SMPTE 292M
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SMPTE 292M
SMPTE 292 is a digital video transmission line standard published by the Society of Motion Picture and Television Engineers (SMPTE). This technical standard is usually referred to as HD-SDI; it is part of a family of standards that define a Serial Digital Interface based on a coaxial cable, intended to be used for transport of uncompressed digital video and audio in a television studio environment. SMPTE 292 which expands upon SMPTE 259 and SMPTE 344 allowing for bit-rates of 1.485 Gbit/s, and 1.485/1.001 Gbit/s. These bit-rates are sufficient for and often used to transfer uncompressed high-definition video. Nomenclature The "M" designator was originally introduced to signify metric dimensions. It is no longer used in listings or filenames. Units of the International System of Units (SI) are the preferred units of measurement in all SMPTE Engineering Documents. Technical details The SMPTE 292 standard is a nominally 1.5 Gbit/s interface. Two exact bitrates are defined; ...
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Transmission Line
In electrical engineering, a transmission line is a specialized cable or other structure designed to conduct electromagnetic waves in a contained manner. The term applies when the conductors are long enough that the wave nature of the transmission must be taken into account. This applies especially to radio-frequency engineering because the short wavelengths mean that wave phenomena arise over very short distances (this can be as short as millimetres depending on frequency). However, the theory of transmission lines was historically developed to explain phenomena on very long telegraph lines, especially submarine telegraph cables. Transmission lines are used for purposes such as connecting radio transmitters and receivers with their antennas (they are then called feed lines or feeders), distributing cable television signals, trunklines routing calls between telephone switching centres, computer network connections and high speed computer data buses. RF engineers commonly ...
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SMPTE 274M
SMPTE 274M is a standard published by SMPTE which defines the 1080 line high definition video formats including 1080p25 and 1080p30. It is frequently carried on serial digital interface physical cables defined by the SMPTE 292M standard. See also * SMPTE 296M SMPTE ST 296 is a standard published by SMPTE which defines the 720 line high definition video formats including 720p50 and 720p60. It is frequently carried on serial digital interface physical cables defined by the SMPTE 292M standard. The sta ... References Film and video technology SMPTE standards {{Measurement-stub ...
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Bit Error
In digital transmission, the number of bit errors is the number of received bits of a data stream over a communication channel that have been altered due to noise, interference, distortion or bit synchronization errors. The bit error rate (BER) is the number of bit errors per unit time. The bit error ratio (also BER) is the number of bit errors divided by the total number of transferred bits during a studied time interval. Bit error ratio is a unitless performance measure, often expressed as a percentage. The bit error probability ''pe'' is the expected value of the bit error ratio. The bit error ratio can be considered as an approximate estimate of the bit error probability. This estimate is accurate for a long time interval and a high number of bit errors. Example As an example, assume this transmitted bit sequence: 1 1 0 0 0 1 0 1 1 and the following received bit sequence: 0 1 0 1 0 1 0 0 1, The number of bit errors (the underlined bits) is, in this case, 3. The BER is 3 ...
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Cyclic Redundancy Check
A cyclic redundancy check (CRC) is an error-detecting code commonly used in digital networks and storage devices to detect accidental changes to digital data. Blocks of data entering these systems get a short ''check value'' attached, based on the remainder of a polynomial division of their contents. On retrieval, the calculation is repeated and, in the event the check values do not match, corrective action can be taken against data corruption. CRCs can be used for error correction (see bitfilters). CRCs are so called because the ''check'' (data verification) value is a ''redundancy'' (it expands the message without adding information) and the algorithm is based on ''cyclic'' codes. CRCs are popular because they are simple to implement in binary hardware, easy to analyze mathematically, and particularly good at detecting common errors caused by noise in transmission channels. Because the check value has a fixed length, the function that generates it is occasionally used as a ...
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SDTV
Standard-definition television (SDTV, SD, often shortened to standard definition) is a television system which uses a resolution that is not considered to be either high or enhanced definition. "Standard" refers to it being the prevailing specification for broadcast (and later, cable) television in the mid- to late-20th century, and compatible with legacy analog broadcast systems. The two common SDTV signal types are 576i, with 576 interlaced lines of resolution, derived from the European-developed PAL and SECAM systems, and 480i based on the American NTSC system. Common SDTV refresh rates are 25, 29.97 and 30 frames per second. Both systems use a 4:3 aspect ratio. Standards that support digital SDTV broadcast include DVB, ATSC, and ISDB. The last two were originally developed for HDTV, but are also used for their ability to deliver multiple SD video and audio streams via multiplexing. In North America, digital SDTV is broadcast in the same 4:3 aspect ratio as NTSC si ...
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CCIR 601
ITU-R Recommendation BT.601, more commonly known by the abbreviations Rec. 601 or BT.601 (or its former name CCIR 601) is a standard originally issued in 1982 by the CCIR (an organization, which has since been renamed as the International Telecommunication Union Radiocommunication sector) for encoding interlaced analog video signals in digital video form. It includes methods of encoding 525-line 60  Hz and 625-line 50 Hz signals, both with an active region covering 720 luminance samples and 360 chrominance samples per line. The color encoding system is known as YCbCr 4:2:2. The Rec. 601 video raster format has been re-used in a number of later standards, including the ISO/IEC MPEG and ITU-T H.26x compressed formats, although compressed formats for consumer applications usually use chroma subsampling reduced from the 4:2:2 sampling specified in Rec. 601 to 4:2:0. The standard has been revised several times in its history. Its seventh edition, ...
