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Stuart Maunder
Stuart Lionel Maunder (born 1957) is an Australian theatre director, currently appointed as the artistic director of State Opera of South Australia. He has also directed for Opera Australia, Victorian Opera, West Australian Opera, New Zealand Opera and Scottish Opera. Biography Born in Sydney but raised in Boggabri, Maunder studied law, but turned to the stage and started his career as a stage manager in 1978 at The Australian Opera before becoming a resident director in 1981. Whilst continuing to direct in Australia, he joined The Royal Opera, London, as a staff director in 1992. In 1999 he was appointed artistic administrator of Opera Australia by Simone Young and then became executive producer from 2004 to 2008. In 2012, he was made a Member of the Order of Australia (AM) "for service to the performing arts, particularly with Opera Australia, as an artistic director, and as a mentor to emerging artists." From 2014 until 2018 Maunder was general director of New Zealand Op ...
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Boggabri
Boggabri ( ) is a small town in north-eastern New South Wales, Australia. It is part of Narrabri Shire and lies between Gunnedah and Narrabri on the Kamilaroi Highway. At the , the town had a population of 856 people. The original town site was south and settled in the 1830s, but was relocated after a flood washed it away in the 1850s. ''Boggabri'' comes from Gamilaraay ''bagaaybaraay'', literally "having creeks". It is likely a reference to the Namoi River, which passes through Boggabri. Boggabri's main tourist attraction is Gin's Leap. Its name derives from the story of an Aboriginal girl who was promised to an elder of her tribe, the Kamilaroi, and ran away with a young man from a neighbouring tribe. The couple were pursued and, seeing no escape, jumped from the cliff to their deaths. Dripping Rock is another natural attraction featuring water that seeps through sedimentary rock and drips down a high wall. The water cascades down into a rock pool below after good rain cr ...
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Manon
''Manon'' () is an ''opéra comique'' in five acts by Jules Massenet to a French libretto by Henri Meilhac and Philippe Gille, based on the 1731 novel '' L'histoire du chevalier des Grieux et de Manon Lescaut'' by the Abbé Prévost. It was first performed at the Opéra-Comique in Paris on 19 January 1884, with sets designed by Eugène Carpezat (act 1), Auguste Alfred Rubé and Philippe Chaperon (acts 2 and 3), and Jean-Baptiste Lavastre (act 4). Prior to Massenet's work, Halévy (''Manon Lescaut'', ballet, 1830) and Auber (''Manon Lescaut'', opéra comique, 1856) had used the subject for musical stage works. Massenet also wrote a one-act sequel to ''Manon'', ''Le portrait de Manon'' (1894), involving the Chevalier des Grieux as an older man. The composer worked at the score of ''Manon'' at his country home outside Paris and also at a house at The Hague once occupied by Prévost himself. ''Manon'' is Massenet's most popular and enduring opera and, having "quickly conquered th ...
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Johannes Fritzsch
Johannes Fritzsch (born Meissen, Germany, 1960) is a German conductor. Biography Fritzsch's father, a cantor and organist, was his first music teacher, in piano and organ. His brother Georg Fritzsch (born 1963) is also a conductor. His other brother, Rainer Fritzsch (born 1974), is a cantor in Radeberg. Fritzsch continued his musical studies on violin and trumpet. He attended the Carl Maria von Weber Music Academy in Dresden, studying conducting, piano and trumpet. In 1982, Fritzsch took his first conducting post, as second '' Kapellmeister'' at the Rostock People's Theatre, where his conducting duties included the first East German performances of Hans Werner Henze's '' The English Cat'' in 1986. From 1987 to 1992, Fritzsch was a ''Kapellmeister'' with the Staatsoper Dresden, Semperoper. From 1992 to 1993, he was first ''Kapellmeister'' at the Staatsoper Hannover. From 1993 to 1999, he served as music director and chief conductor at the Städtische Bühnen and the Philharmoni ...
