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Son Of Godzilla
is a 1967 Japanese ''kaiju'' film directed by Jun Fukuda, with special effects by Sadamasa Arikawa, under the supervision of Eiji Tsuburaya. Produced and distributed by Toho Co., Ltd, it is the eighth film in the ''Godzilla'' franchise. It stars Tadao Takashima, Akira Kubo, Akihiko Hirata, and Beverly Maeda, with Hiroshi Sekita, Seiji Onaka, and Haruo Nakajima as Godzilla, and Marchan the Dwarf as Minilla. ''Son of Godzilla'' received a theatrical release in Japan on December 16, 1967, and was released directly to television in the United States in 1969 through the Walter Reade Organization. Plot A team of scientists are trying to perfect a weather-controlling system. Their efforts are hampered by the arrival of a nosy reporter and by the sudden presence of giant praying mantises. The first test of the weather control system goes awry when the remote control for a radioactive balloon is jammed by an unexplained signal coming from the center of the island. The balloon detona ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jun Fukuda
was a Japanese film director, screenwriter, and producer. He is best known for directing five entries in the ''Godzilla'' series starting with ''Ebirah, Horror of the Deep'' (1966) as well as the spy films ''Ironfinger is a 1965 Japanese action comedy film directed by Jun Fukuda. A parody of James Bond-style spy movies, the film stars Akira Takarada, Mie Hama, and Ichirō Arishima. In the film, an ordinary vacationer is assigned to a dead Interpol agent's mis ...'' (1965) and ''Golden Eyes'' (1968) starring Akira Takarada. Selected filmography References External links * 1923 births 2000 deaths Japanese film directors Deaths from lung cancer in Japan {{Japan-film-director-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Godzilla
is a fictional monster, or '' kaiju'', originating from a series of Japanese films. The character first appeared in the 1954 film ''Godzilla'' and became a worldwide pop culture icon, appearing in various media, including 32 films produced by Toho, four American films and numerous video games, novels, comic books and television shows. Godzilla has been dubbed the "King of the Monsters", a phrase first used in ''Godzilla, King of the Monsters!'' (1956)'','' the Americanized version of the original film. Godzilla is an enormous, destructive, prehistoric sea monster awakened and empowered by nuclear radiation. With the nuclear bombings of Hiroshima and Nagasaki and the '' Lucky Dragon 5'' incident still fresh in the Japanese consciousness, Godzilla was conceived as a metaphor for nuclear weapons. Others have suggested that Godzilla is a metaphor for the United States, a giant beast woken from its slumber which then takes terrible vengeance on Japan. As the film series expan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Invasion Of Astro-Monster
is a 1965 ''kaiju'' film directed by Ishirō Honda, with special effects by Eiji Tsuburaya. It is the sixth film in the ''Godzilla'' franchise and Shōwa period. The film was a Japanese-American co-production; it was the second collaboration between Toho Co., Ltd. and UPA. The film stars Akira Takarada, Nick Adams, Kumi Mizuno, Akira Kubo, and Yoshio Tsuchiya, with Haruo Nakajima as Godzilla, Masaki Shinohara as Rodan, and Shoichi Hirose as King Ghidorah. In the film, aliens plead with humanity to borrow Godzilla and Rodan to defeat King Ghidorah, only to betray the humans and unleash the monsters on the Earth. ''Invasion of Astro-Monster'' was theatrically released in Japan on December 19, 1965. It was followed by a theatrical release in the United States on July 29, 1970 by Maron Films as ''Monster Zero'', on a double bill with ''The War of the Gargantuas''. The film was followed by ''Ebirah, Horror of the Deep'', released on December 17, 1966. Plot In the year 196X, two ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fangoria
''Fangoria'' is an internationally distributed American horror film fan magazine, in publication since 1979. It is published four times a year by Fangoria Publishing, LLC and is edited by Phil Nobile Jr. The magazine was originally released in an age when horror fandom was still a burgeoning subculture; in the late 1970s, most horror publications were concerned with classic cinema, while those that focused on contemporary horror were largely fanzines. ''Fangoria'' rose to prominence by running exclusive interviews with horror filmmakers and offering behind-the-scenes photos and stories that were otherwise unavailable to fans in the era before the Internet. The magazine would eventually rise to become a force itself in the horror world, hosting its own awards show, sponsoring and hosting numerous horror conventions, producing films, and printing its own line of comics. ''Fangoria'' began struggling in the 2010s due to issues arising from the internet, including difficulty in g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Famous Monsters Of Filmland
''Famous Monsters of Filmland'' is an American genre-specific film magazine, started in 1958 by publisher James Warren and editor Forrest J Ackerman. ''Famous Monsters of Filmland'' directly inspired the creation of many other similar publications, including ''Castle of Frankenstein'', ''Cinefantastique'', ''Fangoria'', ''The Monster Times'', and ''Video Watchdog''. In addition, hundreds, if not thousands, of ''FM''-influenced horror, fantasy and science fiction film-related fanzines have been produced, some of which have continued to publish for decades, such as ''Midnight Marquee'' and ''Little Shoppe of Horrors''. Publication history 1958–1983 ''Famous Monsters of Filmland'' was originally conceived as a one-shot publication by Warren and Ackerman, published in the wake of the widespread success of the ''Shock Theater'' package of old horror movies syndicated to American television in 1957. But the first issue, published in February 1958, was so successful that it requir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guam