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Progressive Scan
Progressive scanning (alternatively referred to as noninterlaced scanning) is a format of displaying, storing, or transmitting moving images in which all the lines of each frame are drawn in sequence. This is in contrast to interlaced video used in traditional analog television systems where only the odd lines, then the even lines of each frame (each image called a video field) are drawn alternately, so that only half the number of actual image frames are used to produce video. The system was originally known as "sequential scanning" when it was used in the Baird 240 line television transmissions from Alexandra Palace, United Kingdom in 1936. It was also used in Baird's experimental transmissions using 30 lines in the 1920s. Burns, R.W. ''John Logie Baird, Television Pioneer'', Herts: The Institution of Electrical Engineers, 2000. 316. Progressive scanning became universally used in computer screens beginning in the early 21st century. Interline twitter This rough animation c ...
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Progressive Segmented Frame
Progressive segmented Frame (PsF, sF, SF) is a scheme designed to acquire, store, modify, and distribute progressive scan video using interlaced equipment. With PsF, a progressive frame is divided into two ''segments'', with the odd lines in one segment and the even lines in the other segment. Technically, the segments are equivalent to interlaced ''fields'', but unlike native interlaced video, there is no motion between the two fields that make up the video frame: both fields represent the same instant in time. This technique allows for a progressive picture to be processed through the same electronic circuitry that is used to store, process and route interlaced video. The term ''progressive segmented frame'' is used predominantly in relation to high-definition video, high definition video. In the world of standard-definition video, which traditionally has been using interlaced scanning, it is also known as ''quasi-interlace'', ''progressive recording'' or ''movie mode''. Other na ...
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Interlaced Video
Interlaced video (also known as interlaced scan) is a technique for doubling the perceived frame rate of a video display without consuming extra bandwidth. The interlaced signal contains two fields of a video frame captured consecutively. This enhances motion perception to the viewer, and reduces flicker by taking advantage of the phi phenomenon. This effectively doubles the time resolution (also called ''temporal resolution'') as compared to non-interlaced footage (for frame rates equal to field rates). Interlaced signals require a display that is natively capable of showing the individual fields in a sequential order. CRT displays and ALiS plasma displays are made for displaying interlaced signals. Interlaced scan refers to one of two common methods for "painting" a video image on an electronic display screen (the other being progressive scan) by scanning or displaying each line or row of pixels. This technique uses two fields to create a frame. One field contains all od ...
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Vertical Interval
In a raster scan display, the vertical blanking interval (VBI), also known as the vertical interval or VBLANK, is the time between the end of the final visible line of a frame or field and the beginning of the first visible line of the next frame. It is present in analog television, VGA, DVI and other signals. In raster cathode ray tube displays, the blank level is usually supplied during this period to avoid painting the retrace line — see raster scan for details; signal sources such as television broadcasts do not supply image information during the blanking period. Digital displays usually will not display incoming data stream during the blanking interval even if present. The VBI was originally needed because of the inductive inertia of the magnetic coils which deflect the electron beam vertically in a CRT; the magnetic field, and hence the position being drawn, cannot change instantly. Additionally, the speed of older circuits was limited. For horizontal deflection, the ...
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Start Of Active Video
ITU-R Recommendation BT.656, sometimes also called ITU656, describes a simple digital video protocol for streaming uncompressed PAL or NTSC standard-definition television (625 or 525 lines) signals. The protocol builds upon the 4:2:2 digital video encoding parameters defined in ITU-R Recommendation BT.601, which provides interlaced video data, streaming each field separately, and uses the YCbCr color space and a 13.5 MHz sampling frequency for pixels. The standard can be implemented to transmit either 8-bit values (the standard in consumer electronics) or 10-bit values (sometimes used in studio environments). Both a parallel and a serial transmission format are defined. For the parallel format, a 25-pin D-Sub connector pinout and ECL logic levels are defined. The serial format can be transmitted over 75-ohm coaxial cable with BNC connectors, but there is also a fibre-optical version defined. The parallel version of the ITU-R BT.656 protocol is also used in many TV sets bet ...
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Horizontal Blank
Horizontal blanking interval refers to a part of the process of displaying images on a computer monitor or television display device, screen via raster scanning. CRT screens display images by moving beams of electrons very quickly across the screen. Once the beam of the monitor has reached the edge of the screen, the beam is switched off, and the deflection circuit voltages (or currents) are returned to the values they had for the other edge of the screen; this would have the effect of retracing the screen in the opposite direction, so the beam is turned off during this time. This part of the line display process is the Horizontal Blank. In detail, the Horizontal blanking interval consists of: * Analog television#Structure of a video signal, front porch – blank while still moving right, past the end of the scanline, * sync pulse – blank while rapidly moving left; in terms of amplitude, "blacker than black". * Analog television#Structure of a video signal, back porch – blank ...
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