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Suspended Animation (John Petrucci Album)
''Suspended Animation'' is the first studio album by Dream Theater guitarist John Petrucci, released independently in 2005 through Sound Mind Music. The songs "Jaws of Life", "Glasgow Kiss" and "Damage Control" have been played during the G3 tour, and the latter two are featured as openers to the 2005 DVD and live album '' G3: Live in Tokyo''. Some releases of the album have "Curve" split into two separate tracks, with the majority of the song on track six and the latter portion on track seven. On these editions, "Lost Without You" and "Animate-Inanimate" form tracks eight and nine respectively. The correct track listing, without the aforementioned anomalies, is shown below. Critical reception Mark Sabbatini at All About Jazz gave ''Suspended Animation'' a mixed review, initially criticizing some songs as sounding like "what feels like a market-driven formula for success." He nonetheless noted "Animate-Inanimate" as a highlight, while praising Petrucci's guitar tone, which he d ...
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John Petrucci
John Peter Petrucci (born July 12, 1967) is an American guitarist, best known as a founding member of the progressive metal band Dream Theater. He produced or co-produced (often with former member Mike Portnoy before he departed the band in 2010) all of Dream Theater's albums from '' Metropolis Pt. 2: Scenes from a Memory'' (1999) to ''A View from the Top of the World'' (2021), and has been the sole producer of the band's albums released since ''A Dramatic Turn of Events'' (2011). Petrucci has also released two solo albums: ''Suspended Animation'' (2005) and ''Terminal Velocity'' (2020). Early life and influences John Peter Petrucci was born on July 12, 1967, in Kings Park, New York, to an Italian American family. He picked up the guitar at around the age of eight because his older sister was allowed to go to bed later in order to practice the organ. However, he decided to quit the guitar when his attempts to stay up late were unsuccessful. He picked up the guitar again at the ag ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ...
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Mastering Engineer
A mastering engineer is a person skilled in the practice of taking audio (typically musical content) that has been previously mixed in either the analog or digital domain as mono, stereo, or multichannel formats and preparing it for use in distribution, whether by physical media such as a CD, vinyl record, or as some method of streaming audio. Education and experience The mastering engineer is responsible for a final edit of a product and preparation for manufacturing copies. Although there are no official requirements to work as an audio mastering engineer, practitioners often have comprehensive domain knowledge of audio engineering, and in many cases, may hold an audio or acoustic engineering degree. Most audio engineers master music or speech audio material. The best mastering engineers might possess arrangement and production skills, allowing them to ' trouble-shoot' mix issues and improve the final sound. Generally, good mastering skills are based on experience, resulting f ...
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Howie Weinberg
Howie Weinberg is an American audio mastering engineer with over 2,257 mastering credits, three TEC Awards, 21 Grammy Awards, two Juno Awards, and one Mercury Prize. Career Weinberg mastered Herbie Hancock's 1983 album ''Future Shock''. Other mastering works include the Beastie Boys' ''Licensed to Ill'' and Nirvana's ''Nevermind''. Weinberg began working in the mail room at Masterdisk in 1979, delivering recording tapes in New York City. Mastering engineer Bob Ludwig acted as his mentor. In January 2011, he left Masterdisk to set up his own mastering company in Los Angeles, Howie Weinberg Mastering, which appeared in ''Voyage LA''s "Most Inspiring Stories" on February 11, 2021. In 1993, Weinberg worked on the Payolas' song " Eyes of a Stranger". In 1997, ''Polythene'' by Feeder was met with critical acclaim and made the UK Top 75. He appeared on a panel discussion at the 2009 SXSW music festival titled Producers "On Making Classic Records" sometimes working in a teaching cap ...
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Mixing Engineer
A mixing engineer (or simply mix engineer) is responsible for combining ("mixing") different sonic elements of an auditory piece into a complete rendition (also known as "final mix" or "mixdown"), whether in music, film, or any other content of auditory nature. The finished piece, recorded or live, must achieve a good balance of properties, such as volume, pan positioning, and other effects, while resolving any arising frequency conflicts from various sound sources. These sound sources can comprise the different musical instruments or vocals in a band or orchestra, dialogue or foley in a film, and more. The best mixing professionals typically have many years of experience and training with audio equipment, which has enabled them to master their craft. A mixing engineer occupies a space between artist and scientist, whose skills are used to assess the harmonic structure of sound to enable them to fashion desired timbres. Their work is found in all modern music, though ease of ...
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Kevin Shirley
Kevin Shirley (born 29 June 1960), also known as The Caveman, is a South African music producer, engineer and mixer for many artists,Spencer et al, (2007Shirley, Kevinentry. Retrieved 4 February 2010. such as the bands Journey, Iron Maiden, Rush, Joe Bonamassa, Beth Hart, Marya Roxx, Dream Theater, The Springbok Nude Girls, All Night Radio, Steve Louw & Big Sky, HIM, Tyler Bryant, Mr. Big,Allmusic and Europe. Biography Shirley was born in Johannesburg, South Africa. He spent his early years producing and engineering records for South African artists including Robin Auld, Juluka, Jonathan Butler, Lesley Rae Dowling, Steve Louw and Sweatband as well as performing and recording with his own band The Council, whose singer was Brian Davidson (from Freedoms Children). He moved to Australia in 1986 where he continued working with Australian artists, such as Tony Johns, The Hoodoo Gurus, The Angels, Cold Chisel, Girl Monstar, Tina Arena, The Screaming Jets, Baby Animals. A ...
