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Some Day My Prince Will Come
"Someday My Prince Will Come" is a song from Walt Disney's 1937 animated movie ''Snow White and the Seven Dwarfs''. It was written by Larry Morey (lyrics) & Frank Churchill (music), and performed by Adriana Caselotti (Snow White's voice in the movie). It was also featured in the 1979 stage adaptation of the 1937 animated musical movie. In AFI's 100 Years...100 Songs, it was ranked the 19th greatest film song of all time. Production Conception Adriana Caselotti was cast in the 1937 film ''Snow White and the Seven Dwarfs'' after interrupting a phone conversation her father – a voice coach – was having on the phone with a talent scout. The scout was casting the upcoming film and noted that a previous candidate had sounded like a 30-year-old so was let go; Caselotti picked up the extension and recommended herself. Only 18 at the time, Disney thought she sounded like a 14-year-old, which is what he wanted, and he offered her the part. She worked on the film for a nominal fee ...
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Adriana Caselotti
Adriana Elena Loreta Caselotti (May 6, 1916 – January 18, 1997) was an American actress and singer. Caselotti was the voice of the title character of the first Walt Disney animated feature, ''Snow White and the Seven Dwarfs'', for which she was named a Disney Legend in 1994, making her the first female voiceover artist to achieve this. Early life Adriana Caselotti was born in Bridgeport, Connecticut to an Italian-American family. Her father, Guido Luigi Emanuele Caselotti, was an immigrant from Udine, and worked as a music teacher and vocal coach, and served as the organist for the Holy Rosary Church; and her mother, Maria Josephine Orefice from Casavatore, was a singer in the Royal Opera Theatre of Rome. Her older sister, Louise, sang opera and gave voice lessons—Maria Callas being a student of hers. When Caselotti was seven years old, her family left Connecticut for Italy, while her mother toured with an opera company. Caselotti was educated and boarded at the San Ge ...
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Hakuna Matata (song)
"Hakuna Matata" is a song from Disney's 32nd animated feature ''The Lion King''. The music was written by Elton John with lyrics by Tim Rice. The song is based on Timon and Pumbaa's catchphrase in the movie, '' Hakuna matata'', a Swahili phrase meaning "No worry(s)". It is characterized by its simple 4/4 time, upbeat message and catchy lyrics. Music The song's music and melody were composed by Elton John, with lyrics by Tim Rice. In the film the song is sung by Timon the Meerkat (voiced by Nathan Lane), Pumbaa the Warthog (voiced by Ernie Sabella), and Simba, a young lion voiced by Jason Weaver (singing voice as a cub) and Joseph Williams (singing voice as an adult). Taking place after the death of Mufasa, it features Timon and Pumbaa, the two main comedy characters in the film, talking to Simba about moving forward from their troubled pasts and forgetting their worries, and Simba grows from cub to adult as the song progresses. The song also provides a backstory for Pumbaa, expl ...
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Reunion Blues
''Reunion Blues'' is a 1971 album by Oscar Peterson and Milt Jackson. Track listing # " (I Can't Get No) Satisfaction" (Mick Jagger, Keith Richards) – 4:04 # "Dream of You" (Benny Carter, Irving Mills) – 4:17 # "Some Day My Prince Will Come" ( Frank Churchill, Larry Morey) – 6:11 # "A Time for Love" (Johnny Mandel, Paul Francis Webster) – 5:28 # "Reunion Blues" ( Milt Jackson) – 6:39 # "When I Fall in Love" (Edward Heyman, Victor Young) – 5:14 # "Red Top" ( Lionel Hampton, Ben Kynard) – 8:45 Personnel Performance * Oscar Peterson – piano * Milt Jackson – vibraphone * Ray Brown – double bass * Louis Hayes Louis Hayes (born May 31, 1937) is an American jazz drummer and band leader. He was with McCoy Tyner's trio for more than three years. Since 1989 he has led his own band, and together with Vincent Herring formed the Cannonball Legacy Band. He ... - drums References 1971 albums Oscar Peterson albums Milt Jackson albums MPS Records albu ...
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Milt Jackson
Milton Jackson (January 1, 1923 – October 9, 1999), nicknamed "Bags", was an American jazz vibraphonist, usually thought of as a bebop player, although he performed in several jazz idioms. He is especially remembered for his cool swinging solos as a member of the Modern Jazz Quartet and his penchant for collaborating with hard bop and post-bop players. A very expressive player, Jackson differentiated himself from other vibraphonists in his attention to variations on harmonics and rhythm. He was particularly fond of the twelve-bar blues at slow tempos. On occasion, Jackson also sang and played piano. Biography Jackson was born on January 1, 1923, in Detroit, Michigan, United States, the son of Manley Jackson and Lillie Beaty Jackson. Like many of his contemporaries, he was surrounded by music from an early age, particularly that of religious meetings: "Everyone wants to know where I got that funky style. Well, it came from church. The music I heard was open, relaxed, imprompt ...
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Oscar Peterson
Oscar Emmanuel Peterson (August 15, 1925 – December 23, 2007) was a Canadian virtuoso jazz pianist and composer. Considered one of the greatest jazz pianists of all time, Peterson released more than 200 recordings, won seven Grammy Awards, as well as a lifetime achievement award from the Recording Academy, and received numerous other awards and honours. He played thousands of concerts worldwide in a career lasting more than 60 years. He was called the "Maharaja of the keyboard" by Duke Ellington, simply "O.P." by his friends, and informally in the jazz community as "the King of inside swing". Biography Early years Peterson was born in Montreal, Quebec, to immigrants from the West Indies (Saint Kitts and Nevis and the British Virgin Islands); His mother, Kathleen, was a domestic worker and his father, Daniel, worked as a porter for Canadian Pacific Railway and was an amateur musician who taught himself to play the organ, trumpet and piano. Peterson grew up in the neighbourh ...
