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Street Spirit (Fade Out)
"Street Spirit (Fade Out)" is a song by the English alternative rock band Radiohead. It is the final track on their second studio album, '' The Bends'' (1995). It was released as a single on 22 January 1996 and reached number five on the UK Singles Chart, Radiohead's highest position up to that point. It has been covered by acts including Peter Gabriel and the Darkness. Composition Songwriter Thom Yorke said "Street Spirit" was inspired by the American band R.E.M. and the 1991 novel ''The Famished Road'' by Ben Okri. It features a guitar arpeggio written by Yorke and played by Ed O'Brien. In 2018, ''Pitchfork'' wrote that the song "channels a sense of capitalist dread that even class-conscious Britpop artists repressed". Music video The music video for "Street Spirit" was filmed over two nights in a desert outside Los Angeles. It was directed by Jonathan Glazer, who described it as a "turning point" for his work. He felt that Radiohead had "found their own voices as an artist" ...
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Radiohead
Radiohead are an English rock band formed in Abingdon, Oxfordshire, in 1985. The band consists of Thom Yorke (vocals, guitar, piano, keyboards); brothers Jonny Greenwood (lead guitar, keyboards, other instruments) and Colin Greenwood (bass); Ed O'Brien (guitar, backing vocals); and Philip Selway (drums, percussion). They have worked with the producer Nigel Godrich and the cover artist Stanley Donwood since 1994. Radiohead's experimental approach is credited with advancing the sound of alternative rock. Radiohead signed to EMI in 1991 and released their debut album, ''Pablo Honey,'' in 1993; their debut single, " Creep", became a worldwide hit. Radiohead's popularity and critical standing rose with the release of '' The Bends'' in 1995. Radiohead's third album, '' OK Computer'' (1997), brought them international fame; noted for its complex production and themes of modern alienation, it is acclaimed as a landmark record and one of the best albums in popular music. Radiohea ...
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Arpeggio
A broken chord is a chord broken into a sequence of notes. A broken chord may repeat some of the notes from the chord and span one or more octaves. An arpeggio () is a type of broken chord, in which the notes that compose a chord are played or sung in a rising or descending order. An arpeggio may also span more than one octave. Being an Italian noun, its plural is ''arpeggi''. The word ''arpeggio'' comes from the Italian word ''arpeggiare'', which means ''to play on a harp''. Even though the notes of an arpeggio are not played or sung all together at the same time, listeners hear the sequence of notes as forming a chord. When an arpeggio also contains passing tones that are not part of the chord, different music theorists may analyze the same musical excerpt differently. Arpeggios enable composers writing for monophonic instruments that play one note at a time (e.g., flute, saxophone, trumpet), to voice chords and chord progressions in musical pieces. Arpeggios and brok ...
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Peter Gabriel (1982 Album)
''Peter Gabriel'' is the fourth studio album by the English rock musician Peter Gabriel. In the United States and Canada, the album was released by Geffen Records with the title ''Security''. A German-language version, entitled ''Deutsches Album'' (''German Album''), was also released. The album saw Gabriel expanding on the post-punk and world music influences from his 1980 self-titled record, and earned him his first US top 40 single with "Shock the Monkey". Songs The songs of this album cover a wide variety of subject matter. "The Rhythm of the Heat" is based on Carl Jung's experience while observing a group of African drummers. "San Jacinto" reflects on the fear and pain experienced by an Indigenous American man who sees his culture overwhelmed by modern white society, its lyrics based on a story told to Gabriel by an Apache member. "Shock the Monkey", a meditation on jealousy, uses imagery of a primate to describe personal anxieties. "Lay Your Hands on Me" deals with a ...
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Discogs
Discogs (short for discographies) is a database of information about audio recordings, including commercial releases, promotional releases, and bootleg or off-label releases. While the site was originally created with a goal of becoming the largest online database of electronic music, the site now includes releases in all genres on all formats. After the database was opened to contributions from the public, rock music began to become the most prevalent genre listed. , Discogs contains over 15.7 million releases, by over 8.3 million artists, across over 1.9 million labels, contributed from over 644,000 contributor user accounts – with these figures constantly growing as users continually add previously unlisted releases to the site over time. The Discogs servers, currently hosted under the domain name discogs.com, are owned by Zink Media, Inc. and located in Portland, Oregon, United States. History The discogs.com domain name was registered in August 2000, and Discogs itself ...
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Scratch My Back
''Scratch My Back'' is the eighth studio album (and fifteenth album overall) by English musician Peter Gabriel, his first in eight years. It was released in February 2010. The album, recorded at Air Lyndhurst and Real World Studios during 2009, consists of cover versions of twelve songs by various artists, using only orchestra and voice.Scratch My Back
shop. Retrieved 6 February 2010.
It is produced by Gabriel with . The album generally received favourable reviews by music journalists and performed well on the album charts around the world, peaking at No. 1 in ...
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The Best Of
A greatest hits album or best-of album is a type of compilation album that collects popular and commercially successful songs by a particular artist or band. While greatest hits albums are typically supported by the artist, they can also be created by record companies without express approval from the original artist as a means to generate sales. They are typically regarded as a good starting point for new fans of an artist, but are sometimes criticized by longtime fans as not inclusive enough or necessary at all. It is also common for greatest hits albums to include new recordings, remixes or unreleased alternate takes of the hit songs, plus other new material as bonus tracks to increase appeal for longtime fans (who might otherwise already own the recordings included). At times, a greatest hits compilation marks the first album appearance of a successful single that was never attached to a previous studio album. History The first greatest hits album was Johnny Mathis's ''Jo ...
