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Suspense (album)
is the sixth studio album by Japanese idol duo Pink Lady, released through VAP on June 21, 1984. It was the duo's reunion album after having disbanded in 1981. Following the concert tour to promote the album, Mie and Keiko Masuda once again went their separate ways to focus on their solo careers until their second reformation in 1989. Track listing All music is arranged by Makoto Matsushita. Personnel * MIE and Keiko Masuda (born on September 2, 1957, in Shizuoka, Shizuoka, Shizuoka, Japan) is a Japanese pop singer and actress. She is better known by her nickname Kei, and is one half of Pink Lady (duo), Pink Lady, the top idol group in Japan in the 1970s. In the ... - vocals * Michiko Ogata - backing vocals * Toshio Oguri - backing vocals * Makoto Matsushita - guitar, keyboards, backing vocals * Masato Matsuda - keyboards * Yasuo Tomikura - bass * Naoki Watanabe - bass ("Konya wa Lonely") * Masahiro Miyazaki - drums * Toshihiro Nakanishi - conductor * Maeda Strings ...
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Pink Lady (duo)
are a Japanese female pop music duo of the late 1970s and early 1980s, featuring Mie (Mitsuyo Nemoto, born March 9, 1958) and Keiko Masuda (formerly Kei, born September 2, 1957). In Japan, they are remembered for a run of pop-chart hits from roughly 1976 to 1979, but in the United States, they are best known for their short-lived 1980 NBC TV variety show '' Pink Lady'', later released on DVD under the title ''Pink Lady and Jeff.'' Pink Lady is one of only two Japanese artists to have reached the ''Billboard'' Top 40, hitting No. 37 with the single " Kiss in the Dark"; the other was Kyu Sakamoto with the original Japanese-language version of " Sukiyaki". They are also the first Japanese act ever to have performed in Seoul, South Korea, in November 1980. In June 1979, ''Billboard'' stated the duo had sales of over 72 million in Japan, and stated in September 1980 that Pink Lady's singles had grossed over 40 million, their album releases over 25 million, and their TV appearance ...
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J-pop
J-pop ( ja, ジェイポップ, ''jeipoppu''; often stylized as J-POP; an abbreviated form of "Japanese popular music"), natively also known simply as , is the name for a form of popular music that entered the musical mainstream of Japan in the 1990s. Modern J-pop has its roots in traditional music of Japan, and significantly in 1960s pop and rock music. J-pop replaced ''kayōkyoku'' ("Lyric Singing Music", a term for Japanese popular music from the 1920s to the 1980s) in the Japanese music scene. J-rock bands such as Happy End fused the Beatles and Beach Boys-style rock with Japanese music in the 1960s1970s. J-country had popularity during the international popularity of Westerns in the 1960s1970s as well, and it still has appeal due to the work of musicians like Charlie Nagatani and venues including Little Texas, Tokyo. J-rap became mainstream with producer Nujabes and his work on ''Samurai Champloo'', Japanese pop culture is often seen with anime in hip hop. Other trends ...
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City Pop
is a loosely defined form of Japanese pop music that emerged in the late 1970s and peaked in the 1980s. It was originally termed as an offshoot of Japan's Western-influenced "new music", but came to include a wide range of styles – including AOR, soft rock, R&B, funk, and boogie – that were associated with the country's nascent economic boom and leisure class. It was also identified with new technologies such as the Walkman, cars with built-in cassette decks and FM stereos, and various electronic musical instruments. There is no unified consensus among scholars regarding the definition of city pop. In Japan, the tag simply referred to music that projected an "urban" feel and whose target demographic was urbanites. Many of the artists did not embrace the Japanese influences of their predecessors, and instead, largely drew from American soft rock, boogie, and funk. Some examples may also feature tropical flourishes or elements taken from disco, jazz fusion, Okinawan, Latin ...
