Steal Your Love
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Steal Your Love
is the 24th single by Japanese singer Yōko Oginome. Written by Reo Mikami and Satoshi Hirose, the single was released on March 27, 1992, by Victor Entertainment. Background and release The song was used by Ginza Jewelry for their Camelia Diamond commercial. The B-side is "Moonlight Blue", which is completely different from the similarly titled song from Oginome's 1991 album '' Trust Me''. "Steal Your Love" peaked at No. 15 on Oricon's singles chart and sold over 129,000 copies. Oginome re-recorded the song in her 2014 cover album ''Dear Pop Singer is a cover album by Japanese singer/songwriter Yōko Oginome. Released through Victor Entertainment on August 20, 2014 to celebrate Oginome's 30th anniversary, the album features covers of popular western songs, as well as self-covers of her past ...''. Track listing All music is arranged by Yukio Sugai, Kōichi Kaminaga, and Ryujin Inoue. Charts References External links * * * {{Authority control 1992 singles Yōko ...
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Yōko Oginome
, real name , is a former pop idol, actress and voice actress, who gained popularity in the mid-1980s. Her fans often call her Oginome-chan. She is represented by the talent management firm Rising Production. Career Oginome spent most of her elementary and junior high years living in the town of Ranzan in Saitama Prefecture, though she attended school in the city of Sakura. She graduated from Horikoshi High School in Nakano, Tokyo. While in elementary school, Oginome won a contest and was selected to be part of a three-member group called under the CBS/Sony label. She took the nickname and partnered with and . The group only released two singles and broke up a little over a year after forming. During junior high, Oginome auditioned for a part in Kitty Film's live action movie ''Shonben Rider'', and was subsequently voice cast in their new anime series '' Miyuki'' in the role of the heroine, Miyuki Wakamatsu. This led to roles in the anime film '' Baribari Densetsu'' and the ...
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Ryūkō Kashu
is the 13th studio album by Japanese singer/songwriter Yōko Oginome. Released through Victor Entertainment on June 3, 1992, the album was produced by Keisuke Tsukimitsu and features the hit singles " Nee", " Steal Your Love", and a cover of " Coffee Rumba". It also marked Oginome's debut as a songwriter, having written the lyrics to two songs in the album. The album was reissued on May 26, 2010 with four bonus tracks as part of Oginome's 25th anniversary celebration. The album peaked at No. 3 on Oricon , established in 1999, is the holding company at the head of a Japanese corporate group that supplies statistics and information on music and the music industry in Japan and Western music. It started as, which was founded by Sōkō Koike in ...'s albums chart, becoming her last top-10 album. It also sold over 165,000 copies. Track listing All tracks are arranged by Yukio Sugai, Kōichi Kaminaga, and Ryujin Inoue, except where indicated. Personnel * Hitoshi Takaba ...
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J-pop
J-pop ( ja, ジェイポップ, ''jeipoppu''; often stylized as J-POP; an abbreviated form of "Japanese popular music"), natively also known simply as , is the name for a form of popular music that entered the musical mainstream of Japan in the 1990s. Modern J-pop has its roots in traditional music of Japan, and significantly in 1960s pop and rock music. J-pop replaced ''kayōkyoku'' ("Lyric Singing Music", a term for Japanese popular music from the 1920s to the 1980s) in the Japanese music scene. J-rock bands such as Happy End fused the Beatles and Beach Boys-style rock with Japanese music in the 1960s1970s. J-country had popularity during the international popularity of Westerns in the 1960s1970s as well, and it still has appeal due to the work of musicians like Charlie Nagatani and venues including Little Texas, Tokyo. J-rap became mainstream with producer Nujabes and his work on ''Samurai Champloo'', Japanese pop culture is often seen with anime in hip hop. Other trends ...