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Béatrice Et Bénédict
''Béatrice et Bénédict'' (''Beatrice and Benedick'') is an '' opéra comique'' in two acts by French composer Hector Berlioz. Berlioz wrote the French libretto himself, based in general outline on a subplot in Shakespeare's ''Much Ado About Nothing''. Berlioz had been interested in setting Shakespeare's comedy since his return from Italy in 1833, but only composed the score of ''Béatrice et Bénédict'' following the completion of '' Les Troyens'' in 1858. It was first performed at the opening of the Theater Baden-Baden on 9 August 1862. Holoman D. K. "''Béatrice et Bénédict''". In: ''The New Grove Dictionary of Opera.'' Macmillan, London and New York, 1997. Berlioz conducted the first two performances of a German version in Weimar in 1863, where, as he wrote in his memoirs, he was "overwhelmed by all sorts of kind attention." It is the first notable version of Shakespeare's play in operatic form, and was followed by works by, among others, Árpád Doppler, Paul Puget, C ...
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COVID-19 Pandemic In Australia
The COVID-19 pandemic in Australia is part of the ongoing worldwide pandemic of the coronavirus disease 2019 () caused by severe acute respiratory syndrome coronavirus 2 (). The first confirmed case in Australia was identified on 25 January 2020, in Victoria, when a man who had returned from Wuhan, Hubei Province, China, tested positive for the virus. , Australia has reported over 9,588,977 cases, over 9,224,255 recoveries, and 12,200 deaths. Victoria's second wave having the highest fatality rate per case. In March 2020, the Australian government established the intergovernmental National Cabinet and declared a human biosecurity emergency in response to the outbreak. Australian borders were closed to all non-residents on 20 March, and returning residents were required to spend two weeks in supervised quarantine hotels from 27 March. Many individual states and territories also closed their borders to varying degrees, with some remaining closed until late 2020, and contin ...
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Rigoletto
''Rigoletto'' is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the 1832 play ''Le roi s'amuse'' by Victor Hugo. Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851. The work, Verdi's sixteenth in the genre, is widely considered to be the first of the operatic masterpieces of Verdi's middle-to-late career. Its tragic story revolves around the licentious Duchy of Mantua, Duke of Mantua, his hunch-backed court jester Rigoletto, and Rigoletto's daughter Gilda. The opera's original title, ''La maledizione'' (The Curse), refers to a curse placed on both the Duke and Rigoletto by a courtier whose daughter the Duke has seduced with Rigoletto's encouragement. The curse comes to fruition when Gilda falls in love with the Duke and sacrifices her life to save him from the assassin hired by ...
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Macbeth (opera)
''Macbeth'' () is an opera in four acts by Giuseppe Verdi, with an Italian libretto by Francesco Maria Piave and additions by Andrea Maffei, based on William Shakespeare's play of the same name. Written for the Teatro della Pergola in Florence, it was Verdi's tenth opera and premiered on 14 March 1847. ''Macbeth'' was the first Shakespeare play that Verdi adapted for the operatic stage. Almost twenty years later, ''Macbeth'' was revised and expanded in a French version and given in Paris on 19 April 1865. After the success of ''Attila'' in 1846, by which time the composer had become well established, ''Macbeth'' came before the great successes of 1851 to 1853 (''Rigoletto'', ''Il trovatore'' and '' La traviata'') which propelled him into universal fame. As sources, Shakespeare's plays provided Verdi with lifelong inspiration: some, such as an adaption of ''King Lear'' (as ''Re Lear'') were never realized, but he wrote his two final operas using ''Othello'' as the basis for ' ...
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La Scala Di Seta
''La scala di seta'' (''The Silken Ladder'' or ''Die seidene Leiter'') is an operatic '' farsa comica'' in one act by Gioachino Rossini to a libretto by Giuseppe Maria Foppa. It was first performed in Venice, Italy, at the Teatro San Moisè on 9 May 1812. The overture has been frequently recorded and continues to be featured in the modern concert repertoire. From 1810 to 1813, the young Rossini composed four Italian ''farse'', beginning with ''La cambiale di matrimonio'' (''The Bill of Marriage''), his first opera, and ending with ''Il Signor Bruschino''. These types of short pieces were popular in Venice at the end of the 18th century and the beginning of the 19th century. The pieces were intimate, with a cast of five to seven singers, always including a pair of lovers, at least two comic parts, and one or two other minor roles. The style called for much visual comedy improvised by the players. As compared to many genres of opera, acting and comedic talent is more important ...
