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Sugimura Jihei
was a Japanese ''ukiyo-e'' printmaker who flourished from approximately 1681 to 1703. He is noted by art historian and ''ukiyo-e'' collector Richard Lane as an “indirect pupil” of Hishikawa Moronobu. Much of Sugimura's work was once attributed to fellow followers of Moronobu, or Moronobu himself. In the 1920s, however, unsigned prints were discovered to have hidden signatures of Sugimura's incorporated in the drawing of the clothing folds. It appears Sugimura preferred (unlike most ''ukiyo-e'' artists) to sign with his surname rather than his given name. There are few contemporary texts with information on Sugimura. The earliest mention of him can be found in a directory of Edo artists from 1689, the ''Edo Zukan Kompuku,'' where he is listed with his name and address as “Woodblock Artist, Sugimura Jihei Masataka, Tori-Aburacho.” Ryutei Tanahiko's ''Yoshabako,'' published in 1841, also credits Sugimura as illustrator of two books which are not known to be extant. Sugim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sugimura Jihei-Kume No Sennin
Sugimura is a Japanese surname. Notable people with the surname include: * Haruko Sugimura, Japanese actress *Sugimura Jihei (1681–1703), Japanese printmaker *Kenji Sugimura, Japanese architect and patent attorney *Noboru Sugimura, Japanese writer * Nobuchika Sugimura, Japanese patent attorney *Shojiro Sugimura, Japanese footballer *Shunzo Sugimura, Japanese medical researcher and writer *Taizō Sugimura * Tsune Sugimura, Japanese photographer * Yoko Sugimura, Japanese pin-up model See also *Sugimura & Partners formerly known as Sugimura International Patent and Trademark Attorneys is an intellectual property law firm based in Japan. The firm has an international presence, representing clients from around the world. The firm represents more than 200 cl ..., a Japanese law firm {{Surname Japanese-language surnames ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ukiyo-e
Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and ai ... of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Flora of Japan, flora and Wildlife of Japan#Fauna, fauna; and Shunga, erotica. The term translates as "picture[s] of the floating world". In 1603, the city of Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The ''chōnin'' class (merchants, craftsmen and workers), positioned at the bottom of Four occupations, the social order, benefited the most from the city's rapid economic growth, and began to indulge in and patronise the entertainment o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Douglas Lane
Richard Douglas Lane (1926–2002) was an American scholar, author, collector, and dealer of Japanese art. He lived in Japan for much of his life, and had a long association with the Honolulu Museum of Art in Hawaii, which now holds his vast art collection. Life Lane was born in Kissimmee, Florida. After graduating from high school in 1944, during World War II, he enlisted in the United States Marine Corps. In the Marines he trained as a Japanese translator, and served in Japan during the war. He later received a bachelor's degree from the University of Hawaii in Japanese and Chinese literature, and continued his studies at Columbia University, where he earned a master's degree and a PhD in 18th-century Japanese literature. In 1957, Lane moved to Japan, where he lived for the rest of his life. Lane was never on a university faculty, but supported himself as an author, dealer and consultant. He was a visiting research associate at the Honolulu Museum of Art from 1957 to 1971, durin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hishikawa Moronobu
Hishikawa Moronobu ( ja, 菱川 師宣; 1618 – 25 July 1694) was a Japanese artist known for popularizing the ukiyo-e genre of woodblock prints and paintings in the late 17th century. He consolidated the works of scattered Japanese art styles and forged the early development of ukiyo-e. Early life Born in Hoda at the distant end of Edo Bay, Moronobu was the son of a well-respected embroiderer of rich tapestries who produced it for the use of temples and wealthy patrons. After moving to Edo in the 1660s, Moronobu, who had likely learned skills from his father's craft, and studied both Tosa and Kanō-style painting. He thus had a solid grounding in both decorative crafts and academic painting, which served him well when he then turned to ukiyo-e, which he studied with his mentor, the Kanbun Master. Work The earliest known illustration of Moronobu that can be dated comes from his work titled ''One Hundred Warrior Poets'' from 1672, although earlier works are yet possibl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edo Period
