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Stephen Storm House
The Stephen Storm House is located on the NY 217 state highway just east of Claverack, New York, United States. It is a Federal style brick house built in the early 19th century. It combines aspects of that style found in urban and rural houses, and has a richly detailed interior that remains intact. In 1997 it was listed on the National Register of Historic Places. Property The property is a lot on the north side of Route 217, one-quarter mile (500 m) east of where it splits from NY 23. The house is set back slightly from the road, behind a wooden fence. A small stream separates the house from the remaining foundations of two barns that have since burned down. They are both considered contributing resources to its historic character. A long driveway forks at the ruins of one barn, with the east fork leading to the house. There limestone blocks remaining from the days when visitors arrived by carriage flank the end of the long walk to the front entrance. Around it, the land ...
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Claverack-Red Mills, New York
Claverack-Red Mills, commonly known as Claverack, is a census-designated place (CDP) in Columbia County, New York, United States. The population was 913 at the 2010 census. The census region is in the western part of the town of Claverack and derives its name from the two hamlets of Claverack and Red Mills. The community has a number of historic buildings, including the Harriet Phillips Bungalow. From 1779 to 1902, Claverack College operated in the village. Geography Claverack-Red Mills is located in the western part of the town of Claverack at (42.225214, -73.721449). The center of Claverack hamlet is at the intersection of New York State Routes 9H, 23, and 23B. NY 23B leads northwest to downtown Hudson, NY 9H leads north to Kinderhook, and NY 23 leads east to Hillsdale and to the Massachusetts border. Routes 9H and 23 combined lead south to U.S. Route 9 in the town of Livingston. The center of Red Mills is along NY 23, east of Claverack hamlet. From Red Mills, ...
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Cornice
In architecture, a cornice (from the Italian ''cornice'' meaning "ledge") is generally any horizontal decorative moulding that crowns a building or furniture element—for example, the cornice over a door or window, around the top edge of a pedestal, or along the top of an interior wall. A simple cornice may be formed just with a crown, as in crown moulding atop an interior wall or above kitchen cabinets or a bookcase. A projecting cornice on a building has the function of throwing rainwater free of its walls. In residential building practice, this function is handled by projecting gable ends, roof eaves and gutters. However, house eaves may also be called "cornices" if they are finished with decorative moulding. In this sense, while most cornices are also eaves (overhanging the sides of the building), not all eaves are usually considered cornices. Eaves are primarily functional and not necessarily decorative, while cornices have a decorative aspect. A building's projecti ...
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Dutch Door
A Dutch door (American English), stable door (British English), or half door (Hiberno-English), is a door divided in such a fashion that the bottom half may remain shut while the top half opens. They were known in early New England as double-hung doors. The initial purpose of this door design was to keep animals out of farmhouses or to keep children inside while allowing light and air to filter through the open top; essentially combining a door with a fairly large window. When the top half was open they also allowed a breeze, but stopped the wind from blowing dirt into the house. This type of door was common in the Netherlands in the seventeenth century and appears in Dutch paintings of the period. They were also commonly found in the Dutch cultural areas of New York and New Jersey before the American Revolution. Dutch doors are often used in North-American passenger train cars to allow crewmen to interact safely with other employees not aboard their trains (or simply to visual ...
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Rosette (design)
A rosette is a round, stylized flower design. Origin The rosette derives from the natural shape of the botanical rosette, formed by leaves radiating out from the stem of a plant and visible even after the flowers have withered. History The rosette design is used extensively in sculptural objects from antiquity, appearing in Mesopotamia, and in funeral steles' decoration in Ancient Greece. The rosette was another important symbol of Ishtar which had originally belonged to Inanna along with the Star of Ishtar. It was adopted later in Romaneseque and Renaissance architecture, and also common in the art of Central Asia, spreading as far as India where it is used as a decorative motif in Greco-Buddhist art. Ancient origins One of the earliest appearances of the rosette in ancient art is in early fourth millennium BC Egypt. Another early Mediterranean occurrence of the rosette design derives from Minoan Crete; Among other places, the design appears on the Phaistos Disc, recove ...
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Sunburst
A sunburst is a design or figure commonly used in architectural ornaments and design patterns and possibly pattern books. It consists of rays or "beams" radiating out from a central disk in the manner of sunbeams. Sometimes part of a sunburst, a semicircular or semi-elliptical shape, is used. Traditional sunburst motifs usually show the rays narrowing as they get further from the centre; from the later 19th century they often get wider, as in the Japanese Rising Sun Flag, which is more appropriate in optical terms. In architecture, the sunburst is often used in window designs, including fanlights and rose windows, as well as in decorative motifs. The sunburst motif is characteristic of Baroque church metalwork, especially monstrances and votive crowns, and Art Deco and Art Nouveau styles as well as church architecture. A sunburst is frequently used in emblems and military decorations. Sunbursts can appear in photographs when taking a picture of the Sun through the ...
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Pilaster
In classical architecture Classical architecture usually denotes architecture which is more or less consciously derived from the principles of Greek and Roman architecture of classical antiquity, or sometimes even more specifically, from the works of the Roman architect V ..., a pilaster is an :Architectural elements, architectural element used to give the appearance of a supporting column and to articulate an extent of wall, with only an ornamental function. It consists of a flat surface raised from the main wall surface, usually treated as though it were a column, with a Capital (architecture), capital at the top, plinth (base) at the bottom, and the various other column elements. In contrast to a pilaster, an engaged column or buttress can support the structure of a wall and roof above. In human anatomy, a pilaster is a ridge that extends vertically across the femur, which is unique to modern humans. Its structural function is unclear. Definition In discussing Leon Battis ...
