Statues Of Amun In The Form Of A Ram Protecting King Taharqa
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Statues Of Amun In The Form Of A Ram Protecting King Taharqa
At least three ancient Egyptian granitic gneiss statues of Amun in the form of a ram protecting King Taharqa were displayed at the Temple of Amun at Kawa in Nubia. Construction of the stone temple was started in 683 BC by the pharaoh Taharqa. The ram is one of the animals sacred to Amun and several temples dedicated to Amun, including the one at Karnak, featured ram or ram-headed sphinx statues. Discovery The rams were found by Professor Francis Llewellyn Griffith during his excavations at the temple in 1930–1931. Two sets of paired sandstone bases, in front of the first and second pylons respectively, were found at the western approach to the stone temple, and figures of rams were found on two of them. The pairing ram to the one at the British Museum is held at the Ashmolean Museum, Oxford, where many of the artefacts from the excavations at Kawa are held. The British Museum's example was acquired in 1933 from Professor Griffith's Oxford Excavations in Nubia. The British ...
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Granite Ram Of Amun With King Taharqa-IMG 4397-black
Granite () is a coarse-grained (phaneritic) intrusive igneous rock composed mostly of quartz, alkali feldspar, and plagioclase. It forms from magma with a high content of silica and alkali metal oxides that slowly cools and solidifies underground. It is common in the continental crust of Earth, where it is found in igneous intrusions. These range in size from dikes only a few centimeters across to batholiths exposed over hundreds of square kilometers. Granite is typical of a larger family of ''granitic rocks'', or ''granitoids'', that are composed mostly of coarse-grained quartz and feldspars in varying proportions. These rocks are classified by the relative percentages of quartz, alkali feldspar, and plagioclase (the QAPF classification), with true granite representing granitic rocks rich in quartz and alkali feldspar. Most granitic rocks also contain mica or amphibole minerals, though a few (known as leucogranites) contain almost no dark minerals. Granite is nearly alway ...
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British Museum
The British Museum is a public museum dedicated to human history, art and culture located in the Bloomsbury area of London. Its permanent collection of eight million works is among the largest and most comprehensive in existence. It documents the story of human culture from its beginnings to the present.Among the national museums in London, sculpture and decorative and applied art are in the Victoria and Albert Museum; the British Museum houses earlier art, non-Western art, prints and drawings. The National Gallery holds the national collection of Western European art to about 1900, while art of the 20th century on is at Tate Modern. Tate Britain holds British Art from 1500 onwards. Books, manuscripts and many works on paper are in the British Library. There are significant overlaps between the coverage of the various collections. The British Museum was the first public national museum to cover all fields of knowledge. The museum was established in 1753, largely b ...
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Ancient Egyptian Sculptures In The British Museum
Ancient history is a time period from the beginning of writing and recorded human history to as far as late antiquity. The span of recorded history is roughly 5,000 years, beginning with the Sumerian cuneiform script. Ancient history covers all continents inhabited by humans in the period 3000 BCAD 500. The three-age system periodizes ancient history into the Stone Age, the Bronze Age, and the Iron Age, with recorded history generally considered to begin with the Bronze Age. The start and end of the three ages varies between world regions. In many regions the Bronze Age is generally considered to begin a few centuries prior to 3000 BC, while the end of the Iron Age varies from the early first millennium BC in some regions to the late first millennium AD in others. During the time period of ancient history, the world population was already exponentially increasing due to the Neolithic Revolution, which was in full progress. While in 10,000 BC, the world population stood at ...
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Twenty-fifth Dynasty Of Egypt
The Twenty-fifth Dynasty of Egypt (notated Dynasty XXV, alternatively 25th Dynasty or Dynasty 25), also known as the Nubian Dynasty, the Kushite Empire, the Black Pharaohs, or the Napatans, after their capital Napata, was the last dynasty of the Third Intermediate Period of Egypt that occurred after the Nubian invasion. The 25th dynasty was a line of pharaohs who originated in the Kingdom of Kush, located in present-day northern Sudan and Upper Egypt. Most of this dynasty's kings saw Napata as their spiritual homeland. They reigned in part or all of Ancient Egypt for nearly a century, from 744 to 656 BC. The 25th dynasty was highly Egyptianized, using the Egyptian language and writing system as their medium of record and exhibiting an unusual devotion to Egypt's religious, artistic, and literary traditions. Earlier scholars have ascribed the origins of the dynasty to immigrants from Egypt, particularly the Egyptian Amun priests. The third intermediate-period Egyptian stimu ...
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7th-century BC Works
The 7th century is the period from 601 ( DCI) through 700 ( DCC) in accordance with the Julian calendar in the Common Era. The spread of Islam and the Muslim conquests began with the unification of Arabia by Muhammad starting in 622. After Muhammad's death in 632, Islam expanded beyond the Arabian Peninsula under the Rashidun Caliphate (632–661) and the Umayyad Caliphate (661–750). The Muslim conquest of Persia in the 7th century led to the downfall of the Sasanian Empire. Also conquered during the 7th century were Syria, Palestine, Armenia, Egypt, and North Africa. The Byzantine Empire suffered setbacks during the rapid expansion of the Caliphate, a mass incursion of Slavs in the Balkans which reduced its territorial limits. The decisive victory at the Siege of Constantinople in the 670s led the empire to retain Asia Minor which assured the existence of the empire. In the Iberian Peninsula, the 7th century was known as the ''Siglo de Concilios'' (century of councils) refe ...
