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Sukhmani Sahib
Sukhmani Sahib ( pa, ਸੁਖਮਨੀ ਸਾਹਿਬ) is usually translated to mean ''Prayer of Peace'' is a set of 192 '' padas'' (stanzas of 10 hymns) present in the holy ''Guru Granth Sahib'', the main scripture and living Guru of Sikhism from ''Ang'' 262 to ''Ang'' 296 (about 35 count). This Gurbani text (writing of the Gurus) was written by the 5th Guru, Guru Arjan (1563–1606) at Amritsar in around 1602. Guru Arjan first recited the bani at Gurdwara Barth Sahib in the Gurdaspur district of Punjab, India. Content The composition deals with such topics such as ''Simran'' (general meditation that leads to merging with God) and '' Nam Japna'' (meditation of '' Naam''), the greatness of Saints and ''Sadh Sangat'' (holy congregation), true devotion, doing good deeds, the nature of the mind, the badness of slandering, concepts relating to '' Brahmvidya'', ''Advaita'', '' Sargun and Nirgun'', materialism and death, ''Hukam'', and other similar topics. Recitation Sukhmani Sahi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Page From The Guru Granth Sahib Sikh Scripture, Gurmukhi Script
A, or a, is the first letter and the first vowel of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''a'' (pronounced ), plural ''aes''. It is similar in shape to the Ancient Greek letter alpha, from which it derives. The uppercase version consists of the two slanting sides of a triangle, crossed in the middle by a horizontal bar. The lowercase version can be written in two forms: the double-storey a and single-storey ɑ. The latter is commonly used in handwriting and fonts based on it, especially fonts intended to be read by children, and is also found in italic type. In English grammar, " a", and its variant " an", are indefinite articles. History The earliest certain ancestor of "A" is aleph (also written 'aleph), the first letter of the Phoenician alphabet, which consisted entirely of consonants (for that reason, it is also called an abjad to distinguish it f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
God In Sikhism
In Sikhism, God is conceived as the Oneness that permeates the entirety of creation and beyond. It abides within all of creation as symbolized by the symbol Ik Onkar. The One is indescribable yet knowable and perceivable to anyone who surrenders their egoism and meditates upon that Oneness. The Sikh gurus have described God in numerous ways in their hymns included in the Guru Granth Sahib, the holy scripture of Sikhism, but the oneness of formless God is consistently emphasized throughout. God is described in the Mul Mantar (lit. the Prime Utterance), the first passage in the Guru Granth Sahib: General conceptions Monotheism Sikhi is Monotheistic and believes that there is only One God. Guru Nanak, the founder of Sikhi strongly denounces any type of ''Pakhand'' (hypocrisy or duality). Nanak prefixed the numeral "IK" (one) to the syllable Onkar to stress the idea of God's oneness; that the Creator, Preserver, and Destroyer is One. Sikh thought begins with the One Almighty ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guru Nanak
Gurū Nānak (15 April 1469 – 22 September 1539; Gurmukhi: ਗੁਰੂ ਨਾਨਕ; pronunciation: , ), also referred to as ('father Nānak'), was the founder of Sikhism and is the first of the ten Sikh Gurus. His birth is celebrated worldwide as Guru Nanak Gurpurab on '' Katak Pooranmashi'' ('full-moon of Kattak'), i.e. October–November. Nanak is said to have travelled far and wide across Asia teaching people the message of ''ik onkar'' (), who dwells in every one of his creations and constitutes the eternal Truth. With this concept, he would set up a unique spiritual, social, and political platform based on equality, fraternal love, goodness, and virtue. Nanak's words are registered in the form of 974 poetic hymns, or ''shabda'', in the holy text of Sikhism, the Guru Granth Sahib, with some of the major prayers being the ''Japji Sahib'' (; ''ji'' and ''sahib'' are suffixes signifying respect); the ''Asa di Var'' ('ballad of hope'); and the '' Sidh Gosht'' ('discussi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mul Mantar