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Fluting (architecture)
Fluting in architecture consists of shallow grooves running along a surface. The term typically refers to the grooves (flutes) running vertically on a column shaft or a pilaster, but need not necessarily be restricted to those two applications. If the hollowing out of material meets in a point, the point (sharp ridge) is called an arris. If the raised ridge between two flutes is blunt, the ridge is a . Purpose Fluting promotes a play of light on a column which helps the column appear more perfectly round than a smooth column. As a strong vertical element it also has the visual effect of minimizing any horizontal joints. Greek architects viewed rhythm as an important design element. As such, fluting was often used on buildings and temples to increase the sense of rhythm. It may also be incorporated in columns to make them look thinner, lighter, and more elegant. There is debate as to whether fluting was originally used in imitation of ancient woodworking practices, mimicking ...
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Fireplace Mantel
The fireplace mantel or mantelpiece, also known as a chimneypiece, originated in medieval times as a hood that projected over a fire grate to catch the smoke. The term has evolved to include the decorative framework around the fireplace, and can include elaborate designs extending to the ceiling. ''Mantelpiece'' is now the general term for the jambs, mantel shelf, and external accessories of a fireplace. For many centuries, the ''chimneypiece'' was the most ornamental and most artistic feature of a room, but as fireplaces have become smaller, and modern methods of heating have been introduced, its artistic as well as its practical significance has lessened. Where the fireplace continues up the wall with an elaborate construction, as in historic grand buildings, this is known as an overmantel.''OED'' first citation, 1882. Mirrors and paintings designed to be hung above a mantel shelf may be called "mantel mirror", "mantel painting" and so on. History Up to the twelfth century ...
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Metalsmith
A metalsmith or simply smith is a craftsperson fashioning useful items (for example, tools, kitchenware, tableware, jewelry, armor and weapons) out of various metals. Smithing is one of the oldest list of metalworking occupations, metalworking occupations. Shaping metal with a hammer (forging) is the archetypical component of smithing. Often the hammering is done while the metal is hot, having been heated in a forge. Smithing can also involve the other aspects of metalworking, such as refining metals from their ores (traditionally done by smelting), casting it into shapes (foundry, founding), and file (tool), filing to shape and size. The prevalence of metalworking in the culture of recent centuries has led ''Smith (surname), Smith'' and its equivalents in various languages to be a common surname#Occupational name, occupational surname (German Schmidt (surname), Schmidt or Schmied, Portuguese Ferreiro, Ferreira (surname), Ferreira, French Lefèvre, Spanish Herrero, Italian Fabbr ...
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Baluster
A baluster is an upright support, often a vertical moulded shaft, square, or lathe-turned form found in stairways, parapets, and other architectural features. In furniture construction it is known as a spindle. Common materials used in its construction are wood, stone, and less frequently metal and ceramic. A group of balusters supporting a handrail, coping, or ornamental detail are known as a balustrade. The term baluster shaft is used to describe forms such as a candlestick, upright furniture support, and the stem of a brass chandelier. The term banister (also bannister) refers to a baluster or to the system of balusters and handrail of a stairway. It may be used to include its supporting structures, such as a supporting newel post. Etymology According to the ''Oxford English Dictionary'', "baluster" is derived through the french: balustre, from it, balaustro, from ''balaustra'', "pomegranate flower" rom a resemblance to the swelling form of the half-open flower (''illust ...
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Cherry
A cherry is the fruit of many plants of the genus ''Prunus'', and is a fleshy drupe (stone fruit). Commercial cherries are obtained from cultivars of several species, such as the sweet ''Prunus avium'' and the sour ''Prunus cerasus''. The name 'cherry' also refers to the cherry tree and its wood, and is sometimes applied to almonds and visually similar flowering trees in the genus ''Prunus'', as in " ornamental cherry" or "cherry blossom". Wild cherry may refer to any of the cherry species growing outside cultivation, although ''Prunus avium'' is often referred to specifically by the name "wild cherry" in the British Isles. Botany True cherries ''Prunus'' subg. ''Cerasus'' contains species that are typically called cherries. They are known as true cherries and distinguished by having a single winter bud per axil, by having the flowers in small corymbs or umbels of several together (occasionally solitary, e.g. ''P. serrula''; some species with short racemes, e.g. '' P. ...
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Woodcarving
Wood carving is a form of woodworking by means of a cutting tool (knife) in one hand or a chisel by two hands or with one hand on a chisel and one hand on a mallet, resulting in a wooden figure or figurine, or in the sculptural ornamentation of a wooden object. The phrase may also refer to the finished product, from individual sculptures to hand-worked mouldings composing part of a tracery. The making of sculpture in wood has been extremely widely practised, but doesn't survive undamaged as well as the other main materials like stone and bronze, as it is vulnerable to decay, insect damage, and fire. Therefore, it forms an important hidden element in the art history of many cultures. Outdoor wood sculptures do not last long in most parts of the world, so it is still unknown how the totem pole tradition developed. Many of the most important sculptures of China and Japan, in particular, are in wood, and so are the great majority of African sculpture and that of Oceania and ...
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