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South Italian Ancient Greek Pottery
South Italian is a designation for ancient Greek pottery fabricated in Magna Graecia largely during the 4th century BC. The fact that Greek Southern Italy produced its own red-figure pottery Red-figure vase painting is one of the most important styles of figural Greek vase painting. It developed in Athens around 520 BCE and remained in use until the late 3rd century BCE. It replaced the previously dominant style of black-figure vas ... as early as the end of the 5th century BC was first established by Adolf Furtwaengler in 1893 (A.D. Trendall). Prior to that this pottery had been first designated as "Etruscan" and then as "Attic." Archaeological proof that this pottery was actually being produced in South Italy first came in 1973 when a workshop and kilns with misfirings and broken wares was first excavated at Metaponto, proving that the Amykos Painter was located there rather than in Athens (A.D. Trendall, p. 17). Overview The interchange of iconography, techniques, an ...
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Gnathia Style Lekythos Antikensammlung Kiel B 707
''Gnathia'' is a genus of Isopoda, isopod crustaceans, containing the following species: *''Gnathia africana'' Barnard, 1914 *''Gnathia albescens'' Hansen, 1916 *''Gnathia alces'' Monod, 1926 *''Gnathia andrei'' Pires, 1996 *''Gnathia antarctica'' (Studer, 1883) *''Gnathia antonbruunae'' Kensley, Schotte & Poore, 2009 *''Gnathia arabica'' Schotte, 1995 *''Gnathia arctica'' Eupraxie Gurjanova, Gurjanova, 1929 *''Gnathia asperifrons'' Holdich & Harrison, 1980 *''Gnathia aureola'' Stebbing, 1900 *''Gnathia aureumaculosa'' Ferreiera, Smit, Grutter & Davies, 2009 *''Gnathia barnardi'' Smit & Basson, 2002 *''Gnathia beethoveni'' Paul & Menzies, 1971 *''Gnathia bengalensis'' Kumari, Hanumantha, Rao & Shyamasundari, 1993 *''Gnathia biorbis'' Holdich & Harrison, 1980 *''Gnathia brachyuropus'' Monod, 1926 *''Gnathia brucei'' George, 2003 *''Gnathia bungoensis'' Nunomura, 1982 *''Gnathia calamitosa'' Monod, 1926 *''Gnathia calmani'' Monod, 1926 *''Gnathia calsi'' Mueller, 1993 *''Gnathia cam ...
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Campanian Vase Painting
Campanian vase painting is one of the five regional styles of South Italian red-figure vase painting. It forms a close stylistic community with Apulian vase painting. Campania produced red-figure vases in the 5th and 4th centuries BC. The sand-coloured to light brown clay (lighter than other South Italian clays) of Campania was covered with a slip that developed a pink or red tint after firing, creating an appearance very similar to that of Attic vases. The popular white or bright paints were visually especially striking on this. Women are usually by the use of white paint to depict their skin. The Campanian painters preferred smaller vessel types, but also ''hydriai'' and bell ''kraters''. The most popular shape is the bail-amphora. Many typical Apulian vessel shapes, like volute kraters, column kraters, '' loutrophoroi'', '' rhyta'' and ''nestoris'' amphorae are absent, ''pelikes'' are rare. The repertoire of motifs is limited. Subjects include youths, women, thiasos scenes ...
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Six's Technique
Six's technique is the modern name for a technique used by Attic black-figure vase painters that involves laying on figures in white or red on a black surface and incising the details so that the black shows through. It was first described by the Dutch scholar Jan Six in 1888, and was given its English name by J. D. Beazley.Beazley, in ''Greek Vases in Poland'', 1928 Around 530 BCE, the technique began to be used regularly for decorating the whole vase, rather than for details as in previous practice. The effect is similar to red-figure painting. Nikosthenes, Psiax, and the Diosphos Painter were among the early users of the technique. It remained in use until the mid-5th century, when it can be observed on a small number of oenochoe from the Haimon painter workshop. See also * Corpus vasorum antiquorum Corpus Vasorum Antiquorum ("corpus of ancient vases"; abbreviated CVA) is an international research project for documentation of ancient ceramics. Its original ideal target c ...
