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St Michael And All Angels, Mitchel Troy
The Church of St Michael and All Angels, is a parish church in the village of Mitchel Troy, Monmouthshire, Wales. The Grade II* listed building stands in the centre of the village, on the north side of the old road from Monmouth to Raglan, south-west of Monmouth. History The village of Mitchel Troy derives its name from the Welsh "Llanfihangel Troddi" which means "Church of St Michael by the Trothy". The River Trothy passes north of the church on its route towards Monmouth. Very little remains of the original 13th-century church. At one time there was a spire on the church tower but in the 18th century it collapsed, demolishing the north aisle. The present building is largely the result of rebuilding works undertaken between 1873 and 1876 by diocesan architect John Prichard for the 8th Duke of Beaufort. Members of the Beaufort family were officers of the church throughout the 19th century. Architecture Exterior The church has an unusual narrow west tower with a castellated ...
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Church In Wales
The Church in Wales ( cy, Yr Eglwys yng Nghymru) is an Anglicanism, Anglican church in Wales, composed of six dioceses. The Archbishop of Wales does not have a fixed archiepiscopal see, but serves concurrently as one of the six diocesan bishops. The position is currently held by Andy John, Bishop of Bangor, since 2021. Unlike the Church of England, the Church in Wales is not an established church. Disestablishmentarianism, Disestablishment took place in 1920 under the Welsh Church Act 1914. As a province of the Anglican Communion, the Church in Wales recognises the Archbishop of Canterbury as a focus of unity but without any formal authority. A cleric of the Church in Wales can be appointed to posts in the Church of England, including the See of Canterbury; a former Archbishop of Canterbury, Rowan Williams, was from Wales and served as Archbishop of Wales before his appointment to Canterbury. Official name The Church in Wales ( cy, Yr Eglwys yng Nghymru) adopted its name by a ...
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Trefoil
A trefoil () is a graphic form composed of the outline of three overlapping rings, used in architecture and Christian symbolism, among other areas. The term is also applied to other symbols with a threefold shape. A similar shape with four rings is called a quatrefoil. Architecture Ornamentation 'Trefoil' is a term in Gothic architecture given to the ornamental foliation or cusping introduced in the heads of window-lights, tracery, and panellings, in which the centre takes the form of a three-lobed leaf (formed from three partially overlapping circles). One of the earliest examples is in the plate tracery at Winchester Cathedral (1222–1235). The fourfold version of an architectural trefoil is a quatrefoil. A simple trefoil shape in itself can be symbolic of the Trinity, while a trefoil combined with an equilateral triangle was also a moderately common symbol of the Christian Trinity during the late Middle Ages in some parts of Europe, similar to a barbed quatrefoil. Two for ...
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Choir (architecture)
A choir, also sometimes called quire, is the area of a church or cathedral that provides seating for the clergy and church choir. It is in the western part of the chancel, between the nave and the sanctuary, which houses the altar and Church tabernacle. In larger medieval churches it contained choir-stalls, seating aligned with the side of the church, so at right-angles to the seating for the congregation in the nave. Smaller medieval churches may not have a choir in the architectural sense at all, and they are often lacking in churches built by all denominations after the Protestant Reformation, though the Gothic Revival revived them as a distinct feature. As an architectural term "choir" remains distinct from the actual location of any singing choir – these may be located in various places, and often sing from a choir-loft, often over the door at the liturgical western end. In modern churches, the choir may be located centrally behind the altar, or the pulpit. The back-choir ...
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Portcullis
A portcullis (from Old French ''porte coleice'', "sliding gate") is a heavy vertically-closing gate typically found in medieval fortifications, consisting of a latticed grille made of wood, metal, or a combination of the two, which slides down grooves inset within each jamb of the gateway. Usage Portcullises fortified the entrances to many medieval castles, securely closing off the castle during time of attack or siege. Every portcullis was mounted in vertical grooves in the walls of the castle and could be raised or lowered quickly by means of chains or ropes attached to an internal winch. Portcullises had an advantage over gates in that they could be closed immediately at a time of crisis by a single guard. Often, two portcullises to the main entrance would be used. The one closer to the inside would be closed first, and then the one farther away. This was used to trap the enemy, and often, burning wood or fire-heated sand would be dropped onto them from the roof or murder-h ...
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Corbel
In architecture, a corbel is a structural piece of stone, wood or metal jutting from a wall to carry a superincumbent weight, a type of bracket. A corbel is a solid piece of material in the wall, whereas a console is a piece applied to the structure. A piece of timber projecting in the same way was called a "tassel" or a "bragger" in England. The technique of corbelling, where rows of corbels deeply keyed inside a wall support a projecting wall or parapet, has been used since Neolithic (New Stone Age) times. It is common in medieval architecture and in the Scottish baronial style as well as in the vocabulary of classical architecture, such as the modillions of a Corinthian cornice. The corbel arch and corbel vault use the technique systematically to make openings in walls and to form ceilings. These are found in the early architecture of most cultures, from Eurasia to Pre-Columbian architecture. A console is more specifically an "S"-shaped scroll bracket in the classic ...
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The Last Supper (Leonardo Da Vinci)
''The Last Supper'' ( it, Il Cenacolo or ) is a mural painting by the Italian High Renaissance artist Leonardo da Vinci, dated to . The painting represents the scene of the Last Supper of Jesus with the Twelve Apostles, as it is told in the Gospel of Johnspecifically the moment after Jesus announces that one of his apostles will betray him. Its handling of space, mastery of perspective, treatment of motion and complex display of human emotion has made it one of the Western world's most recognizable paintings and among Leonardo's most celebrated works. Some commentators consider it pivotal in inaugurating the transition into what is now termed the High Renaissance. The work was commissioned as part of a plan of renovations to the church and its convent buildings by Leonardo's patron Ludovico Sforza, Duke of Milan. In order to permit his inconsistent painting schedule and frequent revisions, it is painted with materials that allowed for regular alterations: tempera on gesso, ...
