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Susannah Maria Arne
Susannah Maria Cibber (née Arne; February 1714 – 30 January 1766) was a celebrated English singer and actress. She was the sister of the composer Thomas Arne. Although she began her career as a soprano, her voice lowered in the early part of her career to that of a true contralto. She was universally admired for her ability to move her audiences emotionally both as an actress and vocalist. Possessing a sweet, expressive, and agile singing voice with a wide vocal range, Cibber was an immensely popular singer, even if at times her voice was criticized for a lack of polished technique. Charles Burney wrote of her singing that "by a natural pathos, and perfect conception of the words, she often penetrated the heart, when others, with infinitely greater voice and skill, could only reach the ear." Cibber was particularly admired by Handel, who wrote numerous parts especially for her including the contralto arias in his 1741 oratorio ''Messiah'', the role of Micah in ''Samson'', the r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Susanna Cibber
Susannah Maria Cibber (née Arne; February 1714 – 30 January 1766) was a celebrated English singer and actress. She was the sister of the composer Thomas Arne. Although she began her career as a soprano, her voice lowered in the early part of her career to that of a true contralto. She was universally admired for her ability to move her audiences emotionally both as an actress and vocalist. Possessing a sweet, expressive, and agile singing voice with a wide vocal range, Cibber was an immensely popular singer, even if at times her voice was criticized for a lack of polished technique. Charles Burney wrote of her singing that "by a natural pathos, and perfect conception of the words, she often penetrated the heart, when others, with infinitely greater voice and skill, could only reach the ear." Cibber was particularly admired by Handel, who wrote numerous parts especially for her including the contralto arias in his 1741 oratorio ''Messiah'', the role of Micah in ''Samson'', the r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Covent Garden
Covent Garden is a district in London, on the eastern fringes of the West End, between St Martin's Lane and Drury Lane. It is associated with the former fruit-and-vegetable market in the central square, now a popular shopping and tourist site, and with the Royal Opera House, itself known as "Covent Garden". The district is divided by the main thoroughfare of Long Acre, north of which is given over to independent shops centred on Neal's Yard and Seven Dials, while the south contains the central square with its street performers and most of the historical buildings, theatres and entertainment facilities, including the London Transport Museum and the Theatre Royal, Drury Lane. The area was fields until briefly settled in the 7th century when it became the heart of the Anglo-Saxon trading town of Lundenwic, then abandoned at the end of the 9th century after which it returned to fields. By 1200 part of it had been walled off by the Abbot of Westminster Abbey for use as arable l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aaron Hill (writer)
Aaron Hill (10 February 1685 – 8 February 1750) was an English dramatist and miscellany writer. Biography The son of a country gentleman of Wiltshire, Hill was educated at Westminster School, and afterwards travelled in the East. He was the author of 17 plays, some of them, such as his versions of Voltaire's ''Zaire'' and ''Mérope'', being adaptations. He also wrote poetry, which is of variable quality. Having written some satiric lines on Alexander Pope, he received in return a mention in ''The Dunciad'', which led to a controversy between the two writers. Afterwards a reconciliation took place. He was a friend and correspondent of Samuel Richardson, whose ''Pamela'' he highly praised. In addition to his literary pursuits Hill was involved in many commercial schemes, usually unsuccessful. Hill was the manager of the Theatre Royal, Drury Lane when he was 24 years old, and before being summarily fired for reasons unknown, he staged the premier of George Frideric Handel's ''Ri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drury Lane
Drury Lane is a street on the eastern boundary of the Covent Garden area of London, running between Aldwych and High Holborn. The northern part is in the borough of Camden and the southern part in the City of Westminster. Notable landmarks The street originated as an early medieval lane referred to in Latin as the ''Via de Aldwych'', which probably connected St. Giles Leper Hospital with the fields of Aldwych Close, owned by the hospital but traditionally said to have been granted to the Danes as part of a peace treaty with King Alfred the Great in Saxon times. It acquired its name from the Suffolk barrister Sir Robert Drury, who built a mansion called Drury House on the lane around 1500. After the death in 1615 of his great-great-grandson, another Robert Drury, the property passed out of the family. It became the London house of the Earl of Craven, then a public house under the sign of his reputed mistress, the Queen of Bohemia. Subsequently, the gardens and courtyards ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colley Cibber
Colley Cibber (6 November 1671 – 11 December 1757) was an English actor-manager, playwright and Poet Laureate. His colourful memoir ''Apology for the Life of Colley Cibber'' (1740) describes his life in a personal, anecdotal and even rambling style. He wrote 25 plays for his own company at Drury Lane, half of which were adapted from various sources, which led Robert Lowe and Alexander Pope, among others, to criticise his "miserable mutilation" of "crucified Molière ndhapless Shakespeare". He regarded himself as first and foremost an actor and had great popular success in comical fop parts, while as a tragic actor he was persistent but much ridiculed. Cibber's brash, extroverted personality did not sit well with his contemporaries, and he was frequently accused of tasteless theatrical productions, shady business methods, and a social and political opportunism that was thought to have gained him the laureateship over far better poets. He rose to ignominious fame when he became t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theophilus Cibber
