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Spanish Breeches
Spanish breeches (''gregüescos'' in Spanish) are a type of breeches or trousers for men, short, baggy (harem pants) and ungathered, usually accompanied by a codpiece. Possibly of military origin, they were in fashion in Spain during the 16th century to the 17th. After that period, they adopted different forms and lengths in Western Europe and the Spanish overseas courts, as an evolution of ''botargas'' and other types of hose or pantaloons evolving then to ''follados'' or ''afuellados''. They were described - in their varied typology - or ridiculed, by some of the best writers of the Spanish Golden Age, such as Lope de Vega, Tirso de Molina or Francisco de Quevedo; and painted by Diego Velázquez, Murillo or Alonso Sánchez Coello, among other artists from the major European courts, as Titian. See also * Petticoat breeches *1600–1650 in fashion *1650–1700 in fashion Year 165 ( CLXV) was a common year starting on Monday (link will display the full calendar) of the Juli ...
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Don Juan D'Austria 1
Don, don or DON and variants may refer to: Places *County Donegal, Ireland, Chapman code DON *Don (river), a river in European Russia *Don River (other), several other rivers with the name *Don, Benin, a town in Benin *Don, Dang, a village and hill station in Dang district, Gujarat, India *Don, Nord, a ''commune'' of the Nord ''département'' in northern France *Don, Tasmania, a small village on the Don River, located just outside Devonport, Tasmania *Don, Trentino, a commune in Trentino, Italy * Don, West Virginia, a community in the United States *Don Republic, a temporary state in 1918–1920 *Don Jail, a jail in Toronto, Canada People Role or title *Don (honorific), a Spanish, Portuguese, and Italian title, given as a mark of respect *Don, a crime boss, especially in the Mafia , ''Don Konisshi'' (コニッシー) *Don, a resident assistant at universities in Canada and the U.S. *University don, in British and Irish universities, especially at Oxford, Cambridge, St An ...
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Breeches
Breeches ( ) are an article of clothing covering the body from the waist down, with separate coverings for each human leg, leg, usually stopping just below the knee, though in some cases reaching to the ankles. Formerly a standard item of Western world, Western men's clothing, they had fallen out of use by the mid-19th century in favour of trousers. Modern athletic garments used for English riding and fencing, although called ''breeches'' or ''britches'', differ from breeches. Etymology ''Breeches'' is a double plural known since c. 1205, from Old English , the plural of "garment for the legs and trunk", from the Indo-European root *bhrg- "break", here apparently used in the sense "divide", "separate", as in Scottish Gaelic briogais ("trousers"), in Breton bragoù ("pants"), in Irish bríste ("trousers") and brycan/brogau in Welsh. Cognate with the Proto-Germanic language, Proto-Germanic word ''*brōk-'', plural ''*brōkiz'', itself most likely from the Proto-Indo-European roo ...
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Codpiece
A codpiece () is a triangular piece that attached to the front of men's hose, covering the fly. It may be held in place by ties or buttons. It was an important fashion item of European clothing during the 15th–16th centuries. In the modern era, similar clothing pieces are worn in the leather subculture, and in performance costumes, such as for rock and metal musicians. A similar device with rigid construction, an athletic cup, is used as protective gear for male athletes. In European fashion From the ancient world there are extant depictions of articles of clothing designed to cover just the male genitalia; for example, archaeological recovery at Minoan Knossos on Crete has yielded figurines, some of whom wear only a garment covering the male genitalia. However, the codpiece, ''per se'', appeared in everyday European fashion for men only many centuries later, associated with hose and trousers. In 14th century European fashions, men's hose were two separate legs worn over lin ...
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Hose (clothing)
Hose are any of various styles of men's clothing for the legs and lower body, worn from the Middle Ages through the 17th century, when the style fell out of use in favour of breeches and stockings. The old plural form of "hose" was "hosen". In German these terms (''Hose'', singular, and ''Hosen'', plural) remained in use and are the generic terms for trousers today. The French equivalent was ''chausses''. History Since the 13th century, hose were already known to have been worn in Europe; these were tights that stretch from waist to feet. The outline of the legs were conspicuously shown, with the groin area sometimes covered by a material called a codpiece. However, unlike modern tights, these hose were not elastic; they were held firm while laced to the Doublet (clothing), doublet and tied from small holes. During the 14th century, medieval hoses were made of wool and were made to fit tightly. Towards the end of the century traders and shopkeepers wore coloured hoses. Some peo ...
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Spanish Golden Age
The Spanish Golden Age ( es, Siglo de Oro, links=no , "Golden Century") is a period of flourishing in arts and literature in Spain, coinciding with the political rise of the Spanish Empire under the Catholic Monarchs of Spain and the Spanish Habsburgs. The greatest patron of Spanish art and culture during this period was King Philip II (1556–1598), whose royal palace, El Escorial, invited the attention of some of Europe's greatest architects and painters such as El Greco, who infused Spanish art with foreign styles and helped create a uniquely Spanish style of painting. It is associated with the reigns of Isabella I, Ferdinand II, Charles V, Philip II, Philip III, and Philip IV, when Spain was one of the most powerful countries in the world. The start of the Golden Age can be placed in 1492, with the end of the ''Reconquista'', the voyages of Christopher Columbus to the New World, and the publication of Antonio de Nebrija's ''Grammar of the Castilian Language''. It ro ...