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One-hit Wonder
A one-hit wonder or viral hit is any entity that achieves mainstream popularity, often for only one piece of work, and becomes known among the general public solely for that momentary success. The term is most commonly used in regard to music performers with only one hit single that overshadows their other work. Some artists dubbed "one-hit wonders" in a particular country have had great success in other countries. Music artists with subsequent popular albums and hit listings are typically not considered a one-hit wonder. One-hit wonders usually see their popularity decreasing after their hit listing and most often do not ever return to hit listings with other songs or albums. Music industry In ''The Billboard Book of One-Hit Wonders,'' music journalist Wayne Jancik defines a one-hit wonder as "an act that has won a position on henational, pop, Top 40 record chart just once." This formal definition can include acts with greater success outside their lone pop hit and who are ...
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Creep (Radiohead Song)
"Creep" is the debut single by the English rock band Radiohead, released on 21 September 1992. It appeared on their debut studio album, ''Pablo Honey'' (1993). Thom Yorke's lyrics express an obsessive, self-destructive sexual attraction. When the song moves to the chorus, Jonny Greenwood produces blasts of guitar noise. Radiohead took elements from the 1974 song "The Air That I Breathe"; following legal action, Albert Hammond and Mike Hazlewood are credited as cowriters. Radiohead had not planned to release "Creep", and recorded it at the suggestion of the producers, Sean Slade and Paul Q. Kolderie, while they were working on other songs. Kolderie convinced their record label, EMI, to release "Creep" as a single. It was not initially a success, but achieved radio play in Israel and became popular on American alternative rock radio. It was reissued in 1993 and became a worldwide hit, likened to alt-rock "slacker anthems" such as ''Smells Like Teen Spirit'' by Nirvana and '' Loser ...
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IndieWIRE
IndieWire (sometimes stylized as indieWIRE or Indiewire) is a film industry and review website that was established in 1996. The site's focus was predominantly independent film, although its coverage has grown to "to include all aspects of Hollywood and the expanding universes of TV and streaming." IndieWire is part of Penske Media. History The original IndieWire newsletter launched on July 15, 1996, billing itself as "the daily news service for independent film." Following in the footsteps of various web- and AOL-based editorial ventures, IndieWire was launched as a free daily email publication in the summer of 1996 by New York- and Los Angeles-based filmmakers and writers Eugene Hernandez, Mark Rabinowitz, Cheri Barner, Roberto A. Quezada, and Mark L. Feinsod. Initially distributed to a few hundred subscribers, the readership grew rapidly, passing 6,000 in late 1997. In January 1997, IndieWire made its first appearance at the Sundance Film Festival to begin their coverage o ...
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Jonathan Glazer
Jonathan Glazer (born 26 March 1965) is an English film director and screenwriter. Born in London, Glazer began his career in theatre before transitioning into film. Over the course of a career spanning nearly three decades, Glazer's directing work includes feature films, short films, music videos, and commercials. Glazer has been nominated for two BAFTA Awards and twice for both the Golden Lion and the Grand Jury Prize at the Venice Film Festival. He also received the nomination for the MTV Video Music Award for Best Direction twice, consecutively for his work on Jamiroquai's "Virtual Insanity" and Radiohead's "Karma Police". His work is often characterized by depictions of flawed and desperate characters, explorations of themes such as alienation and loneliness, a bold visual style that utilizes an omniscient perspective, and dramatic use of music. His 2013 film '' Under the Skin'' received numerous accolades and awards and was included in BBC's 100 Greatest Films of the 2 ...
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Britpop
Britpop was a mid-1990s British-based music culture movement that emphasised Britishness. It produced brighter, catchier alternative rock, partly in reaction to the popularity of the darker lyrical themes of the US-led grunge music and to the UK's own shoegaze music scene. The movement brought British alternative rock into the mainstream and formed the backbone of a larger British popular cultural movement, Cool Britannia, which evoked the Swinging Sixties and the British guitar pop of that decade. Britpop was a media-driven focus on bands which emerged from the independent music scene of the early 1990s. Although the term was viewed as a marketing tool, and more of a cultural moment than a musical style or genre, its associated bands typically drew from the British pop music of the 1960s, glam rock and punk rock of the 1970s and indie pop of the 1980s. The most successful bands linked with Britpop were Oasis, Blur, Suede and Pulp, known as the movement's "big four", al ...
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Class Consciousness
In Marxism, class consciousness is the set of beliefs that a person holds regarding their social class or economic rank in society, the structure of their class, and their class interests. According to Karl Marx, it is an awareness that is key to sparking a revolution that would "create a dictatorship of the proletariat, transforming it from a wage-earning, property-less mass into the ruling class". Marxist theory While German theorist Karl Marx rarely used the term "class consciousness", he did make the distinction between "class in itself", which is defined as a category of people having a common relation to the means of production; and a "class for itself", which is defined as a stratum organized in active pursuit of its own interests. Defining a person's social class can be a determinant for their awareness of it. Marxists define classes on the basis of their relation to the means of production, especially on whether they own capital. Non-Marxist social scientists distingu ...
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