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Jacobo Ficher
Jacobo Ficher (russian: Яков (Хакобо) Фишер; 15 January 1896 – 9 September 1978) was an Argentine composer, violinist, conductor, and music educator of Russian birth. Life Ficher was born in Odessa, Russia, to Alexander Ficher, a trombonist in the Odessa Philharmonic Orchestra, and his wife Iente Mirl (Elena) Gotz. He began to study the violin at the age of five, but his lessons were interrupted when his mother died. In 1903 he was able to resume his violin studies with Pyotr Stolyarsky, and later with M. T. Hait. From 1912 to 1917 he was enrolled at the Saint Petersburg Conservatory, where he continued his violin studies with Sergei Korguyev and Leopold Auer. His other teachers included Vasily Kalafati, Maximilian Steinberg, Nikolai Tcherepnin, and Nikolay Sokolov. On 3 June (Gregorian 16 June) 1920 he married Ana Aronberg, then a piano student at the Odessa Conservatory. The Revolution of 1917 was followed by deteriorating conditions in Odessa and so, in ord ...
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WikiProject Composers
A WikiProject, or Wikiproject, is a Wikimedia movement affinity group for contributors with shared goals. WikiProjects are prevalent within the largest wiki, Wikipedia, and exist to varying degrees within Wikimedia project, sister projects such as Wiktionary, Wikiquote, Wikidata, and Wikisource. They also exist in different languages, and translation of articles is a form of their collaboration. During the COVID-19 pandemic, CBS News noted the role of Wikipedia's WikiProject Medicine in maintaining the accuracy of articles related to the disease. Another WikiProject that has drawn attention is WikiProject Women Scientists, which was profiled by ''Smithsonian Magazine, Smithsonian'' for its efforts to improve coverage of women scientists which the profile noted had "helped increase the number of female scientists on Wikipedia from around 1,600 to over 5,000". On Wikipedia Some Wikipedia WikiProjects are substantial enough to engage in cooperative activities with outside organization ...
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Ezequiel Viñao
Ezequiel Viñao (born July 21, 1960 in Buenos Aires) is an Argentine- American composer. He emigrated to the United States in 1980 and studied at the Juilliard School. His compositions include ''La Noche de las Noches'' (1989) for string quartet and electronics, which won First Prize at UNESCO's Latin-American Rostrum of Composers in 1993; six ''Études'' (1993) for piano solo, which were awarded a Kennedy Center Friedheim Award in 1995; a second string quartet ''The Loss and the Silence'' (2004), commissioned by the Juilliard String Quartet and titled with a quote from J.R.R. Tolkien's ''The Tale of Aragorn and Arwen''; ''The Wanderer'' (2005) for a cappella voices, commissioned by Chanticleer and Chicago a cappella, and titled for the Old English poem of the same name; and ''Sirocco Dust'' (2009), commissioned by the Library of Congress for the St. Lawrence String Quartet. He currently resides in New York City New York, often called New York Ci ...
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Gaucho Literature
Gaucho literature, also known as gauchesco ("gauchoesque") genre was a literary movement purporting to use the language of the gauchos, comparable to the American cowboy, and reflecting their mentality. Although earlier works have been identified as gauchoesque, the movement particularly thrived from the 1870s to 1920s in Argentina, Uruguay and southern Brazil after which the movement petered out, although some works continued to be written. Gauchoesque works continue to be read and studied as a significant part of Argentine literary history.Henderson, Helene, and Jay P. Pederson, editors, ''Twentieth-Century Literary Movements Dictionary'', Detroit: Omnigraphics Inc., 2000 The movement arose as writers in those countries developed their understanding of their national identities. Three great poets in this trend were, José Hernández, Estanislao del Campo and Hilario Ascasubi. The influence of folk music and a countrified language has always, to some extent, been felt in pop ...
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Darius Milhaud
Darius Milhaud (; 4 September 1892 – 22 June 1974) was a French composer, conductor, and teacher. He was a member of Les Six—also known as ''The Group of Six''—and one of the most prolific composers of the 20th century. His compositions are influenced by jazz and Brazilian music and make extensive use of polytonality. Milhaud is considered one of the key modernist composers.Reinhold Brinkmann & Christoph Wolff, ''Driven into Paradise: The Musical Migr ...
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Charles Koechlin
Charles-Louis-Eugène Koechlin (; 27 November 186731 December 1950), commonly known as Charles Koechlin, was a French composer, teacher and musicologist. He was a political radical all his life and a passionate enthusiast for such diverse things as medieval music, ''The Jungle Book'' of Rudyard Kipling, Johann Sebastian Bach, film stars (especially Lilian Harvey and Ginger Rogers), traveling, stereoscopic photography and socialism. He once said: "The artist needs an ivory tower, not as an escape from the world, but as a place where he can view the world and be himself. This tower is for the artist like a lighthouse shining out across the world." Among his better known works is ''Les Heures persanes'', a set of piano pieces based on the novel ''Vers Ispahan'' by Pierre Loti and The Seven Stars Symphony, a 7 movement symphony where each movement is themed around a different film star (all Silent era stars) who were popular at the time of the piece's writing (1933). Life Charles Koe ...
