Charles Koechlin
Charles-Louis-Eugène Koechlin (; 27 November 186731 December 1950), commonly known as Charles Koechlin, was a French composer, teacher and musicologist. He was a political radical all his life and a passionate enthusiast for such diverse things as medieval music, ''The Jungle Book'' of Rudyard Kipling, Johann Sebastian Bach, film stars (especially Lilian Harvey and Ginger Rogers), traveling, stereoscopic photography and socialism. He once said: "The artist needs an ivory tower, not as an escape from the world, but as a place where he can view the world and be himself. This tower is for the artist like a lighthouse shining out across the world." Among his better known works is ''Les Heures persanes'', a set of piano pieces based on the novel ''Vers Ispahan'' by Pierre Loti and The Seven Stars Symphony, a 7 movement symphony where each movement is themed around a different film star (all Silent era stars) who were popular at the time of the piece's writing (1933). Life Charles Koe ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Paris
Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, fashion, gastronomy, and science. For its leading role in the arts and sciences, as well as its very early system of street lighting, in the 19th century it became known as "the City of Light". Like London, prior to the Second World War, it was also sometimes called the capital of the world. The City of Paris is the centre of the ÃŽle-de-France region, or Paris Region, with an estimated population of 12,262,544 in 2019, or about 19% of the population of France, making the region France's primate city. The Paris Region had a GDP of €739 billion ($743 billion) in 2019, which is the highest in Europe. According to the Economist Intelli ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Silent Film
A silent film is a film with no synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era that existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in large cities, a small orchestra—would often play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema pri ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Louis-Albert Bourgault-Ducoudray
Louis-Albert Bourgault-Ducoudray (2 February 1840 – 4 July 1910) was a French Breton composer, pianist, and professor of music history/theory at the Conservatoire de Paris as well as a Prix de Rome laureate. He was born at Nantes and died at Vernouillet, near Dreux. Debussy was one of his protégés. Career His bucolic upbringing near the family estate of Grézillières certainly added to his eventual fascination with the folklore, music, and culture of Brittany and other nations. Later in life, Bourgault would support the Breton Regionalist Union, an organization indebted to the propagation of Breton culture, ideals, and the notions of independence. He was also represented in the Goursez. Bourgault was from a family of considerable political and ancestral influence. His uncle was Adolphe Billault, the famous minister of the Second Empire, personally selected by Napoleon III to act as France's Interior Minister from 1854-1858. Another of his uncles, Jules Rieffel, from Als ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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André Gedalge
André Gedalge (27 December 1856 – 5 February 1926) was a French composer and teacher. Biography André Gedalge was born at 75 rue des Saints-Pères in Paris where he first worked as a bookseller and editor, specialising in ''livres de prix'' for public schools. During this time his father and him published books by Marie Laubot and Edmond About for the Librairie Gedalge. In 1886, at the age of 28, he entered the Conservatoire de Paris. In that same year he won the Second Prix de Rome. He studied under Ernest Guiraud, professor of counterpoint and fugue, who had also been Jules Massenet's teacher. In 1891, Gedalge composed the score for ''Le Petit Savoyard'', a pantomime in four acts performed at the Théâtre des Nouveautés. In 1895, ''Pris au Piège'' was awarded the Prix Cressant. In June 1900, his one act ballet ''Phoebé'' debuted at the Opéra-Comique. He composed ''Quatuor d'archet'', ''Les Vaux de Vire'' (a collection of ''mélodies''), children's songs, and three ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Counterpoint
In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the Baroque period. The term originates from the Latin ''punctus contra punctum'' meaning "point against point", i.e. "note against note". In Western pedagogy, counterpoint is taught through a system of species (see below). There are several different forms of counterpoint, including imitative counterpoint and free counterpoint. Imitative counterpoint involves the repetition of a main melodic idea across different vocal parts, with or without variation. Compositions written in free counterpoint often incorporate non-traditional harmonies and chords, chromaticism and dissonance. General principles The term "counterpoint" has been us ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Fugue
In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition. It is not to be confused with a ''fuguing tune'', which is a style of song popularized by and mostly limited to early American (i.e. shape note or "Sacred Harp") music and West Gallery music. A fugue usually has three main sections: an exposition, a development and a final entry that contains the return of the subject in the fugue's tonic key. Some fugues have a recapitulation. In the Middle Ages, the term was widely used to denote any works in canonic style; by the Renaissance, it had come to denote specifically imitative works. Since the 17th century, the term ''fugue'' has described what is commonly regarded as the most fully developed procedure of imitative counterpoint. Most fugues open with a short ma ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jules Massenet
