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Subharchord II (1968)
The Subharchord is a synthesizer featuring subharmonic synthesis. It was developed in the mid-20th century by technicians in the German Democratic Republic. Background The first fully electronic compositions were written in Germany in the 1950s, influenced by musique concrète. In Germany, new music was composed and experiments conducted on electronic equipment that often came originally from physics labs or radio. Development in the German Democratic Republic (GDR) in the east and the Federal Republic of Germany (FRG) in the west differed considerably, as each state defined its own cultural policy. One result was that young artists and musicians, who saw themselves as the avant-garde, were valued and tolerated differently in the two states; it was easier for musicians in the West to remain independent and experiment without interference. For example, at the Studio for Electronic Music at the Westdeutscher Rundfunk (WDR) in Cologne, many new works were written by composers su ...
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NTM Subharchord DDR 1968 Nrk IMG 0882
NTM may refer to: Medicine and Science * Neural Turing machine, a recurrent neural network model * Nondeterministic Turing machine, a theoretical model of computation * Nontuberculous mycobacteria, a class of bacteria * NTM (gene), which encodes the protein neurotrimin Organisations * National Taiwan Museum, a museum in Taipei, Taiwan * National Technical Museum (Prague), an institution in the Czech Republic * National Theatre Movement, in Victoria, Australia * National Transformation Movement, two political parties in Trinidad and Tobago * National Translation Mission, an Indian initiative to make texts accessible * Neil Thomas Ministries, a Christian organization * Network Television Marketing, a television station in Pakistan * New Tribes Mission, now Ethnos360, a Christian mission in Sanford, Florida, USA Other * Miracema do Tocantins Airport ( IATA: NTM), Brazil * Nateni language (by ISO 639 code) * Non-tariff measures, a type of barrier to trade * Notice to mariners, a ...
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Poème électronique
''Poème électronique'' (English Translation: "Electronic Poem") is an 8-minute piece of electronic music by composer Edgard Varèse, written for the Philips Pavilion at the 1958 Brussels World's Fair. The Philips corporation commissioned Le Corbusier to design the pavilion, which was intended as a showcase of their engineering progress. Le Corbusier came up with the title ''Poème électronique'', saying he wanted to create a "poem in a bottle". Varèse composed the piece with the intention of creating a liberation between sounds and as a result uses noises not usually considered "musical" throughout the piece. Original performance The pavilion was shaped like a stomach, with a narrow entrance and exit on either side of a large central space. As the audience entered and exited the pavilion, the electronic composition ''Concret PH'' by Iannis Xenakis (who also acted as Le Corbusier's architectural assistant for the pavilion's design) was heard. ''Poème électronique'' was s ...
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Electroacoustic Music
Electroacoustic music is a genre of popular and Western art music in which composers use technology to manipulate the timbres of acoustic sounds, sometimes by using audio signal processing, such as reverb or harmonizing, on acoustical instruments. It originated around the middle of the 20th century, following the incorporation of electric sound production into compositional practice. The initial developments in electroacoustic music composition to fixed media during the 20th century are associated with the activities of the at the ORTF in Paris, the home of musique concrète, the Studio for Electronic Music in Cologne, where the focus was on the composition of '' elektronische Musik,'' and the Columbia-Princeton Electronic Music Center in New York City, where tape music, electronic music, and computer music were all explored. Practical electronic music instruments began to appear in the early 20th century. Tape music Tape music is an integral part of '' musique concrète'' ...
