Symphony No. 9 (Rubbra)
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Symphony No. 9 (Rubbra)
Symphony No. 9 may refer to: Symphonies *Symphony No. 9 (Arnold) (Op. 128) by Malcolm Arnold, 1986 *Symphony No. 9 (Beethoven) in D minor (Op. 125, ''Choral'') by Ludwig van Beethoven, 1822–24 * Symphony No. 9 (Brian) in A minor by Havergal Brian, 1951 * Symphony No. 9 (Bruckner) in D minor (WAB 109, ''dem lieben Gott'') by Anton Bruckner, 1887–96 (unfinished) * Symphony No. 9 (Davies) (Op. 315) by Peter Maxwell Davies, 2011–12 * Symphony No. 9 (Diamond) by David Diamond, 1985 *Symphony No. 9 (Dvořák) in E minor (Op. 95, B. 178, ''From the New World'') by Antonín Dvořák, 1893 *Symphony No. 9 (Ficher) (Op. 123) by Jacobo Ficher, 1973 *Symphony No. 9 (Glass) by Philip Glass, 2010–11 *Symphony No. 9 (Glazunov) in D minor, 1910–36 (unfinished) *Symphony No. 9 (Haydn) in C major (Hoboken I/9) by Joseph Haydn, 1762 *Symphony No. 9 (Michael Haydn) in D major (Perger 36, Sherman 9, MH 50) by Michael Haydn, 1766 *Symphony No. 9 (Henze) by Hans Werner Henze, 1997 *Symphony N ...
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Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ...
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Havergal Brian
Havergal Brian (born William Brian; 29 January 187628 November 1972) was an English composer. He is best known for having composed 32 symphonies (an unusually high total for a 20th-century composer), most of them late in his life. His best-known work is his Symphony No. 1, ''The Gothic'', which calls for some of the largest orchestral forces demanded by a conventionally structured concert work. He also composed five operas and a number of other orchestral works, as well as songs, choral music and a small amount of chamber music. Brian enjoyed a period of popularity earlier in his career and rediscovery in the 1950s, but public performances of his music have remained rare and he has been described as a cult composer. He continued to be extremely productive late into his career, composing large works even into his nineties, most of which remained unperformed during his lifetime. Life Early life William Brian (he adopted the name "Havergal" from a family of hymn-writers, of whom ...
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David Diamond (composer)
David Leo Diamond (July 9, 1915 – June 13, 2005) was an American composer of classical music. He is considered one of the preeminent American composers of his generation. Many of his works are tonal or modestly modal. His early compositions are typically triadic, often with widely spaced harmonies, giving them a distinctly American tone, but some of his works are consciously French in style. His later style became more chromatic. Life and career He was born in Rochester, New York, and studied at the Cleveland Institute of Music and the Eastman School of Music under Bernard Rogers, also receiving lessons from Roger Sessions in New York City and Nadia Boulanger in Paris. He won a number of awards including three Guggenheim Fellowships. Diamond's most popular piece is ''Rounds'' (1944) for string orchestra. Among his other works are eleven symphonies (the last in 1993), concertos including three for violin, eleven string quartets, music for wind ensemble, other chamber music ...
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Jacobo Ficher
Jacobo Ficher (russian: Яков (Хакобо) Фишер; 15 January 1896 – 9 September 1978) was an Argentine composer, violinist, conductor, and music educator of Russian birth. Life Ficher was born in Odessa, Russia, to Alexander Ficher, a trombonist in the Odessa Philharmonic Orchestra, and his wife Iente Mirl (Elena) Gotz. He began to study the violin at the age of five, but his lessons were interrupted when his mother died. In 1903 he was able to resume his violin studies with Pyotr Stolyarsky, and later with M. T. Hait. From 1912 to 1917 he was enrolled at the Saint Petersburg Conservatory, where he continued his violin studies with Sergei Korguyev and Leopold Auer. His other teachers included Vasily Kalafati, Maximilian Steinberg, Nikolai Tcherepnin, and Nikolay Sokolov. On 3 June (Gregorian 16 June) 1920 he married Ana Aronberg, then a piano student at the Odessa Conservatory. The Revolution of 1917 was followed by deteriorating conditions in Odessa and so, in ...
