Sound-in-Syncs
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Sound-in-Syncs
Sound-in-Syncs is a method of multiplexing sound and video signals into a channel designed to carry video, in which data representing the sound is inserted into the line synchronising pulse of an analogue television waveform. This is used on point-to-point links within broadcasting networks, including studio/transmitter links (STL). It is not used for broadcasts to the public. History The technique was first developed by the BBC in the late 1960s. In 1966, The corporation's Research Department made a feasibility study of the use of pulse-code modulation (PCM) for transmitting television sound during the synchronising period of the video signal. This had several advantages: it removed the necessity for a separate sound link, reduced the possibility of operational errors and offered improved sound quality and reliability.Pawley, E (1972). ''BBC Engineering 1922-1972'', pp. 506-7, 522. BBC. . Awards Sound-in-Syncs and its R&D engineers have won several awards, including: * The Roya ...
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NICAM
Near Instantaneous Companded Audio Multiplex (NICAM) is an early form of lossy compression for digital audio. It was originally developed in the early 1970s for point-to-point links within broadcasting networks.Croll, M.G., Osborne, D.W. and Spicer, C.R. (1974), ''Digital sound signals: the present BBC distribution system and a proposal for bit-rate reduction by digital companding''. IEE Conference publication No. 119, pp. 90–96 In the 1980s, broadcasters began to use NICAM compression for transmissions of stereo TV sound to the public. History Near-instantaneous companding The idea was first described in 1964. In this, the 'ranging' was to be applied to the analogue signal before the analogue-to-digital converter (ADC) and after the digital-to-analogue converter (DAC). The application of this to broadcasting, in which the companding was to be done entirely digitally after the ADC and before the DAC, was described in a 1972 BBC Research Report. Point-to-point links NI ...
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Analog Television
Analog television is the original television technology that uses analog signals to transmit video and audio. In an analog television broadcast, the brightness, colors and sound are represented by amplitude, instantaneous phase and frequency, phase and frequency of an analog signal. Analog signals vary over a continuous range of possible values which means that Noise (electronics), electronic noise and interference may be introduced. Thus with analog, a moderately weak signal becomes Noise (video), snowy and subject to interference. In contrast, picture quality from a digital television (DTV) signal remains good until the signal level drops below digital cliff, a threshold where reception is no longer possible or becomes intermittent. Analog television may be wireless (terrestrial television and satellite television) or can be distributed over a cable network as cable television. All broadcast television systems used analog signals before the arrival of DTV. Motivated by the ...
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BBC Research
BBC Research & Development is the technical research department of the BBC. Function It has responsibility for researching and developing advanced and emerging media technologies for the benefit of the corporation, and wider UK and European media industries, and is also the technical design authority for a number of major technical infrastructure transformation projects for the UK broadcasting industry. Structure BBC R&D is part of the wider BBC Design & Engineering, and is led by Jatin Aythora, Director, Research & Development. In 2011, the North Lab moved into MediaCityUK in Salford along with several other departments of the BBC, whilst the South Lab remained in White City in London. History In April 1930 the Development section of the BBC became the Research Department. The department as it stands today was formed in 1993 from the merger of the BBC Designs Department and the BBC Research Department. From 2006 to 2008 it was known as Research and Innovation but has sin ...
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BBC Research & Development
BBC Research & Development is the technical research department of the BBC. Function It has responsibility for researching and developing advanced and emerging media technologies for the benefit of the corporation, and wider UK and European media industries, and is also the technical design authority for a number of major technical infrastructure transformation projects for the UK broadcasting industry. Structure BBC R&D is part of the wider BBC Design & Engineering, and is led by Jatin Aythora, Director, Research & Development. In 2011, the North Lab moved into MediaCityUK in Salford along with several other departments of the BBC, whilst the South Lab remained in White City in London. History In April 1930 the Development section of the BBC became the Research Department. The department as it stands today was formed in 1993 from the merger of the BBC Designs Department and the BBC Research Department. From 2006 to 2008 it was known as Research and Innovation but has sin ...
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VIMCAS
VIMCAS, standing for Vertical Interval Multiple Channel Audio System, is a dual-channel Sound-in-Syncs mechanism for transmitting digitally encoded audio in a composite video analogue television signal. Invented by Australian company IRT in the 1980s, the basic concept of VIMCAS is to transmit two channels of PCM-encoded (i.e. digital) audio during the vertical blanking interval of a composite video signal. The encoded audio was transmitted over 6 horizontal scan lines during that interval, the digitally encoded signal being placed onto a series of mid-grey pedestals, in much the same way that the colour subcarrier is placed on top of the monochrome signal. As with the colour subcarrier, there is 4.7kHz bandwidth, so six lines would provide 28kHz of bandwidth (actually slightly less, there being deliberate redundancy between the final packet of encoded audio on one line and the first packet of encoded audio on the next, in order to avoid signal corruption). This could be used as a ...