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Lope De Vega
Félix Lope de Vega y Carpio ( , ; 25 November 156227 August 1635) was a Spanish playwright, poet, and novelist. He was one of the key figures in the Spanish Golden Age of Baroque literature. His reputation in the world of Spanish literature is second only to that of Miguel de Cervantes, while the sheer volume of his literary output is unequalled, making him one of the most prolific authors in the history of literature. He was nicknamed "The Phoenix of Wits" and "Monster of Nature" (in es , Fénix de los Ingenios , links=no, ) by Cervantes because of his prolific nature. Lope de Vega renewed the Spanish theatre at a time when it was starting to become a mass cultural phenomenon. He defined its key characteristics, and along with Pedro Calderón de la Barca and Tirso de Molina, took Spanish Baroque theatre to its greatest heights. Because of the insight, depth and ease of his plays, he is regarded as one of the greatest dramatists in Western literature, his plays still being ...
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Tirso De Molina
Gabriel Téllez ( 24 March 1583 20 February 1648), better known as Tirso de Molina, was a Spanish Baroque dramatist, poet and Roman Catholic monk. He is primarily known for writing ''The Trickster of Seville and the Stone Guest'', the play from which the popular character of Don Juan originates. His work is also of particular significance due to the abundance of female protagonists, as well as the exploration of sexual issues. Life and career He was born in Madrid. He studied at Alcalá de Henares, joined the mendicant Order of the Blessed Virgin Mary of Mercy on 4 November 1600, and entered the Monastery of San Antolín at Guadalajara, Spain on 21 January 1601. He was ordained a priest by 1610. He had been writing plays for ten years when he was sent by his superiors on a mission to the West Indies in 1615; residing in Santo Domingo from 1616 to 1618 and returning to Europe in 1618, he resided at the Mercedarian monastery in Madrid, took part in the proceedings of the ''Academi ...
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Francisco De Quevedo
Francisco Gómez de Quevedo y Santibáñez Villegas, Knight of the Order of Santiago (; 14 September 1580 – 8 September 1645) was a Spanish nobleman, politician and writer of the Baroque era. Along with his lifelong rival, Luis de Góngora, Quevedo was one of the most prominent Spanish poets of the age. His style is characterized by what was called ''conceptismo''. This style existed in stark contrast to Góngora's ''culteranismo''. Biography Quevedo was born on 14 September 1580 in Madrid into a family of '' hidalgos'' from the village of Vejorís, located in the northern mountainous region of Cantabria. His family was descended from the Castilian nobility. Quevedo's father, Francisco Gómez de Quevedo, was secretary to Maria of Spain, daughter of emperor Charles V and wife of Maximilian II, Holy Roman Emperor, and his mother, Madrid-born María de Santibáñez, was lady-in-waiting to the queen. Quevedo matured surrounded by dignitaries and nobility at the royal court ...
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Diego Velázquez
Diego Rodríguez de Silva y Velázquez (baptized June 6, 1599August 6, 1660) was a Spanish painter, the leading artist in the court of King Philip IV of Spain and Portugal, and of the Spanish Golden Age. He was an individualistic artist of the Baroque period (c.1600–1750). He began to paint in a precise tenebrist style, later developing a freer manner characterized by bold brushwork. In addition to numerous renditions of scenes of historical and cultural significance, he painted scores of portraits of the Spanish royal family and commoners, culminating in his masterpiece ''Las Meninas'' (1656). Velázquez's paintings became a model for 19th-century realist and impressionist painters. In the 20th century, artists such as Pablo Picasso, Salvador Dalí, and Francis Bacon paid tribute to Velázquez by re-interpreting some of his most iconic images. Most of his work entered the Spanish royal collection, and by far the best collection is in the Museo del Prado in Madrid, thoug ...
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Bartolomé Esteban Murillo
Bartolomé Esteban Murillo ( , ; late December 1617, baptized January 1, 1618April 3, 1682) was a Spanish Baroque painter. Although he is best known for his religious works, Murillo also produced a considerable number of paintings of contemporary women and children. These lively realistic portraits of flower girls, street urchins, and beggars constitute an extensive and appealing record of the everyday life of his times. He also painted two self-portraits, one in the Frick Collection portraying him in his 30s, and one in London's National Gallery portraying him about 20 years later. In 2017–18, the two museums held an exhibition of them. Childhood Murillo was probably born in December 1617 to Gaspar Esteban, an accomplished barber surgeon, and María Pérez Murillo. He may have been born in Seville or in Pilas, a smaller Andalusian town. It is clear that he was baptized in Santa Maria Magdalena, a parish in Seville in 1618. After his parents died in 1627 and 1628, he became ...
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Alonso Sánchez Coello
Alonso Sánchez Coello ( 1531 – 8 August 1588) was an Iberian portrait painter of the Spanish Renaissance, Spanish and Portuguese Renaissance. He is mainly known for his portrait paintings executed in a style which combines the objectivity of the Flemish tradition with the sensuality of Venetian painting. He was court painter to Philip II of Spain, Philip II.Alfonso E. Pérez Sánchez. "Sánchez Coello, Alonso." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 30 Dec. 2016 Life Alonso Sánchez Coello was born in Benifairó de les Valls, near Valencia (city in Spain), Valencia in Spain. He spent his childhood there until the death of his father when he was around ten years old.Antonio, T. de, ''Sánchez Coello, Alonso''
in: ''Del Grec ...
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Titian
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italians, Italian (Republic of Venice, Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school (art), Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called ''da Cadore'', 'from Cadore', taken from his native region. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of Dante Alighieri, Dante's ''Paradiso (Dante), Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought ...
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