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VAP (company)
(initials of Video & Audio Project) is a Japanese entertainment company, headquartered in Chiyoda, Tokyo. It is a subsidiary of Nippon Television Holdings, Inc. Artists * Kikuchi Momoko * Sugiyama Kiyotaka & Omega Tribe * Carlos Toshiki & Omega Tribe * 1986 Omega Tribe * Coldrain (2008–2017) * Concerto Moon * Eastern Youth * Edge of Spirit * Fear, and Loathing in Las Vegas (2010–2017) * Galneryus * Girls on the Run * Aya Hisakawa * Nightmare (Japanese band) (2006–2011) * Nobuyuki Hiyama * Last Alliance * Maximum the Hormone (2002–2018) * NoisyCell * Hajime Mizoguchi * Toshiyuki Morikawa * Yuji Ohno * Ogre You Asshole * Pay Money to My Pain * Saber Tiger * Momoko Sakura * Sendai Kamotsu * S.E.S. * Yuri Shiratori * Suzume * White Ash * Zwei (2004–2007) Japanese television, drama, and anime on DVD/video * '' Akagi'' * ''Bagi, the Monster of Mighty Nature'' (produced for Nippon TV) * '' Berserk'' * '' Death Note'' * ''Dōbutsu no Mori'' * ''Elfen Lied'' (AT-X) ...
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Sayonara Pink Lady
is the seventh and final live album by Japanese idol duo Pink Lady, released on December 5, 1981. Recorded live at Korakuen Stadium was a stadium in Tokyo, Japan. Completed in 1937, it was originally used for baseball, and was home to the Yomiuri Giants for nearly 50 years. For various periods of time, it was also the home stadium of six other professional Japanese baseball ... in Tokyo on March 31, 1981, the album featured the duo's last live performance before their disbandment that year. The album has not been reissued since its release on CD on December 1, 1994. Track listing References External links * {{Authority control 1981 live albums Pink Lady (band) live albums Japanese-language live albums Victor Entertainment live albums ...
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Fushigi Love
is the 23nd single of Japanese duo Pink Lady. Released by VAP on June 21, 1984, it marked the duo's comeback after their 1981 disbandment. Track listing (7" vinyl) All arrangement by Makoto Matsushita. References External links * * 1984 singles 1984 songs Pink Lady (band) songs Songs in Japanese {{Japan-single-stub ...
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Japanese Idol
An is a type of entertainer marketed for image, attractiveness, and personality in Japanese pop culture. Idols are primarily singers with training in acting, dancing, and modeling. Idols are commercialized through merchandise and endorsements by talent agencies, while maintaining a parasocial relationship with a financially loyal consumer fan base. Japan's idol industry first emerged in the 1960s and became prominent in the 1970s and 1980s due to television. During the 1980s, regarded as the "Golden Age of Idols", idols drew in commercial interest and began appearing in commercials and television dramas. As more niche markets began to appear in the late 2000s and early 2010s, it led to a significant growth in the industry known as the "Idol Warring Period." Today, over 10,000 teenage girls in Japan are idols, with over 3,000 groups active. Japan's idol industry has been used as a model for other pop idol industries, such as K-pop. Sub-categories of idols include gravure idols ...
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Mie (singer)
(born March 9, 1958 in Shizuoka, Japan) is a J-pop singer and actress, better known by her stage name . She is a member of the popular 1970s idol group , known in the United States for their self-titled TV program. Mie is represented by her own management firm MHO Artist Co., Ltd. Biography Early life Mitsuyo Nemoto met Keiko Masuda at Suehiro Junior High School in 1972. A year later, they attended Tokoha University and the Yamaha Music School in Hamamatsu. In May 1974, the duo formed a folk group called and passed Yamaha's audition. Pink Lady After winning an audition on the talent show ''Star Tanjō!'' in March 1976, Nemoto and Masuda signed with Victor Entertainment and became Pink Lady. Nemoto took the stage name while Masuda became . After their debut single "Pepper Keibu" peaked at No. 4 on Oricon's singles charts in August 1976, Pink Lady's second single " S.O.S." reached No. 1, beginning a nine-song streak of No. 1 hits from November 1976 to December 1978. Their b ...
