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Symphony No. 8 (Bruckner)
Anton Bruckner's Symphony No. 8 in C minor, WAB 108, is the last symphony the composer completed. It exists in two major versions of 1887 and 1890. It was premiered under conductor Hans Richter in 1892 at the Musikverein, Vienna. It is dedicated to the Emperor Franz Joseph I of Austria. This symphony is sometimes nicknamed ''The Apocalyptic'', but this was not a name Bruckner gave to the work himself. Composition and publication Bruckner began work on the Eighth Symphony in July 1884. Korstvedt, p. 11 Working mainly during the summer vacations from his duties at the University of Vienna and the Vienna Conservatory, the composer had all four movements completed in draft form by August 1885. The orchestration of the work took Bruckner until April 1887 to complete; during this stage of composition, the order of the inner movements was reversed, leaving the Scherzo second and the Adagio as the third movement. In September 1887, Bruckner had the score copied and sent to conduct ...
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Franz Joseph I Of Austria
Franz Joseph I or Francis Joseph I (german: Franz Joseph Karl, hu, Ferenc József Károly, 18 August 1830 – 21 November 1916) was Emperor of Austria, King of Hungary, and the Grand title of the Emperor of Austria, other states of the Habsburg monarchy from 2 December 1848 until his death on 21 November 1916. In the early part of his reign, his realms and territories were referred to as the Austrian Empire, but were reconstituted as the dual monarchy of the Austro-Hungarian Empire in 1867. From 1 May 1850 to 24 August 1866, Franz Joseph was also President of the German Confederation. In December 1848, Franz Joseph's uncle Ferdinand I of Austria, Emperor Ferdinand abdicated the throne at Olomouc, as part of Minister President Felix zu Schwarzenberg's plan to end the Revolutions of 1848 in Hungary. Franz Joseph then acceded to the throne. Largely considered to be a reactionary, he spent his early reign resisting constitutionalism in his domains. The Austrian Empire was forced to c ...
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Cholera
Cholera is an infection of the small intestine by some strains of the bacterium ''Vibrio cholerae''. Symptoms may range from none, to mild, to severe. The classic symptom is large amounts of watery diarrhea that lasts a few days. Vomiting and muscle cramps may also occur. Diarrhea can be so severe that it leads within hours to severe dehydration and electrolyte imbalance. This may result in sunken eyes, cold skin, decreased skin elasticity, and wrinkling of the hands and feet. Dehydration can cause the skin to turn bluish. Symptoms start two hours to five days after exposure. Cholera is caused by a number of types of ''Vibrio cholerae'', with some types producing more severe disease than others. It is spread mostly by unsafe water and unsafe food that has been contaminated with human feces containing the bacteria. Undercooked shellfish is a common source. Humans are the only known host for the bacteria. Risk factors for the disease include poor sanitation, not enough clea ...
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Deutscher Michel
(; "Michael the German") is a figure representing the national character of the German people, rather as John Bull represents the English. He originated in the first half of the 19th century. Overview Michel differs from figures that serve as personifications of the nation itself, as Germania did the German nation and Marianne the French, in that he represents the German people. He is usually depicted wearing a nightcap and nightgown, sometimes in the colors of the German flag, and represents the Germans' conception of themselves, especially in his easy-going nature and Everyman appearance. In any event, the nightgown and the night cap, which have been present in all pictorial representations of the German Michelthe first ones dating from the first half of the nineteenth centuryare also interpreted in a way that the German Michel is, in fact, a rather naive and gullible person, not prone, for example, to question the authority of the government. On the contrary, he prefers ...
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The Flying Dutchman (opera)
The ''Flying Dutchman'' ( nl, De Vliegende Hollander) is a legendary ghost ship, allegedly never able to make port, but doomed to sail the seven seas forever. The myth is likely to have originated from the 17th-century Golden Age of the Dutch East India Company (VOC) and of Dutch maritime power. The oldest known extant version of the legend dates from the late 18th century. According to the legend, if hailed by another ship, the crew of the ''Flying Dutchman'' might try to send messages to land, or to people long dead. Reported sightings in the 19th and 20th centuries claimed that the ship glowed with a ghostly light. In ocean lore, the sight of this phantom ship functions as a portent of doom. It was commonly believed that the ''Flying Dutchman'' was a fluyt. Origins The first print reference to the ship appears in ''Travels in various part of Europe, Asia and Africa during a series of thirty years and upward'' (1790) by John MacDonald: The next literary reference ...
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Symphony In F Minor (Bruckner)
Anton Bruckner's Symphony in F minor, WAB 99, was written in 1863, at the end of his study period in form and orchestration by Otto Kitzler. Bruckner gave the score of the Symphony in F minor to his friend Cyrill Hynais, together with that of the Four Orchestral Pieces of 1862 and the Overture in G minor. The symphony, which was not played in Bruckner's lifetime, received its first full performance at Klosterneuburg on 12 October 1924. It is available in only one edition, by Leopold Nowak published in 1973. Instrumentation The work is scored for two flutes, two oboes, two clarinets in B, two bassoons, four horns (two in F, two in B), two trumpets in F, alto, tenor and bass trombones, timpani and strings. Movements There are four movements: Criticism Biographer Derek Watson says that compared to the Overture in G minor, the F minor Symphony "is certainly thematically uninspired and less characterful," but that it does have "some moments of warm melodiousness and cons ...
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C Major
C major (or the key of C) is a major scale based on C, consisting of the pitches C, D, E, F, G, A, and B. C major is one of the most common keys used in music. Its key signature has no flats or sharps. Its relative minor is A minor and its parallel minor is C minor. The C major scale is: : On the piano, the C major scale can be played by playing only the white keys starting on C. Compositions Twenty of Joseph Haydn's 106 symphonies are in C major, making it his second most-used key, second to D major. Of the 134 symphonies mistakenly attributed to Haydn that H. C. Robbins Landon lists in his catalog, 33 are in C major, more than any other key. Before the invention of the valves, Haydn did not write trumpet and timpani parts in his symphonies, except those in C major. Landon writes that it wasn't "until 1774 that Haydn uses trumpets and timpani in a key other than C major... and then only sparingly." Most of Haydn's symphonies in C major are labelled "festive" an ...
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Timpani
Timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion family. A type of drum categorised as a hemispherical drum, they consist of a membrane called a head stretched over a large bowl traditionally made of copper. Thus timpani are an example of kettle drums, also known as vessel drums and semispherical drums, whose body is similar to a section of a sphere whose cut conforms the head. Most modern timpani are ''pedal timpani'' and can be tuned quickly and accurately to specific pitches by skilled players through the use of a movable foot-pedal. They are played by striking the head with a specialized drum stick called a ''timpani stick'' or ''timpani mallet''. Timpani evolved from military drums to become a staple of the classical orchestra by the last third of the 18th century. Today, they are used in many types of ensembles, including concert bands, marching bands, orchestras, and even in some rock bands. ''Timpani'' is an Italian ...
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Bruckner Rhythm
The Bruckner rhythm is a 2 + 3 ( duplet + triplet) or 3 + 2 rhythm in Anton Bruckner's symphonic music, where it occurs prevalently, and in many different ways. One example is in the main theme of the first movement of Symphony No. 4, from bars 43 forward: Bruckner also used the rhythm with a single pitch repeated, and this is the only way it occurs in Symphony No. 2 (e.g., bars 20 and 122). In Symphony No. 6, the Bruckner rhythm occurs to a much greater extent than in previous works, in several parts at slightly different times. At first it occurs as a string ostinato high in the violins' range against a melody of different rhythm in the cellos (bar 3), while at bars 195–209 it serves to articulate hexatonic cycle block chords.Kevin Swinden, "Bruckner and harmony" ''The Cambridge Companion to Bruckner'', ed. John Williamson. Cambridge, Cambridge University Press (2004): 222. "The orchestral texture through this passage is thick, articulating block chords in the 'Bruckne ...
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Heinrich Schenker
Heinrich Schenker (19 June 1868 – 14 January 1935) was a Galician-born Austrian music theorist whose writings have had a profound influence on subsequent musical analysis. His approach, now termed Schenkerian analysis, was most fully explained in a three volume series entitled ''Neue musikalische Theorien und Phantasien'' (''New Musical Theories and Phantasies''), which included ''Harmony'' (1906), ''Counterpoint'' (1910; 1922) and ''Free Composition'' (1935). Born in Wiśniowczyk, Austrian Galicia, he studied law at University of Vienna and music at what is now the University of Music and Performing Arts Vienna where his teachers included Franz Krenn, Ernst Ludwig, Anton Bruckner and Johann Nepomuk Fuchs. Despite his law degree, he focused primarily on a musical career following graduation, finding minimal success as a composer, conductor and accompanist. From the 20th-century on, Schenker increasingly directed his efforts towards music theory, developing a systemic ap ...
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Four Orchestral Pieces (Bruckner)
The Four Orchestral Pieces (') are four short orchestral pieces, which Anton Bruckner composed in the fall of 1862 during his tuition with Otto Kitzler. History During the summer of 1862, when studying with Otto Kitzler in Linz, Bruckner composed his first instrumental work, the String Quartet in C minor. Thereafter, Kitzler asked him to orchestrate the opening of the first movement of Beethoven's ''Sonate pathétique''. In the fall of the same year, Bruckner tried his hand at own orchestral compositions. These "first arms" resulted in four small orchestral pieces: the ''Marsch'' (March) in D minor and the ''Drei Sätze für Orchester'' (Three Pieces for orchestra). The original manuscript is found in the '' Kitzler-Studienbuch'': * Sketch and discarded first Trio for the March in D minor: pp. 251–252 * March in D minor: pp. 253–265 (dated 12 October 1862)U. Harten, pp. 271-272 * Three Orchestral Pieces: pp. 266–271 (undated), 272–277 (dated 10 Novembe ...
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Ludwig Van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as heroic. During this time, he began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Beethoven was born in Bonn. His musical talent was obvious at an early age. He was initially harshly and intensively tau ...
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Movement (music)
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section Section, Sectioning or Sectioned may refer to: Arts, entertainment and media * Section (music), a complete, but not independent, musical idea * Section (typography), a subdivision, especially of a chapter, in books and documents ** Section sig ..., "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena". Sources Formal sections in music analysis {{music-stub ...
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