Surasundari
In Indian art, a surasundari (literally "celestial beauty") is a young maiden characterizing feminine beauty and graceful sensuality. Buddhist and Jain shrines have featured sensual figures in form of yakshis and other spirits since 2nd century BCE. However, the surasundari motif gained prominence in Indian temple architecture only around the beginning of the 9th century CE. ''Shilpa-Prakasha'', a 9th-century Tantric architectural treatise, declares a monument without a surasundari as inferior and fruitless. The 15th century text ''Kshirarnava'' states that the surasundaris should be depicted looking down (''adho-drishti''), not looking at someone. In temple sculptures, the surasundaris are often depicted as attendants of gods and goddesses. They also manifest as dancing apsaras. A salabhanjika or tree nymph is another variation of a surasundari. Other forms of a surasundari include: The presence of surasundaris in religious shrines is interpreted in several ways. A spiritua ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Indian Art
Indian art consists of a variety of art forms, including painting, sculpture, pottery, and textile arts such as woven silk. Geographically, it spans the entire Indian subcontinent, including what is now India, Pakistan, Bangladesh, Sri Lanka, Nepal, and at times eastern Afghanistan. A strong sense of design is characteristic of Indian art and can be observed in its modern and traditional forms. The origin of Indian art can be traced to prehistoric settlements in the 3rd millennium BCE. On its way to modern times, Indian art has had cultural influences, as well as religious influences such as Hinduism, Buddhism, Jainism, Sikhism and Islam. In spite of this complex mixture of religious traditions, generally, the prevailing artistic style at any time and place has been shared by the major religious groups. In historic art, sculpture in stone and metal, mainly religious, has survived the Indian climate better than other media and provides most of the best remains. Many of the mos ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Buddhism
Buddhism ( , ), also known as Buddha Dharma and Dharmavinaya (), is an Indian religion or philosophical tradition based on teachings attributed to the Buddha. It originated in northern India as a -movement in the 5th century BCE, and gradually spread throughout much of Asia via the Silk Road. It is the world's fourth-largest religion, with over 520 million followers (Buddhists) who comprise seven percent of the global population. The Buddha taught the Middle Way, a path of spiritual development that avoids both extreme asceticism and hedonism. It aims at liberation from clinging and craving to things which are impermanent (), incapable of satisfying ('), and without a lasting essence (), ending the cycle of death and rebirth (). A summary of this path is expressed in the Noble Eightfold Path, a training of the mind with observance of Buddhist ethics and meditation. Other widely observed practices include: monasticism; " taking refuge" in the Buddha, the , and the ; ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jainism
Jainism ( ), also known as Jain Dharma, is an Indian religions, Indian religion. Jainism traces its spiritual ideas and history through the succession of twenty-four tirthankaras (supreme preachers of ''Dharma''), with the first in the current time cycle being Rishabhadeva, whom the tradition holds to have lived millions of years ago, the twenty-third ''tirthankara'' Parshvanatha, whom historians date to the 9th century BCE, and the twenty-fourth ''tirthankara'' Mahāvīra, Mahavira, around 600 BCE. Jainism is considered to be an eternal ''dharma'' with the ''tirthankaras'' guiding every time cycle of the Jain cosmology, cosmology. The three main pillars of Jainism are ''Ahimsa in Jainism, ahiṃsā'' (non-violence), ''anekāntavāda'' (non-absolutism), and ''aparigraha'' (asceticism). Jain monks, after positioning themselves in the sublime state of soul consciousness, take five main vows: ''ahiṃsā'' (non-violence), ''satya'' (truth), ''Achourya, asteya'' (not stealing), ''b ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Yakshi
''Yakshinis'' or ''yakshis'' (यक्षिणी sa, yakṣiṇī or ''yakṣī''; pi, yakkhiṇī or ''yakkhī'') are a class of female nature spirits in Hindu, Buddhist, and Jain religious mythologies that are different from devas and asuras (classes of power-seeking beings), and gandharvas or apsaras (celestial nymphs). Yakshinis and their male counterparts, the yakshas, are one of the many paranormal beings associated with the centuries-old sacred groves of India. Yakshis are also found in the traditional legends of Northeastern Indian tribes, ancient legends of Kerala, and in the folktales of Kashmiri Muslims. Sikhism also mentions yakshas in its sacred texts. The well behaved and benign ones are worshipped as tutelaries, they are the attendees of Kubera, the treasurer of the gods, and also the Hindu god of wealth who ruled Himalayan kingdom of Alaka. There are also malign and mischievous yakshinis with poltergeist-like behaviours, that can haunt and curse humans ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tantra
Tantra (; sa, तन्त्र, lit=loom, weave, warp) are the esoteric traditions of Hinduism and Buddhism that developed on the Indian subcontinent from the middle of the 1st millennium CE onwards. The term ''tantra'', in the Indian traditions, also means any systematic broadly applicable "text, theory, system, method, instrument, technique or practice". A key feature of these traditions is the use of mantras, and thus they are commonly referred to as Mantramārga ("Path of Mantra") in Hinduism or Mantrayāna ("Mantra Vehicle") and Guhyamantra ("Secret Mantra") in Buddhism. Starting in the early centuries of the common era, newly revealed Tantras centering on Vishnu, Shiva or Shakti emerged. There are tantric lineages in all main forms of modern Hinduism, such as the Shaiva Siddhanta tradition, the Shakta sect of Sri-Vidya, the Kaula, and Kashmir Shaivism. In Buddhism, the Vajrayana traditions are known for tantric ideas and practices, which are based on India ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Apsara
