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Sribhargavaraghaviyam
''Śrībhārgavarāghavīyam'' ( sa, श्रीभार्गवराघवीयम्) (2002), literally ''Of Paraśurāma and Rāma'', is a Sanskrit epic poem (Mahākāvya) composed by Jagadguru Rambhadracharya (1950–). It consists of 2121 verses in 40 Sanskrit and Prakrit metres and is divided into 21 cantos (''Sarga''s) of 101 verses each. The epic is the narrative of the two Rāma Avatars – Paraśurāma and Rāma, which is found in the Rāmāyaṇa and other Hindu scriptures. ''Bhārgava'' refers to Paraśurāma, as he incarnated in the family of the sage Bhṛgu, while ''Rāghava'' refers to Rāma as he incarnated in the royal dynasty of king Raghu. For the work, the poet was awarded the Sahitya Akademi Award for Sanskrit in 2005, and several other awards. A copy of the epic with a Hindi commentary by the poet himself was published by the Jagadguru Rambhadracharya Handicapped University, Chitrakuta, Uttar Pradesh. The book was released by the then prime minist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Śrībhārgavarāghavīyam
''Śrībhārgavarāghavīyam'' ( sa, श्रीभार्गवराघवीयम्) (2002), literally ''Of Paraśurāma and Rāma'', is a Sanskrit epic poem (Mahākāvya) composed by Jagadguru Rambhadracharya (1950–). It consists of 2121 verses in 40 Sanskrit and Prakrit metres and is divided into 21 cantos (''Sarga''s) of 101 verses each. The epic is the narrative of the two Rāma Avatars – Paraśurāma and Rāma, which is found in the Rāmāyaṇa and other Hindu scriptures. ''Bhārgava'' refers to Paraśurāma, as he incarnated in the family of the sage Bhṛgu, while ''Rāghava'' refers to Rāma as he incarnated in the royal dynasty of king Raghu. For the work, the poet was awarded the Sahitya Akademi Award for Sanskrit in 2005, and several other awards. A copy of the epic with a Hindi commentary by the poet himself was published by the Jagadguru Rambhadracharya Handicapped University, Chitrakuta, Uttar Pradesh. The book was released by the then prime minis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahākāvya
Mahākāvya (lit. great kāvya, court epic), also known as ''sargabandha'', is a genre of Indian epic poetry in Classical Sanskrit. The genre is characterised by ornate and elaborate descriptions of scenery, love, battles and so on — in short, everything that tests a poet's skill at description. Typical examples of ''mahākāvya'' are the ''Kumarasambhava'' and the '' Kiratarjuniya.'' It is considered the most prestigious form in the Sanskrit literature. The genre evolved from the earlier epics, the Mahabharata and the Ramayana. Despite the length of ''mahākāvya''s (15-30 cantos, a total of about 1500-3000 verses), they are still much shorter than the Ramayana (500 cantos, 24000 verses) and the Mahabharata (about 100000 verses). Classical examples The Buddhist poet and philosopher Aśvaghoṣa (c. 80 – c. 150 CE) is one of the earliest Sanskrit poets with surviving Kāvya literature. His ''Buddhacarita'' (''Acts of the Buddha'') calls itself a ''mahākāvya'' and wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sahitya Akademi Award For Sanskrit
The Sahitya Akademi Award is an annual award, given by the Sahitya Akademi (India's National Academy of Letters), to writers in 24 Indian languages. The award was instituted and first awarded in 1955. , the award carries a monetary reward of , a shawl and a copper-plaque. The award for Sanskrit was first given in 1956. The first five awards went to works in other languages, dealing with Sanskrit culture. Since 1967, the award has been given only to works in Sanskrit. The list of Sanskrit language writers who have won the award is given below. Sahitya Akademi Award winners for Sanskrit (No Awards in 1955, 1957, 1958, 1959, 1960, 1962, 1965, 1969, 1971, 1972, 1975, 1976, 1978 and 2014) Bal Sahitya Puraskar The Sahitya Akademi also awards a "Bal Sahitya Puraskar", for children's literature. Winners of this award for Sanskrit include: Yuva Puraskar Books published by an author of the age of 35 and below. References {{Sahitya Sahitya Akademi Award Sanskrit San ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanskrit
Sanskrit (; attributively , ; nominally , , ) is a classical language belonging to the Indo-Aryan branch of the Indo-European languages. It arose in South Asia after its predecessor languages had diffused there from the northwest in the late Bronze Age. Sanskrit is the sacred language of Hinduism, the language of classical Hindu philosophy, and of historical texts of Buddhism and Jainism. It was a link language in ancient and medieval South Asia, and upon transmission of Hindu and Buddhist culture to Southeast Asia, East Asia and Central Asia in the early medieval era, it became a language of religion and high culture, and of the political elites in some of these regions. As a result, Sanskrit had a lasting impact on the languages of South Asia, Southeast Asia and East Asia, especially in their formal and learned vocabularies. Sanskrit generally connotes several Old Indo-Aryan language varieties. The most archaic of these is the Vedic Sanskrit found in the Rig Veda, a colle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atal Bihari Vajpayee
Atal Bihari Vajpayee (; 25 December 1924 – 16 August 2018) was an Indian politician who served three terms as the 10th prime minister of India, first for a term of 13 days in 1996, then for a period of 13 months from 1998 to 1999, followed by a full term from 1999 to 2004. Vajpayee was one of the co-founders and a senior leader of the Bharatiya Janata Party (BJP). He was a member of the Rashtriya Swayamsevak Sangh, a Hindu nationalist volunteer organisation. He was the first Indian prime minister not of the Indian National Congress to serve a full term in office. He was also a renowned poet and a writer. He was a member of the Indian Parliament for over five decades, having been elected ten times to the Lok Sabha, the lower house, and twice to the Rajya Sabha, the upper house. He served as the Member of Parliament for Lucknow, retiring from active politics in 2009 due to health concerns. He was among the founding members of the Bharatiya Jana Sang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brahmin
Brahmin (; sa, ब्राह्मण, brāhmaṇa) is a varna as well as a caste within Hindu society. The Brahmins are designated as the priestly class as they serve as priests (purohit, pandit, or pujari) and religious teachers (guru or acharya). The other three varnas are the Kshatriya, Vaishya and Shudra. The traditional occupation of Brahmins is that of priesthood at the Hindu temples or at socio-religious ceremonies, and rite of passage rituals such as solemnising a wedding with hymns and prayers.James Lochtefeld (2002), Brahmin, The Illustrated Encyclopedia of Hinduism, Vol. 1: A–M, Rosen Publishing, , page 125 Traditionally, the Brahmins are accorded the highest ritual status of the four social classes. Their livelihood is prescribed to be one of strict austerity and voluntary poverty ("A Brahmin should acquire what just suffices for the time, what he earns he should spend all that the same day"). In practice, Indian texts suggest that some Brahmins historicall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shishupala Vadha
The Shishupala Vadha ( sa, शिशुपालवध, IAST: ''Śiśupāla-vadha'', ''lit.'' "the slaying of Shishupala") is a work of classical Sanskrit poetry ('' kāvya'') composed by Māgha in the 7th or 8th century. It is an epic poem in 20 ''sarga''s (cantos) of about 1800 highly ornate stanzas, and is considered one of the five Sanskrit ''mahakavya''s, or "great epics". It is also known as the ''Māgha-kāvya'' after its author. Like other ''kavya''s, it is admired more for its exquisite descriptions and lyrical quality than for any dramatic development of plot. Its 19th canto is noted for verbal gymnastics and wordplay; see the section on linguistic ingenuity below. Contents As with most Sanskrit ''kāvya'', the plot is drawn from one of the epics, in this case the Mahabharata. In the original story, Shishupala, king of the Chedis in central India, after insulting Lord Krishna several times in an assembly, finally enrages him and has his head struck off. The 10th-centur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raghuvaṃśa
