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Sunset Strip (composition)
''Sunset Strip'' is an orchestral composition in three movements by the American composer Michael Daugherty. The piece was composed in 1999 and premiered January 7, 2000 at the Ordway Center for the Performing Arts in Saint Paul, Minnesota, with conductor Hugh Wolff leading the Saint Paul Chamber Orchestra. Composition ''Sunset Strip'' has a duration of approximately fifteen minutes and is composed in three movements: #7 PM #Nocturne #7 AM Inspiration The composition is inspired by the eponymous Sunset Strip, a culturally significant mile-and-a-half stretch of Sunset Boulevard in Los Angeles. In the score notes for ''Sunset Strip'', Daugherty wrote: Instrumentation The piece is scored for an orchestra consisting of flute, piccolo, two oboes, clarinet, bass clarinet, two bassoons, two French horns, two trumpets, one percussionist (two latin cowbells; low, medium, and high Agogô bells; ride cymbal; splash cymbal; triangle; wind chimes; low and high bongo drums; ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestra
An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * bowed string instruments, such as the violin, viola, cello, and double bass * woodwinds, such as the flute, oboe, clarinet, saxophone, and bassoon * Brass instruments, such as the horn, trumpet, trombone, cornet, and tuba * percussion instruments, such as the timpani, snare drum, bass drum, cymbals, triangle, tambourine, and mallet percussion instruments Other instruments such as the piano, harpsichord, and celesta may sometimes appear in a fifth keyboard section or may stand alone as soloist instruments, as may the concert harp and, for performances of some modern compositions, electronic instruments and guitars. A full-size Western orchestra may sometimes be called a or philharmonic orchestra (from Greek ''phil-'', "loving", and "harmony"). The actual number of musicians employ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Horn
The French horn (since the 1930s known simply as the horn in professional music circles) is a brass instrument made of tubing wrapped into a coil with a flared bell. The double horn in F/B (technically a variety of German horn) is the horn most often used by players in professional orchestras and bands, although the descant and triple horn have become increasingly popular. A musician who plays a horn is known as a list of horn players, horn player or hornist. Pitch is controlled through the combination of the following factors: speed of air through the instrument (controlled by the player's lungs and thoracic diaphragm); diameter and tension of lip aperture (by the player's lip muscles—the embouchure) in the mouthpiece; plus, in a modern horn, the operation of Brass instrument valve, valves by the left hand, which route the air into extra sections of tubing. Most horns have lever-operated rotary valves, but some, especially older horns, use piston valves (similar to a trumpet's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clapper (musical Instrument)
A clapper is a basic form of percussion instrument. It consists of two long solid pieces that are struck together producing sound. A straightforward instrument to produce and play, they exist in many forms in many different cultures around the world. Clappers can take a number of forms and be made of a wide variety of material. Wood is most common, but metal and ivory have also been used. The plastic thundersticks that have recently come to be popular at sporting events can be considered a form of inflated plastic clapper. Several specific forms of clapper have their own names, such as the Chinese ''guban'', Japanese '' hyoshigi'', or the Korean '' bak''. In the classical music of Thailand, a similar instrument is called ''krap''. In India cooking tongs or चिमटा itself is often used to provide rhythm while singing religious hymns in many cultures (sometimes tongs made specifically for the purpose are also equipped with bell In Vietnam, the coin clapper called '' Sên ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vibraslap
The vibraslap is a percussion instrument consisting of a piece of stiff wire (bent into a U-shape) connecting a wooden ball to a hollow box of wood with metal “teeth” inside. The percussionist holds the metal wire in one hand and strikes the ball (usually against the palm of their other hand). The box acts as a resonating body for a metal mechanism placed inside with a number of loosely fastened pins or rivets that vibrate and rattle against the box.Vibra-Slap , ''Music.VT.edu''. URL last accessed December 11, 2009. The instrument is a modern version of the . Invention The vibraslap was the first patent granted to the instru ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claves
Claves (; ) are a percussion instrument consisting of a pair of short, wooden sticks about 20–25 centimeters (8–10 inches) long and about 2.5 centimeters (1 inch) in diameter. Although traditionally made of wood (typically rosewood, ebony or grenadilla) many modern manufacturers offer claves made of fiberglass or plastic. When struck, claves produce a bright, penetrating clicking noise. This makes them useful when playing in large dance bands. Claves are sometimes hollow and carved in the middle to amplify the sound. History Claves have been very important in the development Afro-Cuban music, such as the son and guaguancó. They are often used to play an ostinato, or repeating rhythmic figure, throughout a piece known as the clave. Many examples of clave-like instruments can be found around the world. Technique The basic principle when playing claves is to allow at least one of them to resonate. The usual technique is to hold one lightly with the thumb and fingerti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maraca
A maraca (), sometimes called shaker or chac-chac, is a rattle which appears in many genres of Caribbean and Latin music. It is shaken by a handle and usually played as part of a pair. Maracas (from Guaraní ), also known as tamaracas, were rattles of divination, an oracle of the Brazilian Tupinamba people, found also with other Indigenous ethnic groups, such as the Guarani, Orinoco and in Florida. Rattles made from ''Lagenaria'' gourds are being shaken by the natural grip, while the round ''Crescentia'' calabash fruits are fitted to a handle. Human hair is sometimes fastened on the top, and a slit is cut in it to represent a mouth, through which their shamans (''payes'') made it utter its responses. A few pebbles are inserted to make it rattle and it is crowned with the red feathers of the (scarlet ibis). Every man had his maraca. It was used at their dances and to heal the sick. Andean curandero A ''curandero'' (, healer; f. , also spelled , , f. ) is a traditional ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bongo Drum
