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Stabat Mater (Penderecki)
The Stabat Mater is a 13th-century Christian hymn to Mary, which portrays her suffering as Jesus Christ's mother during his crucifixion. Its author may be either the Franciscan friar Jacopone da Todi or Pope Innocent III.Sabatier, Paul ''Life of St. Francis Assisi'' Charles Scribner Press, NY, 1919, page 286''The seven great hymns of the Mediaeval Church'' by Charles Cooper Nott 1868 ASIN: B003KCW2LA page 96 The title comes from its first line, "Stabat Mater dolorosa", which means "the sorrowful mother was standing". The hymn is sung at the liturgy on the memorial of Our Lady of Sorrows. The Stabat Mater has been set to music by many Western composers. Date The Stabat Mater has often been ascribed to Jacopone da Todi, OFM (ca. 1230–1306), but this has been strongly challenged by the discovery of the earliest notated copy of the Stabat Mater in a 13th-century gradual belonging to the Dominican nuns in Bologna (Museo Civico Medievale MS 518, fo. 200v-04r). The Sta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Perugino 040
Pietro is an Italian masculine given name. Notable people with the name include: People * Pietro I Candiano (c. 842–887), briefly the 16th Doge of Venice * Pietro Tribuno (died 912), 17th Doge of Venice, from 887 to his death * Pietro II Candiano (c. 872–939), 19th Doge of Venice, son of Pietro I A–E * Pietro Accolti (1455–1532), Italian Roman Catholic cardinal * Pietro Aldobrandini (1571–1621), Italian cardinal and patron of the arts * Pietro Anastasi (1948–2020), Italian former footballer * Pietro di Antonio Dei, birth name of Bartolomeo della Gatta (1448–1502), Florentine painter, illuminator and architect * Pietro Aretino (1492–1556), Italian author, playwright, poet, satirist and blackmailer * Pietro Auletta (1698–1771), Italian composer known mainly for his operas * Pietro Baracchi (1851–1926), Italian-born astronomer * Pietro Bellotti (1625–1700), Italian Baroque painter * Pietro Belluschi (1899–1994), Italian architect * Pietro Bembo (1470–154 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sequence (poetry)
A sequence (Latin: ''sequentia'', plural: ''sequentiae'') is a chant or hymn sung or recited during the liturgical celebration of the Eucharist for many Christian denominations, before the proclamation of the Gospel. By the time of the Council of Trent (1543–1563) there were sequences for many feasts in the Church's year. The sequence has always been sung directly before the Gospel, after the Alleluia. The 2002 edition of the General Instruction of the Roman Missal, however, reversed the order and places the sequence before the Alleluia. The form of this chant inspired a genre of Latin poetry written in a non- classical metre, often on a sacred Christian subject, which is also called a sequence. The Latin sequence in literature and liturgy The Latin sequence has its beginnings, as an artistic form, in early Christian hymns such as the ''Vexilla Regis'' of Venantius Fortunatus. Venantius modified the classical metres based on syllable quantity to an accentual metre more easil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Supraphon
Supraphon Music Publishing is a Czech record label, oriented mainly towards publishing classical music and popular music, with an emphasis on Czech and Slovak composers. History The Supraphon name was first registered as a trademark in 1932. The name was used for the label of domestic albums produced for export by Ultraphon company. Post World War II Ultraphon was nationalized and changed its name to Gramofonové závody. In 1961 the name was changed to Gramofonové závody – Supraphon and later just to Supraphon in 1969. In Czechoslovakia, it was one of the three major state-owned labels, the other two being Panton and Opus. Panton is currently a division of Supraphon; Opus (operating in Slovakia) became independent after break-up of Czechoslovakia and was acquired by Warner Music Group in 2019. Catalogues The artistic direction of the firm gave rise to a broad catalogue of titles which systematically mapped out the works of Bedřich Smetana, Antonín Dvořák, Leoš J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josquin Des Prez