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Keiko Masuda
(born on September 2, 1957, in Shizuoka, Shizuoka, Shizuoka, Japan) is a Japanese pop singer and actress. She is better known by her nickname Kei, and is one half of Pink Lady (duo), Pink Lady, the top idol group in Japan in the 1970s. In the United States, they are known for their Pink Lady (TV series), self-titled TV program. Masuda is represented by her own management firm . Biography Early life Keiko Kobayashi was the second daughter of Shōhei and Fusae Kobayashi. After her father was killed in a vehicular accident on April 14, 1961, she was adopted by the Masuda family (from her mother's side) and moved to Yaizu, Shizuoka, Yaizu. In 1972, a year after transferring to Suehiro Junior High School, Masuda met Mie (singer), Mitsuyo Nemoto. A year later, they attended Tokoha University and the Yamaha Music Foundation, Yamaha Music School in Hamamatsu. In May 1974, the duo formed a folk group called and passed Yamaha's audition. Pink Lady After winning an audition on the tale ...
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Oricon
, established in 1999, is the holding company at the head of a Japanese corporate group that supplies statistics and information on music and the music industry in Japan and Western music. It started as, which was founded by Sōkō Koike in November 1967 and became known for its music charts. Oricon Inc. was originally set up as a subsidiary of Original Confidence and took over the latter's Oricon record charts in April 2002. The charts are compiled from data drawn from some 39,700 retail outlets (as of April 2011) and provide sales rankings of music CDs, DVDs, electronic games, and other entertainment products based on weekly tabulations. Results are announced every Tuesday and published in ''Oricon Style'' by subsidiary Oricon Entertainment Inc. The group also lists panel survey-based popularity ratings for television commercials on its official website. Oricon started publishing Combined Chart, which includes CD sales, digital sales, and streaming together, on December 19, 2 ...
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Kisaburō Suzuki (musician)
is a Japanese J-pop songwriter and guitarist. Biography Born in Hirosaki, Aomori Prefecture, Japan, Suzuki studied at the South Hirosaki High School. Suzuki was most active in the 1980s and wrote for many performers. His 1982 song :ja:for you…, for you… was performed by Mariko Takahashi (singer), Mariko Takahashi; a Cantonese language, Cantonese translation of this song, :zh:霧之戀, 霧之戀 was performed by the Hong Kong singer Alan Tam. In 1986, his song :ja:DESIRE -情熱-, DESIRE, performed by Akina Nakamori, won the top prize at the 28th Japan Record Awards. References

{{DEFAULTSORT:Suzuki, Kisaburo 1953 births Living people Japanese songwriters Japanese music arrangers Japanese guitarists Anime musicians People from Hirosaki Musicians from Aomori Prefecture ...
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Yukinojo Mori
, better known by his stage name , is a Japanese lyricist, composer and poet who is affiliated with Amuse, Inc. He has written over 2,000 songs for numerous artists such as Kyosuke Himuro, Takuro Yoshida and Junichi Inagaki and theme songs for anime series including '' Dragon Ball Z''. His younger brother is Hideharu Mori, keyboardist of the rock band Picasso. Career Mori attended the English Department of Sophia University before dropping out and making his professional songwriting debut in 1975. His first album, , was released in 1977. He contributed a handful of lyrics to the 1989 album ''Appare'' by the Sadistic Mika Band, who temporarily reunited that year. He penned the lyrics to several songs used in '' Dragon Ball Z'', including its opening themes " Cha-La Head-Cha-La" and "We Gotta Power" and its second ending theme "Bokutachi wa Tenshi Datta", all three of which are performed by Hironobu Kageyama. Mori was hired by hide of X Japan to pen the lyrics to the first tw ...
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