Theophilus Cibber (25 or 26 November 1703 – October 1758) was an English actor, playwright, author, and son of the actor-manager Colley Cibber. He began acting at an early age, and followed his father into theatrical management. In 1727, Alexander Pope satirized Theophilus Cibber in his ''Dunciad'' as a youth who "thrusts his person full into your face" (III 132). On the stage, he was famous for playing Pistol in '' Henry IV, Part 2'', and some of the comic roles his father had played when younger, but unsympathetic critics accused him of overemphasis.Barker, p. 166 His private life later led Theophilus into bad reputation and scandal. He died in a shipwreck while bound for Ireland and a season in Dublin. Early life and career Theophilus Cibber was born during the Great Storm of 1703 and began acting in the Drury Lane Theatre at the age of 16 in 1721.Barker, p. 165 As a young man, Cibber was a notorious rake, and associated with young men of a similar mind and reputation, such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deborah (Handel)
''Deborah'' ( HWV 51) is an oratorio by George Frideric Handel. It was one of Handel's early oratorios in English and was based on a libretto by Samuel Humphreys. It received its premiere performance at the King's Theatre in London on 17 March 1733. The story of the oratorio takes place in a single day and is based on the Biblical stories found in 4 and 5 Judges. The Israelites have been subjugated for 20 years by the Canaanites, when the prophetess Deborah foretells the death of the Canaanite commander Sisera at the hands of a woman. The Israelite commander Barak leads them into battle against the Canaanites. The Israelites are victorious and a woman, Jael, assassinates Sisera as he sleeps in her tent. Handel reused music from numerous previous compositions for ''Deborah''. The work, with large choruses and grand orchestral effects, was very successful and was revived by Handel in subsequent years. Background By 1733, Handel had spent nearly twenty years composing and presen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosamond (Arne)
''Rosamond'' is an opera by Thomas Arne with a libretto by Joseph Addison. It was first performed at the Lincoln's Inn Fields Theatre in London on 1 March 1733. Background ''Rosamond'' was the twenty-three year old Arne’s first opera - indeed his first known composition. It was a re-setting of the libretto Addison had written for the 1707 opera ''Rosamond'' by Clayton and it made Arne’s reputation as a composer. He taught his sister Susannah and his brother to sing, and they both made their debuts with this work, his sister playing the title role. Performance history The 1733 cast was: Jane Barbier (King), Richard Leveridge (Sir Trusty), Richard Arne (page), Miss Jones (Queen), Susannah Arne (Rosamond), and Isabella Chambers (Grideline). The beauty of Arne’s setting and of Susannah’s voice made the opera a success, and it had a run of seven nights. It did not however make money and the vocal score was not published. Its popular airs “Rise, Glory, Rise” and “Wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acis And Galatea (Handel)
''Acis and Galatea'' ( HWV 49) is a musical work by George Frideric Handel with an English text by John Gay. The work has been variously described as a serenata, a masque, a pastoral or pastoral opera, a "little opera" (in a letter by the composer while it was being written), an entertainment and by the New Grove Dictionary of Music as an oratorio. The work was originally devised as a one-act masque which premiered in 1718. Handel later adapted the piece into a three-act serenata for the Italian opera troupe in London in 1732, which incorporated a number of songs (still in Italian) from Aci, Galatea e Polifemo, his 1708 setting of the same story to different music. He later adapted the original English work into a two-act work in 1739. ''Acis and Galatea'' was the pinnacle of pastoral opera in England. Indeed, several writers, such as musicologist Stanley Sadie, consider it the greatest pastoral opera ever composed. As is typical of the genre, ''Acis and Galatea'' was writ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haymarket Theatre
The Theatre Royal Haymarket (also known as Haymarket Theatre or the Little Theatre) is a West End theatre on Haymarket in the City of Westminster which dates back to 1720, making it the third-oldest London playhouse still in use. Samuel Foote acquired the lease in 1747, and in 1766 he gained a royal patent to play legitimate drama (meaning spoken drama, as opposed to opera, concerts or plays with music) in the summer months. The original building was a little further north in the same street. It has been at its current location since 1821, when it was redesigned by John Nash. It is a Grade I listed building, with a seating capacity of 888. The freehold of the theatre is owned by the Crown Estate. The Haymarket has been the site of a significant innovation in theatre. In 1873, it was the venue for the first scheduled matinée performance, establishing a custom soon followed in theatres everywhere. Its managers have included Benjamin Nottingham Webster, John Baldwin Buckstone, S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Carey (writer)
Henry Carey (c. 26 August 1687 – 5 October 1743) was an English poet, dramatist and songwriter. He is remembered as an anti- Walpolean satirist and also as a patriot. Several of his melodies continue to be sung today, and he was widely praised in the generation after his death. Because he worked in anonymity, selling his own compositions to others to pass off as their own, contemporary scholarship can only be certain of some of his poetry, and a great deal of the music he composed was written for theatrical incidental music. However, under his own name and hand, he was a prolific songwriter and balladeer, and he wrote the lyrics for almost all of these songs. Further, he wrote numerous operas and plays. His life is illustrative of the professional author in the early 18th century. Without inheritance or title or governmental position, he wrote for all of the remunerative venues, and yet he also kept his own political point of view and was able to score significant points ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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