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Audio Engineer
An audio engineer (also known as a sound engineer or recording engineer) helps to produce a recording or a live performance, balancing and adjusting sound sources using equalization, dynamics processing and audio effects, mixing, reproduction, and reinforcement of sound. Audio engineers work on the "technical aspect of recording—the placing of microphones, pre-amp knobs, the setting of levels. The physical recording of any project is done by an engineer... the nuts and bolts." Sound engineering is increasingly seen as a creative profession where musical instruments and technology are used to produce sound for film, radio, television, music and video games. Audio engineers also set up, sound check and do live sound mixing using a mixing console and a sound reinforcement system for music concerts, theatre, sports games and corporate events. Alternatively, ''audio engineer'' can refer to a scientist or professional engineer who holds an engineering degree and who designs, dev ...
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Tim Lefebvre
Tim Lefebvre (born February 4, 1968) is an American bass guitarist. Both as a session musician and band member, he has worked with a wide range of musicians, including David Bowie, The Black Crowes, Elvis Costello, Sting, Empire of the Sun, The Sleepy Jackson, Wayne Krantz, Patti Austin, John Mayer, Jovanotti, Chuck Loeb, Mark Guiliana, Jamie Cullum, Chris Botti, and Knower. A member of the Tedeschi Trucks Band until 2018, he also performed on film and television soundtracks, including ''Ocean's Twelve'', ''The Departed'', ''Analyze That'', ''The Sopranos'', and ''30 Rock''. Called a "musical linguist" by ''Bass Musician'' magazine, Lefebvre is proficient in various genres, including rock, jazz, fusion, electronica, and R&B. Lefebvre played bass on David Bowie's final studio album, ''Blackstar'', which was released two days before Bowie's death in 2016. Equipment Lefebvre's equipment as published in ''Bass Player'': ;Bass guitars * Moollon P-Classic (with flatwounds and rou ...
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Bassline
Bassline (also known as a bass line or bass part) is the term used in many styles of music, such as blues, jazz, funk, Dub music, dub and electronic music, electronic, traditional music, traditional, or classical music for the low-pitched Part (music), instrumental part or line played (in jazz and some forms of popular music) by a rhythm section instrument such as the bass guitar, electric bass, double bass, cello, tuba or keyboard (piano, Hammond organ, electric organ, or synthesizer). In unaccompanied solo performance, basslines may simply be played in the lower register (music), register of any instrument while melody and/or further accompaniment is provided in the middle or upper register. In solo music for piano and pipe organ, these instruments have an excellent lower register that can be used to play a deep bassline. On organs, the bass line is typically played using the pedal keyboard and massive 16' and 32' bass pipes. Riffs and grooves Basslines in Pop music, popular m ...
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Dave LaRue
Dave LaRue is an American bassist who has performed with the Dixie Dregs since 1988 and with the Steve Morse Band since 1989. He also has worked with Dream Theater's John Petrucci, Mike Portnoy, Derek Sherinian and Jordan Rudess. He plays Music Man bass guitars, among them the "Sterling" and "StingRay 5 five-string" but has mainly switched to their "Bongo" line (which he was instrumental in helping develop) including four- and five-string fretted and fretless models. From March 2006 to September 2006, he toured with Joe Satriani on the Super Colossal tour. Most recently, LaRue became a member of the supergroup Flying Colors alongside long-time bandmate Steve Morse. Discography Solo albums *1992 ''Hub City Kid'' with Dixie Dregs *''Bring 'Em Back Alive'' (1992) *'' Full Circle'' (June 7, 1994) *''California Screamin' '' (February 1, 2000) with Steve Morse *1991 ''Southern Steel'' *1992 '' Coast to Coast'' *1995 ''Structural Damage'' *1996 ''StressFest'' *2000 ''Major Impac ...
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Remix
A remix (or reorchestration) is a piece of media which has been altered or contorted from its original state by adding, removing, or changing pieces of the item. A song, piece of artwork, book, video, poem, or photograph can all be remixes. The only characteristic of a remix is that it appropriates and changes other materials to create something new. Most commonly, remixes are a subset of audio mixing in music and song recordings. Songs may be remixed for a large variety of reasons: * to adapt or revise a song for radio or nightclub play * to create a stereo or surround sound version of a song where none was previously available * to improve the fidelity of an older song for which the original master has been lost or degraded * to alter a song to suit a specific music genre or radio format * to use some of the original song's materials in a new context, allowing the original song to reach a different audience * to alter a song for artistic purposes * to provide additional version ...
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Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ...
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