Stallerhof
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Stallerhof
''Stallerhof'' is a 1971 play in three acts by Franz Xaver Kroetz. Along with its sequel '' Geisterbahn'' (1975), it is regarded as one of Kroetz's most important works in the period. The play focuses on "the parent-child relationship between a farming couple and their myopic, retarded daughter Beppi, as well as on the relationship between the young girl and her lover, the old loner Sepp". The playwright Kroetz is known for his plays featuring severely mentally or emotionally impaired characters, often set in his native Bavaria. Content Act 1 The mentally retarded, shortsighted Beppi is regarded as a social disgrace by her parents, the farmer Staller and his wife. The permanent pressure to which Beppi is exposed takes its toll. When she is unable to read a letter without making mistakes, she is slapped. But when she is left to herself, she can read it perfectly. The only one who treats her well is Sepp, an almost 60-year-old labourer. He tells her a touching story about North Ameri ...
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Gerd Kühr
Gerd Kühr, also Gerd Kuhr (born 28 December 1952 in Lesachtal, Maria Luggau), is an Austrian conductor, composer of classical music and academic teacher. He is known for operas, such as ''Stallerhof'' on a libretto by the author of Stallerhof, the play, Franz Xaver Kroetz, and film music including Schlöndorff's ''Swann in Love (film), Eine Liebe von Swann''. Career Kühr studied history, conducting and composition at the Mozarteum in Salzburg, and took master classes in conducting with Gerhard Wimberger, Hans Swarowsky and Sergiu Celibidache. He continued his studies of composition with Josef Friedrich Doppelbauer and Hans Werner Henze.Gerd Kühr
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In 1983 he collaborated with Henze, David Graham and Marcel Wengler to compose the film music for Volker Schlöndorff's ' ...
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Franz Xaver Kroetz
Franz Xaver Kroetz (; born 25 February 1946) is a German author, playwright, actor and film director. He achieved great success beginning in the early 1970s. ''Persistent'', '' Farmyard'', and ''Request Concert'', all written in 1971, are some of the works conventionally associated with Kroetz. Kroetz is part of a generation of playwrights who modified the critical folk-piece, emphasizing in his works of the early 1970s the underside of West Germany's affluence through realistic portrayals of the lives of the poor. He later began writing for television, which led to a wider audience. His more analytical, Brecht-influenced plays were generally not well-received, though ''Upper Austria'' (1972) and ''The Nest'' (1974) achieved critical and commercial success. Some later works of social realism like ''Through the Leaves'' (1976) and ''Tom Fool'' (1978) are also highly regarded. Kroetz's plays have been translated and performed internationally. Simon Stephens argued in 2016, "Kroet ...
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Geisterbahn
''Geisterbahn'' (''Ghost Train'') is a play by Franz Xaver Kroetz. The sequel to ''Stallerhof'' (1971), it is cited as one of Kroetz's most important works in the period. ''Geisterbahn'' was written soon after ''Stallerhoff'' but remained unperformed until 1975. The playwright Kroetz is known for his plays featuring severely mentally or emotionally impaired characters, often set in his native Bavaria Bavaria ( ; ), officially the Free State of Bavaria (german: Freistaat Bayern, link=no ), is a state in the south-east of Germany. With an area of , Bavaria is the largest German state by land area, comprising roughly a fifth of the total lan .... ''Geisterbahn'' and ''Stallerhoff'' are plays which are renowned for their sex and violence, with "graphic scenes of rape, defecation, masturbation, nudity, and an infanticide". During the play, Sepp and Beppi's child, born at the end of ''Stallerhof'', is killed. References 1975 plays German plays {{1970s-play-stub ...