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Il Signor Bruschino
''Il signor Bruschino, ossia Il figlio per azzardo'' ''(Signor Bruschino, or The Accidental Son)'' is a one act operatic farce ( farsa giocosa per musica) by Gioachino Rossini to a libretto by Giuseppe Maria Foppa, based upon the 1809 play ''Le fils par hasard, ou ruse et folie'' by René de Chazet and Maurice Ourry. The opera was first performed in Venice at the Teatro San Moisè on 27 January 1813. Between 1810 and 1813, the young Rossini composed five pieces for the Teatro San Moisè, beginning with ''La cambiale di matrimonio'' (''Bill of Exchange of Marriage''), his first opera, and ending with ''Il signor Bruschino''. These farse were short pieces, popular in Venice at the end of the 18th century and the beginning of the 19th century. They were intimate, with a cast of five to eight singers, always including a pair of lovers, here Sofia and Florville, at least two comic parts, here Bruschino senior, Gaudenzio and Filiberto, and one or more minor roles, here Marianna, Brusc ...
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Tosca
''Tosca'' is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro dell'Opera di Roma, Teatro Costanzi in Rome on 14 January 1900. The work, based on Victorien Sardou's 1887 French-language dramatic play, ''La Tosca'', is a melodramatic piece set in Rome in June 1800, with the Kingdom of Naples's control of Rome threatened by Napoleon's Campaigns of 1800 in the French Revolutionary Wars#Italy, invasion of Italy. It contains depictions of torture, murder, and suicide, as well as some of Puccini's best-known lyrical arias. Puccini saw Sardou's play when it was touring Italy in 1889 and, after some vacillation, obtained the rights to turn the work into an opera in 1895. Turning the wordy French play into a succinct Italian opera took four years, during which the composer repeatedly argued with his librettists and publisher. ''Tosca'' premiered at a time of unrest in Rome, and its first performance was delayed ...
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Orpheus In The Underworld
''Orpheus in the Underworld'' and ''Orpheus in Hell'' are English names for (), a comic opera with music by Jacques Offenbach and words by Hector Crémieux and Ludovic Halévy. It was first performed as a two-act " opéra bouffon" at the Théâtre des Bouffes-Parisiens, Paris, on 21 October 1858, and was extensively revised and expanded in a four-act " opéra féerie" version, presented at the Théâtre de la Gaîté, Paris, on 7 February 1874. The opera is a lampoon of the ancient legend of Orpheus and Eurydice. In this version Orpheus is not the son of Apollo but a rustic violin teacher. He is glad to be rid of his wife, Eurydice, when she is abducted by the god of the underworld, Pluto. Orpheus has to be bullied by Public Opinion into trying to rescue Eurydice. The reprehensible conduct of the gods of Olympus in the opera was widely seen as a veiled satire of the court and government of Napoleon III, Emperor of the French. Some critics expressed outrage at the librettists' ...
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The Tales Of Hoffmann
''The Tales of Hoffmann'' (French: ) is an by Jacques Offenbach. The French libretto was written by Jules Barbier, based on three short stories by E. T. A. Hoffmann, who is the protagonist of the story. It was Offenbach's final work; he died in October 1880, four months before the premiere. Composition history and sources Offenbach saw a play, , written by Barbier and Michel Carré and produced at the Odéon Theatre in Paris in 1851. After returning from America in 1876, Offenbach learned that Barbier had adapted the play, which had now set to music at the Opéra. Salomon handed the project to Offenbach. Work proceeded slowly, interrupted by the composition of profitable lighter works. Offenbach had a premonition, like Antonia, the heroine of Act 2, that he would die prior to its completion. Offenbach continued working on the opera throughout 1880, attending some rehearsals. On 5 October 1880, he died with the manuscript in his hand, just four months before the opening. ...
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