The or is the period between 1603 and 1867 in the history of Japan, when Japan was under the rule of the Tokugawa shogunate and the country's 300 regional '' daimyo''. Emerging from the chaos of the Sengoku period, the Edo period was characterized by economic growth, strict social order, isolationist foreign policies, a stable population, perpetual peace, and popular enjoyment of arts and culture. The period derives its name from Edo (now Tokyo), where on March 24, 1603, the shogunate was officially established by Tokugawa Ieyasu. The period came to an end with the Meiji Restoration and the Boshin War, which restored imperial rule to Japan. Consolidation of the shogunate The Edo period or Tokugawa period is the period between 1603 and 1867 in the history of Japan, when Japan was under the rule of the Tokugawa shogunate and the country's regional '' daimyo''. A revolution took place from the time of the Kamakura shogunate, which existed with the Tennō's court, to the Tok ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shunga (art)
is a type of Japanese erotic art typically executed as a kind of ukiyo-e, often in woodblock print format. While rare, there are also extant erotic painted handscrolls which predate ukiyo-e. Translated literally, the Japanese word ''shunga'' means ''picture of spring''; "spring" is a common euphemism for sex. Shunga, as a subset of ukiyo-e, was enjoyed by all social groups in the Edo period, despite being out of favor with the shogunate. The ukiyo-e movement sought to idealize contemporary urban living and appeal to the new chōnin class. Shunga followed the aesthetics of everyday life and widely varied in its depictions of sexuality. Most ukiyo-e artists made shunga at some point in their careers. History Shunga was heavily influenced by illustrations in Chinese medicine manuals beginning in the Muromachi era (1336 to 1573). Zhou Fang, a notable Tang-dynasty Chinese painter, is also thought to have been influential. He, like many artists of his time, tended to draw gen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mitate-e
In Japanese art, ''mitate-e'' () is a subgenre of ukiyo-e that employs allusions, puns, and incongruities, often to parody classical art or events. The term derives from two roots: ''mitateru'' (, "to liken one thing to another") and ''e'' (, "picture"). The ''mitate'' technique arose first in poetry and became prominent during the Heian period (794–1185). Haiku poets revived the technique during the Edo period (1603–1868), from which it spread to the other arts of the era. Such works typically employ allusions, puns, and incongruities, and frequently recall classical artworks. In the context of ukiyo-e, ''mitate-e'' is often translated into English as "parody picture". This usage of the term arose much later; the term itself was used in different ways during the Edo period. Those works today called ''mitate-e'' used different labels at the time, such as ''fūryū'' (, "elegant" or "fashionable") which appeared frequently in the 18th century on works by Okumura Masanobu ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kakemono
__NOTOC__ A , more commonly referred to as a , is a Japanese hanging scroll used to display and exhibit paintings and calligraphy inscriptions and designs mounted usually with silk fabric edges on a flexible backing, so that it can be rolled for storage. The "Maruhyōsō" style of kakejiku has four distinct named sections. The top section is called the "ten" heaven. The bottom is the "chi" earth with the "hashira" pillars supporting the heaven and earth on the sides. The maruhyōsō style, also contains a section of "ichimonji" made from "kinran" gold thread. On observation, the Ten is longer than the Chi. This is because in the past, Kakemono were viewed from a kneeling (seiza) position and provided perspective to the "Honshi" main work. This tradition carries on to modern times. There is a cylindrical rod called ''jikugi'' (軸木) at the bottom, which becomes the axis or center of the rolled scroll. The end knobs on this rod are in themselves called ''jiku'', and are used as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ukiyo-e Artists
Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica. The term translates as "picture of the floating world". In 1603, the city of Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The ''chōnin'' class (merchants, craftsmen and workers), positioned at the bottom of the social order, benefited the most from the city's rapid economic growth, and began to indulge in and patronise the entertainment of kabuki theatre, geisha, and courtesans of the pleasure districts; the term ("floating world") came to describe this hedonistic lifestyle. Printed or painted ukiyo-e works were popular with the ''chōnin'' class, who had become wealthy enough to afford to decorate their homes with them. The earliest ukiyo-e works eme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