Josquin Lebloitte dit des Prez ( – 27 August 1521) was a composer of High Renaissance music, who is variously described as French or Franco-Flemish. Considered one of the greatest composers of the Renaissance, he was a central figure of the Franco-Flemish School and had a profound influence on the music of 16th-century Europe. Building on the work of his predecessors Guillaume Du Fay and Johannes Ockeghem, he developed a complex style of expressive—and often imitative—movement between independent voices (polyphony) which informs much of his work. He further emphasized the relationship between text and music, and departed from the early Renaissance tendency towards lengthy melismatic lines on a single syllable, preferring to use shorter, repeated motifs between voices. Josquin was a singer, and his compositions are mainly vocal. They include masses, motets and secular chansons. Josquin's biography has been continually revised by modern scholarship, and remains highly u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palm Branch
The palm branch is a symbol of victory, triumph, peace, and eternal life originating in the ancient Near East and Mediterranean world. The palm ''(Phoenix)'' was sacred in Mesopotamian religions, and in ancient Egypt represented immortality. In Judaism, the lulav, a closed frond of the date palm is part of the festival of Sukkot. A palm branch was awarded to victorious athletes in ancient Greece, and a palm frond or the tree itself is one of the most common attributes of Victory personified in ancient Rome. In Christianity, the palm branch is associated with Jesus' Triumphal Entry into Jerusalem, celebrated on Palm Sunday, when the Gospel of John says of the citizens, "they took palm branches and went out to meet Him" (12:13 HCSB). Additionally, the palm has meaning in Christian iconography, representing victory, i.e. the victory of the spirit over the flesh (Revelation 7:9). Since a victory signals an end to a conflict or competition, the palm developed into a symbol of peace, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paradise
In religion, paradise is a place of exceptional happiness and delight. Paradisiacal notions are often laden with pastoral imagery, and may be cosmogonical or eschatological or both, often compared to the miseries of human civilization: in paradise there is only peace, prosperity, and happiness. Paradise is a place of contentment, a land of luxury and fulfillment. Paradise is often described as a "higher place", the holiest place, in contrast to this World (theology), world, or underworlds such as Hell. In eschatological contexts, paradise is imagined as an Entering heaven alive, abode of the virtuous dead. In Christianity and Islam, Heaven is a paradisiacal relief. In old Egyptian beliefs, the underworld is Aaru, the reed-fields of ideal hunting and fishing grounds where the dead lived after judgment. For the Celts, it was the Fortunate Isles, Fortunate Isle of Mag Mell. For the classical Greeks, the Elysium, Elysian fields was a paradisiacal land of plenty where the heroic and ri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Last Judgment
The Last Judgment, Final Judgment, Day of Reckoning, Day of Judgment, Judgment Day, Doomsday, Day of Resurrection or The Day of the Lord (; ar, یوم القيامة, translit=Yawm al-Qiyāmah or ar, یوم الدین, translit=Yawm ad-Dīn, label=none) is part of the Abrahamic religions and the ''Frashokereti'' of Zoroastrianism. Christianity considers the Second Coming of Jesus Christ to entail the final judgment by God of all people who have ever lived, resulting in the approval of some and the penalizing of others. The concept is found in all the canonical gospels, particularly in the Gospel of Matthew. The Christian tradition is also followed by Islam, where it is mentioned in the 43rd chapter (''Az-Zukhruf'') of the Quran, according to some interpretations. Christian futurists believe it will follow the resurrection of the dead and the Second Coming of Jesus, while full preterists believe it has already occurred. The Last Judgment has inspired numerous artistic depic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monogenēs
Monogenes (μονογενής) has two primary definitions, "pertaining to being the only one of its kind within a specific relationship" and "pertaining to being the only one of its kind or class, unique in kind". Its Greek meaning is often applied to mean "one of a kind, one and only". ''Monogenēs'' may be used as an adjective. For example, ''monogenēs pais'' means only child, only legitimate child or special child. ''Monogenēs'' may also be used on its own as a noun. For example, ''o monogenēs'' means "the only one", or "the only legitimate child". The word is used in Hebrews 11:17-19 to describe Isaac, the son of Abraham. However, Isaac was not the only-begotten son of Abraham, but was the chosen, having special virtue. Thus Isaac was "the only legitimate child" of Abraham. That is, Isaac was the only son of Abraham that God acknowledged as the legitimate son of the covenant. It does not mean that Isaac was not literally "begotten" of Abraham, for he indeed was, but t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Instrument Of Jesus' Crucifixion