Guam (; ch, Guåhan ) is an organized, unincorporated territory of the United States in the Micronesia subregion of the western Pacific Ocean. It is the westernmost point and territory of the United States (reckoned from the geographic center of the U.S.); its capital Hagåtña (144°45'00"E) lies further west than Melbourne, Australia (144°57'47"E). In Oceania, Guam is the largest and southernmost of the Mariana Islands and the largest island in Micronesia. Guam's capital is Hagåtña, and the most populous village is Dededo. People born on Guam are American citizens but have no vote in the United States presidential elections while residing on Guam and Guam delegates to the United States House of Representatives have no vote on the floor. Indigenous Guamanians are the Chamoru, historically known as the Chamorro, who are related to the Austronesian peoples of Indonesia, the Philippines, Malaysia, Taiwan, Micronesia, and Polynesia. As of 2022, Guam's population is 168, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ebirah, Horror Of The Deep
is a 1966 Japanese '' kaiju'' film directed by Jun Fukuda and produced and distributed by Toho Co., Ltd. The film stars Akira Takarada, Kumi Mizuno, Akihiko Hirata and Eisei Amamoto, and features the fictional monster characters Godzilla, Mothra, and Ebirah. It is the seventh film in the '' Godzilla'' franchise, and features special effects by Sadamasa Arikawa, under the supervision of Eiji Tsuburaya. In the film, Godzilla and Ebirah are portrayed by Haruo Nakajima and Hiroshi Sekita, respectively. During its development, ''Ebirah, Horror of the Deep'' was intended to feature King Kong, but the character was replaced by Godzilla. The film was released to theaters in Japan on December 17, 1966, and was released directly to television in the United States in 1968 under the title ''Godzilla versus the Sea Monster''. Plot After Yata is lost at sea, his brother Ryota steals a yacht with his two friends and a bank robber. However, the crew runs afoul of Ebirah, a giant lobster- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akira Ifukube
was a Japanese classical and film music composer, best known for his works on the ''Godzilla'' franchise. Biography Early years in Hokkaido Akira Ifukube was born on 31 May 1914 in Kushiro, Japan as the third son of a police officer Toshimitsu Ifukube. The origins of this family can be traced back to at least the 7th century with the birth of Ifukibe-no-Tokotarihime. He was strongly influenced by the Ainu music as he spent his childhood (from age of 9 to 12) in Otofuke near Obihiro, where was with a mixed population of Ainu and Japanese. His first encounter with classical music occurred when attending secondary school in Sapporo city. Ifukube decided to become a composer at the age of 14 after hearing a radio performance of Igor Stravinsky's ''The Rite of Spring'', and also cited the music of Manuel de Falla as a major influence. Ifukube studied forestry at Hokkaido Imperial University in Sapporo and composed in his spare time, which prefigured a line of self-taught Jap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ishirō Honda
was a Japanese filmmaker who directed 44 feature films in a career spanning 59 years. The most internationally successful Japanese filmmaker prior to Hayao Miyazaki, his films have had a significant influence on the film industry. Honda entered the Japanese film industry in 1934, working as the third assistant director on Sotoji Kimura's ''The Elderly Commoner's Life Study''. After 15 years of working on numerous films as an assistant director, he made his directorial debut with the short documentary film ''Ise-Shima'' (1949). Honda's first feature film, ''Aoi Shinju, The Blue Pearl'' (1952), was a critical success in Japan at the time and would lead him to direct three subsequent drama films. In 1954, Honda directed and co-wrote ''Godzilla (1954 film), Godzilla'', which became a box office success in Japan, and was nominated for two Japanese Movie Association awards. Because of the film's commercial success in Japan, it spawned a Godzilla (franchise), multimedia franchise, re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Kong Escapes
is a 1967 ''kaiju'' film directed by Ishirō Honda, with special effects by Eiji Tsuburaya. The film was a Japanese– American co-production between Toho and Rankin/Bass, and stars Rhodes Reason, Linda Miller, Akira Takarada, Mie Hama, Eisei Amamoto, with Haruo Nakajima as King Kong and Hiroshi Sekita as Mechani-Kong and Gorosaurus. The film is loosely based on Rankin/Bass' series, ''The King Kong Show'', and was the second and final Toho-produced film featuring King Kong. ''King Kong Escapes'' was released in Japan on July 22, 1967, and released in the United States on June 19, 1968. It is the fourth entry in the ''King Kong'' franchise. Plot An evil genius named Dr. Who creates Mechani-Kong, a robot version of King Kong, to dig for the highly radioactive Element X, found only at the North Pole. Mechani-Kong enters an ice cave and begins to dig into a glacier, but the radiation destroys its brain circuits and the robot shuts down. Who then sets his sights on gettin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenji Sahara
Kenji Sahara (佐原 健二 ''Sahara Kenji'') (born 14 May 1932) is a Japanese actor. He was born in Kawasaki City, Kanagawa. His birth name is Masayoshi Kato (加藤 正好 ''Katō Masayoshi''). Initially he used the name Tadashi Ishihara before changing it when he secured the lead role in ''Rodan'' (1956). Selected filmography Sahara did a lot of work for the Toho Company, the studio that so far has produced 28 ''Godzilla'' movies. He appeared in more of the ''Godzilla'' series than any other actor. Also, he is the actor who was often relied on in most of the films by Directors Ishiro Honda and Eiji Tsuburaya. He has appeared in many supporting roles. Sahara is famous as a mainstay of Toho special-effects movies and the ''Ultraman'' series. * '' Farewell Rabaul'' (1954) * ''Godzilla'' (1954) – as Young Lover on the Sound * '' Yuki No Koi'' (1955) – (credited as Tadashi Ishihara) * ''Seifuku No Otome Tachi'' (1955) – as Hideya Fujiwara (credited as Tadashi Ishihara) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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