|
Sémiramis (Catel)
''Sémiramis'' is an opera by the composer Charles-Simon Catel. It takes the form of a ''tragédie lyrique'' in three acts. The French-language libretto by Philippe Desriaux is based on the 1748 tragedy of the same name by Voltaire, which concerns the legendary Queen Semiramis of Babylon. ''Sémiramis'', Catel's first opera, premiered at the Paris Opéra on 4 May 1802. It enjoyed only limited success and suffered many attacks from critics. The composer had to wait until 1810 before the Paris Opéra gave him another opportunity with a new opera, ''Les bayadères'', which was a triumph. Performance history ''Sémiramis'' enjoyed 24 performances at the Opéra. Several factors played a part in its lacklustre reception. Catel was Professor of Harmony at the newly founded Paris Conservatoire, a position which had already made him enemies. The high standards the Conservatoire imposed led to the dismissal of members of staff who failed to meet them. Some took the opportunity of the premier ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles-Simon Catel
Charles-Simon Catel (10 June 1773 – 29 November 1830) was a French composer and educator born at L'Aigle, Orne. Biography Catel studied at the Royal School of Singing in Paris. He was the chief assistant to François-Joseph Gossec at the orchestra of the National Guard in 1790. A member of the Institute, he jointly composed pieces of military music for official state ceremonies, including ''L'Hymne à la Victoire'' (Victory Hymn), with words by Ponce-Denis Écouchard-Lebrun. He was appointed inaugural professor of harmony at the Conservatoire de Paris, but was destitute in 1814. Amongst his students were the Prix de Rome winning composers Joseph Daussoigne-Méhul and Victor Dourlen, the Belgian composer Martin-Joseph Mengal, and the famous, if eccentric, harpist Nicolas-Charles Bochsa. Catel died in Paris. His works include a ''Treatise on Harmony'' (1802), which was used by the young Berlioz, several concert band works, several dramatic compositions at the Opéra Nation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tancredi
''Tancredi'' is a ''melodramma eroico'' ('' opera seria'' or heroic opera) in two acts by composer Gioachino Rossini and librettist Gaetano Rossi (who was also to write ''Semiramide'' ten years later), based on Voltaire's play ''Tancrède'' (1760). The opera made its first appearance at the Teatro La Fenice in Venice on 6 February 1813, and because ''Il signor Bruschino'' premiered in late January, the composer must have completed ''Tancredi'' in less than a month. The overture, borrowed from ''La pietra del paragone'', is a popular example of Rossini's characteristic style and is regularly performed in concert and recorded. Considered by Stendhal, Rossini's earliest biographer, to be "high amongst the composer's masterworks", and describing it as "a genuine thunderbolt out of a clear, blue sky for the Italian lyric theatre," his librettist Gaetano Rossi notes that, with it, "Rossini rose to glory".Rossi, in Osborne, Richard 2007, p. 199 Richard Osborne proclaims it to be "his f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Egmont (Beethoven)
''Egmont'', Op. 84 by Ludwig van Beethoven, is a set of incidental music pieces for the 1787 play of the same name by Johann Wolfgang von Goethe. It consists of an overture followed by a sequence of nine pieces for soprano, male narrator, and full symphony orchestra. The male narrator is optional; he is not used in the play and does not appear in some recordings of the complete incidental music. Beethoven wrote it between October 1809 and June 1810, and it was premiered on 15 June 1810. The subject of the music and dramatic narrative is the life and heroism of 16th-century nobleman Lamoral, Count of Egmont from the Low Countries. It was composed during the Napoleonic Wars when the First French Empire had extended its domination over vast swathes of Europe. Beethoven had famously expressed his great outrage over Napoleon Bonaparte's decision to crown himself Emperor in 1804, furiously scratching out his name in the dedication of the '' Eroica Symphony''. In the music for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as heroic. During this time, he began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Beethoven was born in Bonn. His musical talent was obvious at an early age. He was initially harshly and intensively tau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Joseph Dent
Edward Joseph Dent (16 July 1876 – 22 August 1957), generally known as Edward J. Dent, was an English musicologist, teacher, translator and critic. A leading figure of musicology and music criticism, Dent was Professor of Music at the University of Cambridge between 1926 and 1941. Life Dent was born in Ribston, Yorkshire, the son of the landowner and politician John Dent. He was educated at Bilston Grange, and Eton where he was a music student of Charles Harford Lloyd. He matriculated at King's College, Cambridge in 1895, graduating B.A. in 1898 in the Classical Tripos, Mus.B. 1899 having studied under Charles Wood and Charles Villiers Stanford, and M.A. 1902. He was elected a Fellow of his college in March 1902 having distinguished himself in music both as researcher and a composer. Dent was Professor of Music at Cambridge University from 1926 to 1941, where his students included Arthur Bliss, Arnold Cooke and Cecil Armstrong Gibbs. He was President of the I.S.C.M. fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanticism
Romanticism (also known as the Romantic movement or Romantic era) was an artistic, literary, musical, and intellectual movement that originated in Europe towards the end of the 18th century, and in most areas was at its peak in the approximate period from 1800 to 1850. Romanticism was characterized by its emphasis on emotion and individualism, clandestine literature, paganism, idealization of nature, suspicion of science and industrialization, and glorification of the past with a strong preference for the medieval rather than the classical. It was partly a reaction to the Industrial Revolution, the social and political norms of the Age of Enlightenment, and the scientific rationalization of nature. It was embodied most strongly in the visual arts, music, and literature, but had a major impact on historiography, education, chess, social sciences, and the natural sciences. It had a significant and complex effect on politics, with romantic thinkers influencing conservatism, libe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Médée (Cherubini)