The instrument of Jesus' crucifixion (known in Latin as ''crux'', in Greek as ''stauros'') is generally taken to have been composed of an upright wooden beam to which was added a transom, thus forming a "cruciform" or T-shaped structure. Most Christian denominations present the Christian cross in this form, and the tradition of the T-shape can be traced to early Christianity and the Church fathers. Nonetheless, some late-19th century scholars maintained that it was a simple stake (''crux simplex''). In 2011 Gunnar Samuelsson concluded that there is not enough evidence in pre-Christian ancient texts or in the New Testament writings themselves to resolve the ambiguity of the terms referring to the instrument on which Jesus was executed. On the other hand David W Chapman argues that to take one single greek word and conclude that it has one universal and unchanging meaning like the word stauros “is a common word study fallacy in some populist literature. In fact, such terminolo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Formal Equivalence
The terms dynamic equivalence and formal equivalence, coined by Eugene Nida, are associated with two dissimilar translation approaches that are employed to achieve different levels of literalness between the source and target text, as evidenced in biblical translation. The two have been understood basically, with dynamic equivalence as sense-for-sense translation (translating the meanings of phrases or whole sentences) with readability in mind, and with formal equivalence as word-for-word translation (translating the meanings of words and phrases in a more literal way), keeping literal fidelity. Approaches to translation ''Formal equivalence approach'' tends to emphasize fidelity to the lexical details and grammatical structure of the original language, whereas dynamic equivalence tends to employ a more natural rendering but with less literal accuracy. According to Eugene Nida, ''dynamic equivalence'', the term as he originally coined, is the "quality of a translation in w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trochaic Tetrameter
Trochaic tetrameter is a meter in poetry. It refers to a line of four trochaic feet. The etymology of the word Trochaic is the Greek word ''trokhaios'', from the verb ''trecho'', which means "I run". In classical metre, a trochee is a foot consisting of a long syllable followed by a short one; in modern English poetry, a trochee is a foot consisting of a stressed syllable followed by an unstressed one. The word "tetrameter" in classical metre means a line with four ''metra'', each metron containing two trochees, thus eight trochees in all. In modern metre it means a line with four trochees. Example of trochaic tetrameter A line of trochaic tetrameter has the following rhythm: Using the classical symbols longum and breve (or brevis) a line of trochaic tetrameter can be represented as follows: Often a tetrameter is catalectic, in which case the last syllable of the line is missing. Literary examples Two of the best-known examples are Henry Wadsworth Longfellow's ''The Son ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Caswall
Edward Caswall, CO, (15 July 1814 – 2 January 1878) was an Anglican clergyman and hymn writer who converted to Catholicism and became an Oratorian priest. His more notable hymns include: "Alleluia! Alleluia! Let the Holy Anthem Rise"; "Come, Holy Ghost"; and "Ye Sons and Daughters of the Lord". Biography He was born at Yateley, Hampshire on 15 July 1814, the son of Rev. R. C. Caswall, sometime Vicar of Yateley, Hampshire. Caswall was educated at Chigwell Grammar School, Marlborough Grammar School and Brasenose College, Oxford, where he graduated Bachelor of Arts in 1836 with honours and later proceeded to Master of Arts. In 1838 he was ordained deacon, and in 1839 priest, in the Church of England. Before leaving Oxford, he published, under the pseudonym of Scriblerus Redivivus, ''The Art of Pluck'', a satire on the ways of the careless college student. He was curate of the Church of St Lawrence at Stratford-sub-Castle, near Salisbury from 1840 to 1847. As curate, he wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_-_The_Palm_Leaf_(Unknown).jpg "Click for more on -> Palm Branch")
