Stanislas Idzikowski
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Stanislas Idzikowski
Stanislas Idzikowski (1894 – 12 February 1977) was a Polish dancer and ballet master, active in England, and with such historic companies as Pavlova's, Ballets Russes, and Vic-Wells. During his performance career, 1910-1933, he became famous for his brilliant classical technique, and for the development of ballet roles. With Beaumont he co-authored an influential book on the Cecchetti Method, still in print. He later taught dance in London. His start in ballet: Warsaw to London Born in Warsaw Stanisław Idzikowski at the age of ten began his formal dance training, at the ballet school of the Wielki Theatre in his native city. Among his early instructors was the Italian dancer and teacher Enrico Cecchetti, who would later prove important for his professional life. He also studied with Stanislav Gilbert and Anatole Vilzak. Auguste Berger a Bohemian then instructed him which led to his stage debut in ''Ali Baba'', a ballet divertissement. When Idzikowski was sixteen, he relocated ...
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Polish National Ballet
The Polish National Ballet (PNB) is the largest and the most important ballet company in Poland. It continues a national ballet heritage, which dates to the 17th century. Modernly it was known until 2008 as the ballet of the Teatr Wielki - Polish National Opera. In that year the ballet received artistic autonomy reflected in the theatre's by-laws and was elevated to the rank of Polish National Ballet. Since then, its director is Polish choreographer Krzysztof Pastor. Ballet events in Polish history In 1628 a traveling Italian opera troupe created the first ballet performance in Poland. Ballet scenes were then often incorporated into operas held at the court theater. For many years it was foreign dancers who performed. Eventually in 1765 the first permanent ballet company was formed, on the initiative of the king Stanisław II August. The company functioned with some interruptions in the Saxon’s Opernhaus (opera house), the first Polish public theater. A 1766 book on ballet b ...
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Lausanne
, neighboring_municipalities= Bottens, Bretigny-sur-Morrens, Chavannes-près-Renens, Cheseaux-sur-Lausanne, Crissier, Cugy, Écublens, Épalinges, Évian-les-Bains (FR-74), Froideville, Jouxtens-Mézery, Le Mont-sur-Lausanne, Lugrin (FR-74), Maxilly-sur-Léman (FR-74), Montpreveyres, Morrens, Neuvecelle (FR-74), Prilly, Pully, Renens, Romanel-sur-Lausanne, Saint-Sulpice, Savigny , twintowns = Lausanne ( , , , ) ; it, Losanna; rm, Losanna. is the capital and largest city of the Swiss French speaking canton of Vaud. It is a hilly city situated on the shores of Lake Geneva, about halfway between the Jura Mountains and the Alps, and facing the French town of Évian-les-Bains across the lake. Lausanne is located northeast of Geneva, the nearest major city. The municipality of Lausanne has a population of about 140,000, making it the fourth largest city in Switzerland after Basel, Geneva, and Zurich, with the entire agglomeration area having about 420,000 inhabit ...
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Petrushka (ballet)
''Petrushka'' (french: link=no, Pétrouchka; russian: link=no, Петрушка) is a ballet and orchestral concert work by Russian composer Igor Stravinsky. It was written for the 1911 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Michel Fokine and stage designs and costumes by Alexandre Benois, who assisted Stravinsky with the libretto. The ballet premiered at the Théâtre du Châtelet on 13 June 1911 with Vaslav Nijinsky as Petrushka, Tamara Karsavina as the lead ballerina, Alexander Orlov as the Moor, and Enrico Cecchetti the charlatan. ''Petrushka'' tells the story of the loves and jealousies of three puppets. The three are brought to life by the Charlatan during the 1830 Shrovetide Fair (''Maslenitsa'') in Saint Petersburg, Russia. Petrushka loves the Ballerina, but she rejects him. She prefers the Moor. Petrushka is angry and hurt, and challenges the Moor. The Moor kills him with his scimitar. Petrushka's ghost rises above ...