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Dresden
Dresden (, ; Upper Saxon: ''Dräsdn''; wen, label=Upper Sorbian, Drježdźany) is the capital city of the German state of Saxony and its second most populous city, after Leipzig. It is the 12th most populous city of Germany, the fourth largest by area (after Berlin, Hamburg and Cologne), and the third most populous city in the area of former East Germany, after Berlin and Leipzig. Dresden's urban area comprises the towns of Freital, Pirna, Radebeul, Meissen, Coswig, Radeberg and Heidenau and has around 790,000 inhabitants. The Dresden metropolitan area has approximately 1.34 million inhabitants. Dresden is the second largest city on the River Elbe after Hamburg. Most of the city's population lives in the Elbe Valley, but a large, albeit very sparsely populated area of the city east of the Elbe lies in the West Lusatian Hill Country and Uplands (the westernmost part of the Sudetes) and thus in Lusatia. Many boroughs west of the Elbe lie in the foreland of the Ore Mounta ...
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DEFA (film Studio)
DEFA (''Deutsche Film-Aktiengesellschaft'') was the state-owned film studio of the German Democratic Republic (East Germany) throughout the country's existence. Since 2019, DEFA's film heritage has been made accessible and licensable on the PROGRESS archive platform. History DEFA was founded in Spring 1946 in the Soviet Occupied Zone in eastern Germany; it was the first film production company in post-World War II Germany. While the other Allies, in their zones of occupation, viewed a rapid revival of a German film industry with suspicion, the Soviets valued the medium as a primary means of re-educating the German populace as it emerged from twelve years of Nazi rule. Headquartered in Berlin, the company was formally authorized by the Soviet Military Administration to produce films on 13 May 1946, although Wolfgang Staudte had already begun work on DEFA's first film, ''Die Mörder sind unter uns'' (''The Murderers Are Among Us'') nine days earlier. The original board of di ...
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Ribbon Controller
A ribbon or riband is a thin band of material, typically cloth but also plastic or sometimes metal, used primarily as decorative binding and tying. Cloth ribbons are made of natural materials such as silk, cotton, and jute and of synthetic materials, such as polyester, nylon, and polypropylene. Ribbon is used for useful, ornamental, and symbolic purposes. Cultures around the world use ribbon in their hair, around the body, and as ornament on non-human animals, buildings, and packaging. Some popular fabrics used to make ribbons are satin, organza, sheer, silk, velvet, and grosgrain. Etymology The word ribbon comes from Middle English ''ribban'' or ''riban'' from Old French ''ruban'', which is probably of Germanic origin. Cloth Along with that of tapes, fringes, and other smallwares, the manufacture of cloth ribbons forms a special department of the textile industries. The essential feature of a ribbon loom is the simultaneous weaving in one loom frame of two or more webs, g ...
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Manfred Miersch
''Manfred: A dramatic poem'' is a closet drama written in 1816–1817 by Lord Byron. It contains supernatural elements, in keeping with the popularity of the ghost story in England at the time. It is a typical example of a Gothic fiction. Byron commenced this work in late 1816, a few months after the famous ghost-story sessions with Percy Bysshe Shelley and Mary Shelley that provided the initial impetus for '' Frankenstein; or, The Modern Prometheus ''. The supernatural references are made clear throughout the poem. ''Manfred'' was adapted musically by Robert Schumann in 1852, in a composition entitled '' Manfred: Dramatic Poem with Music in Three Parts'', and in 1885 by Pyotr Ilyich Tchaikovsky in his ''Manfred Symphony''. Friedrich Nietzsche was inspired by the poem's depiction of a super-human being to compose a piano score in 1872 based on it, "Manfred Meditation". Background Byron wrote this "metaphysical drama", as he called it, after his marriage to Annabella Millbank ...
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Harmonic
A harmonic is a wave with a frequency that is a positive integer multiple of the ''fundamental frequency'', the frequency of the original periodic signal, such as a sinusoidal wave. The original signal is also called the ''1st harmonic'', the other harmonics are known as ''higher harmonics''. As all harmonics are periodic at the fundamental frequency, the sum of harmonics is also periodic at that frequency. The set of harmonics forms a '' harmonic series''. The term is employed in various disciplines, including music, physics, acoustics, electronic power transmission, radio technology, and other fields. For example, if the fundamental frequency is 50  Hz, a common AC power supply frequency, the frequencies of the first three higher harmonics are 100 Hz (2nd harmonic), 150 Hz (3rd harmonic), 200 Hz (4th harmonic) and any addition of waves with these frequencies is periodic at 50 Hz. In music, harmonics are used on string instruments and wind instrum ...
