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Summer Horns
''Summer Horns'' is a collaboration album by Dave Koz, Gerald Albright, Mindi Abair and Richard Elliot. It was released on May 7, 2013 via Concord Records. The album was nominated for Grammy Award for Best Pop Instrumental Album at the 56th Annual Grammy Awards (held on January 26, 2014) losing to ''Steppin' Out'' by Herb Alpert. Track listing # "Always There" (William Jeffrey, Ronnie Laws) - 4:05 # "Got to Get You into My Life" - 5:38 # "Rise" (Andy Armer, Randy Badazz) - 5:08 # "So Very Hard to Go" - 4:38 # "Hot Fun in the Summertime" - 4:27 # "Take Five" - 4:12 # "25 or 6 to 4" - 4:47 # "Reasons" (Philip Bailey, Maurice White, Charles Stepney) - 4:46 # "I Got You (I Feel Good)" - 4:17 # "You Haven't Done Nothin' - 3:46 # " God Bless the Child" - 5:58 # "Summer Horns" (Rick Braun, Paul Brown, Brian Culbertson, Dave Koz) - 3:57 Personnel Summer Horns * Dave Koz – alto saxophone (1, 3, 4, 5, 8, 11), tenor saxophone (2, 7-10), soprano saxophone (3, 6, 12), baritone saxophone ...
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Dave Koz
David Stephen Koz (born March 27, 1963) is an American smooth jazz saxophonist, composer, record producer, and radio personality based in California. Early life Dave Koz was born in Encino, California, to Jewish parents: Norman, a dermatologist and Audrey, a pharmacist. Dave has a brother, Jeff, who is also a musician, and a sister, Roberta. Although he is Jewish, Koz plays both Christmas and occasional Hanukkah songs at his concerts. He attended William Howard Taft High School in Woodland Hills, Los Angeles, California, performing on saxophone as a member of the school jazz band. He later graduated from UCLA with a degree in mass communications in 1986, and only weeks after his graduation, decided to make a go of becoming a professional musician. Career Within weeks of deciding to be a professional musician, he was recruited as a member of Bobby Caldwell's tour. Koz was originally a rock saxophonist before he moved to smooth jazz in 1989. For the rest of the 1980s, Koz served ...
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25 Or 6 To 4
"25 or 6 to 4" is a song written by American musician Robert Lamm, one of the founding members of the band Chicago. It was recorded in 1969 for their second album, ''Chicago'', with Peter Cetera on lead vocals. Composition In a 2013 interview, Robert Lamm said he composed "25 or 6 to 4" on a twelve-string guitar with only ten strings — it was missing the two low E strings — and that he wrote the lyrics in one day. The band first rehearsed the song at the Whisky a Go Go. Lamm said the song is about trying to write a song in the middle of the night. The song's title is the time at which the song is set: 25 or 26 minutes before 4 AM (twenty-five or wenty-ix inutesto four ’clock. Because of the unique phrasing of the song's title, "25 or 6 to 4" has been interpreted to mean everything from a quantity of illicit drugs to the name of a famous person in code. The song's opening guitar riff has been compared to chord progressions and riffs in other songs. In the opinion of writ ...
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Steel Guitar
A steel guitar ( haw, kīkākila) is any guitar played while moving a steel bar or similar hard object against plucked strings. The bar itself is called a "steel" and is the source of the name "steel guitar". The instrument differs from a conventional guitar in that it is played without using frets; conceptually, it is somewhat akin to playing a guitar with one finger (the bar). Known for its portamento capabilities, gliding smoothly over every pitch between notes, the instrument can produce a sinuous crying sound and deep vibrato emulating the human singing voice. Typically, the strings are plucked (not strummed) by the fingers of the dominant hand, while the steel tone bar is pressed lightly against the strings and moved by the opposite hand. The idea of creating music with a slide of some type has been traced back to early African instruments, but the modern steel guitar was conceived and popularized in the Hawaiian Islands. The Hawaiians began playing a conventional guitar i ...
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Electric Organ
An electric organ, also known as electronic organ, is an electronic keyboard instrument which was derived from the harmonium, pipe organ and theatre organ. Originally designed to imitate their sound, or orchestral sounds, it has since developed into several types of instruments: * Hammond-style organs used in pop, rock and jazz; * digital church organs, which imitate pipe organs and are used primarily in churches; * other types including combo organs, home organs, and software organs. History Predecessors ;Harmonium The immediate predecessor of the electronic organ was the harmonium, or reed organ, an instrument that was common in homes and small churches in the late 19th and early 20th centuries. In a fashion not totally unlike that of pipe organs, reed organs generate sound by forcing air over a set of reeds by means of a bellows, usually operated by constantly pumping a set of pedals. While reed organs have limited tonal quality, they are small, inexpensive, self-po ...
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Hammond B3 Organ
The Hammond organ is an electric organ invented by Laurens Hammond and John M. Hanert and first manufactured in 1935. Multiple models have been produced, most of which use sliding #Drawbars, drawbars to vary sounds. Until 1975, Hammond organs generated sound by creating an electric current from rotating a metal tonewheel near an electromagnetic pickup, and then strengthening the signal with an Power amplifier, amplifier to drive a speaker enclosure, speaker cabinet. The organ is commonly used with the Leslie speaker. Around two million Hammond organs have been manufactured. The organ was originally marketed by the Hammond Organ Company to Church (building), churches as a lower-cost alternative to the wind-driven pipe organ, or instead of a piano. It quickly became popular with professional jazz musicians in organ trios—small groups centered on the Hammond organ. Jazz club owners found that organ trios were cheaper than hiring a big band. Jimmy Smith (musician), Jimmy Smith's ...
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Wurlitzer Organ
The Rudolph Wurlitzer Company, usually referred to as simply Wurlitzer, is an American company started in Cincinnati in 1853 by German immigrant (Franz) Rudolph Wurlitzer. The company initially imported stringed, woodwind and brass instruments from Germany for resale in the United States. Wurlitzer enjoyed initial success, largely due to defense contracts to provide musical instruments to the U.S. military. In 1880, the company began manufacturing pianos and eventually relocated to North Tonawanda, New York. It quickly expanded to make band organs, orchestrions, player pianos and pipe or theatre organs popular in theatres during the days of silent movies. Wurlitzer is most known for their production of entry level pianos. During the 1960s, they manufactured Spinet, Console, Studio and Grand Pianos. Over time, Wurlitzer acquired a number of other companies which made a variety of loosely related products, including kitchen appliances, carnival rides, player piano rolls and radi ...
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Flute
The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless wind instrument that produces its sound from the flow of air across an opening. According to the instrument classification of Hornbostel–Sachs, flutes are categorized as edge-blown aerophones. A musician who plays the flute is called a flautist or flutist. Flutes are the earliest known identifiable musical instruments, as paleolithic examples with hand-bored holes have been found. A number of flutes dating to about 53,000 to 45,000 years ago have been found in the Swabian Jura region of present-day Germany. These flutes demonstrate that a developed musical tradition existed from the earliest period of modern human presence in Europe.. Citation on p. 248. * While the oldest flutes currently known were found in Europe, Asia, too, has ...
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Brian Culbertson
Brian Culbertson (born January 12, 1973) is an American smooth jazz/ R&B/funk musician and producer. His instruments include the synthesizer, piano and trombone. Early life and career Culbertson was born in Decatur, Illinois. As a child, he was musically skilled, having started playing piano at age eight, drums at nine, trombone at ten, bass in seventh grade, and euphonium in high school. Growing up, he listened to Sting, The Yellowjackets, George Duke, David Foster, Marcus Miller, David Sanborn, Chicago, and Earth, Wind and Fire. He attended and graduated MacArthur High School, where his father was a music teacher. He then moved to Chicago where he attended DePaul University. It was in college that he actually started working on a CD, gathering a group of musicians, recording a demo tape and sending it to the only person he knew in Los Angeles, Bud Harner, who would get him his first record deal. He is married to Michelle Culbertson, also known by her stage name Micaela Hale ...
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Rick Braun
Rick Braun (born July 6, 1955) is a smooth jazz trumpet, flugelhorn, trombone and keyboards player, vocalist, composer, and record producer. Career Braun was born in Allentown, Pennsylvania and attended Dieruff High School. His mother was a self-taught pianist and banjoist. Braun played drums at Dieruff High School, and followed his brother in playing trumpet. In the 1970s, he attended the Eastman School of Music, and while a student there became a member of a jazz-fusion band, Auracle, along with, amongst others, keyboards player John Serry, saxophone and flute player Steve Kujala and vibes player Steve Rehbein (later Steve Raybine). The band worked with producer Teo Macero and Braun co-produced the second album City Slickers (minus John Serry and Steve Kujala). During the 1980s, he entered the pop music world, releasing an album in Japan as a singer. He then worked as a songwriter for Lorimar (Warner Chappell), writing the song "Here with Me" with REO Speedwagon which became ...
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God Bless The Child (Billie Holiday Song)
"God Bless the Child" is a song written by Billie Holiday and Arthur Herzog Jr. in 1939. It was first recorded on May 9, 1941, by Billie Holiday and released by the Okeh Records in 1942. Holiday's version of the song was honored with the Grammy Hall of Fame Award in 1976. It was also included in the list of ''Songs of the Century'', by the Recording Industry Association of America and the National Endowment for the Arts. Billie Holiday recording sessions Billie Holiday recorded the song three times. First recording (Session #44, Columbia/Okeh): Columbia Studio A, 799 Seventh Avenue, New York City, May 9, 1941, Eddie Heywood and his Orchestra with Roy Eldridge (trumpet), Jimmy Powell and Lester Boone (alto saxophone), Ernie Powell (trumpet), Eddie Heywood (piano), Johan Robins (guitar), Paul Chapman (guitar), Grachan Moncur II (bass), Herbert Cowans (drums), Billie Holiday (vocal). Second recording (Session #65, her final Decca session): Los Angeles March 8, 1950, Gordon Jenk ...
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You Haven't Done Nothin'
"You Haven't Done Nothin" is a 1974 funk single by Stevie Wonder, taken from his album ''Fulfillingness' First Finale'' and featuring background vocals by The Jackson 5. The politically aware song became Wonder's fourth Number 1 pop hit and his tenth Number 1 soul hit. It also reached Number 1 in Canada. In the UK the single spent five weeks on the chart, peaking at Number 30. The song was one of his angriest political statements and was aimed squarely at President Richard Nixon, who resigned two days after the record's release. The Jackson Five sing the words "Doo da wop!" repeatedly in the chorus, when Wonder sings "Jackson 5, join along with me, say". The song also features a thick clavinet track and an early appearance of the drum machine. The B-side "Big Brother", also a political statement, was taken from Wonder's 1972 album ''Talking Book''. ''Billboard'' described "You Haven't Done Nothin'" as being "exceptionally powerful" and more subtle than most protest songs, particu ...
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I Got You (I Feel Good)
"I Got You (I Feel Good)" is a song by American singer James Brown. First recorded for the album ''Out of Sight'' and then released in an alternate take as a single in 1965, it was his highest-charting song and is arguably his best-known recording. Description "I Got You (I Feel Good)" is a twelve-bar blues with a brass-heavy instrumental arrangement similar to Brown's previous hit, "Papa's Got a Brand New Bag". It also features the same emphasis "on the one" (i.e. the first beat of the measure) that characterizes Brown's developing funk style. The lyrics have Brown exulting in how good he feels ("nice, like sugar and spice") now that he has the one he loves, his vocals punctuated by screams and shouts. The song includes an alto sax solo by Maceo Parker. Precursors "I Got You (I Feel Good)" developed from an earlier Brown-penned song, "I Found You", with a nearly identical melody and lyrics. "I Found You" had been recorded by Brown's back-up singer Yvonne Fair and released as a ...
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