The Mūl Mantar ( pa, ਮੂਲ ਮੰਤਰ, ) is the opening verse of the Sikh scripture, the ''Guru Granth Sahib''. It consists of thirteen words in the Punjabi language, written in Gurmukhi script, and are the most widely known among the Sikhs. They summarize the essential teaching of Guru Nanak,Eleanor Nesbitt, "Sikhism: a very short introduction", , Oxford University Press, pp. 22-24 thus constituting a succinct doctrinal statement of Sikhism. It has been variously translated, with the interpretation of the first two words particularly contested. These are rendered as "There is one god", "One reality is", "This being is one" and others. Sometimes the disagreements include capitalizing g in god, or r in reality, which affects the implied meaning in English. Some consider it monotheistic, others monist. The general view favors the monotheistic interpretation, but not the Semitic understanding of monotheism. It is rather "Guru Nanak's mystical awareness of the one that is exp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shloka
Shloka or śloka ( sa, श्लोक , from the root , Macdonell, Arthur A., ''A Sanskrit Grammar for Students'', Appendix II, p. 232 (Oxford University Press, 3rd edition, 1927). in a broader sense, according to Monier-Williams's dictionary, is "any verse or stanza; a proverb, saying"; but in particular it refers to the 32-line verse, derived from the Vedic ''anuṣṭubh'' metre, used in the ''Bhagavad Gita'' and many other works of classical Sanskrit literature. In its usual form it consists of four ''pādas'' or quarter-verses, of 8 syllables each, or (according to an alternative analysis) of two half-verses of 16 syllables each. The metre is similar to the Vedic ''anuṣṭubh'' metre, but with stricter rules. The ''śloka'' is the basis for Indian epic poetry, and may be considered the Indian verse form ''par excellence'', occurring as it does far more frequently than any other metre in classical Sanskrit poetry. The ''śloka'' is the verse-form generally used in the ''Maha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sri Chand
Sri Chand (8 September 1494–13 January 1629, Gurmukhi: ਸ੍ਰੀ ਚੰਦ), also referred to as Baba Sri Chandra or Bhagwan Sri Chandra, was the founder of the Udasi sect of ascetic Sadhus. Early life He was the eldest son of Guru Nanak, the first Guru and founder of Sikhism. He was born to Mata Sulakhani on Bhadra sudi 9, 1551 Bikrami (i.e. 8 September 1494). Sikh sources give his life the impressive dates of 8 September 1494 – 13 January 1629, which would have made him 134 years old upon his death. Relationship with Sikh Gurus It is believed that Sri Chand rejected Angad as the successor to his father. When the Sikh guruship passed from Nanak to Angad, the sons of Nanak, Sri Chand and Lakhmi Das, made a legal claim to their father's properties in Kartarpur, forcing Guru Angad to reestablish the early Sikh community's centre at his native village of Khadur instead. Guru Amardas declared active and domestic Sikhs to be separate from passive and recluse Udasins. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adi Granth
The Guru Granth Sahib ( pa, ਗੁਰੂ ਗ੍ਰੰਥ ਸਾਹਿਬ, ) is the central holy religious scripture of Sikhism, regarded by Sikhs as the final, sovereign and eternal Guru following the lineage of the ten human gurus of the religion. The Adi Granth ( pa, ਆਦਿ ਗ੍ਰੰਥ), its first rendition, was compiled by the fifth guru, Guru Arjan (1564–1606). Its compilation was completed on 29 August 1604 and first installed inside Golden Temple in Amritsar on 1 September 1604. Baba Buddha was appointed the first Granthi of the Golden Temple. Shortly afterwards Guru Hargobind added Ramkali Ki Vaar. Later, Guru Gobind Singh, the tenth Sikh guru, added hymns of Guru Tegh Bahadur to the Adi Granth and affirmed the text as his successor. This second rendition became known as the Guru Granth Sahib and is also sometimes referred to as the Adi Granth. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salok