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The Birds (film)
''The Birds'' is a 1963 American natural horror-thriller film produced and directed by Alfred Hitchcock. Loosely based on the 1952 short story of the same name by Daphne du Maurier, it focuses on a series of sudden and unexplained violent bird attacks on the people of Bodega Bay, California, over the course of a few days. The film stars Rod Taylor and Tippi Hedren in her screen debut, alongside Jessica Tandy, Suzanne Pleshette, and Veronica Cartwright. The screenplay is by Evan Hunter, who was told by Hitchcock to develop new characters and a more elaborate plot while keeping du Maurier's title and concept of unexplained bird attacks. At the 36th Academy Awards, Ub Iwerks was nominated for Best Special Effects for his work on the film. The award, however, went to the only other nominee, Emil Kosa Jr. for ''Cleopatra''. In 2016, ''The Birds'' was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress, and selected for pre ...
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Alfred Hitchcock
Sir Alfred Joseph Hitchcock (13 August 1899 – 29 April 1980) was an English filmmaker. He is widely regarded as one of the most influential figures in the history of cinema. In a career spanning six decades, he directed over 50 feature films, many of which are still widely watched and studied today. Known as the "Master of Suspense", he became as well known as any of his actors thanks to his many interviews, his cameo roles in most of his films, and his hosting and producing the television anthology '' Alfred Hitchcock Presents'' (1955–65). His films garnered 46 Academy Award nominations, including six wins, although he never won the award for Best Director despite five nominations. Hitchcock initially trained as a technical clerk and copy writer before entering the film industry in 1919 as a title card designer. His directorial debut was the British-German silent film '' The Pleasure Garden'' (1925). His first successful film, '' The Lodger: A Story of the London F ...
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Oskar Sala
Oskar Sala (18 July 1910 – 26 February 2002) was a German composer and a pioneer of electronic music. He played an instrument called the Trautonium, an early form of electronic synthesizer. Early life Sala was born in Greiz, Thuringia, Germany. He studied piano and organ during his youth, performing classical piano concerts as a teenager. In 1929, he moved to Berlin to study piano and composition with composer and violist Paul Hindemith at the Berlin Conservatory. He also followed the experiments of Dr. Friedrich Trautwein, at the school's laboratory, learning to play with Trautwein's pioneer electronic instrument, the Trautonium. On 20 June 1930 Sala and Paul Hindemith gave a public performance at the Berliner Musikhochschule Hall called “Neue Musik Berlin 1930″ to introduce the Trautonium. Later Sala toured Germany with the Trautonium; in 1931 he was the soloist in a performance of Hindemith's Concert for Trautonium with String Quartet. He also soloed in the debut of Hinde ...
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Trautonium
The Trautonium is an electronic synthesizer invented in 1930 by Friedrich Trautwein in Berlin at the Musikhochschule's music and radio lab, the Rundfunkversuchstelle. Soon afterwards Oskar Sala joined him, continuing development until Sala's death in 2002. Description Instead of a keyboard, its manual is made of a resistor wire over a metal plate, which is pressed to create a sound. Expressive playing was possible with this wire by gliding on it, creating vibrato with small movements. Volume was controlled by the pressure of the finger on the wire and board. The first Trautoniums were marketed by Telefunken from 1933 until 1935 (200 were made). The sounds were at first produced by neon-tube relaxation oscillators Example of a similar early neon keyboard invention by Winston E. Kock (later, thyratrons, then transistors), which produced sawtooth-like waveforms. The pitch was determined by the position at which the performer pressed the resistive wire into contact with the p ...
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