Jules Émile Frédéric Massenet (; 12 May 1842 – 13 August 1912) was a French composer of the Romantic era best known for his operas, of which he wrote more than thirty. The two most frequently staged are '' Manon'' (1884) and ''Werther'' (1892). He also composed oratorios, ballets, orchestral works, incidental music, piano pieces, songs and other music. While still a schoolboy, Massenet was admitted to France's principal music college, the Paris Conservatoire. There he studied under Ambroise Thomas, whom he greatly admired. After winning the country's top musical prize, the Prix de Rome, in 1863, he composed prolifically in many genres, but quickly became best known for his operas. Between 1867 and his death forty-five years later he wrote more than forty stage works in a wide variety of styles, from opéra-comique to grand-scale depictions of classical myths, romantic comedies, lyric dramas, as well as oratorios, cantatas and ballets. Massenet had a good sense of the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Antoine Taudou
Antoine-Barthélémy Taudou (24 August 1846 – 6 July 1925) was a French music educator, violinist and composer. Life Born in Perpignan, Taudou studied at the Conservatoire de Paris and won the Premier Grand Prix de Rome in 1869 with the cantata ''Françoise da Rimini''. After the stay in Rome associated with the prize, he lived as a violinist in Paris. He was, among others, a member of the orchestra of the Théâtre de la Porte St. Martin and from 1872 to 1889 of the Orchestre de la Société des Concerts du Conservatoire. For several years he led the string quartet Quatour Taudou. From 1883, he was professor for harmony at the Paris Conservatory. There, , Erik Satie, Charles Koechlin, Jacques de La Presle, Aymé Kunc, Joseph Boulnois, Joseph-Ermend Bonnal and Francisco Braga were among his students. Taudou composed music for the play ''Le Luthier de Crémone'' by François Coppée, which was performed at the Comédie-Française in 1876. He also composed a trio for flute, vi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Paris Conservatoire
The Conservatoire de Paris (), also known as the Paris Conservatory, is a college of music and dance founded in 1795. Officially known as the Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP), it is situated in the avenue Jean Jaurès in the 19th arrondissement of Paris, France. The Conservatoire offers instruction in music and dance, drawing on the traditions of the 'French School'. Formerly the conservatory also included drama, but in 1946 that division was moved into a separate school, the Conservatoire National Supérieur d'Art Dramatique (CNSAD), for acting, theatre and drama. Today the conservatories operate under the auspices of the Ministry of Culture and Communication and are associate members of PSL University. The CNSMDP is also associated with the Conservatoire National Supérieur de Musique et de Danse de Lyon (CNSMDL). History École Royale de Chant On 3 December 1783 Papillon de la Ferté, ''intendant'' of the Menus-Plaisirs du Roi, pro ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Charles-Édouard Lefebvre
Charles-Édouard Lefebvre (19 June 1843 – 8 September 1917) was a French composer. Lefebvre was born in Paris, the son of painter Charles Lefebvre, and studied with Charles Gounod and Ambroise Thomas at the Paris Conservatoire. In 1870, he was awarded the Prix de Rome together with Henri Maréchal (1842–1924) for the cantata ''Le Jugement de Dieu''. He was awarded the Prix Chartier for his compositions twice, in 1884 and 1891. In 1895 he succeeded Benjamin Godard as director of the Paris Conservatoire's chamber music class. According to Elaine Brody's entry on him in The New Grove Dictionary of Music and Musicians (1980), "In his own words, he worked in pastels rather than oils." He died in Aix-les-Bains, Savoie, aged 74. Works *''Le Jugement de Dieu'' (1870) *''Le Chant du cavalier'' (Duo for Cello (or Bassoon) and Piano (or Organ), 1876) *op. 46: ''3 Pièces'' (Duos for Cello and Piano, 1877) *''Lucrèce'' (opera, 1878) *op. 53: ''Le Trésor'' (comic opera in 1 act, libre ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Algeria
) , image_map = Algeria (centered orthographic projection).svg , map_caption = , image_map2 = , capital = Algiers , coordinates = , largest_city = capital , religion = , official_languages = , languages_type = Other languages , languages = Algerian Arabic (Darja) French , ethnic_groups = , demonym = Algerian , government_type = Unitary semi-presidential republic , leader_title1 = President , leader_name1 = Abdelmadjid Tebboune , leader_title2 = Prime Minister , leader_name2 = Aymen Benabderrahmane , leader_title3 = Council President , leader_name3 = Salah Goudjil , leader_title4 = Assembly President , leader_name4 = Ibrahim Boughali , legislature = Parliament , upper_house = Council of the Nation , lower_house ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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École Polytechnique , a Japanese video-games developer/publisher
{{disambiguation, geo ...
École may refer to: * an elementary school in the French educational stages normally followed by secondary education establishments (collège and lycée) * École (river), a tributary of the Seine flowing in région ÃŽle-de-France * École, Savoie, a French commune * École-Valentin, a French commune in the Doubs département * Grandes écoles, higher education establishments in France * The École, a French-American bilingual school in New York City Ecole may refer to: * Ecole Software This is a list of Notability, notable video game companies that have made games for either computers (like PC or Mac), video game consoles, handheld or mobile devices, and includes companies that currently exist as well as now-defunct companies. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |