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Squarcialupi Codex
The Squarcialupi Codex (Florence, Biblioteca Medicea Laurenziana, Med. Pal. 87) is an illuminated manuscript compiled in Florence in the early 15th century. It is the single largest primary source of music of the 14th-century Italian ''Trecento'' (also known as the " Italian ars nova"). It consists of 216 parchment folios, organized by composer, with each composer's section beginning with a portrait of the composer richly illuminated in gold, red, blue and purple. The manuscript is in good condition, and musical pieces are complete. Included in the codex are 146 complete pieces by Francesco Landini, 37 by Bartolino da Padova, 36 by Niccolò da Perugia, 29 by Andrea da Firenze, 28 by Jacopo da Bologna, 17 by Lorenzo da Firenze, 16 by Gherardello da Firenze, 15 by Donato da Cascia, 12 pieces by Giovanni da Cascia, 6 by Vincenzo da Rimini, and smaller amounts of music by others. It contains 16 blank folios, intended for the music of Paolo da Firenze, since they are labeled as such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Landini, Squarcialupi Codex, Page 246
Francesco, the Italian language, Italian (and original) version of the personal name "Francis (given name), Francis", is the List of most popular given names, most common given name among males in Italy. Notable persons with that name include: People with the given name Francesco * Francesco I (other), several people * Francesco Barbaro (other), several people * Francesco Bernardi (other), several people *Francesco di Giorgio Martini (1439-1501), Italian architect, engineer and painter * Francesco Berni (1497–1536), Italian writer * Francesco Canova da Milano (1497–1543), Italian lutenist and composer * Francesco Primaticcio (1504–1570), Italian painter, architect, and sculptor * Francesco Albani (1578–1660), Italian painter * Francesco Borromini (1599–1667), Swiss sculptor and architect * Francesco Cavalli (1602–1676), Italian composer * Francesco Maria Grimaldi (1618–1663), Italian mathematician and physicist * Francesco Bianchini (1662†... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santa Maria Degli Angeli, Florence
Santa Maria degli Angeli (St. Mary of the Angels) is the former church of a now-defunct monastery of that name in Florence, Italy. It belonged to the Camaldolese congregation, which was a reformed branch of the Benedictines. The congregation is based on the hermitage which was founded in 1012 by the hermit St. Romuald at Camaldoli, near Arezzo, hence the name. Very little of the medieval building exists today. The monastery was a major center of studies in the early Renaissance and its scriptorium was a noted producer of manuscripts of high quality. Many of the illustrations from its work are found in museum collections around the world. The late High Gothic painter, Lorenzo Monaco, was a monk here for a time, while he tested his vocation, but ultimately he left. Nevertheless, he executed a series of artworks for this monastery and other Camaldolese institutions, both during his time in the Order and afterwards. The so-called Rotonda degli Scolari, partially built by Fili ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Illuminated Manuscripts
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice. In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
15th-century Illuminated Manuscripts
The 15th century was the century which spans the Julian dates from 1 January 1401 ( MCDI) to 31 December 1500 ( MD). In Europe, the 15th century includes parts of the Late Middle Ages, the Early Renaissance, and the early modern period. Many technological, social and cultural developments of the 15th century can in retrospect be seen as heralding the "European miracle" of the following centuries. The architectural perspective, and the modern fields which are known today as banking and accounting were founded in Italy. The Hundred Years' War ended with a decisive French victory over the English in the Battle of Castillon. Financial troubles in England following the conflict resulted in the Wars of the Roses, a series of dynastic wars for the throne of England. The conflicts ended with the defeat of Richard III by Henry VII at the Battle of Bosworth Field, establishing the Tudor dynasty in the later part of the century. Constantinople, known as the capital of the world an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1410s Books , a year of the pre-Julian Roman calendar
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141 may refer to: * 141 (number), an integer * AD 141, a year of the Julian calendar * 141 BC __NOTOC__ Year 141 BC was a year of the pre-Julian Roman calendar. At the time it was known as the Year of the Consulship of Caepio and Pompeius (or, less frequently, year 613 '' Ab urbe condita''). The denomination 141 BC for this year has been ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurt Von Fischer
Kurt von Fischer (25 April 1913 – 27 November 2003) was a Swiss musicologist and classical pianist. Life Fischer wurde was born on 25 April 1913 in Bern as the son of the mycologist Eduard Fischer. Fischer studied piano at the University of the Arts Bern, which he completed in 1935 with a diploma under Franz Josef Hirt. Later he was trained by Czesław Marek. In addition, he studied musicology at the University of Bern and received his doctorate in 1938. From 1939 to 1957 he worked as a teacher at the Bern Conservatory. From 1948 to 1957 he was appointed Privatdozent at the University of Bern. From 1957 to 1979 he taught musicology as ''Ordinarius'' at the University of Zurich, from 1974 to 1976 as Dean. He has also held visiting professorships in Europe, the US and Australia. In addition, he was an honorary member of numerous scientific societies and president of the International Musicological Society from 1967 to 1972. In 1974 he was awarded the Music Prize of the Canton of B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rossi Codex
The Rossi Codex is a music manuscript collection of the 14th century. The manuscript is presently divided into two sections, one in the Vatican Library and another, smaller section in the Northern Italian town of Ostiglia. The codex contains 37 secular works including madrigals, cacce and, uniquely among trecento sources, monophonic ballatas. The codex is of great interest for trecento musicologists because for many years it was considered the earliest source of fourteenth-century Italian music. Although other pre-1380 sources of secular, polyphonic, Italian music have now been identified, none are nearly so extensive as the Rossi Codex. Structure and history Although the manuscript originally had at least 32 folios, only 18 survive today. The largest part of the Rossi Codex is currently in the Vatican Library (''Biblioteca Apostolica Vaticana, Rossi 215''). This section comprises seven bifolios, ff. 1–8 and ff. 18–21. In the early nineteenth century, it was in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Zachara Da Teramo
Antonio "Zacara" da Teramo (in Latin Antonius Berardi Andree de Teramo, also Zacar, Zaccara, Zacharie, Zachara, and Çacharius; c.1350/1360 – between May 19, 1413 and mid-September 1416) was an Italian composer, singer, and papal secretary of the late Trecento and early 15th century. He was one of the most active Italian composers around 1400, and his style bridged the periods of the Trecento, ''ars subtilior'', and beginnings of the musical Renaissance. Life Antonio was probably from Teramo, in northern Abruzzo (Kingdom of Naples), not far from the Adriatic coast.Fallows, ''Grove online''. The possibility that two different composers, "Antonio da Teramo" and "Zacara da Teramo", were conflated into one person was removed by research into the composer's life by Agostino Ziino. (Another composer with a similar name, Nicolaus Zacharie, was of the following generation of composers). Antonio's nickname "Zaccara" (or "Zachara"; often regularized in modern editions as "Zacara") proba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Ciconia
Johannes Ciconia ( Рbetween 10 June and 13 July 1412) was an important Flemish composer and music theorist of trecento music during the late Medieval era. He was born in Li̬ge, but worked most of his adult life in Italy, particularly in the service of the papal chapels in Rome and later and most importantly at Padua Cathedral. Life He was the son of a priest (also named Johannes Ciconia) and a woman of high social standing. Since at least three other men around Li̬ge had that name as well, this has created biographical confusion, first solved by David Fallows in 1975. A Johannes Ciconia, probably the composer's father, worked in Avignon in 1350 as a clerk for the wife of Pope Clement VI's nephew. Another Johannes Ciconia is recorded in Li̬ge in 1385 as a , generally identifying a person of young age; scholars agree that this is the composer himself. Papal records suggest that Ciconia was in the service of Pope Boniface IX in Rome in 1391. His whereabouts between the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caccia (music)
In music, a canon is a contrapuntal (counterpoint-based) compositional technique that employs a melody with one or more imitations of the melody played after a given duration (e.g., quarter rest, one measure, etc.). The initial melody is called the leader (or ''dux''), while the imitative melody, which is played in a different voice, is called the follower (or ''comes''). The follower must imitate the leader, either as an exact replication of its rhythms and intervals or some transformation thereof. Repeating canons in which all voices are musically identical are called rounds—"Row, Row, Row Your Boat" and "Frère Jacques" are popular examples. An accompanied canon is a canon accompanied by one or more additional independent parts that do not imitate the melody. History Medieval and Renaissance During the Middle Ages, Renaissance, and Baroque—that is, through the early 18th century—any kind of imitative musical counterpoints were called fugues, with the strict imitati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madrigal (Trecento)
The Trecento Madrigal is an Italian musical form of the 14th century. It is quite distinct from the madrigal of the Renaissance and early Baroque, with which it shares only the name. The madrigal of the Trecento flourished ca. 1340–1370 with a short revival near 1400. It was a composition for two (or rarely three) voices, sometimes on a pastoral subject. In its earliest development it was simple construction: Francesco da Barberino in 1300 called it a "raw and chaotic singalong". The text of the madrigal is divided into three sections: two strophes called terzetti set to the same music and a concluding section called the ritornello usually in a different meter, creating an aaB form. History The origins of the madrigal are obscure, and debated, with one school of thought seeing it as a secular mutation of the conductus of the ''ars antiqua'', and another seeing it as deriving from 13th-century secular monophonic song with an improvised accompaniment. Little Italian music from t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballata
The ''ballata'' (plural: ''ballate'') is an Italian poetic and musical form in use from the late 13th to the 15th century. It has the musicapenim AbbaA, with the first and last stanzas having the same texts. It is thus most similar to the French musical ' forme fixe' virelai (and not the ballade as the name might otherwise suggest). The first and last "A" is called a ''ripresa'', the "b" lines are ''piedi'' (feet), while the fourth line is called a "volta". Longer ballate may be found in the form AbbaAbbaA, etc. Unlike the virelai, the two "b" lines usually have exactly the same music and only in later ballate pick up the (formerly distinctly French) first and second (open and close) endings. The term comes from the verb ''ballare'', to dance, and the form certainly began as dance music. The ballata was one of the most prominent secular musical forms during the trecento, the period often known as the Italian '' ars nova''. Ballate are sung at the end of each day of Boccacci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