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Dance-pop
Dance-pop is a popular music subgenre that originated in the late 1970s to early 1980s. It is generally uptempo music intended for nightclubs with the intention of being danceable but also suitable for contemporary hit radio. Developing from a combination of dance and pop with influences of disco, post-discoSmay, David & Cooper, Kim (2001). ''Bubblegum Music Is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'': "... think about Stock-Aitken-Waterman and Kylie Minogue. Dance pop, that's what they call it now — Post-Disco, post-new wave and incorporating elements of both." Feral House: Publisher, p. 327. . and synth-pop, it is generally characterised by strong beats with easy, uncomplicated song structures which are generally more similar to pop music than the more free-form dance genre, with an emphasis on melody as well as catchy tunes. The genre, on the whole, tends to be producer-driven, despite some notable exceptions. Da ...
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Pop Rock
Pop rock (also typeset as pop/rock) is a fusion genre with an emphasis on professional songwriting and recording craft, and less emphasis on attitude than rock music. Originating in the late 1950s as an alternative to normal rock and roll, early pop rock was influenced by the beat, arrangements, and original style of rock and roll (and sometimes doo-wop). It may be viewed as a distinct genre field rather than music that overlaps with pop and rock. The detractors of pop rock often deride it as a slick, commercial product and less authentic than rock music. Characteristics and etymology Much pop and rock music has been very similar in sound, instrumentation and even lyrical content. The terms "pop rock" and "power pop" have been used to describe more commercially successful music that uses elements from, or the form of, rock music. Writer Johan Fornas views pop/rock as "one single, continuous genre field", rather than distinct categories. To the authors Larry Starr and Chri ...
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JVCKenwood Victor Entertainment
, also known as in Japan, is a subsidiary of JVCKenwood that produces and distributes music, movies and other entertainment products such as anime and television shows in Japan. It is known as JVC Entertainment in countries where Sony Music Entertainment operates the RCA Victor label. History *April 1972: is spun off as a subsidiary of JVC. *September 30, 1982: JVC Musical Industries, Inc. is founded in the U.S. *February 1984: The sales and marketing department of JVC is spun off as . *January 1990: JVC Musical Industries announces its first video game release will be ''Boulder Dash''. *October 30, 1991: JVC Musical Industries Europe, Ltd. is founded. *April 1993: Nihon AVC and Victor Musical Industries merge and the name is changed to *October 1, 1996: Victor Interactive Software takes over video game-related activities after Pack-In-Video is merged with Victor Entertainment. *May 1, 1997: JVC Musical Industries is renamed to JVC Music, Inc. *May 14, 1997: JVC Musical Indust ...
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Nee (Yōko Oginome Song)
is the 23rd single by Japanese singer Yōko Oginome. Written by Reo Mikami and Tadashi Ishikawa, the single was released on December 16, 1991, by JVCKenwood Victor Entertainment, Victor Entertainment. Background and release The song was used by Xebio Holdings for their Victoria sporting goods store commercial featuring Oginome. "Nee" peaked at No. 14 on Oricon's singles chart and sold over 206,000 copies, marking a career resurgence for Oginome. Oginome re-recorded the song in her 2014 cover album ''Dear Pop Singer''. Track listing All music is arranged by Yukio Sugai, Kōichi Kaminaga, and Ryujin Inoue. Charts ;Weekly charts ;Year-end charts References External links

* * * {{Authority control 1991 singles Yōko Oginome songs Japanese-language songs Victor Entertainment singles ja:ねえ (荻野目洋子の曲) ...
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Coffee Rumba
is a song by Japanese singer Sachiko Nishida, released as the double A-side of her second single "Yokubō no Blues" by Polydor Records in August 1961. It is a Japanese-language cover of the Venezuelan song "Moliendo Café". Background and release Originally written by José Manzo Perroni, "Moliendo Café" was first adapted in Japanese by Seiji Nakazawa and recorded by Sachiko Nishida in 1961. Nishida performed the song on the 12th NHK ''Kōhaku Uta Gassen'' that year. "Coffee Rumba" was reissued in November 1975; this time with "Yokubō no Blues" as the B-side. The song was re-released as a CD maxi-single by Polydor on March 7, 2001 to celebrate its 40th anniversary. Track listing Yōko Oginome version "Coffee Rumba" was covered by Yōko Oginome (under the pseudonym "YO+CO") as her 25th single, released on May 8, 1992 by Victor Entertainment. The song was used by DyDo Drinco Inc. for their DyDo Blend Coffee commercial. Oginome was not familiar with the song until DyDo D ...