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Someday My Prince Will Come (Wynton Kelly Album)
''Someday My Prince Will Come'' is an album by jazz pianist Wynton Kelly featuring performances by Kelly with Paul Chambers or Sam Jones and Jimmy Cobb recorded in 1961 and one track with Lee Morgan and Wayne Shorter from 1959 released by the Vee-Jay label in 1961.Wynton Kelly discography
accessed August 19, 2010
Additional performances from these sessions were released as ''''.


Reception

The review by Scott Yanow awarded the album 4½ stars and ...
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Wynton Kelly
Wynton Charles Kelly (December 2, 1931 – April 12, 1971) was an American jazz pianist and composer. He is known for his lively, blues-based playing and as one of the finest accompanists in jazz. He began playing professionally at the age of 12 and was pianist on a No. 1 R&B hit at the age of 16. His recording debut as a leader occurred three years later, around the time he started to become better known as an accompanist to singer Dinah Washington, and as a member of trumpeter Dizzy Gillespie's band. This progress was interrupted by two years in the United States Army, after which Kelly worked again with Washington and Gillespie, and played with other leaders. Over the next few years, these included instrumentalists Cannonball Adderley, John Coltrane, Hank Mobley, Wes Montgomery, and Sonny Rollins, and vocalists Betty Carter, Billie Holiday, and Abbey Lincoln. Kelly attracted the most attention as part of Miles Davis' band from 1959, including an appearance on the trumpete ...
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Miles Davis
Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. Born in Alton, Illinois, and raised in East St. Louis, Davis left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the ''Birth of the Cool'' sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival, he signed a long-term contract wi ...
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Portrait In Jazz
''Portrait in Jazz'' is an album by American jazz pianist Bill Evans, released in 1960. It is the first of only two studio albums to be recorded with his famous trio featuring bassist Scott LaFaro and drummer Paul Motian. History Eight months after his successful collaboration with Miles Davis on the album ''Kind of Blue'', Evans recorded ''Portrait in Jazz'' with a new group (the Bill Evans Trio) that helped change the direction of modern jazz. Most noticeably, LaFaro's bass is promoted from a mere accompanying instrument to one of almost equal status to the piano (though not to the extent that it would be on later albums such as ''Sunday at the Village Vanguard''). It is one of Evans' more up-tempo and swinging albums (the presence of several ballads notwithstanding). Reception Reviewing it for Allmusic, music critic Scott Yanow wrote of the album: "... the influential interpretations were far from routine or predictable at the time. LaFaro and Motian were nearly equal partne ...
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Bill Evans
William John Evans (August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who worked primarily as the leader of his trio. His use of impressionist harmony, interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continues to influence jazz pianists today. Born in Plainfield, New Jersey, United States, he was classically trained at Southeastern Louisiana University and the Mannes School of Music, in New York City, where he majored in composition and received the Artist Diploma. In 1955, he moved to New York City, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, which in 1959, then immersed in modal jazz, recorded '' Kind of Blue'', the best-selling jazz album ever. In late 1959, Evans left the Miles Davis band and began his career as a leader, with bassist Scott LaFaro and drummer Paul Motian, a group now regarded as a se ...
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Dave Digs Disney
''Dave Digs Disney'' is a 1957 studio album by the Dave Brubeck Quartet. It features jazz renditions of songs from the animated Disney films ''Alice in Wonderland'', ''Pinocchio'' and ''Snow White and the Seven Dwarfs''. It is one of Brubeck's most popular albums. The album was reissued in 2011, with remastered recordings and two bonus tracks: "Very Good Advice" (from ''Alice in Wonderland'') and "So This Is Love" (from ''Cinderella''). The original LP was issued only in mono, though stereo tapes were recorded at the time. The stereo mixes of the album's tracks were not widely available until later re-releases. Production The Disney tunes played on this album were played by the quartet for some time, but it took a family trip to Disneyland to convince Brubeck to call up his producer and pitch his idea of a Disney album. At the time, Disney songs were considered below the talents of jazz musicians, yet Brubeck took a financial risk on the album and it paid off. Later, other jazz a ...
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Dave Brubeck
David Warren Brubeck (; December 6, 1920 – December 5, 2012) was an American jazz pianist and composer. Often regarded as a foremost exponent of cool jazz, Brubeck's work is characterized by unusual time signatures and superimposing contrasting rhythms, Metre (music), meters, and tonality, tonalities. Born in Concord, California, Brubeck was drafted into the US Army, but was spared from combat service when a International Red Cross and Red Crescent Movement, Red Cross show he had played at became a hit. Within the US Army, Brubeck formed one of the first racial integration, racially diverse bands. In 1951, Brubeck formed the Dave Brubeck Quartet, which kept its name despite shifting personnel. The most successful—and prolific—lineup of the quartet was the one between 1958 and 1968. This lineup, in addition to Brubeck, featured saxophonist Paul Desmond, bassist Eugene Wright and drummer Joe Morello. A U.S. Department of State-sponsored tour in 1958 featuring the band inspir ...
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