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Alan Hovhaness
Alan Hovhaness (; March 8, 1911 – June 21, 2000) was an American-Armenian composer. He was one of the most prolific 20th-century composers, with his official catalog comprising 67 numbered symphonies (surviving manuscripts indicate over 70) and 434 opus numbers. The true tally is well over 500 surviving works, since many opus numbers comprise two or more distinct works. ''The Boston Globe'' music critic Richard Buell wrote: "Although he has been stereotyped as a self-consciously Armenian composer (rather as Ernest Bloch is seen as a Jewish composer), his output assimilates the music of many cultures. What may be most American about all of it is the way it turns its materials into a kind of exoticism. The atmosphere is hushed, reverential, mystical, nostalgic." Early life He was born as Alan Vaness Chakmakjian ( hy, Ալան Յարութիւն Չաքմաքճեան)Julia Michaelyan"An Interview with Alan Hovhaness" ''Ararat'' 45, v. 12, no. 1 (Winter 1971), pp. 19–31. Reprinted ...
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Edmund Rubbra
Edmund Rubbra (; 23 May 190114 February 1986) was a British composer. He composed both instrumental and vocal works for soloists, chamber groups and full choruses and orchestras. He was greatly esteemed by fellow musicians and was at the peak of his fame in the mid-20th century. The most famous of his pieces are his eleven symphonies. Although he was active at a time when many people wrote twelve-tone music, he decided not to write in this idiom himself. Instead he devised his own distinctive style. His later works were not as popular with the concert-going public as his previous ones had been, although he never lost the respect of his colleagues. Therefore, his output as a whole is less celebrated today than would have been expected from its early popularity. He was the brother of the engineer Arthur Rubbra. Early life He was born Charles Edmund Rubbra at 21 Arnold Road, Semilong, Northampton. His parents encouraged him in his music, but they were not professional musicians, t ...
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William Schuman
William Howard Schuman (August 4, 1910February 15, 1992) was an American composer and arts administrator. Life Schuman was born into a Jewish family in Manhattan, New York City, son of Samuel and Rachel Schuman. He was named after the 27th U.S. president, William Howard Taft, though his family preferred to call him Bill. Schuman played the violin and banjo as a child, but his overwhelming passion was baseball. He attended Temple Shaaray Tefila as a child. While still in high school, he formed a dance band, "Billy Schuman and his Alamo Society Orchestra", that played local weddings and bar mitzvahs in which Schuman played string bass. In 1928 he entered New York University's School of Commerce to pursue a business degree, at the same time working for an advertising agency. He also wrote popular songs with E. B. Marks Jr, a friend he had met long before at summer camp. Around that time, Schuman met lyricist Frank Loesser and wrote some forty songs with him. Loesser's first publish ...
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Curse Of The Ninth
The curse of the ninth is a superstition connected with the history of classical music. It is the belief that a ninth symphony is destined to be a composer's last and that the composer will be fated to die while or after writing it, or before completing a tenth. History The curse of the ninth superstition originated in the late-Romantic period of classical music. According to Arnold Schoenberg, the superstition began with Gustav Mahler, who, after writing his Eighth Symphony, wrote ''Das Lied von der Erde'', which, while structurally a symphony, was able to be disguised as a song cycle, each movement being a setting of a poem for soloist and orchestra. Then he wrote his Ninth Symphony and thought he had beaten the curse, but died with his Tenth Symphony incomplete. This superstition, however, was only hatched by Mahler. Before him, Beethoven and Schubert had died before or while writing their tenth symphonies. Upon realizing this, Mahler created the curse of the ninth and led ...
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