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Stereotomy
''Stereotomy'' is the ninth studio album by The Alan Parsons Project, released in 1985. Not as commercially successful as its predecessor ''Vulture Culture'', the album is structured differently from earlier Project albums: containing three lengthy tracks ("Stereotomy" at over seven minutes, "Light of the World" at over six minutes, and the instrumental "Where's the Walrus?" running over seven and a half minutes) and two minute-long songs at the end. It is a full digital production and both the LP and CD releases were encoded using the two-channel Ambisonic UHJ format. The original vinyl packaging was different from all the reissues: it featured more elaborate artwork of the paper sleeve supplied with a special color-filter oversleeve. When inserted, the over-sleeve filtered some of the colors of the artwork, allowing four different variations (two per side). That was supposed to symbolize visual stereotomy. In the reissues, only one variant remained. The artwork was nominated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stereotomy
''Stereotomy'' is the ninth studio album by The Alan Parsons Project, released in 1985. Not as commercially successful as its predecessor ''Vulture Culture'', the album is structured differently from earlier Project albums: containing three lengthy tracks ("Stereotomy" at over seven minutes, "Light of the World" at over six minutes, and the instrumental "Where's the Walrus?" running over seven and a half minutes) and two minute-long songs at the end. It is a full digital production and both the LP and CD releases were encoded using the two-channel Ambisonic UHJ format. The original vinyl packaging was different from all the reissues: it featured more elaborate artwork of the paper sleeve supplied with a special color-filter oversleeve. When inserted, the over-sleeve filtered some of the colors of the artwork, allowing four different variations (two per side). That was supposed to symbolize visual stereotomy. In the reissues, only one variant remained. The artwork was nominated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Paton
David Paton (; born 29 October 1949) is a Scottish bassist, guitarist and singer. He first achieved success in the mid-1970s as lead vocalist and bassist of Pilot, who scored hits with "Magic", "January", "Just a Smile" and "Call Me Round" before splitting in 1977. Paton is also known for his work in the original lineup of The Alan Parsons Project (1975-1985), and for working with acts such as Kate Bush, Camel and Elton John. Biography Born Edinburgh, Scotland, Paton grew up in the south-eastern suburb of Gilmerton, Edinburgh, where he attended Liberton High School. His first band was called 'The Beachcombers' and they signed a recording contract in 1968 with CBS Records. They changed their name to The Boots and published their first single, "The Animal In Me". This was soon followed by "Keep Your Lovelight Burning", but after about two years, the band split because of financial problems in 1970. He then replaced a guitarist in the Bay City Rollers for a short period of tim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Alan Parsons Project
The Alan Parsons Project was a British rock band active between 1975 and 1990, whose core membership consisted of producer, audio engineer, musician and composer Alan Parsons and singer, songwriter and pianist Eric Woolfson. They were accompanied by varying session musicians and some relatively consistent session players such as guitarist Ian Bairnson, arranger Andrew Powell, bassist and vocalist David Paton, drummer Stuart Elliott, and vocalists Lenny Zakatek and Chris Rainbow. Parsons and Woolfson shared writing credits on almost all of the Project's songs, with Parsons producing or co-producing all of the band's recordings. The Alan Parsons Project released eleven studio albums in its 15-year career, the most successful being '' I Robot'' (1977) and '' Eye in the Sky'' (1982). Many of their albums are conceptual in nature and focus on science fiction, supernatural, literary and sociological themes. Among the group's most popular songs are "I Wouldn't Want to Be Like You", " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alan Parsons
Alan Parsons (born 20 December 1948) is an English audio engineer, songwriter, musician and record producer. Parsons was involved with the production of several notable albums, including the Beatles' ''Abbey Road'' (1969) and ''Let It Be'' (1970), Pink Floyd's ''The Dark Side of the Moon'' (1973), and the eponymous debut album by Ambrosia in 1975. Parsons's own group, The Alan Parsons Project, as well as his subsequent solo recordings, have also been commercially successful. He has been nominated for 13 Grammy Awards, with his first win occurring in 2019 for Best Immersive Audio Album for '' Eye in the Sky'' (35th Anniversary Edition). Music career In October 1967, at the age of 18, Parsons went to work as an assistant engineer at Abbey Road Studios. He was a tape operator during the Beatles' Get Back sessions, and he earned his first credit on the LP ''Abbey Road''. He became a regular there, engineering such projects as Wings' '' Wild Life'' and ''Red Rose Speedway'', f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vulture Culture
''Vulture Culture'' is the eighth studio album by The Alan Parsons Project, released in 1985 via the Arista label. Overview The first side of the LP (CD tracks 1–4) consists entirely of four-minute pop songs, and the second side varies widely, from the subdued funk of the title track to the bouncing instrumental "Hawkeye". At the beginning of 1985, the lead single "Let's Talk About Me" reached the Top 40 in Germany (where the album was No. 1), in Switzerland (where ''Vulture Culture'' was No. 2) and in the Netherlands. The song features voice-over commentary from Lee Abrams, credited on the album as "Mr. Laser Beam" (an anagram of his name). In the charts, ''Vulture Culture'' was a success in continental Europe, often reaching the Top 10, [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grammy Award For Best Recording Package
The Grammy Award for Best Recording Package is one of a series of Grammy Awards presented for the visual look of an album. It is presented to the art director of the winning album, not to the performer(s), unless the performer is also the art director. The Grammy Award for Best Album Cover dates back to the first Grammy Awards in 1959. From 1962 to 1965 it was separated into Classical and Non-Classical divisions. From 1966 to 1968 it was separated into Graphic Arts and Photography divisions. In 1974, the name of the award was changed to Best Album Package, and changed again in 1994 to the current name. In 1995, boxed sets were no longer eligible, as they were split off into a separate award, currently known as the Grammy Award for Best Boxed or Special Limited Edition Package. Winners and nominees Multiple wins The following individuals received two or more awards for Best Recording Package (or any previous iteration of the award): References {{Grammy Award categorie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambisonic UHJ Format
Ambisonic UHJ format is a development of the Ambisonic surround sound system designed to be compatible with mono and stereo media. It is a hierarchy of systems in which the recorded soundfield will be reproduced with a degree of accuracy that varies according to the available channels. Although UHJ permits the use of up to four channels (carrying full-sphere with-height surround), only the 2-channel variant is in current use (as it is compatible with currently-available 2-channel media). In Ambisonics, UHJ is also known as "C-Format". The UHJ hierarchy Ambisonic B-Format is the standard format for use in the studio. While it is possible to distribute B-Format recordings for decoding and listening by end-users, this is only starting to be more widespread with the advent of software-based players. Traditionally, Ambisonic recordings have been distributed in the form of 2-channel discs, CDs etc. using the 2-channel version of the UHJ encoding hierarchy, which, unlike B-Format, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaudi (The Alan Parsons Project Album)
''Gaudi'' is the tenth album by The Alan Parsons Project, released in 1987. ''Gaudi'' refers to Antoni Gaudí, the Catalan Spanish architect, and the opening track references what is probably Gaudí's best known building, the ''Sagrada Família''. Project regular David Paton was unable to undertake bass duties on this recording due to a prior touring commitment with Elton John. Saxophonist-keyboardist Richard Cottle's brother, Laurie, was recruited to play bass. The album was recorded at the Grange in Norfolk and Mayfair Studios in London using a pair of Sony 3324 DASH digital tape recorders and mixed to a digital master. This was the final canonical Alan Parsons Project studio album, as well as vocalist Lenny Zakatek's final contribution to any Parsons album. Although the album '' The Sicilian Defence'' was released in 2014, it was originally recorded in 1979 and was never intended to be heard by the public. During the writing of what would have been the follow-up, Eric Woo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eric Woolfson
Eric Norman Woolfson (18 March 1945 – 2 December 2009) was a Scottish songwriter, lyricist, vocalist, executive producer, pianist, and co-creator of The Alan Parsons Project. Together with Parsons they sold over 50 million albums worldwide. Following the 10 successful albums The Alan Parsons Project made, Woolfson pursued a career in musical theatre. Early life Woolfson was born into a Jewish family in the Charing Cross area of Glasgow, where his family owned the Elders furniture store. He was raised in the Pollokshields area on the south side of the city and educated at the High School of Glasgow. Woolfson's interest in music was inspired by an uncle, and he taught himself to play the piano. After leaving school he briefly flirted with becoming an accountant before moving to London to seek opportunities in the music industry. Early career Arriving in London in 1963, he found work as a session pianist. The then current record producer for the Rolling Stones, Andrew Loog Old ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stuart Elliott (drummer)
Stuart Elliott (born Stuart Alexander Elliott, 22 May 1953) is an English drummer, composer and producer. He was the original drummer for Steve Harley and Cockney Rebel and during his time with this band he became a session drummer playing for top artists such as Kate Bush, Al Stewart, The Alan Parsons Project, Roger Daltrey, Paul McCartney, Claudio Baglioni, Lucio Battisti, among others. Biography Elliott was born in London, England. He started to be interested in playing drums at the age of three by watching his father who was a jazz drummer. "Until I was fifteen, I was educated at St. Michael's School, Belgravia. Since then I have done a bit of session work, including a tour with Adam Faith and drifted through a number of rock bands until someone who heard me do a gig with a band called Monksilver mentioned me to Steve Harley. We soon discovered we could communicate on the same level, and having joined the band, I quickly realised that I had found my niche in rock music." W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electric Bass
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck The neck is the part of the body on many vertebrates that connects the head with the torso. The neck supports the weight of the head and protects the nerves that carry sensory and motor information from the brain down to the rest of the body. In ... and Scale length (string instruments), scale length, and typically four to six string (music), strings or Course (music), courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a plectrum, pick. To be heard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar Synthesizer
A guitar synthesizer is any one of a number of musical instrument systems that allow a guitarist to access synthesizer capabilities. Overview Today's guitar synths are direct descendants of 1970s devices from manufacturers (often in partnership) such as Hammond Innovex and Ovation, Ludwig, EMS, 360 Systems, Norlin Music and Maestro, Ampeg and Hagström, Arp, Roland Corporation and FujiGen ( GR-500 and GR-300), New England Digital, Electro-Harmonix, Casio, Terratec/Axon, Starr Labs, Ibanez, Holt Electro Acoustic Research, Zeta Systems, and Yamaha. In the early days, there were three main types of guitar-synthesizers: * Multi-effects type * Frequency-to-voltage converter type (using guitar with pickups) * Guitorgan type (using guitar with fretboard switches) Later, the multi-effects type evolved into modeling guitar, and the other two types evolved into current devices. Presently, there are two main groups: * Guitar-synth using guitars: regular guitars equipped with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