Bongos ( es, bongó) are an Afro-Cuban percussion instrument consisting of a pair of small open bottomed hand drums of different sizes. They are struck with both hands, most commonly in an eight-stroke pattern called ''martillo'' (hammer). The larger drum is called a hembra (Spanish for female) and the smaller drum is called the macho (Spanish for male). They are mainly employed in the rhythm section of son cubano and salsa ensembles, often alongside other drums such as the larger congas and the stick-struck timbales. This brought bongos into our cultural vocabulary, from Beatniks to Mambo to the current revival of Cuban folkloric music. Bongo drummers (''bongoseros'') emerged as the only drummers of son cubano ensembles in eastern Cuba toward the end of the 19th century. It is believed that Bongos evolved from the Abakua Drum trio 'Bonko' and its lead drum 'Bonko Enmiwewos'. These drums are still a fundamental part of the Abakua Religion in Cuba. If joined with a wooden peck in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wind Chime
Wind chimes are a type of percussion instrument constructed from suspended tubes, rods, bells or other objects that are often made of metal or wood. The tubes or rods are suspended along with some type of weight or surface which the tubes or rods can strike when they or another wind-catching surface are blown by the natural movement of air outside. They are usually hung outside of a building or residence as a visual and aural garden ornament. Since the percussion instruments are struck according to the random effects of the wind blowing the chimes, wind chimes have been considered an example of chance-based music. The tubes or rods may sound either indistinct pitches, or fairly distinct pitches. Wind chimes that sound fairly distinct pitches can, through the chance movement of air, create simple songs or broken chords. __TOC__ History Ancient Rome Roman wind chimes, usually made of bronze, were called ''tintinnabulum'' and were hung in gardens, courtyards, and porticoes where ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Triangle (musical Instrument)
The triangle is a musical instrument in the percussion family, and is classified as an idiophone in the Hornbostel-Sachs classification system. Triangles are made from a variety of metals including aluminum, beryllium copper, brass, bronze, iron, and steel. The metal is formed into a triangle shape by bending or casting methods. The instrument is usually held by a loop of some form of thread or wire at the top curve. The triangle theoretically has indefinite pitch, and produces a plurality of overtones when struck with an appropriate beater. History Iconography is the primary source for knowledge of the history of the triangle, and provides insight into the musical and social context in which the instrument developed. Some scholars believe the triangle to be a direct descendant of the ancient Egyptian sistrum. Others do not go quite so far, referring to the triangle as being "allied" with the sistrum throughout history, but not a direct descendant. It is thought that if ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Splash Cymbal
In a drum kit, splash cymbals are the smallest accent cymbals. Splash cymbals and china cymbals are the main types of effects cymbals. The most common sized splash has a diameter of 10", followed by 8". Most splash cymbals are in the size range of 6" to 13", but some splash cymbals are as small as 4". Some makers have produced cymbals described as ''splash'' up to 22", but a splash of 14" or more is more often described as a crash cymbal. Splash cymbals include: * Traditional splash cymbals, medium in weight with little or no taper. * Rock splash cymbals, heavy but often with a slight taper. * China splash cymbals. * Salsa splash cymbals. * Thin splash cymbals. * Bell cymbals. * Specialised ''stack'' cymbals. History The original and traditional ''splash'', like many of the cymbal types in a drum kit, was invented and named by Gene Krupa in collaboration with the Avedis Zildjian Company. Widely used in the jazz music of the 1920s and 30s, this traditional splash cymbal was not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ride Cymbal
The ride cymbal is a standard cymbal in most drum kits. Its function in the kit is to maintain a beat,Schroedl, Scott (2001). ''Play Drums Today!'', p.7. Hal Leonard. . "It's called the ride cymbal because you 'ride' on it--that is, you maintain a steady pattern." sometimes called a ride pattern, rather than the accent of a crash. It is normally placed on the extreme right (or dominant hand) of a drum set, above the floor tom.Peckman, Jonathan (2007). ''Picture Yourself Drumming'', p.195. . The ride can fulfill any function or rhythm the hi-hat does, with the exception of an open and closed sound. The ride is played with a drumstick. Terminology The term ''ride'' means ''to ride with the music'', describing the cymbal's sustain after it is struck. The term may depict either the function or characteristic of the instrument. Most cymbal makers manufacture specific cymbals for the purpose. Some drummers use a china cymbal, a sizzle cymbal or a specialized tone such as a swish o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agogô
An agogô (Yoruba: ''agogo'', meaning bell) is a single or a multiple bell now used throughout the world but with origins in traditional Yoruba and Edo music and also in the samba '' baterias'' (percussion ensembles). The agogô may be the oldest samba instrument and was based on West African Yoruba single or double bells. The agogô has the highest pitch of any of the bateria instruments. Construction Each bell is a different size. This allows a differently pitched note to be produced depending on which bell has been hit. Originally wrought iron, they are now manufactured in a variety of metals and sizes for different sound qualities. The most common arrangement is two bells attached by a U shaped piece of metal. The smaller bell is held uppermost. Either bell may be hit with a wooden stick to make a cowbell like sound or less commonly a clicking sound is produced by squeezing the two bells together. Origins/History/Evolution The Yoruba, Igala, and Edo peoples of Nigeria use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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