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Symposium (other)
In Ancient Greece, the symposium ( grc-gre, συμπόσιον ''sympósion'' or ''symposio'', from συμπίνειν ''sympínein'', "to drink together") was a part of a banquet that took place after the meal, when drinking for pleasure was accompanied by music, dancing, recitals, or conversation.Peter Garnsey, ''Food and Society in Classical Antiquity'' (Cambridge University Press, 1999), p. 13online Sara Elise Phang, ''Roman Military Service: Ideologies of Discipline in the Late Republic and Early Principate'' (Cambridge University Press, 2008), pp. 263–264. Literary works that describe or take place at a symposium include two Socratic dialogues, Plato's '' Symposium'' and Xenophon's '' Symposium'', as well as a number of Greek poems such as the elegies of Theognis of Megara. Symposia are depicted in Greek and Etruscan art that shows similar scenes. In modern usage, it has come to mean an academic conference or meeting such as a scientific conference. The equivalent of a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paestum Tombeau Plongeur C1
Paestum ( , , ) was a major Ancient Greece, ancient Greek city on the coast of the Tyrrhenian Sea in Magna Graecia (southern Italy). The ruins of Paestum are famous for their three ancient Greek temples in the Doric order, dating from about 550 to 450 BC, which are in an excellent state of preservation. The city walls and amphitheatre are largely intact, and the bottom of the walls of many other structures remain, as well as paved roads. The site is open to the public, and there is a modern national museum within it, which also contains the finds from the associated Greek site of Foce del Sele. Gaius Julius Solinus, Solinus wrote that it was established by Dorians. After its foundation by Greek colonists under the name of Poseidonia ( grc, Ποσειδωνία), it was eventually conquered by the local Lucani (ancient people), Lucanians and later the ancient Rome, Romans. The Lucanians renamed it to Paistos and the Romans gave the city its current name. As Pesto or Paestum, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Banquet Assos Louvre Ma2829
A banquet (; ) is a formal large meal where a number of people consume food together. Banquets are traditionally held to enhance the prestige of a host, or reinforce social bonds among joint contributors. Modern examples of these purposes include a charitable gathering, a ceremony, or a celebration. They often involve speeches in honor of the topic or guest of honour. The older English term for a lavish meal was a feast, and "banquet" originally meant a specific and different kind of meal, often following a feast, but in a different room or even building, which concentrated on sweet foods of various kinds. These became highly fashionable as sugar became much more common in Europe at the start of the 16th century. It was a grand form of the dessert course, and special banqueting houses, often on the roof or in the grounds of large houses, were built for them. Such meals are also called a "sugar collation". Social meanings Banquets feature luxury foods, often including ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Libation
A libation is a ritual pouring of a liquid, or grains such as rice, as an offering to a deity or spirit, or in memory of the dead. It was common in many religions of antiquity and continues to be offered in cultures today. Various substances have been used for libations, most commonly wine or other alcoholic drinks, olive oil, honey, and in India, ghee. The vessels used in the ritual, including the patera, often had a significant form which differentiated them from secular vessels. The libation could be poured onto something of religious significance, such as an altar, or into the earth. In East Asia, pouring an offering of rice into a running stream symbolizes the detachment from karma and bad energy. Religious practice Historical Ancient Sumer The Sumerian afterlife was a dark, dreary cavern located deep below the ground. This bleak domain was known as Kur, where the souls were believed to eat nothing but dry dust and family members of the deceased would ritually pou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oenochoe
An oenochoe, also spelled oinochoe ( grc, οἰνοχόη; from grc, οἶνος ''oînos'', "wine" and grc, χέω ''khéō'', "I pour," sense "wine-pourer"; plural ''oinochoai''; New Latin ''oenochoë,'' plural ''oenochoae,'' English plural ''oenochoes'' or ''oinochoes''), is a wine jug and a key form of ancient Greek pottery. Intermediate between a pithos (large storage vessel) or amphora (transport vessel), and individual cups or bowls, it held fluid for several persons temporarily until it could be poured. The term ''oinos'' (Linear B wo-no) appears in Mycenaean Greek, but not the compound. The characteristic form was popular throughout the Bronze Age, especially at prehistoric Troy. In classical times for the most part the term ''oinochoe'' implied the distribution of wine. As the word began to diversify in meaning, the shape became a more important identifier than the word. The oinochoe could pour any fluid, not just wine. The English word, pitcher, is perhaps the close ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krater
A krater or crater ( grc-gre, , ''kratēr'', literally "mixing vessel") was a large two-handled shape of vase in Ancient Greek pottery and metalwork, mostly used for the mixing of wine with water. Form and function At a Greek symposium, kraters were placed in the center of the room. They were quite large, so they were not easily portable when filled. Thus, the wine-water mixture would be withdrawn from the krater with other vessels, such as a ''kyathos'' (pl. ''kyathoi''), an ''amphora'' (pl. ''amphorai''), or a ''kylix'' (pl. ''kylikes''). In fact, Homer's ''Odyssey'' describes a steward drawing wine from a krater at a banquet and then running to and fro pouring the wine into guests' drinking cups. The modern Greek word now used for undiluted wine, ''krasi'' ( κρασί), originates from the ''krasis'' (''κράσις'', i.e., mixing) of wine and water in kraters. Pottery kraters were glazed on the interior to make the surface of the clay more impervious for holding wate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antiphon Painter ARV 339 58extra Symposion (01)
An antiphon (Greek ἀντίφωνον, ἀντί "opposite" and φωνή "voice") is a short chant in Christian ritual, sung as a refrain. The texts of antiphons are the Psalms. Their form was favored by St Ambrose and they feature prominently in Ambrosian chant, but they are used widely in Gregorian chant as well. They may be used during Mass, for the Introit, the Offertory or the Communion. They may also be used in the Liturgy of the Hours, typically for Lauds or Vespers. They should not be confused with Marian antiphons or processional antiphons. When a chant consists of alternating verses (usually sung by a cantor) and responds (usually sung by the congregation), a refrain is needed. The looser term antiphony is generally used for any call and response style of singing, such as the kirtan or the sea shanty and other work songs, and songs and worship in African and African-American culture. Antiphonal music is that performed by two choirs in interaction, often singing a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barbarian
A barbarian (or savage) is someone who is perceived to be either Civilization, uncivilized or primitive. The designation is usually applied as a generalization based on a popular stereotype; barbarians can be members of any nation judged by some to be less civilized or orderly (such as a tribal society) but may also be part of a certain "primitive" culture, cultural group (such as nomads) or social class (such as bandits) both within and outside one's own nation. Alternatively, they may instead be admired and romanticised as noble savages. In idiomatic or figurative usage, a "barbarian" may also be an individual reference to a brutal, cruel, warlike, and insensitive person. The term originates from the el, βάρβαρος (''barbaros'' pl. βάρβαροι ''barbaroi''). In Ancient Greece, the Greeks used the term not only towards those who did not speak Greek and follow classical Greek customs, but also towards Greek populations on the fringe of the Greek world with peculiar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nationalmuseet - Cophenaghen - Brygos Vomiting1
The National Museum of Denmark (Nationalmuseet) in Copenhagen is Denmark's largest museum of cultural history, comprising the histories of Danish and foreign cultures, alike. The museum's main building is located a short distance from Strøget at the center of Copenhagen. It contains exhibits from around the world, from Greenland to South America. Additionally, the museum sponsors SILA - The Greenland Research Center at the National Museum of Denmark to further archaeological and anthropological research in Greenland. The museum has a number of national commitments, particularly within the following key areas: archaeology, ethnology, numismatics, ethnography, natural science, conservation, communication, building antiquarian activities in connection with the churches of Denmark, as well as the handling of the Danefæ (the National Treasures). Exhibitions The museum covers 14,000 years of Danish history, from the reindeer-hunters of the Ice Age, Vikings, and works of religious ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alcibiades
Alcibiades ( ; grc-gre, Ἀλκιβιάδης; 450 – 404 BC) was a prominent Athenian statesman, orator, and general. He was the last of the Alcmaeonidae, which fell from prominence after the Peloponnesian War. He played a major role in the second half of that conflict as a strategic advisor, military commander, and politician. During the course of the Peloponnesian War, Alcibiades changed his political allegiance several times. In his native Athens in the early 410s BC, he advocated an aggressive foreign policy and was a prominent proponent of the Sicilian Expedition. After his political enemies brought charges of sacrilege against him, he fled to Sparta, where he served as a strategic adviser, proposing or supervising several major campaigns against Athens. However, Alcibiades made powerful enemies in Sparta too, and defected to Persia. There he served as an adviser to the satrap Tissaphernes until Athenian political allies brought about his recall. He served as an Ath ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dionysia
The Dionysia (, , ; Greek: Διονύσια) was a large festival in ancient Athens in honor of the god Dionysus, the central events of which were the theatrical performances of dramatic tragedies and, from 487 BC, comedies. It was the second-most important festival after the Panathenaia. The Dionysia actually consisted of two related festivals, the Rural Dionysia and the City Dionysia, which took place in different parts of the year. They were also an essential part of the Dionysian Mysteries. Rural Dionysia The Dionysia was originally a rural festival in Eleutherae, Attica ( – ''Dionysia ta kat' agrous''), probably celebrating the cultivation of vines. It was probably a very ancient festival, perhaps not originally associated with Dionysus. This "rural Dionysia" was held during the winter, in the month of Poseideon (the month straddling the winter solstice, i.e., Dec.-Jan.). The central event was the ''pompe'' (πομπή), the procession, in which ''phalloi'' (φαλ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agathon
Agathon (; grc, Ἀγάθων; ) was an Athenian tragic poet whose works have been lost. He is best known for his appearance in Plato's ''Symposium,'' which describes the banquet given to celebrate his obtaining a prize for his first tragedy at the Lenaia in 416. He is also a prominent character in Aristophanes' comedy the ''Thesmophoriazusae''. Life and career Agathon was the son of Tisamenus, and the lover of Pausanias, with whom he appears in both the ''Symposium'' and Plato's ''Protagoras''. Together with Pausanias, he later moved to the court of Archelaus, king of Macedon, who was recruiting playwrights; it is here that he probably died around 401 BC. Agathon introduced certain innovations into the Greek theater: Aristotle tells us in the ''Poetics'' (1456a) that the characters and plot of his '' Anthos'' were original and not, following Athenian dramatic orthodoxy, borrowed from mythological or historical subjects. Agathon was also the first playwright to write choral ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