''Médée'' is a French language opéra-comique by Luigi Cherubini. The libretto by François-Benoît Hoffman (Nicolas Étienne Framéry) was based on Euripides' tragedy of Medea and Pierre Corneille's play ''Médée''. It is set in the ancient city of Corinth. The opera was premiered on 13 March 1797 at the Théâtre Feydeau, Paris. It met with a lukewarm reception and was not immediately revived. During the twentieth century, it was usually performed in Italian translation as ''Medea'', with the spoken dialogue replaced by recitatives not authorized by the composer. More recently, opera companies have returned to Cherubini's original version. The long-lost final aria, which Cherubini appears to have elided from his original manuscript, was discovered by researchers from the University of Manchester and Stanford University by employing x-ray techniques to reveal the blackened out areas of Cherubini's manuscript. Performances and versions Several versions of the opera were p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-François Lesueur
Jean-François is a French given name. Notable people bearing the given name include: * Jean-François Carenco (born 1952), French politician * Jean-François Champollion (1790–1832), French Egyptologist * Jean-François Clervoy (born 1958), French engineer and astronaut * Jean-François Corminboeuf (born 1953), Swiss sport sailor * Jean-François Dagenais (born 1975), Canadian music producer * Jean-François David (born 1982), Canadian ice hockey player * Jean-François Gariépy (born 1984), Canadian alt-right political commentator and former neuroscientist * Jean-François Garreaud (1946–2020), French actor * Jean-François de La Harpe (1739–1803), French critic * Jean-François Lyotard (1924-1998), French philosopher * Jean-François Marceau (born 1976), Canadian judoka * Jean-François Marmontel (1723–1799), French historian and writer * Jean-François Martial (1891–1977), Belgian actor * Jean-François Millet (1814–1875), French painter * Jean-François Papill ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Étienne Méhul
Étienne Nicolas Méhul (; 16 November 1765 ~ 24 December 1817) was a French composer of the Classical period (music), classical period. He was known as "the most important opera composer in France during the French Revolution, Revolution". He was also the first composer to be called a "Romanticism, Romantic". He is known particularly for his operas, written in keeping with the reforms introduced by Christoph Willibald Gluck and Wolfgang Amadeus Mozart. Life Méhul was born at Givet in Ardennes to Jean-François Méhul, a wine merchant, and his wife Marie-Cécile (née Keuly). His first music lessons came from a blind local organist. When he showed promise, he was sent to study with a German musician and organist, , at the monastery of Lavaldieu, a few miles from Givet. Here Méhul developed his lifelong love of flowers. In 1778 or 1779 he went to Paris and began to study with Jean-Frédéric Edelmann, a harpsichord player and friend of Méhul's idol Christoph Willibald Gluck. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Cherubini
Luigi Cherubini ( ; ; 8 or 14 SeptemberWillis, in Sadie (Ed.), p. 833 1760 – 15 March 1842) was an Italian Classical and Romantic composer. His most significant compositions are operas and sacred music. Beethoven regarded Cherubini as the greatest of his contemporaries. His operas were heavily praised and interpreted by Rossini. Early years Cherubini was born Maria Luigi Carlo Zenobio Salvatore Cherubini in Florence in 1760. There is uncertainty about his exact date of birth. Although 14 September is sometimes stated, evidence from baptismal records and Cherubini himself suggests the 8th is correct. Perhaps the strongest evidence is his first name, Maria, which is traditional for a child born on 8 September, the feast-day of the Nativity of the Virgin. His instruction in music began at the age of six with his father, Bartolomeo, '' maestro al cembalo'' ("Master of the harpsichord", in other words, ensemble leader from the harpsichord). Considered a child prodigy, Cherubini st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra Comique
''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a lesser extent the Comédie-Italienne),M. Elizabeth C. Bartlet and Richard Langham Smith"Opéra comique" '' Grove Music Online''. Oxford Music Online. 19 November 2009 which combined existing popular tunes with spoken sections. Associated with the Paris theatre of the same name, ''opéra comique'' is not necessarily comical or shallow in nature; '' Carmen'', perhaps the most famous ''opéra comique'', is a tragedy. Use of the term The term ''opéra comique'' is complex in meaning and cannot simply be translated as "comic opera". The genre originated in the early 18th century with humorous and satirical plays performed at the theatres of the Paris fairs which contained songs ('' vaudevilles''), with new words set to already existing music. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niccolò Piccinni
Niccolò Piccinni (; 16 January 1728 – 7 May 1800) was an Italian composer of symphonies, sacred music, chamber music, and opera. Although he is somewhat obscure today, Piccinni was one of the most popular composers of opera—particularly the Neapolitan opera buffa—of the Classical period. Life Piccinni was born in Bari, in the Apulia region. From the age of fourteen, he was educated at the S. Onofrio Conservatory by Leonardo Leo and Francesco Durante,. thanks to the intervention of the Bishop of Bari (his father, although himself a musician, was opposed to his son following the same career). Piccinni's first opera, ''Le donne dispettose'', was produced in 1755 with the patronage of Prince Vintimille. In 1760 he composed, at Rome, the ''chef d'œuvre'' of his early life, '' La Cecchina, ossia la buona Figliuola'', an ''opera buffa'' with a libretto by Goldoni, which "enjoyed a two-year run in Rome and was played in all the important European capitals. It can probably ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