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Gorgoneion
In Ancient Greece, the Gorgoneion (Greek: Γοργόνειον) was a special apotropaic amulet showing the Gorgon head, used by the Olympian deities Athena and Zeus: both are said to have worn the gorgoneion as a protective pendant,. and often are depicted wearing it. It established their descent from earlier deities considered to remain powerful. Among other attributes, it was assumed by rulers of the Hellenistic age as a royal aegis to imply divine birth or protection, as shown, for instance, on the Alexander Mosaic and the Gonzaga Cameo. Origin According to Marija Gimbutas, ''gorgoneia'' represent certain aspects of the Mother Goddess cult associated with "dynamic life energy" and asserts that the images may be related to a cultural continuity persisting since the Neolithic period defining the ''gorgoneion'' as a quintessentially European image. Jane Ellen Harrison, on the other hand, claims that many primitive cultures use similar ritual masks in order to scare the owner fr ...
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Corinthian Ware
Ancient Greek pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it (over 100,000 painted vases are recorded in the Corpus vasorum antiquorum), it has exerted a disproportionately large influence on our understanding of Greek society. The shards of pots discarded or buried in the 1st millennium BC are still the best guide available to understand the customary life and mind of the ancient Greeks. There were several vessels produced locally for everyday and kitchen use, yet finer pottery from regions such as Attica was imported by other civilizations throughout the Mediterranean, such as the Etruscans in Italy.John H. Oakley (2012). "Greek Art and Architecture, Classical: Classical Greek Pottery," in Neil Asher Silberman et al. (eds), ''The Oxford Companion to Archaeology, Vol 1: Ache-Hoho'', Second Edition, 641–644. Oxford & New York: Oxford University Press. , p. 641. There were a multit ...
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Corinth
Corinth ( ; el, Κόρινθος, Kórinthos, ) is the successor to an ancient city, and is a former municipality in Corinthia, Peloponnese, which is located in south-central Greece. Since the 2011 local government reform, it has been part of the municipality of Corinth, of which it is the seat and a municipal unit. It is the capital of Corinthia. It was founded as Nea Korinthos (), or New Corinth, in 1858 after an earthquake destroyed the existing settlement of Corinth, which had developed in and around the site of ancient Corinth. Geography Located about west of Athens, Corinth is surrounded by the coastal townlets of (clockwise) Lechaio, Isthmia, Kechries, and the inland townlets of Examilia and the archaeological site and village of ancient Corinth. Natural features around the city include the narrow coastal plain of Vocha, the Corinthian Gulf, the Isthmus of Corinth cut by its canal, the Saronic Gulf, the Oneia Mountains, and the monolithic rock of Acrocorinth ...
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Laconian Ware
Laconia or Lakonia ( el, Λακωνία, , ) is a historical and administrative region of Greece located on the southeastern part of the Peloponnese peninsula. Its administrative capital is Sparta. The word ''laconic''—to speak in a blunt, concise way—is derived from the name of this region, a reference to the ancient Spartans who were renowned for their verbal austerity and blunt, often pithy remarks. Geography Laconia is bordered by Messenia to the west and Arcadia to the north and is surrounded by the Myrtoan Sea to the east and by the Laconian Gulf and the Mediterranean Sea to the south. It encompasses Cape Malea and Cape Tainaron and a large part of the Mani Peninsula. The Mani Peninsula is in the west region of Laconia. The islands of Kythira and Antikythera lie to the south, but they administratively belong to the Attica regional unit of islands. The island, Elafonisos, situated between the Laconian mainland and Kythira, is part of Laconia. The Eurotas is the longes ...