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Carnaval (Schumann)
''Carnaval'', Op. 9, is a work by Robert Schumann for piano solo, written in 1834–1835 and subtitled ''Scènes mignonnes sur quatre notes'' (Little Scenes on Four Notes). It consists of 21 short pieces representing masked revelers at Carnival, a festival before Lent. Schumann gives musical expression to himself, his friends and colleagues, and characters from improvised Italian comedy ('' commedia dell'arte''). He dedicated the work to the violinist Karol Lipiński. Background ''Carnaval'' had its origin in a set of variations on a ''Sehnsuchtswalzer'' by Franz Schubert, whose music Schumann had only discovered in 1827. The catalyst for writing the variations may have been a work for piano and orchestra by Schumann's close friend Ludwig Schuncke, a set of variations on the same Schubert theme. Schumann felt that Schuncke's heroic treatment was an inappropriate reflection of the tender nature of the Schubert piece, so he set out to approach his variations in a more intimate ...
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Harlequin
Harlequin (; it, Arlecchino ; lmo, Arlechin, Bergamasque dialect, Bergamasque pronunciation ) is the best-known of the ''zanni'' or comic servant characters from the Italian language, Italian ''commedia dell'arte'', associated with the city of Bergamo. The role is traditionally believed to have been introduced by Zan Ganassa in the late 16th century, was definitively popularized by the Italian actor Tristano Martinelli in Paris in 1584–1585, and became a stock character after Martinelli's death in 1630. The Harlequin is characterized by his checkered costume. His role is that of a light-hearted, nimble, and Tricky slave, astute servant, often acting to thwart the plans of his master, and pursuing his own love interest, Columbina, with wit and resourcefulness, often competing with the sterner and melancholic Pierrot. He later develops into a prototype of the romantic hero. Harlequin inherits his physical agility and his trickster qualities, as well as his name, from a mischi ...
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Michel Fokine
Michael Fokine, ''Mikhail Mikhaylovich Fokin'', group=lower-alpha ( – 22 August 1942) was a groundbreaking Imperial Russian choreographer and dancer. Career Early years Fokine was born in Saint Petersburg to a prosperous merchant and at the age of 9 was accepted into the Saint Petersburg Imperial Ballet School. That same year, he made his performing debut in '' The Talisman'' under the direction of Marius Petipa. In 1898, on his 18th birthday, he debuted on the stage of the Imperial Mariinsky Theatre in ''Paquita'', with the Imperial Russian Ballet. In addition to being a talented dancer, Fokine was also passionate about painting and displayed talent in this area as well. He also played musical instruments, including mandolin (played on stage in ensemble led by Ginislao Paris), domra, and balalaika (played in Vasily Andreyev's Great Russian Orchestra). Transition to choreographer He became frustrated with the life of a dancer and began considering other paths, includin ...
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Afternoon Of A Faun (Nijinsky)
Afternoon is the time after solar noon. It is the time when the sun is descending from its peak in the sky to somewhat before its terminus at the horizon in the west. In human life, it occupies roughly the latter half of the standard work and school day. In literal terms, it refers to a time specifically after noon. The equivalent of Earth's afternoon on another planet would refer to the time the principal star of that planetary system would be in descent from its prime meridian, as seen from the planet's surface. Terminology Afternoon is often defined as the period between noon and evening. If this definition is adopted, the specific range of time varies in one direction: noon is defined as the time when the sun reaching its highest point in the sky, but the boundary between afternoon and evening has no standard definition. However, before a period of transition from the 12th to 14th centuries, ''noon'' instead referred to 3:00 pm. Possible explanations include shiftin ...
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Scheherazade (Rimsky-Korsakov)
''Scheherazade'', also commonly ''Sheherazade'' ( rus, Шехеразада, Shekherazada, ʂɨxʲɪrɐˈzadə), Op. 35, is a symphonic suite composed by Nikolai Rimsky-Korsakov in 1888 and based on ''One Thousand and One Nights'' (also known as ''The Arabian Nights)''. This orchestral work combines two features typical of Russian music in general and of Rimsky-Korsakov in particular: dazzling, colorful orchestration and an interest in the East, which figured greatly in the history of Imperial Russia, as well as orientalism in general. The name "Scheherazade" refers to the main character Scheherazade of the ''One Thousand and One Nights''. It is one of Rimsky-Korsakov's most popular works. Background During the winter of 1887, as he worked to complete Alexander Borodin's unfinished opera ''Prince Igor,'' Rimsky-Korsakov decided to compose an orchestral piece based on pictures from ''One Thousand and One Nights'' as well as separate and unconnected episodes.Rimsky-Korsakov ...
