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Street Fighting Years
''Street Fighting Years'' is the eighth studio album by Scottish rock band Simple Minds, released in May 1989 by record label Virgin Records worldwide apart from the US, where it was released by A&M. Produced by Trevor Horn and Stephen Lipson, the album reached the top of the UK Albums Chart. Recording ''Street Fighting Years'' was recorded during yet another period of personnel change for Simple Minds, and was notably the last of the band's albums to feature keyboard player/composer/founder member Mick MacNeil. MacNeil has subsequently mentioned that "Jim (Kerr) had already started talking about making changes" and the credits for the album suggested that Simple Minds had officially become a trio of the only three remaining founder members — Jim Kerr, Charlie Burchill and Mick MacNeil (all previous albums had credited the band as a full quintet). The lack of equality and unity within the band's ranks soon became evident. Drummer Mel Gaynor was sidelined during the album s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simple Minds
Simple Minds are a Scottish rock band formed in Glasgow in 1977. They have released a string of hit singles, becoming best known internationally for "Don't You (Forget About Me)" (1985), which topped the '' Billboard'' Hot 100 in the United States. Other commercially successful singles include "Glittering Prize" (1982), " Someone Somewhere in Summertime" (1982), " Waterfront" (1983) and " Alive and Kicking" (1985), as well as the UK number one single " Belfast Child" (1989). Simple Minds have achieved five UK Albums chart number one albums, ''Sparkle in the Rain'' (1984), ''Once Upon a Time'' (1985), '' Live in the City of Light'' (1987), '' Street Fighting Years'' (1989) and ''Glittering Prize 81/92'' (1992); they have sold more than 60 million albums. They were the most commercially successful Scottish band of the 1980s. Simple Minds have also achieved considerable chart success in the United States, Australia, Germany, Spain, Italy and New Zealand. Despite various personne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mel Gaynor
Mel George Gaynor (born 29 May 1959) is a British drummer, best known as the longtime drummer for the rock band Simple Minds. Biography Gaynor was born to a Jamaican father and an Afro-Brazilian mother. He began drumming at age 11 and had his first professional engagement at age 14. After leaving the hard rock band Samson (in which he played alongside future Iron Maiden vocalist Bruce Dickinson), Gaynor joined Simple Minds in 1982 as a session drummer for the '' New Gold Dream'' album (as a recommendation by record producer Pete Walsh), playing on six of the nine tracks. He later joined the band permanently for the ''New Gold Dream'' tour, as a replacement for Mike Ogletree. Except for a period (1992–97) away from the band after the ''Real Life'' tour of 1991–92, he remained the Simple Minds drummer until 2017. In addition to drumming, he is active as a songwriter and a record producer. Gaynor considers The Rolling Stones, Led Zeppelin, Jimi Hendrix, James Brown, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fretless Bass
A fretless bass is a bass guitar whose neck does not have any frets. While the instrument is played in all styles of music, it is most common in pop, rock, and jazz. It first saw widespread use during the 1970s, although some players used them before then. Instead of being invented by an instrument manufacturer, the first fretless basses usually resulted from modifications made by bass guitar players. One of the first (if not the first) examples of this is Rolling Stones bassist Bill Wyman, who removed the frets from his bass guitar in 1961 to fix a fret buzz issue. The first fretless bass to be produced by a designated company is the Ampeg AUB1, first released in 1965. Characteristics The lack of frets allows for more fluid slides between notes, but also requires greater precision by the player, as the instrument may sound out of tune if notes are not fretted accurately. Like fretted bass guitars, they can have four, five, six, or even more strings. While some have "fret lines" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folk Music
Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. This form of music is sometimes called contemporary folk music or folk rev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Celtic Music
Celtic music is a broad grouping of music genres that evolved out of the folk music traditions of the Celtic people of Northwestern Europe. It refers to both orally-transmitted traditional music and recorded music and the styles vary considerably to include everything from traditional music to a wide range of hybrids. Description and definition ''Celtic music'' means two things mainly. First, it is the music of the people that identify themselves as Celts. Secondly, it refers to whatever qualities may be unique to the music of the Celtic nations. Many notable Celtic musicians such as Alan Stivell and Paddy Moloney claim that the different Celtic music genres have a lot in common. These following melodic practices may be used widely across the different variants of Celtic Music: *It is common for the melodic line to move up and down the primary chords in many Celtic songs. There are a number of possible reasons for this: **''Melodic variation'' can be easily introduced. Mel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acoustic Music
Acoustic music is music that solely or primarily uses instruments that produce sound through acoustic means, as opposed to electric or electronic means. While all music was once acoustic, the retronym "acoustic music" appeared after the advent of electric instruments, such as the electric guitar, electric violin, electric organ and synthesizer. Acoustic string instrumentations had long been a subset of popular music, particularly in folk. It stood in contrast to various other types of music in various eras, including big band music in the pre-rock era, and electric music in the rock era. Music reviewer Craig Conley suggests, "When music is labeled acoustic, unplugged, or unwired, the assumption seems to be that other types of music are ''cluttered'' by technology and overproduction and therefore aren't as ''pure''." Types of acoustic instruments Acoustic instruments can be split into six groups: string instruments, wind instruments, percussion, other instruments, ensemble i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gospel Music
Gospel music is a traditional genre of Christian music, and a cornerstone of Christian media. The creation, performance, significance, and even the definition of gospel music varies according to culture and social context. Gospel music is composed and performed for many purposes, including aesthetic pleasure, religious or ceremonial purposes, and as an entertainment product for the marketplace. Gospel music is characterized by dominant vocals and strong use of harmony with Christian lyrics. Gospel music can be traced to the early 17th century. Hymns and sacred songs were often repeated in a call and response fashion, heavily influenced by ancestral African music. Most of the churches relied on hand-clapping and foot-stomping as rhythmic accompaniment. Most of the singing was done a cappella.Jackson, Joyce Marie. "The changing nature of gospel music: A southern case study." ''African American Review'' 29.2 (1995): 185. Academic Search Premier. EBSCO. Web. October 5, 2010. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soul Music
Soul music is a popular music genre that originated in the African American community throughout the United States in the late 1950s and early 1960s. It has its roots in African-American gospel music and rhythm and blues. Soul music became popular for dancing and listening, where U.S. record labels such as Motown, Atlantic and Stax were influential during the Civil Rights Movement. Soul also became popular around the world, directly influencing rock music and the music of Africa. It also had a resurgence with artists like Erykah Badu under the genre neo-soul. Catchy rhythms, stressed by handclaps and extemporaneous body moves, are an important feature of soul music. Other characteristics are a call and response between the lead vocalist and the chorus and an especially tense vocal sound. The style also occasionally uses improvisational additions, twirls, and auxiliary sounds. Soul music reflects the African-American identity, and it stresses the importance of an African-Ameri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arena Rock
Arena rock (also known as AOR, melodic rock, stadium rock, anthem rock, pomp rock, corporate rock and dad rock; ; ) is a style of rock music that originated in the mid-1970s. As hard rock bands and those playing a softer yet strident kind of pop rock became increasingly popular, groups began creating material inherently designed for large audiences, and arena rock developed from their use of more commercially oriented and radio-friendly sounds. The often highly produced music, including both upbeat, dramatic songs and slower power ballads, features strong emphasis on melody and frequently employs anthemic choruses. Other major characteristics include prominent guitar effects and the use of keyboard instruments. Many of the above labels are used pejoratively, and discussions over music criticism often delve into the question of whether musicians' focus on rock spectacle and mass appeal results in compromised artistic merit, particularly in terms of the difference between the int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Derek Forbes
Derek Forbes (born 22 June 1956) is a Scottish bassist, vocalist, and occasional guitarist. He is mostly associated with the Scottish band Simple Minds, having joined in time to record their early demos in 1978 and stayed with the band during their rise to mainstream success and their first six albums, until leaving shortly after their 1985 hit "Don't You (Forget About Me)" (subsequently rejoining in a reduced role from 1995 to 1998). He has also played with Big Country, Propaganda, Oblivion Dust, Spear of Destiny (band), 10:51 and The Alarm, as well as leading his own projects. Career A former member of the Scottish punk band Subs, Forbes replaced Tony Donald as bassist for Simple Minds in 1978, remaining in the band for seven years and six albums before being ousted in 1985. Despite this, he remained closely associated with Simple Minds and has described them as "the band I never left." He contributed overdubs to their post-Forbes live album ''Live in the City of Light'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Giblin
John Giblin, is an active session musician, contributing mainly as an acoustic and electric bass player, and spanning genres of jazz, classical, rock, folk and avant-garde music. Best known as a studio musician, recording film scores and contemporary music, Giblin has also performed live, and recorded with Peter Gabriel, John Martyn, Annie Lennox, Phil Collins, rock/pop band Simple Minds, and has been closely associated with artists ranging from Kate Bush, David Sylvian, Jon Anderson ( Yes), to jazz fusion group Brand X, and with the avant-garde recordings by Scott Walker (including the album ''Tilt''). Giblin has moved further into the direction of acoustic bass, and current projects include among the musicians, drummer Peter Erskine (of Weather Report), and pianist Alan Pasqua (of Tony Williams Lifetime). Musical work and collaborations * Brand X (''Product'' and '' Do They Hurt?'') * Eric Clapton, Sting, Mark Knopfler, Phil Collins (live at '' Music for Montserrat'') * Pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Police
The Police were an English rock band formed in London in 1977. For most of their history the line-up consisted of primary songwriter Sting (lead vocals, bass guitar), Andy Summers (guitar) and Stewart Copeland (drums, percussion). The Police became globally popular in the late 1970s and early 1980s. Emerging in the British new wave scene, they played a style of rock influenced by punk, reggae, and jazz. Their 1978 debut album, ''Outlandos d'Amour'', reached No. 6 on the UK Albums Chart on the strength of the singles " Roxanne" and "Can't Stand Losing You". Their second album, ''Reggatta de Blanc'' (1979), became the first of four consecutive No. 1 studio albums in the UK and Australia; its first two singles, "Message in a Bottle" and "Walking on the Moon", became their first UK number ones. Their next two albums, ''Zenyatta Mondatta'' (1980) and ''Ghost in the Machine'' (1981), led to further critical and commercial success with two songs, "Don't Stand So Close to Me" and "Ev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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