(Devanagari: , lit. 'lineage of Raghu') is a Sanskrit epic poem (''mahakavya'') by the celebrated Sanskrit poet Kalidasa. Though an exact date of composition is unknown, the poet is presumed to have flourished in the 5th century CE. It narrates, in 19 ''sarga''s (cantos), the stories related to the Raghu dynasty, namely the family of Dilipa and his descendants up to Agnivarna, who include Raghu, Dasharatha and Rama. The earliest surviving commentary written on the work is that of the 10th-century Kashmiri scholar Vallabhadeva. The most popular and widely available commentary, however, is the ''Sanjivani'', written by Mallinatha (ca.1350-1450). Contents The ''Raghuvaṃśa'' is a mahākāvya (roughly, epic poem) containing 1564 stanzas. It describes the line of kings of the Raghu dynasty (also known as the ''sūryavaṃśa'' or the solar dynasty) that includes Raghu. It is written in 19 ''sarga''s (cantos), that can be regarded as being divided into three parts:Ryder * A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kirātārjunīya
''Kirātārjunīya'' ( sa, किरातार्जुनीय, ''Of Arjuna and the Kirāta'') is an epic poem by Bhāravi, considered to be the most powerful poem in Sanskrit. Believed to have been composed in the 6th century or earlier, it consists of eighteen cantos describing the combat between Arjuna and Lord Shiva (in the guise of a '' kirāta'', or "mountain-dwelling hunter") at Indrakeeladri Hills in present-day Vijayawada. Along with the ''Naiṣadhacarita'' and the ''Shishupala Vadha'', it is one of the larger three of the six Sanskrit mahakavyas, or great epics. It is noted among Sanskrit critics both for its gravity or depth of meaning, and for its forceful and sometimes playful expression. This includes a canto set aside for demonstrating linguistic feats, similar to constrained writing. Later works of epic poetry followed the model of the ''Kirātārjunīya''. Synopsis Overview The ''Kirātārjunīya'' predominantly features the ''Vīra rasa'', or the mood ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kumārasambhava
''Kumārasaṃbhavam'' ( sa, कुमारसम्भवम् "The Birth of Kumāra") is an epic poem by Kālidāsa. It is widely regarded as the finest work of Kālidāsa as well as the greatest kāvya poem in Classical Sanskrit. The style of description of spring set the standard for nature metaphors pervading many centuries of Indian literary tradition. ''Kumārasaṃbhavam'' basically talks about the birth of Kumara ( Kārtikeya), the son of Shiva and Parvati. The period of composition is uncertain, although Kālidāsa is thought to have lived in the 5th century. Legend say that Kālidāsa could not complete his epic Kumārasambhava because he was cursed by the goddess Pārvatī, for obscene descriptions of her conjugal life with Śiva in the eighth canto. But later it has inspired the famed sculpture of Khajuraho temples. The English renderings of these Sanskrit plays tend to avoid erotic and explicit aspects due to moral tastes of modern audience. The play depicts Kālid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kṣatriya
Kshatriya ( hi, क्षत्रिय) (from Sanskrit ''kṣatra'', "rule, authority") is one of the four varna (social orders) of Hindu society, associated with warrior aristocracy. The Sanskrit term ''kṣatriyaḥ'' is used in the context of later Vedic society wherein members were organised into four classes: '' brahmin'', kshatriya, '' vaishya'' and '' shudra''. History Early Rigvedic tribal monarchy The administrative machinery in the Vedic India was headed by a tribal king called Rajan whose position may or may not have been hereditary. The king may have been elected in a tribal assembly (called Samiti), which included women. The Rajan protected the tribe and cattle; was assisted by a priest; and did not maintain a standing army, though in the later period the rulership appears to have risen as a social class. The concept of the fourfold varna system is not yet recorded. Later Vedic period The hymn '' Purusha Sukta'' to the '' Rigveda'' describes the symbolic cre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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