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Wynton Kelly!
''Wynton Kelly!'' is an album by jazz pianist Wynton Kelly released on the Vee-Jay label featuring performances by Kelly with Paul Chambers or Sam Jones and Jimmy Cobb recorded in 1961.Wynton Kelly discography accessed August 19, 2010 Additional performances from these sessions were released as ''''. Reception The review by Jim Todd awarded the album 2½ stars and states "a fine example of Kelly relaxed and |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Standard
Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive list of jazz standards, and the list of songs deemed to be standards changes over time. Songs included in major fake book publications (sheet music collections of popular tunes) and jazz reference works offer a rough guide to which songs are considered standards. Not all jazz standards were written by jazz composers. Many are originally Tin Pan Alley popular songs, Broadway show tunes or songs from Hollywood musicals – the Great American Songbook. In Europe, jazz standards and "fake books" may even include some traditional folk songs (such as in Scandinavia) or pieces of ethnic music (such as gypsy melodies) that have been played with a jazz feel by well known jazz players. A commonly played song can only be considered a jazz standard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscar Hammerstein II
Oscar Greeley Clendenning Hammerstein II (; July 12, 1895 – August 23, 1960) was an American lyricist, librettist, theatrical producer, and (usually uncredited) director in the musical theater for almost 40 years. He won eight Tony Awards and two Academy Awards for Best Original Song. Many of his songs are standard repertoire for vocalists and jazz musicians. He co-wrote 850 songs. He is best known for his collaborations with composer Richard Rodgers, as the duo Rodgers and Hammerstein, whose musicals include ''Oklahoma!'', '' Carousel'', '' South Pacific'', ''The King and I'', and ''The Sound of Music''. Described by Stephen Sondheim as an "experimental playwright", Hammerstein helped bring the American musical to new maturity by popularizing musicals that focused on stories and character rather than the lighthearted entertainment that the musical had been known for beforehand. He also collaborated with Jerome Kern (with whom he wrote ''Show Boat''), Vincent Y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Surrey With The Fringe On Top
"The Surrey with the Fringe on Top" is a show tune from the 1943 Rodgers and Hammerstein musical ''Oklahoma!''. The piece was recorded in 1952 by jazz pianist Ahmad Jamal, which influenced trumpeter Miles Davis Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of music ... to include it in his repertoire in the 1950s, which probably motivated other jazz musicians to play it. References External linksLyrics 1943 songs 1940s jazz standards Songs with music by Richard Rodgers Songs with lyrics by Oscar Hammerstein II Songs from Oklahoma! {{Show-tune-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Prévert
Jacques Prévert (; 4 February 1900 – 11 April 1977) was a French poet and screenwriter. His poems became and remain popular in the French-speaking world, particularly in schools. His best-regarded films formed part of the poetic realist movement, and include '' Les Enfants du Paradis'' (1945). He published his first book in 1946. Life and education Prévert was born in Neuilly-sur-Seine and grew up in Paris. After receiving his ''Certificat d'études'' upon completing his primary education, he quit school and went to work in Le Bon Marché, a major department store in Paris. In 1918, he was called up for military service in the First World War. After this, he was sent to the Near East to defend French interests there. He died of lung cancer in Omonville-la-Petite, on 11 April 1977. He had been working on the last scene of the animated movie ''Le Roi et l'Oiseau'' (''The King and the Mockingbird'') with his friend and collaborator Paul Grimault. When the film was released in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Kosma
Joseph Kosma (22 October 19057 August 1969) was a Hungarian-French composer. Biography Kosma was born József Kozma in Budapest, where his parents taught stenography and typing. He had a brother, Ákos. A maternal relative was the photographer László Moholy-Nagy, and another was the conductor Georg Solti. He started to play the piano at age five, and later took piano lessons. At the age of 11, he wrote his first opera, ''Christmas in the Trenches''. After completing his education at the Secondary Grammar School Franz-Josef, he attended the Academy of Music in Budapest, where he studied with Leo Weiner. He also studied with Béla Bartók at the Liszt Academy, receiving diplomas in composition and conducting. He won a grant to study in Berlin in 1928, where he met Lilli Apel, another musician, whom he later married. Kosma also met and studied with Hanns Eisler in Berlin. He became acquainted with Bertolt Brecht and Helene Weigel. Kosma and his wife emigrated to Paris in 1933. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Autumn Leaves (1945 Song)
"Autumn Leaves" is a popular song and jazz standard composed by Joseph Kosma in 1945 with original lyrics by Jacques Prévert in French (original French title: "Les Feuilles mortes"), and later by Johnny Mercer in English. An instrumental version by pianist Roger Williams was a number one best-seller in the US ''Billboard'' charts of 1955. Background Kosma was a native of Hungary who was introduced to Prévert in Paris. They collaborated on the song ' ("The Dead Leaves") for the 1946 film '' Les Portes de la nuit (Gates of the Night)'' where it was sung by Irène Joachim and Yves Montand. The poem was published, after the death of Jacques Prévert, in the book " Soleil de Nuit" in 1980. Kosma was influenced by a piece of ballet music, "Rendez-vous" written for Roland Petit, performed in Paris at the end of the Second World War, large parts of the melodies are exactly the same, which was itself borrowed partially from "Poème d'octobre" by Jules Massenet. The first commercial ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Schwartz
Arthur Schwartz (November 25, 1900 – September 3, 1984) was an American composer and film producer, widely noted for his songwriting collaborations with Howard Dietz. Biography Early life Schwartz was born in Brooklyn, New York City, on November 25, 1900. He taught himself to play the harmonica and piano as a child, and began playing for silent films at age 14. He earned a B.A. in English at New York University and an M.A. in Architecture at Columbia. Forced by his father, an attorney, to study law, Schwartz graduated from NYU Law School with a Doctorate in Jurisprudence and was admitted to the bar in 1924. Career While studying law, he supported himself by teaching English in the New York school system. He also worked on songwriting concurrently with his studies and published his first song ("Baltimore, Md., You're the Only Doctor for Me", with lyrics by Eli Dawson) by 1923. Acquaintances such as Lorenz Hart and George Gershwin encouraged him to stick with composing. He att ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dorothy Fields
Dorothy Fields (July 15, 1904 – March 28, 1974) was an American librettist and lyricist. She wrote over 400 songs for Broadway musicals and films. Her best-known pieces include "The Way You Look Tonight" (1936), "A Fine Romance" (1936), "On the Sunny Side of the Street" (1930), " Don't Blame Me" (1948), "Pick Yourself Up" (1936), "I'm in the Mood for Love" (1935), "You Couldn't Be Cuter" (1938) and " Big Spender" (1966). Throughout her career, she collaborated with various influential figures in the American musical theater, including Jerome Kern, Cy Coleman, Irving Berlin, and Jimmy McHugh. Along with Ann Ronell, Dana Suesse, Bernice Petkere, and Kay Swift, she was one of the first successful Tin Pan Alley and Hollywood female songwriters. Early life Fields was born in Allenhurst, New Jersey, and grew up in New York City. In 1923, Fields graduated from the Benjamin School for Girls in New York City. At school, she was outstanding in the subjects of English, drama, and baske ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Mercer
John Herndon Mercer (November 18, 1909 – June 25, 1976) was an American lyricist, songwriter, and singer, as well as a record label executive who co-founded Capitol Records with music industry businessmen Buddy DeSylva and Glenn E. Wallichs. He is best known as a Tin Pan Alley lyricist, but he also composed music, and was a popular singer who recorded his own songs as well as songs written by others from the mid-1930s through the mid-1950s. Mercer's songs were among the most successful hits of the time, including " Moon River", " Days of Wine and Roses", " Autumn Leaves", and "Hooray for Hollywood". He wrote the lyrics to more than 1,500 songs, including compositions for movies and Broadway shows. He received nineteen Oscar nominations, and won four Best Original Song Oscars. Early life Mercer was born in Savannah, Georgia, where one of his first jobs, aged 10, was sweeping floors at the original 1919 location of Leopold's Ice Cream. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harold Arlen
Harold Arlen (born Hyman Arluck; February 15, 1905 – April 23, 1986) was an American composer of popular music, who composed over 500 songs, a number of which have become known worldwide. In addition to composing the songs for the 1939 film '' The Wizard of Oz'' (lyrics by Yip Harburg), including " Over the Rainbow", Arlen is a highly regarded contributor to the Great American Songbook. "Over the Rainbow" was voted the 20th century's No. 1 song by the RIAA and the NEA. Life and career Arlen was born in Buffalo, New York, the child of a Jewish cantor. His twin brother died the next day. He learned to play the piano as a youth, and formed a band as a young man. He achieved some local success as a pianist and singer before moving to New York City in his early twenties, where he worked as an accompanist in vaudeville and changed his name to Harold Arlen. Between 1926 and about 1934, Arlen appeared occasionally as a band vocalist on records by The Buffalodians, Red Nichols, Joe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Come Rain Or Come Shine
"Come Rain or Come Shine" is a popular music song, with music by Harold Arlen and lyrics by Johnny Mercer. It was written for the Broadway musical '' St. Louis Woman'', which opened on March 30, 1946, and closed after 113 performances. Chart performance It "became a modest hit during the show's run, making the pop charts with a Margaret Whiting (Paul Weston and His Orchestra) recording rising to number seventeen, and, shortly after, a Helen Forrest and Dick Haymes recording rising to number twenty-three." Other recordings The song has subsequently been recorded by a host of artists, including: *In 1955, Billie Holiday included it on her ''Music for Torching'' LP. *In 1956, Judy Garland included it on her '' Judy'' LP, as well her 1961 live album, ''Judy at Carnegie Hall''. *In 1956, Fran Warren included it on her album ''Mood Indigo''. *In 1958, Art Blakey & The Jazz Messengers recorded it for their album released in 1959, ''Moanin’''. *In 1959, Connie Francis included it on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