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Rising Production
, operating as Rising Production, is a Japanese talent agency. It largely works with musical talent, but has branched out in recent years to include actors and comedians. The company came into prominence after the widespread successes of musical acts Namie Amuro, MAX, Speed and Da Pump in the mid to late 1990s. History Rising Production was founded by in Minato, Tokyo in July 1985, with Japanese idol Yōko Oginome being the agency's first talent. Oginome's success led to Taira becoming a producer under the pseudonym . In the fall of 1986, 12-year-old Kaori Sakagami signed with Rising Production after being invited to an Oginome concert in Nagasaki Prefecture. In 1991, the agency signed up-and-coming talent Alisa Mizuki. In 1992, Rising Production formed a partnership with the Okinawa Actors School, which debuted the music group Super Monkey's that year. Super Monkey's would later evolve into two separate acts: Namie Amuro and MAX. Speed, Da Pump, Rina Chinen, Daichi Miura, ...
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Trust Me (Yōko Oginome Album)
is the twelfth studio album by Japanese singer Yōko Oginome. Produced by Ken Yoshida and released through Victor Entertainment on July 3, 1991, the album features the hit single "Bijo to Yajū". The song "Ame no Ishi" is a Japanese-language cover of Pebbles' 1990 song "Why Do I Believe". The album was reissued on May 26, 2010 with seven bonus tracks as part of Oginome's 25th anniversary celebration. The album peaked at No. 25 on Oricon , established in 1999, is the holding company at the head of a Japanese corporate group that supplies statistics and information on music and the music industry in Japan and Western music. It started as, which was founded by Sōkō Koike in Nov ...'s albums chart and sold over 23,000 copies. Track listing Charts References External links * * * {{Authority control 1991 albums Yōko Oginome albums 1990s Japanese-language albums Victor Entertainment albums ja:TRUST Me ...
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Oricon
, established in 1999, is the holding company at the head of a Japanese corporate group that supplies statistics and information on music and the music industry in Japan and Western music. It started as, which was founded by Sōkō Koike in November 1967 and became known for its music charts. Oricon Inc. was originally set up as a subsidiary of Original Confidence and took over the latter's Oricon record charts in April 2002. The charts are compiled from data drawn from some 39,700 retail outlets (as of April 2011) and provide sales rankings of music CDs, DVDs, electronic games, and other entertainment products based on weekly tabulations. Results are announced every Tuesday and published in ''Oricon Style'' by subsidiary Oricon Entertainment Inc. The group also lists panel survey-based popularity ratings for television commercials on its official website. Oricon started publishing Combined Chart, which includes CD sales, digital sales, and streaming together, on December 19, 2 ...
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Dear Pop Singer
is a cover album by Japanese singer/songwriter Yōko Oginome. Released through Victor Entertainment on August 20, 2014 to celebrate Oginome's 30th anniversary, the album features covers of popular western songs, as well as self-covers of her past hits. A limited edition release includes a DVD containing a new music video for "Dancing Hero (Eat You Up)" and some live performances. The album peaked at No. 38 on Oricon's albums chart. Track listing * All tracks are arranged by Seiji Motoyama, except the following: :* Tracks 2 and 8 arranged by Takahiro Yamada :* Track 3 arranged by Akkie :* Track 5 arranged by Toshiya Shimizu :* Track 11 arranged by Hidehito Ikumo and Valerie Stern :* Track 12 arranged by oglaorzzy * Tracks 3–4 recorded from ''Verge of Love: Budokan Live'' ( Nippon Budokan, 1989) * Tracks 5–7 recorded from ''Pop Liberation Force'' (Tokyo Kōsei Nenkin Kaikan , also known as Wel City Tokyo, was a concert hall in Shinjuku, Tokyo, one of a number of public ...
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