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Munich Biennale
The Munich Biennale (german: Münchener Biennale) is a contemporary opera and music theatre festival in the city of Munich. The full German name is ''Internationales Festival für neues Musiktheater'', literally: International Festival for New Music Theater. The biennial festival was created in 1988 by Hans Werner Henze and is held in even-numbered years over 2–3 weeks in the late spring. The festival concentrates on world premieres of theater-related contemporary music, with a particular focus on commissioning first operas from young composers. History Hans Werner Henze's artistic directorship (1988–1996) Henze, himself a prolific composer of operas, described the genesis of the festival like this: Henze curated the first four festivals, from 1988 to 1994, and established the general format of most of the festivals that followed. Short runs of the premiered operas are preceded by talks and additional concerts from the featured composers, to introduce the audiences to their ...
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Deutsches Schauspielhaus
The Deutsches Schauspielhaus is a theatre in the St. Georg quarter of the city of Hamburg, Germany. It was established in 1901 by the renowned stage actress Franziska Ellmenreich. Theatre managers Notable actors Marco Albrecht, Ingrid Andree, Maria Becker, Ortrud Beginnen, Ehmi Bessel, Christa Berndl, Josef Bierbichler, Charles Brauer, Marion Breckwoldt, Ella Büchi, Max Eckard, Franziska Ellmenreich, Judith Engel, Sebastian Fischer, Elisabeth Flickenschildt, Uwe Friedrichsen, Francis Fulton-Smith, Ute Hannig, Werner Hinz, Hanne Hiob, Jutta Hoffmann, Pola Kinski, Gustav Knuth, Felix Kramer, Werner Krauß, Richard Lauffen, Ruth Leuwerik, Erwin Linder, Susanne Lothar, Eduard Marks, Eva Mattes, Kyra Mladek, Magdalena Montezuma, Bernd Moss, Dietmar Mues, Ruth Niehaus, Joseph Offenbach, Michael Prelle, Tilo Prückner, Wiebke Puls, Will Quadflieg, Hans Quest, Heinz Reincke, Hermann Schomberg, Annemarie Schradiek, Jana Schulz, ...
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Habima Theatre
The Habima Theatre ( he, תיאטרון הבימה ''Te'atron HaBima'', lit. "The Stage Theatre") is the List of national theatres, national theatre of Israel and one of the first Hebrew language theatres. It is located in Habima Square in the center of Tel Aviv. History Habima was founded by in Białystok (then in Grodno Governorate, Russian Empire) in 1912. Menahem Gnessin was one of its cofounders and early actors. Because its performances were in Hebrew, invoked the Jewish folk tradition, and dealt with issues of the Jewish people, soon it was banned by Russian authorities, and the theatre troupe was forced to become a travelling one. Beginning in 1918, the theatre operated under the auspices of the Moscow Art Theatre, which some consider its actual beginning. It encountered difficulties under the Soviet government as well, after the Russian Revolution (1917), Russian Revolution. Konstantin Stanislavsky arranged for the mainly Jewish Polish actors to be trained by Yev ...
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1971 Plays
* The year 1971 had three partial solar eclipses (February 25, July 22 and August 20) and two total lunar eclipses (February 10, and August 6). The world population increased by 2.1% this year, the highest increase in history. Events January * January 2 – 66 people are killed and over 200 injured during a crush in Glasgow, Scotland. * January 5 – The first ever One Day International cricket match is played between Australia and England at the Melbourne Cricket Ground. * January 8 – Tupamaros kidnap Geoffrey Jackson, British ambassador to Uruguay, in Montevideo, keeping him captive until September. * January 9 – Uruguayan president Jorge Pacheco Areco demands emergency powers for 90 days due to kidnappings, and receives them the next day. * January 12 – The landmark United States television sitcom ''All in the Family'', starring Carroll O'Connor as Archie Bunker, debuts on CBS. * January 14 – Seventy Brazilian political prisoners are re ...
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Wozzeck
''Wozzeck'' () is the first opera by the Austrian composer Alban Berg. It was composed between 1914 and 1922 and first performed in 1925. The opera is based on the drama ''Woyzeck'', which the German playwright Georg Büchner left incomplete at his death. Berg attended the first production in Vienna of Büchner's play on 5 May 1914, and knew at once that he wanted to base an opera on it. (At the time, the play was still known as ''Wozzeck'', due to an incorrect transcription by Karl Emil Franzos, who was working from a barely-legible manuscript; the correct title would not emerge until 1921.) From the fragments of unordered scenes left by Büchner, Berg selected 15 to form a compact structure of three acts with five scenes each. He adapted the libretto himself, retaining "the essential character of the play, with its many short scenes, its abrupt and sometimes brutal language, and its stark, if haunted, realism..." The plot depicts the everyday lives of soldiers and the townspeopl ...
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Cyprus
Cyprus ; tr, Kıbrıs (), officially the Republic of Cyprus,, , lit: Republic of Cyprus is an island country located south of the Anatolian Peninsula in the eastern Mediterranean Sea. Its continental position is disputed; while it is geographically in Western Asia, its cultural ties and geopolitics are overwhelmingly Southern European. Cyprus is the third-largest and third-most populous island in the Mediterranean. It is located north of Egypt, east of Greece, south of Turkey, and west of Lebanon and Syria. Its capital and largest city is Nicosia. The northeast portion of the island is ''de facto'' governed by the self-declared Turkish Republic of Northern Cyprus, which was established after the 1974 invasion and which is recognised as a country only by Turkey. The earliest known human activity on the island dates to around the 10th millennium BC. Archaeological remains include the well-preserved ruins from the Hellenistic period such as Salamis and Kourion, and Cypr ...
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Southwark Playhouse
Southwark Playhouse is a theatre in London, located between Borough and Elephant and Castle tube stations. History The Southwark Playhouse Theatre Company was founded in 1993 by Juliet Alderdice and Tom Wilson. They identified the need for a high quality accessible theatre which would also act as a major resource for the community. They leased a disused workshop in a then comparatively neglected part of Southwark and turned it into a flexible theatre space. The theatre quickly put down strong roots in Southwark, developing an innovative, free-at-source education programme. It has worked closely with teachers, Southwark Borough Council, businesses and government agencies to improve educational achievement and raise aspirations. This programme is in great demand and attracts substantial funding each year. Over the next fifteen years the theatre established itself as one of London's leading studio theatres, presenting high quality work by new and emerging theatre practitioners. ...
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Mel Gussow
Melvyn Hayes "Mel" Gussow (; December 19, 1933 – April 29, 2005) was an American theater critic, movie critic, and author who wrote for ''The New York Times'' for 35 years. Biography Gussow was born in New York City and grew up in Rockville Centre, Long Island. He attended South Side High School. and Middlebury College, where he served as editor of ''The Campus'', and graduated in 1955 with a BA in American literature. He earned an MA from the Columbia University Graduate School of Journalism in 1956. Gussow was a writer for the Army newspaper in Heidelberg, Germany, where he was stationed for two years. He was hired by ''Newsweek'', where he became a movie and theater critic. His first Broadway play review was of ''Who's Afraid of Virginia Woolf?'' in 1962. This review began a lifelong relationship with the play's author, Edward Albee, that included Gussow's 1999 biography of the playwright entitled ''Edward Albee: A Singular Journey''. Gussow joined the ''New York Tim ...
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Theater For The New City
Theater for the New City, founded in 1971 and known familiarly as "TNC", is one of New York City's leading off-off-Broadway theaters, known for radical political plays and community commitment. Productions at TNC have won 43 Obie Awards and the Pulitzer Prize for Drama. TNC currently exists as a 4-theater complex in a space at 155 First Avenue, in the East Village of Manhattan. History 1970s Crystal Field and George Bartenieff founded Theater for the New City in 1971 with Theo Barnes and Lawrence Kornfeld, who was the Resident Director of Judson Poets Theatre, where the four had met. Feeling that Judson Poets Theatre had peaked,Interview with George Bartenieff,The Long Run: A Performer's Life, New York Foundation for the Arts, summer 2003. they decided to form a theater of their own for poetic work that would also encompass a community ideal. The impulse to form a company coincided with the availability of a space at the Westbeth Artists Community in the West Village. Bartenief ...
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