An apsaras or apsara ( sa, अप्सरा ' lso ' pi, अक्चरा, translit=accharā) is a type of female spirit of the clouds and waters in Hinduism and Buddhist culture. They figure prominently in the sculpture, dance, literature and painting of many Indian and Southeast Asian cultures. There are two types of apsaras: ''laukika'' (worldly) and ''daivika'' (divine). Urvasi, Menaka, Rambha, Tilottama and Ghritachi are the most famous among them. They are most often depicted in the court and discretion of Indra. Apsaras are widely known as ''Apsara'' ( ) in Khmer, and also called as ''Accharā'' in Pāli, or ''Bidadari'' (Malay, Maranao), ''Biraddali'' ( Tausug, Sinama), ''Hapsari/Apsari'' or ''Widadari/Widyadari'' ( Javanese), ''Helloi'' ( Meitei) and ''Apsorn'' ( th , อัปสร). English translations of the word "Apsara" include "nymph", "fairy", "celestial nymph", and "celestial maiden". In Hinduism, apsaras are beautiful, supernatural female beings. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Salabhanjika
A salabhanjika or shalabhanjika is a term found in Indian art and literature with a variety of meanings. In Buddhist art, it means an image of a woman or yakshi next to, often holding, a tree, or a reference to Maya near the ''sala'' tree giving birth to Siddhartha (Buddha). In Hindu and Jain art, the meaning is less specific, and it is any statue or statuette, usually female, that breaks the monotony of a plain wall or space and thus enlivens it. In Buddhist literature, ''salabhanjika'' also refers to an ancient Indian festival, one celebrated when ''sala'' tree blossoms in the context of Buddha's life. In literature, apart from the statue meaning, Salabhanjika can mean a doll, or fairy, or a seductress (harlot) depending on the context. In these contexts, they are also known as ''madanakai'', ''madanika'' or ''shilabalika''. In the context of Indian poetry and music, the term ''salabhanjika'' is synonymous with the ''pathyā'' meter – one of the minor ''chanda'' (poetic met ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pandanus Odorifer
''Pandanus odorifer'' is an aromatic monocot species of plant in the family Pandanaceae, native to Polynesia, Australia, South Asia (Andaman Islands), and the Philippines, and is also found wild in southern India and Burma. It is commonly known as fragrant screw-pine. Names In addition to screw-pine, other common English names for the tree include ''kewda'', ''fragrant screwpine'', ''umbrella tree'' and ''screw tree''."Kewda". FlowersOfIndia.net. Retrieved 25 July 2016. In India, the tree goes by a variety of names, many deriving from the Sanskrit ''kētakī''. in called ''pookkaitha'' and its flower known as ''thaazhampoo'', In [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Fly Whisk
__NOTOC__ A fly-whisk (or fly-swish) is a tool that is used to swat flies. A similar gadget is used as a hand fan in hot tropical climates, sometimes as part of regalia, and is called a ''chowrie'', ''chāmara'', or ''prakirnaka'' in South Asia and Tibet. In Indonesian art, a fly-whisk is one of the items that is associated with Shiva. A fly-whisk is frequently seen as an attribute of Hindu, Jain, Daoist and Buddhist deities. The fly-whisk is evident in some configurations of the Ashtamangala, employed in some traditions of murti puja, particularly Gaudiya Vaishnavism. It is also used as an accessory in the ritual aspects of folk performance traditions, especially folk-theater forms like Pala Gaan, where it can double as a prop. Fly-whisks are in use in parts of the contemporary Middle East, such as Egypt, by some classes of society, ''e.g.'', outdoor merchants and shop keepers, especially in summer when flies become bothersome. Those have a wooden handle and plant fibers attache ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Anklet
An anklet, also called ''ankle chain'', ''ankle bracelet'' or ''ankle string'', is an ornament worn around the ankle. Barefoot anklets and toe rings historically have been worn for at least over 8,000 years by girls and women in Indus Valley, in South Asia where it is commonly known as ''pattilu'', ''payal, golusu'' and sometimes as ''nupur''. They have also been worn by Egyptian women since predynastic times. In the United States both casual and more formal anklets became fashionable from the 1930s to the late–20th century. While in Western popular culture both younger men and women may wear casual leather anklets, they are popular among barefoot women. Formal anklets (of silver, gold, or beads) are used by some women as fashion jewellery. Anklets are an important piece of jewellery in Indian marriages, worn along with saris. Occasionally, anklets on both ankles are joined by a chain to limit the step. This practice was once prevalent in Southeast Asia, where the effect was to ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Shakti
In Hinduism, especially Shaktism (a theological tradition of Hinduism), Shakti (Devanagari: शक्ति, IAST: Śakti; lit. "Energy, ability, strength, effort, power, capability") is the primordial cosmic energy, female in aspect, and represents the dynamic forces that are thought to move through the universe. She is thought of as creative, sustaining, as well as destructive, and is sometimes referred to as auspicious source energy. Shakti is sometimes personified as the creator goddess, and is known as "Adi Shakti" or "Adi Parashakti" ("inconceivableprimordial energy"). In Shaktism, Adi Parashakti is worshipped as the Supreme Being. On every plane of creation, energy manifests itself into all forms of matter; these are all thought to be infinite forms of Parashakti. She is described as ''anaadi'' (with no beginning, no ending) and ''nitya'' (forever). Origins One of the oldest representations of the goddess in India is in a triangular form. The Baghor stone, found in a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |