|
Sweet Hands
''Sweet Hands'' is an album by saxophonist David Liebman which was recorded in California in 1975 and released on the Horizon label. accessed September 12, 2017 Reception The review by Richard S. Ginell stated, "The influence of India upon jazz had not been spent entirely when Dave Liebman and Lookout Farm recorded the first of his Horizon albums, which pursues the East-meets-West direction of his former employer , but without the latter's dramatic thrust ... Fascinating music, if not always convincing."[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dave Liebman
David Liebman (born September 4, 1946) is an American saxophonist, flautist and jazz educator. He is known for his innovative lines and use of atonality. He was a frequent collaborator with pianist Richie Beirach. In June 2010, he received a NEA Jazz Masters lifetime achievement award from the National Endowment for the Arts (NEA). Biography Early life and career David Liebman was born in 1946 into a Jewish family in Brooklyn, New York. As a child in 1949 he contracted polio. He began classical piano lessons at the age of nine and saxophone by twelve. His interest in jazz was sparked by seeing John Coltrane perform live in New York City clubs such as Birdland, the Village Vanguard and the Half Note. Throughout high school and college, Liebman pursued his jazz interest by studying with Joe Allard, Lennie Tristano, and Charles Lloyd. Upon graduation from New York University (with a degree in American history), he began to seriously devote himself to the full-time pursuit of bei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bell Tree
A bell tree, also known as tree bellsBeck, John. ''Encyclopedia of Percussion.'' Taylor and Francis, 1995. or Chinese bell tree (often confused with the mark tree), is a percussion instrument, consisting of vertically nested inverted metal bowls. The bowls, placed on a vertical rod, are arranged roughly in order of pitch. The number of bowls can vary between approximately 14 and 28. An effective glissando is produced by sliding a triangle beater, a glockenspiel mallet, or a xylophone mallet down the length of the tree. The bells are usually pitched to microtonal intervals and do not represent any formal scale. When a glissando is played, the inexactness of the order of the bowls' pitch is unnoticeable, merely creating a fuller sound. The bell tree is often used to accentuate the start or end of passages of music with a "bright", "shimmer" effect, adding complexity. Chick Corea and his group Return To Forever occasionally used the bell tree (i.e. album ''Hymn of the Sevent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ektara
Ektara ( bn, একতারা, hi, एकतारा, ur, اِک تارا, ne, एकतारे, pa, ਇਕ ਤਾਰਾ, ta, எக்டரா; literally 'one-string', also called actara, iktar, ektar, yaktaro, gopichand, gopichant, golki ne, गोल्, gopijiantra, tun tuna) is a one-stringed musical instrument used in the traditional music of South Asia, and used in modern-day music of Bangladesh, India, and Pakistan. Two-stringed versions are called dotara (two string), a name which also applies to other instruments. In origin the ''ektara'' was a regular string instrument of wandering bards and minstrels from India and is plucked with one finger. The ''ektara'' is a drone lute consisting of a gourd resonator covered with skin, through which a bamboo neck is inserted. It is used in parts of India and Nepal today by Yogis and wandering holy men to accompany their singing and prayers. In Nepal, the instrument accompanies the singing of the Ramayana and Mahabha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Badal Roy
Badal Roy ( bn, বাদল রায়; born Amarendra Roy Chowdhury; 16 October 1939 – 18 January 2022) was an Indian tabla player, percussionist, and recording artist known for his work in jazz, world music, and experimental music. Biography Roy was born Amarendra Roy Chowdhury on 16 October 1939, into a Hindu family in a predominantly Muslim eastern Bengal region in Comilla, British India (which later became East Pakistan, then Bangladesh). His mother, Sova Rani Roy Chowdhury, was a homemaker, while his father, Satyenda Nath Roy Chowdhury was a government official in Eastern Pakistan. The name Badal (meaning "rain," "cloud", or "thunder" in the Bengali language), was given to him by his grandfather after he began crying in the rain as a toddler. He spoke the Bengali, English, Hindi, and Urdu languages. He was introduced to music, in particular the percussion instrument Tabla, by his uncle. An early inspiration for Roy was American popular music, and he particularly e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zill
Zills or zils (from Turkish 'cymbals'), also called finger cymbals, are small metallic cymbals used in belly dancing and similar performances. They are called () in Egypt. They are similar to Tibetan tingsha bells. In Western music, several pairs can be set in a frame to make a tambourine. Names in other languages include ''nuqaisāt'' (after the ''naqus'') in Arabic and used among Berbers, ''ṣunnūj ṣaghīra'' in Arabic, ''Zang-e sarangoshti'' (Persian, possibly related to the '' zang''), sanj angshati (سنج انگشتی) (Persian, related to Sanj), ''çeng'' in Turkish, ''p'eng chung'' in Chinese. History Zills, or finger cymbals, are part of a family of musical instruments known as ''clappers''. Clappers are musical instruments made of wood, bone, metal, and other substances that are played by being struck against each other. Clappers come in pairs and are often held in the hands, fastened together, or strapped to the performer's fingers. The clapper family also inc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shaker (musical Instrument)
The word shaker describes various percussive musical instruments used for creating rhythm in music. They are called shakers because the method of creating the sound involves shaking them – moving them back and forth in the air rather than striking them. Most may also be struck for a greater accent on certain beats. Shakers are often used in rock and other popular styles to provide the ride pattern along with or substituting for the ride cymbal. Types of shaker A shaker may comprise a container, partially full of small loose objects such as beans, which create the percussive sounds as they collide with each other, the inside surface, or other fixed objects inside the container – as in a rainstick, caxixi or egg shaker. See also *Hand percussion Hand percussion is a percussion instrument that is held in the hand. They can be made from wood, metal or plastic, bottles stops and are usually shaken, scraped, or tapped with fingers or a stick. It includes all instruments that a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bell
A bell is a directly struck idiophone percussion instrument. Most bells have the shape of a hollow cup that when struck vibrates in a single strong strike tone, with its sides forming an efficient resonator. The strike may be made by an internal "clapper" or "uvula", an external hammer, or—in small bells—by a small loose sphere enclosed within the body of the bell (jingle bell). Bells are usually cast from bell metal (a type of bronze) for its resonant properties, but can also be made from other hard materials. This depends on the function. Some small bells such as ornamental bells or cowbells can be made from cast or pressed metal, glass or ceramic, but large bells such as a church, clock and tower bells are normally cast from bell metal. Bells intended to be heard over a wide area can range from a single bell hung in a turret or bell-gable, to a musical ensemble such as an English ring of bells, a carillon or a Russian zvon which are tuned to a common scale and ins ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tambourine
The tambourine is a musical instrument in the percussion family consisting of a frame, often of wood or plastic, with pairs of small metal jingles, called "zills". Classically the term tambourine denotes an instrument with a drumhead, though some variants may not have a head. Tambourines are often used with regular percussion sets. They can be mounted, for example on a stand as part of a drum kit (and played with drum sticks), or they can be held in the hand and played by tapping or hitting the instrument. Tambourines come in many shapes with the most common being circular. It is found in many forms of music: Turkish folk music, Greek folk music, Italian folk music, French folk music, classical music, Persian music, samba, gospel music, pop music, country music, and rock music. History The origin of the tambourine is unknown, but it appears in historical writings as early as 1700 BC and was used by ancient musicians in West Africa, the Middle East, Greece and India. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Congas
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thought to b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Alias
Charles "Don" Alias (December 25, 1939 in New York City – March 28, 2006 in New York City) was an American jazz percussionist. Alias was best known for playing congas and other hand drums. He was, however, a capable drum kit performer: for example, Alias played drums on the song "Miles Runs the Voodoo Down" from trumpeter Miles Davis's album '' Bitches Brew'' (1969) when neither Lenny White nor Jack DeJohnette was able to play the marching band-inspired rhythm requested by Davis.see the notes for ''The Complete Bitches Brew Sessions'' (1998) Alias performed on hundreds of recordings and was perhaps best known for his associations with Miles Davis and saxophonist David Sanborn, though he also performed or recorded with the group Weather Report, singer Joni Mitchell, pianist Herbie Hancock, the Brecker Brothers, Jaco Pastorius, Pat Metheny, Nina Simone and many others. Alias was born in New York City and arrived in Boston in the early 1960s intending to study medicine but, afte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeff Williams (musician)
Jeffrey Lawrence Williams (born July 6, 1950) is an American jazz drummer, composer, and educator. Early life Williams was born in Mount Vernon, Ohio, on July 6, 1950. He grew up in Oberlin, Ohio. His mother was a singer in the 1960s. Williams began playing the drums, self-taught, at the age of seven and played professionally from his mid-teens. From 1968, "he studied arranging and composition at the Berklee School of Music". Later life and career Williams played for a short time with various musicians in New York in 1971, joined pianist Marc Copland's band, and played for the first time with saxophonist Lee Konitz in 1972. He continued to work with Konitz on and off into the 2000s. Williams played with saxophonist Stan Getz at the end of 1972 and into early 1973, before joining the band Lookout Farm, led by Dave Liebman and Richie Beirach. Williams was also the drummer in pianist Beirach's trio for recordings in the mid-1970s. Williams was part of the band Interplay, formed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Haden
Charles Edward Haden (August 6, 1937 – July 11, 2014) was an American jazz double bass player, bandleader, composer and educator whose career spanned more than 50 years. In the late 1950s, he was an original member of the ground-breaking Ornette Coleman Quartet. Haden revolutionized the harmonic concept of bass playing in jazz. German musicologist Joachim-Ernst Berendt wrote that Haden's "ability to create serendipitous harmonies by improvising melodic responses to Coleman's free-form solos (rather than sticking to predetermined harmonies) was both radical and mesmerizing. His virtuosity lies (…) in an incredible ability to make the double bass 'sound out'. Haden cultivated the instrument's gravity as no one else in jazz. He is a master of simplicity which is one of the most difficult things to achieve." Haden played a vital role in this revolutionary new approach, evolving a way of playing that sometimes complemented the soloist and sometimes moved independently. In thi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