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Sparta
Sparta ( Doric Greek: Σπάρτα, ''Spártā''; Attic Greek: Σπάρτη, ''Spártē'') was a prominent city-state in Laconia, in ancient Greece. In antiquity, the city-state was known as Lacedaemon (, ), while the name Sparta referred to its main settlement on the banks of the Eurotas River in Laconia, in south-eastern Peloponnese. Around 650 BC, it rose to become the dominant military land-power in ancient Greece. Given its military pre-eminence, Sparta was recognized as the leading force of the unified Greek military during the Greco-Persian Wars, in rivalry with the rising naval power of Athens. Sparta was the principal enemy of Athens during the Peloponnesian War (431–404 BC), from which it emerged victorious after the Battle of Aegospotami. The decisive Battle of Leuctra in 371 BC ended the Spartan hegemony, although the city-state maintained its political independence until its forced integration into the Achaean League in 192 BC. The city nevertheless ...
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Attic Ware
Ancient Greek pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it (over 100,000 painted vases are recorded in the Corpus vasorum antiquorum), it has exerted a disproportionately large influence on our understanding of Greek society. The shards of pots discarded or buried in the 1st millennium BC are still the best guide available to understand the customary life and mind of the ancient Greeks. There were several vessels produced locally for everyday and kitchen use, yet finer pottery from regions such as Attica was imported by other civilizations throughout the Mediterranean, such as the Etruscans in Italy.John H. Oakley (2012). "Greek Art and Architecture, Classical: Classical Greek Pottery," in Neil Asher Silberman et al. (eds), ''The Oxford Companion to Archaeology, Vol 1: Ache-Hoho'', Second Edition, 641–644. Oxford & New York: Oxford University Press. , p. 641. There were a multi ...
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Peloponnesian Wars
The Peloponnesian War (431–404 BC) was an ancient Greek war fought between Athens and Sparta and their respective allies for the hegemony of the Greek world. The war remained undecided for a long time until the decisive intervention of the Persian Empire in support of Sparta. Led by Lysander, the Spartan fleet built with Persian subsidies finally defeated Athens and started a period of Spartan hegemony over Greece. Historians have traditionally divided the war into three phases. The first phase (431–421 BC) was named the Ten Years War, or the Archidamian War, after the Spartan king Archidamus II, who launched several invasions of Attica with the full hoplite army of the Peloponnesian League, the alliance network dominated by Sparta. However, the Long Walls of Athens rendered this strategy ineffective, while the superior navy of the Delian League (Athens' alliance) raided the Peloponnesian coast to trigger rebellions within Sparta. The precarious Peace of Nicias was signe ...
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Athens
Athens ( ; el, Αθήνα, Athína ; grc, Ἀθῆναι, Athênai (pl.) ) is both the capital and largest city of Greece. With a population close to four million, it is also the seventh largest city in the European Union. Athens dominates and is the capital of the Attica region and is one of the world's oldest cities, with its recorded history spanning over 3,400 years and its earliest human presence beginning somewhere between the 11th and 7th millennia BC. Classical Athens was a powerful city-state. It was a centre for the arts, learning and philosophy, and the home of Plato's Academy and Aristotle's Lyceum. It is widely referred to as the cradle of Western civilization and the birthplace of democracy, largely because of its cultural and political influence on the European continent—particularly Ancient Rome. In modern times, Athens is a large cosmopolitan metropolis and central to economic, financial, industrial, maritime, political and cultural life in Gre ...
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Sicilian Vase Painting
Sicilian vase painting was a regional style of South Italian red-figure vase painting. It was one of five South Italian regional styles. The vase painting of Sicily was especially closely connected with the Lucanian and Paestan styles. Overview The beginnings of Sicilian vase painting remain mysterious. Production began before the end of the 5th century BC in the cities of Himera and Syracusae. In terms of style, themes, ornamentation and vase shapes, the workshops closely followed Attic examples. The influence of the Attic Late Classical Medias Painter is especially striking. It is possible that the first potters and painters were Athenian prisoners of war (see Sicilian Expedition). The Chessboard Painter, one of the first Sicilian vase painters, had apparently been trained by the Attic Pothos Painter. His pupil, the Dirke Painter, established the typical Sicilian technique. In the second quarter of the 4th century BC, potters who had emigrated from Sicily to Capua and Cum ...
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