Shloka or śloka ( sa, श्लोक , from the root , Macdonell, Arthur A., ''A Sanskrit Grammar for Students'', Appendix II, p. 232 (Oxford University Press, 3rd edition, 1927). in a broader sense, according to Monier-Williams's dictionary, is "any verse or stanza; a proverb, saying"; but in particular it refers to the 32-line verse, derived from the Vedic ''anuṣṭubh'' metre, used in the ''Bhagavad Gita'' and many other works of classical Sanskrit literature. In its usual form it consists of four ''pādas'' or quarter-verses, of 8 syllables each, or (according to an alternative analysis) of two half-verses of 16 syllables each. The metre is similar to the Vedic ''anuṣṭubh'' metre, but with stricter rules. The ''śloka'' is the basis for Indian epic poetry, and may be considered the Indian verse form ''par excellence'', occurring as it does far more frequently than any other metre in classical Sanskrit poetry. The ''śloka'' is the verse-form generally used in the ''Maha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metrical Feet
The foot is the basic repeating metre (poetry), rhythmic unit that forms part of a line of poetry, verse in most Indo-European languages, Indo-European traditions of poetry, including English accentual-syllabic verse and the quantitative meter of classics, classical ancient Greek poetry, ancient Greek and Latin poetry. The unit is composed of syllables, and is usually two, three, or four syllables in length. The most common feet in English are the Iamb (foot), iamb, trochee, dactyl (poetry), dactyl, and anapest. The foot might be compared to a Bar (music), bar, or a beat (music), beat divided into pulse groups, in musical notation. The English word "foot" is a translation of the Latin term ''pes'', plural ''pedes'', which in turn is a translation of the Ancient Greek ποῦς, pl. πόδες. The Ancient Greek prosodists, who invented this terminology, specified that a foot must have both an arsis and thesis, arsis and a thesis, that is, a place where the foot was raised ("arsis") ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanskrit
Sanskrit (; attributively , ; nominally , , ) is a classical language belonging to the Indo-Aryan branch of the Indo-European languages. It arose in South Asia after its predecessor languages had diffused there from the northwest in the late Bronze Age. Sanskrit is the sacred language of Hinduism, the language of classical Hindu philosophy, and of historical texts of Buddhism and Jainism. It was a link language in ancient and medieval South Asia, and upon transmission of Hindu and Buddhist culture to Southeast Asia, East Asia and Central Asia in the early medieval era, it became a language of religion and high culture, and of the political elites in some of these regions. As a result, Sanskrit had a lasting impact on the languages of South Asia, Southeast Asia and East Asia, especially in their formal and learned vocabularies. Sanskrit generally connotes several Old Indo-Aryan language varieties. The most archaic of these is the Vedic Sanskrit found in the Rig Veda, a colle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gauri (raga)
Gauri is an India musical raga that appears in the Sikh tradition from northern India and is part of the Sikh holy scripture called Sri Guru Granth Sahib. Every raga has a strict set of rules which govern the number of notes that can be used; which notes can be used; and their interplay that has to be adhered to for the composition of a tune. there are Gouris of the Bhairav, Poorvi and Marwa thats with additional qualifiers such as the Shree-anga Gouri, Bhairav-anga Gouri, Poorvi-anga Gouri and so on. These are not considered ‘big’ ragas. In the Guru Granth Sahib, the Sikh holy Granth (book) there are a total of 60 raga compositions and this raga is the ninth raga to appear in the series. The composition in this raga first appear on ang (page) no. 151. Raag Gauri (ਗਉੜੀ) – Gauri creates a mood where the listener is encouraged to strive harder in order to achieve an objective. However, the encouragement given by the Raag does not allow the ego to increase. This theref ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raga
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar (raga), Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman (raga), Yaman, which have great scope for improvisation and for which performances ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