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Cleopatra Ballet
Cleopatra VII Philopator ( grc-gre, Κλεοπάτρα Φιλοπάτωρ}, "Cleopatra the father-beloved"; 69 BC10 August 30 BC) was Queen of the Ptolemaic Kingdom of Egypt from 51 to 30 BC, and its last active ruler.She was also a diplomat, naval commander, linguist, and medical author; see and . A member of the Ptolemaic dynasty, she was a descendant of its founder Ptolemy I Soter, a Macedonian Greek general and companion of Alexander the Great. writes about Ptolemy I Soter: "The Ptolemaic dynasty, of which Cleopatra was the last representative, was founded at the end of the fourth century BC. The Ptolemies were not of Egyptian extraction, but stemmed from Ptolemy Soter, a Macedonian Greek in the entourage of Alexander the Great."For additional sources that describe the Ptolemaic dynasty as " Macedonian Greek", please see , , , and . Alternatively, describes them as a "Macedonian, Greek-speaking" dynasty. Other sources such as and describe the Ptolemie ...
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Petrouchka
''Petrushka'' (french: link=no, Pétrouchka; russian: link=no, Петрушка) is a ballet and orchestral concert work by Russian composer Igor Stravinsky. It was written for the 1911 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Michel Fokine and stage designs and costumes by Alexandre Benois, who assisted Stravinsky with the libretto. The ballet premiered at the Théâtre du Châtelet on 13 June 1911 with Vaslav Nijinsky as Petrushka, Tamara Karsavina as the lead ballerina, Alexander Orlov as the Moor, and Enrico Cecchetti the charlatan. ''Petrushka'' tells the story of the loves and jealousies of three puppets. The three are brought to life by the Charlatan during the 1830 Shrovetide Fair (''Maslenitsa'') in Saint Petersburg, Russia. Petrushka loves the Ballerina, but she rejects him. She prefers the Moor. Petrushka is angry and hurt, and challenges the Moor. The Moor kills him with his scimitar. Petrushka's ghost rises above ...
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Léonide Massine
Leonid Fyodorovich Myasin (russian: Леони́д Фёдорович Мя́син), better known in the West by the French transliteration as Léonide Massine (15 March 1979), was a Russian choreographer and ballet dancer. Massine created the world's first symphonic ballet, ''Les Présages'', and many others in the same vein. Besides his "symphonic ballets," Massine choreographed many other popular works during his long career, some of which were serious and dramatic, and others lighthearted and romantic. He created some of his most famous roles in his own comic works, among them the Can-Can Dancer in ''La Boutique fantasque'' (1919), the Hussar in ''Le Beau Danube'' (1924), and, perhaps best known of all, the Peruvian in ''Gaîté Parisienne'' (1938). Today his oeuvre is represented by his son Theodor Massine. Early life and education Massine was born into a musical family on 9 August 1895 in Moscow, Russia. His mother was a soprano in the Bolshoi Theater Chorus and his father ...
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Vaslav Nijinsky
Vaslav (or Vatslav) Nijinsky (; rus, Вацлав Фомич Нижинский, Vatslav Fomich Nizhinsky, p=ˈvatsləf fɐˈmʲitɕ nʲɪˈʐɨnskʲɪj; pl, Wacław Niżyński, ; 12 March 1889/18908 April 1950) was a ballet dancer and choreographer cited as the greatest male dancer of the early 20th century. Born in Kiev to Polish parents, Nijinsky grew up in Imperial Russia but considered himself to be Polish. He was celebrated for his virtuosity and for the depth and intensity of his characterizations. He could dance ''en pointe'', a rare skill among male dancers at the time, and was admired for his seemingly gravity-defying leaps. Nijinsky was introduced to dance by his parents, who were senior dancers with the travelling Setov opera company, and his early childhood was spent touring with the company. His elder brother Stanislav and younger sister Bronislava "Bronia" Nijinska also became dancers; Bronia also became a choreographer, working closely with him for much of his ...
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