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Studio/transmitter Link
A studio transmitter link (or STL) sends a radio station's or television station's audio and video from the broadcast studio or origination facility to a radio transmitter, television transmitter or uplink facility in another location. This is accomplished through the use of terrestrial microwave links or by using fiber optic or other telecommunication connections to the transmitter site. This is often necessary because the best locations for an antenna are on top of a mountain, where a much shorter radio tower is required, but where locating a studio may be impractical. Even in flat regions, the center of the station's allowed coverage area may not be near the studio location or may lie within a populated area where a transmitter would be frowned upon by the community, so the antenna must be placed at a distance from the studio. Depending on the locations that must be connected, a station may choose either a point to point (PTP) link on another special radio frequency, or ...
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Television Technology
Large-screen television technology (colloquially big-screen TV) developed rapidly in the late 1990s and 2000s. Prior to the development of thin-screen technologies, rear-projection television was standard for larger displays, and jumbotron, a non-projection video display technology, was used at stadiums and concerts. Various thin-screen technologies are being developed, but only liquid crystal display (LCD), plasma display (PDP) and Digital Light Processing (DLP) have been publicly released. Recent technologies like organic light-emitting diode (OLED) as well as not-yet-released technologies like surface-conduction electron-emitter display (SED) or field emission display (FED) are in development to replace earlier flat-screen technologies in picture quality. Large-screen technologies have almost completely displaced cathode-ray tubes (CRT) in television sales due to the necessary bulkiness of cathode-ray tubes. The diagonal screen size of a CRT television is limited to abou ...
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Sound
In physics, sound is a vibration that propagates as an acoustic wave, through a transmission medium such as a gas, liquid or solid. In human physiology and psychology, sound is the ''reception'' of such waves and their ''perception'' by the brain. Only acoustic waves that have frequencies lying between about 20 Hz and 20 kHz, the audio frequency range, elicit an auditory percept in humans. In air at atmospheric pressure, these represent sound waves with wavelengths of to . Sound waves above 20 kHz are known as ultrasound and are not audible to humans. Sound waves below 20 Hz are known as infrasound. Different animal species have varying hearing ranges. Acoustics Acoustics is the interdisciplinary science that deals with the study of mechanical waves in gasses, liquids, and solids including vibration, sound, ultrasound, and infrasound. A scientist who works in the field of acoustics is an ''acoustician'', while someone working in the field of acoustica ...
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Broadcast Engineering
Broadcast engineering is the field of electrical engineering, and now to some extent computer engineering and information technology, which deals with radio and television broadcasting. Audio engineering and RF engineering are also essential parts of broadcast engineering, being their own subsets of electrical engineering. Broadcast engineering involves both the Television studio, studio and transmitter aspects (the entire airchain), as well as remote broadcasts. Every Broadcast network, station has a broadcast engineer, though one may now serve an entire station group in a city. In small media markets the engineer may work on a contract basis for one or more stations as needed. Duties Modern duties of a broadcast engineer include maintaining broadcast automation systems for the studio and automatic transmission systems for the transmitter physical plant, plant. There are also important duties regarding Radio masts and towers, radio towers, which must be Preventive maintenanc ...
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Outside Broadcast
Outside broadcasting (OB) is the electronic field production (EFP) of television or radio programmes (typically to cover television news and sports television events) from a mobile remote broadcast television studio. Professional video camera and microphone signals come into the production truck for processing, recording and possibly transmission. Some outside broadcasts use a mobile production control room (PCR) inside a production truck. History Outside radio broadcasts have been taking place since the early 1920s and television ones since the late 1920s. The first large-scale outside broadcast was the televising of the Coronation of George VI and Elizabeth in May 1937, done by the BBC's first Outside Broadcast truck, MCR 1 (short for Mobile Control Room). After the Second World War, the first notable outside broadcast was of the 1948 Summer Olympics. The Coronation of Elizabeth II followed in 1953, with 21 cameras being used to cover the event. In December 1963 i ...
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Lossy Compression
In information technology, lossy compression or irreversible compression is the class of data compression methods that uses inexact approximations and partial data discarding to represent the content. These techniques are used to reduce data size for storing, handling, and transmitting content. The different versions of the photo of the cat on this page show how higher degrees of approximation create coarser images as more details are removed. This is opposed to lossless data compression (reversible data compression) which does not degrade the data. The amount of data reduction possible using lossy compression is much higher than using lossless techniques. Well-designed lossy compression technology often reduces file sizes significantly before degradation is noticed by the end-user. Even when noticeable by the user, further data reduction may be desirable (e.g., for real-time communication or to reduce transmission times or storage needs). The most widely used lossy compression al ...
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Companding
In telecommunication and signal processing, companding (occasionally called compansion) is a method of mitigating the detrimental effects of a channel with limited dynamic range. The name is a portmanteau of the words compressing and expanding, which are the functions of a compander at the transmitting and receiving end respectively. The use of companding allows signals with a large dynamic range to be transmitted over facilities that have a smaller dynamic range capability. Companding is employed in telephony and other audio applications such as professional wireless microphones and analog recording. How it works The dynamic range of a signal is compressed before transmission and is expanded to the original value at the receiver. The electronic circuit that does this is called a compander and works by compressing or expanding the dynamic range of an analog electronic signal such as sound recorded by a microphone. One variety is a triplet of amplifiers: a logarithmic amplifier ...
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