbed by the surfaces of objects in the space – which could include furniture, people, and air. This is most noticeable when the sound source stops but the reflections continue, their amplitude decreasing, until zero is reached. Reverberation is frequency dependent: the length of the decay, or reverberation time, receives special consideration in the architectural design of spaces which need to have specific reverberation times to achieve optimum performance for their intended activity. In comparison to a distinct echo, that is detectable at a minimum of 50 to 100  ms after the previous sound, reverberation is the occurrence of reflections that arrive in a sequence of less than approximately 50 ms. As time passes, the amplitude of t ...
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Concert Hall
A concert hall is a cultural building with a stage that serves as a performance venue and an auditorium filled with seats. This list does not include other venues such as sports stadia, dramatic theatres or convention centres that may occasionally be used for concerts. ::''The list is organised alphabetically by geo-political region or continent and then by country within each region''. Africa Egypt Morocco South Africa Asia Armenia Azerbaijan China Georgia Hong Kong India Iran Israel Indonesia Japan Kazakhstan Lebanon Macau Malaysia North Korea Oman Philippines Singapore South Korea Syria Taiwan Thailand Turkey Vietnam Europe Albania Austria Belgium Bulgaria Croatia Czech Republic Denmark Estonia Finland France Germany Greece Hungary Iceland Ireland (Republic of) Italy Latvia Luxembourg Netherlands Norway Poland Portugal Romania Russia Serbia Slovakia Slo ...
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Lecture Theatre
A lecture hall (or lecture theatre) is a large room used for instruction, typically at a college or university. Unlike a traditional classroom with a capacity normally between one and fifty, the capacity of lecture halls is usually measured in the hundreds. Lecture halls almost always have a pitched floor, so that those in the rear are sat higher than those at the front (i.e. tiered seating), allowing them to see the lecturer. The importance of lecture halls is so significant that some schools of architecture have offered courses exclusively centered on their design. The noted Boston architect Earl Flansburgh wrote numerous articles focusing on achieving efficacious lecture hall design. Lecture halls differ from other types of learning spaces, seminar rooms in particular, in that they allow for little versatility in use, although they are no less flexible than, for example, chemistry laboratories. Experimentation, group work, and other contemporary educational methods are n ...
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Recording Studio
A recording studio is a specialized facility for sound recording, mixing, and audio production of instrumental or vocal musical performances, spoken words, and other sounds. They range in size from a small in-home project studio large enough to record a single singer-guitarist, to a large building with space for a full orchestra of 100 or more musicians. Ideally, both the recording and monitoring (listening and mixing) spaces are specially designed by an acoustician or audio engineer to achieve optimum acoustic properties (acoustic isolation or diffusion or absorption of reflected sound echoes that could otherwise interfere with the sound heard by the listener). Recording studios may be used to record singers, instrumental musicians (e.g., electric guitar, piano, saxophone, or ensembles such as orchestras), voice-over artists for advertisements or dialogue replacement in film, television, or animation, foley, or to record their accompanying musical soundtracks. The typi ...
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