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Paul Hindemith
Paul Hindemith (; 16 November 189528 December 1963) was a German composer, music theorist, teacher, violist and conductor. He founded the Amar Quartet in 1921, touring extensively in Europe. As a composer, he became a major advocate of the ''Neue Sachlichkeit'' (new objectivity) style of music in the 1920s, with compositions such as '' Kammermusik'', including works with viola and viola d'amore as solo instruments in a neo-Bachian spirit. Other notable compositions include his song cycle ''Das Marienleben'' (1923), ''Der Schwanendreher'' for viola and orchestra (1935), the opera ''Mathis der Maler'' (1938), the '' Symphonic Metamorphosis of Themes by Carl Maria von Weber'' (1943), and the oratorio ''When Lilacs Last in the Dooryard Bloom'd'', a requiem based on Walt Whitman's poem (1946). Life and career Hindemith was born in Hanau, near Frankfurt, the eldest child of the painter and decorator Robert Hindemith from Lower Silesia and his wife Marie Hindemith, née Warnecke. H ...
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Impressionist Music
Impressionism in music was a movement among various composers in Western classical music (mainly during the late 19th and early 20th centuries) whose music focuses on mood and atmosphere, "conveying the moods and emotions aroused by the subject rather than a detailed tone‐picture". "Impressionism" is a philosophical and aesthetic term borrowed from late 19th-century French painting after Monet's '' Impression, Sunrise''. Composers were labeled Impressionists by analogy to the Impressionist painters who use starkly contrasting colors, effect of light on an object, blurry foreground and background, flattening perspective, etc. to make the observer focus their attention on the overall impression.J. Peter Burkholder, Donald Jay Grout and Claude V. Palisca, ''A History of Western Music'', eighth edition (New York: W. W. Norton & Company, 2010). . The most prominent feature in musical Impressionism is the use of "color", or in musical terms, timbre, which can be achieved through ...
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Anton Chekhov
Anton Pavlovich Chekhov (; 29 January 1860 Old Style date 17 January. – 15 July 1904 Old Style date 2 July.) was a Russian playwright and short-story writer who is considered to be one of the greatest writers of all time. His career as a playwright produced four classics, and his best short stories are held in high esteem by writers and critics."Stories ... which are among the supreme achievements in prose narrative.Vodka miniatures, belching and angry cats George Steiner's review of ''The Undiscovered Chekhov'', in ''The Observer'', 13 May 2001. Retrieved 16 February 2007. Along with Henrik Ibsen and August Strindberg, Chekhov is often referred to as one of the three seminal figures in the birth of early modernism in the theatre. Chekhov was a physician by profession. "Medicine is my lawful wife", he once said, "and literature is my mistress." Chekhov renounced the theatre after the reception of ''The Seagull'' in 1896, but the play was revived to acclaim in 189 ...
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Rhapsody (music)
A rhapsody in music is a one- movement work that is episodic yet integrated, free-flowing in structure, featuring a range of highly contrasted moods, colour, and tonality. An air of spontaneous inspiration and a sense of improvisation make it freer in form than a set of variations. The word ''rhapsody'' is derived from the gr, ῥαψῳδός, ''rhapsōidos'', a reciter of epic poetry (a rhapsodist), and came to be used in Europe by the 16th century as a designation for literary forms, not only epic poems, but also for collections of miscellaneous writings and, later, any extravagant expression of sentiment or feeling. In the 18th century, literary rhapsodies first became linked with music, as in Christian Friedrich Daniel Schubart's ''Musicalische Rhapsodien'' (1786), a collection of songs with keyboard accompaniment, together with a few solo keyboard pieces. The first solo piano compositions with the title, however, were Václav Jan Tomášek’s fifteen Rhapsodies, the firs ...
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Atonality
Atonality in its broadest sense is music that lacks a tonal center, or key. ''Atonality'', in this sense, usually describes compositions written from about the early 20th-century to the present day, where a hierarchy of harmonies focusing on a single, central triad is not used, and the notes of the chromatic scale function independently of one another. More narrowly, the term ''atonality'' describes music that does not conform to the system of tonal hierarchies that characterized European classical music between the seventeenth and nineteenth centuries. "The repertory of atonal music is characterized by the occurrence of pitches in novel combinations, as well as by the occurrence of familiar pitch combinations in unfamiliar environments". The term is also occasionally used to describe music that is neither tonal nor serial, especially the pre-twelve-tone music of the Second Viennese School, principally Alban Berg, Arnold Schoenberg, and Anton Webern. However, "as a categoric ...
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Serialism
In music, serialism is a method of Musical composition, composition using series of pitches, rhythms, dynamics, timbres or other elements of music, musical elements. Serialism began primarily with Arnold Schoenberg's twelve-tone technique, though some of his contemporaries were also working to establish serialism as a form of atonality, post-tonal thinking. Twelve-tone technique orders the twelve notes of the chromatic scale, forming a tone row, row or series and providing a unifying basis for a composition's melody, harmony, structural progressions, and variation (music), variations. Other types of serialism also work with set (music), sets, collections of objects, but not necessarily with fixed-order series, and extend the technique to other musical dimensions (often called "parameter (music), parameters"), such as duration (music), duration, Dynamics (music), dynamics, and timbre. The idea of serialism is also applied in various ways in the visual arts, design, and architectu ...
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Twelve-tone Technique
The twelve-tone technique—also known as dodecaphony, twelve-tone serialism, and (in British usage) twelve-note composition—is a method of musical composition first devised by Austrian composer Josef Matthias Hauer, who published his "law of the twelve tones" in 1919. In 1923, Arnold Schoenberg (1874–1951) developed his own, better-known version of 12-tone technique, which became associated with the "Second Viennese School" composers, who were the primary users of the technique in the first decades of its existence. The technique is a means of ensuring that all 12 notes of the chromatic scale are sounded as often as one another in a piece of music while preventing the emphasis of any one notePerle 1977, 2. through the use of tone rows, orderings of the 12 pitch classes. All 12 notes are thus given more or less equal importance, and the music avoids being in a key. Over time, the technique increased greatly in popularity and eventually became widely influential on 20th-cent ...
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