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Sculptures Of Ancient Egypt
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost.
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Sphinx Of Taharqo
The Sphinx of Taharqo is a granite gneiss statue of a sphinx with the face of Taharqo. He was a Nubian king, who was one of the 25th Egyptian Dynasty (about 747–656 BC) rulers of the Kingdom of Kush. It is now in the British Museum in London. While the Sphinx of Taharqo is significantly smaller (73 centimeters long) than the Great Sphinx of Giza (73 meters long), it is notable for its prominent Egyptian and Kushite elements. The lion portrayed in the sphinx is done in classic Egyptian style, while the face of the Sphinx is clearly that of Taharqo. The hieroglyphs on the statue explain that it is a portrait of the great King Taharqo, the fourth pharaoh to rule over the combined kingdoms of Kush and Ancient Egypt during the Third Intermediate Period. The sphinx is made of sandy grey granite. Taharqo Taharqo was the last Nubian king who ruled over Egypt. He was defeated by the Assyrian kings Esarhaddon and Aššurbanipal. His reign lasted from 690 when he succeeded Shebitqo t ...
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Artist In Residence
Artist-in-residence, or artist residencies, encompass a wide spectrum of artistic programs which involve a collaboration between artists and hosting organisations, institutions, or communities. They are programs which provide artists with space and resources to support their artistic practice. Contemporary artist residencies are becoming increasingly thematic, with artists working together with their host in pursuit of a specific outcome related to a particular theme. Definitions History Artist groups resembling artist residencies can be traced back to at least 16th century Europe, when art academies began to emerge. In 1563 Duke of Florence Cosimo Medici and Tuscan painter Giorgio Vasari co-founded the Accademia del Disegno, which may be considered the first academy of arts. As the first iteration of an art academy, the Accademia del Disegno was the first institution to promote the idea that artists may benefit from a localised site dedicated to the advancement of their pract ...
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Hieroglyph
A hieroglyph ( Greek for "sacred carvings") was a character of the ancient Egyptian writing system. Logographic scripts that are pictographic in form in a way reminiscent of ancient Egyptian are also sometimes called "hieroglyphs". In Neoplatonism, especially during the Renaissance, a "hieroglyph" was an artistic representation of an esoteric idea, which Neoplatonists believed actual Egyptian hieroglyphs to be. The word ''hieroglyphics'' refers to a hieroglyphic script. The Egyptians invented the pictorial script, which refers to any writing system that employs images as symbols for various semantic entities, rather than the abstract signs used by alphabets. The appearance of these distinctive figures in 3000 BCE marked the beginning of Egyptian civilization. Though based on images, Egyptian script was more than a sophisticated form of picture-writing. Each picture/glyph served one of three functions: (1) to represent the image of a thing or action, (2) to stand for a sound or ...
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Oxford
Oxford () is a city in England. It is the county town and only city of Oxfordshire. In 2020, its population was estimated at 151,584. It is north-west of London, south-east of Birmingham and north-east of Bristol. The city is home to the University of Oxford, the oldest university in the English-speaking world; it has buildings in every style of English architecture since late Anglo-Saxon. Oxford's industries include motor manufacturing, education, publishing, information technology and science. History The history of Oxford in England dates back to its original settlement in the Saxon period. Originally of strategic significance due to its controlling location on the upper reaches of the River Thames at its junction with the River Cherwell, the town grew in national importance during the early Norman period, and in the late 12th century became home to the fledgling University of Oxford. The city was besieged during The Anarchy in 1142. The university rose to dom ...
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Ashmolean Museum
The Ashmolean Museum of Art and Archaeology () on Beaumont Street, Oxford, England, is Britain's first public museum. Its first building was erected in 1678–1683 to house the cabinet of curiosities that Elias Ashmole gave to the University of Oxford in 1677. It is also the world's second university museum, after the establishment of the Kunstmuseum Basel in 1661 by the University of Basel. The present building was built between 1841 and 1845. The museum reopened in 2009 after a major redevelopment, and in November 2011, new galleries focusing on Egypt and Nubia were unveiled. In May 2016, the museum also opened redisplayed galleries of 19th-century art. History Broad Street The museum opened on 24 May 1683, with naturalist Robert Plot as the first keeper. The building on Broad Street (later known as the Old Ashmolean) is sometimes attributed to Sir Christopher Wren or Thomas Wood. Elias Ashmole had acquired the collection from the gardeners, travellers, and collectors Joh ...
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Pylon (architecture)
A pylon is a monumental gate of an Egyptian temple (Egyptian: ''bxn.t'' in the Manuel de Codage transliterationErmann & Grapow, ''Wörterbuch der ägyptischen Sprache'', vol.1, 471.9–11). The word comes from the Greek language, Greek term 'gate'. It consists of two pyramidal towers, each tapered and surmounted by a cornice, joined by a less elevated section enclosing the entrance between them.Toby Wilkinson, ''The Thames and Hudson Dictionary of Ancient Egypt'', Thames & Hudson, 2005. p.195 The gate was generally about half the height of the towers. Contemporary paintings of pylons show them with long poles flying banners. Egyptian architecture In ancient Egyptian religion, the pylon mirrored the Egyptian hieroglyphs, hieroglyph akhet (hieroglyph and season), ''akhet'' 'horizon', which was a depiction of two hills "between which the sun rose and set". Consequently, it played a critical role in the symbolic architecture of a building associated with the place of re-creation an ...
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