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Piscina
A piscina is a shallow basin placed near the altar of a church, or else in the vestry or sacristy, used for washing the communion vessels. The sacrarium is the drain itself. Anglicans usually refer to the basin, calling it a piscina. For Roman Catholics, a sacrarium is “special sink used for the reverent disposal of sacred substances. This sink has a cover, a basin, and a special pipe and drain that empty directly into the earth, rather than into the sewer system” (USCCB, Built of Living Stones, 236). Precious or sacred items are disposed of, when possible, by returning them to the ground. They are in some cases used to dispose of materials used in the sacraments and water from liturgical ablutions. They are found in Roman Catholic, Anglican, and Lutheran churches, and a similar vessel is used in Eastern Orthodox churches. History The ''piscina'' is a Latin word originally applied to a fish pond, and later used for natural or artificial pools for bathing, and also for a wat ...
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Lady Chapel
A Lady chapel or lady chapel is a traditional British term for a chapel dedicated to "Our Lady", Mary, mother of Jesus, particularly those inside a cathedral or other large church. The chapels are also known as a Mary chapel or a Marian chapel, and they were traditionally the largest side chapel of a cathedral, placed eastward from the high altar and forming a projection from the main building, as in Winchester Cathedral. Most Roman Catholic and many Anglican cathedrals still have such chapels, while mid-sized churches have smaller side-altars dedicated to the Virgin.''Mary: The Imagination of Her Heart'' by Penelope Duckworth 2004 pages 125-126 The occurrence of lady chapels varies by location and exist in most of the French cathedrals and churches where they form part of the chevet. In Belgium they were not introduced before the 14th century; in some cases they are of the same size as the other chapels of the chevet, but in others (probably rebuilt at a later period) they be ...
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Consecration Crosses
Consecration crosses are crosses on the interior walls and exterior architecture of a Christian church or cathedral showing where the bishop has anointed the church with chrism or holy water in order to consecrate it. There is often a place for a candle in front of each cross which is lit on the anniversary of the consecration. The crosses signify the sanctity of the church. The 13th-century Trinity Chapel in Salisbury Cathedral contains a painted consecration cross dating from 30 September 1225. History Before the time of the reign of Constantine between 306 and 337, the consecration of buildings to facilitate mass had to be private for fear of persecution, so physical consecration marks are unlikely to remain. There are various opinions as to the beginning of formal and public consecration of buildings. One version says that from Constantine's reign onward, a consecration was a public celebration to be commemorated in the following years, so that visual symbols of this event, s ...
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Baptismal Font
A baptismal font is an article of church furniture used for baptism. Aspersion and affusion fonts The fonts of many Christian denominations are for baptisms using a non-immersive method, such as aspersion (sprinkling) or affusion (pouring). The simplest of these fonts has a pedestal (about tall) with a holder for a basin of water. The materials vary greatly consisting of carved and sculpted marble, wood, or metal. The shape can vary. Many are eight-sided as a reminder of the new creation and as a connection to the practice of circumcision, which traditionally occurs on the eighth day. Some are three-sided as a reminder of the Holy Trinity: Father, Son, and Holy Spirit. Fonts are often placed at or near the entrance to a church's nave to remind believers of their baptism as they enter the church to pray, since the rite of baptism served as their initiation into the Church. In many churches of the Middle Ages and Renaissance there was a special chapel or even a separate build ...
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Normans
The Normans (Norman language, Norman: ''Normaunds''; french: Normands; la, Nortmanni/Normanni) were a population arising in the medieval Duchy of Normandy from the intermingling between Norsemen, Norse Viking settlers and indigenous West Francia, West Franks and Gallo-Roman culture, Gallo-Romans. The term is also used to denote emigrants from the duchy who conquered other territories such as England and Sicily. The Norse settlements in West Francia followed a series of raids on the French northern coast mainly from Denmark, although some also sailed from Norway and Sweden. These settlements were finally legitimized when Rollo, a Scandinavian Viking leader, agreed to swear fealty to Charles the Simple, King Charles III of West Francia following the Siege of Chartres (911), siege of Chartres in 911. The intermingling in Normandy produced an Ethnic group, ethnic and cultural "Norman" identity in the first half of the 10th century, an identity which continued to evolve over the ce ...
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Reredos
A reredos ( , , ) is a large altarpiece, a screen, or decoration placed behind the altar in a church. It often includes religious images. The term ''reredos'' may also be used for similar structures, if elaborate, in secular architecture, for example very grand carved chimneypieces. It also refers to a simple, low stone wall placed behind a hearth. Description A reredos can be made of stone, wood, metal, ivory, or a combination of materials. The images may be painted, carved, gilded, composed of mosaics, and/or embedded with niches for statues. Sometimes a tapestry or another fabric such as silk or velvet is used. Derivation and history of the term ''Reredos'' is derived through Middle English from the 14th-century Anglo-Norman ''areredos'', which in turn is from''arere'' 'behind' +''dos'' 'back', from Latin ''dorsum''. (Despite its appearance, the first part of the word is not formed by doubling the prefix "re-", but by an archaic spelling of "rear".) In the 14th and 15th cent ...
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