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Soli Deo Gloria (album)
''Soli Deo Gloria'' is the first studio album by Norwegian futurepop band Apoptygma Berzerk. It was originally released in 1993 and gained the band attention the world over. It had been out of print for years until it was remastered and reissued in 2003 by Tatra Records and then again in 2007 as a digital release. It was re-issued as a deluxe remaster edition with a digipak cover in 2008. "Ashes To Ashes '93" is an updated version of the song "Ashes to Ashes" found on the band's first single of the same name. All Tomorrow's Parties is a The Velvet Underground The Velvet Underground was an American rock band formed in New York City in 1964. The original line-up consisted of singer/guitarist Lou Reed, multi-instrumentalist John Cale, guitarist Sterling Morrison, and drummer Angus MacLise. MacLise w ... cover. Track listing Bonus tracks {{DEFAULTSORT:Soli Deo Gloria (Album) 2007 debut albums Apoptygma Berzerk albums ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apoptygma Berzerk
Apoptygma Berzerk (; commonly abbreviated to APB or APOP) is a Norwegian musical group. They have achieved success with a brand of synth-pop, and ballads backed with electronic rhythms, commonly known within the scene and referring to themselves as "futurepop". Apoptygma Berzerk has over 30 releases and won awards and Top 10 spots in Germany and Scandinavia. Apoptygma Berzerk has toured Europe, North America, South America, Israel and Australia with bands such as VNV Nation, Beborn Beton, Icon of Coil and Unheilig. Formation The band was formed by Stephan Groth and Jon Erik Martinsen in 1989. One of the songs they wrote together, "Ashes To Ashes" would later be released as a 12-inch single on the Norwegian label Tatra Productions in 1991. Martinsen left the band due to creative differences. The name "Apoptygma Berzerk" has no particular meaning; frontman and founding member Stephan Groth claims that it was randomly picked out of a dictionary (the first word being derived fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Body Music
Electronic body music (acronymized to EBM) is a genre of electronic music that combines elements of industrial music and synth-punk with elements of disco and dance music. It developed in the early 1980s in Western Europe as an outgrowth of both punk and industrial music cultures. It combines sequenced repetitive basslines, programmed dance music rhythms, and mostly undistorted vocals and commandlike shouts with confrontational or provocative themes. The evolution of the genre reflected "a general shift towards more song-oriented structures in industrial as to a general turn towards the dancefloor by many musicians and genres in the era of post-punk."Timor Kaul: ''Electronic Body Music''. In: Thomas Hecken, Marcus S. Kleiner: ''Handbook Popculture.'' J.B. Metzler Verlag 2017, , p. 102–104. It was considered a part of the European new wave and post-punk movement and the first style that blended synthesized sounds with an ecstatic style of dancing (e.g. pogo). EBM gai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electro (music)
Electro (or electro- funk)Rap meets Techno, with a short history of Electro Globaldarkness.com. Retrieved on July 18, 2011. is a of and early hip hop directly influenced by the use of the Roland TR-808 drum machines, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synth-pop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Futurepop
Futurepop is an electronic music genre that has been characterized as a blend of synthpop, EBM and dance beats, based on trance and techno.Peter Matzke, Tobias Seeliger: ''Das Gothic- und Dark-Wave-Lexikon.'' Schwarzkopf und Schwarzkopf, Berlin 2003, , p. 230.Axel Schmidt, Klaus Neumann-Braun: ''Die Welt der Gothics. Spielräume düster konnotierter Transzendenz.'' 2004, . p. 273. It developed in Western Europe as an outgrowth of both EBM and electro-industrial music cultures and it began to emerge in the late 1990s with artists like VNV Nation, Covenant, and Apoptygma Berzerk. Other leading genre artists were Assemblage 23, Icon of Coil, Neuroticfish, and Rotersand.Isabella van Elferen: ''Gothic Music: The Sounds of the Uncanny'', University of Wales Press, 2012, , p. 165.'' Futurepop is mostly associated with the cybergoth subculture. It has become popular in alternative dance clubs, particularly in Germany. Music festivals that feature futurepop bands ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metropolis Records
Metropolis Records is a record label founded in Philadelphia, Pennsylvania in 1993 by the late Dave Heckman. The label's all-electronic format closely tracked with European contemporaries, such as Off Beat, and, since 1995, has been instrumental in promoting and distributing underground electronic music in America. On June 9, 1999, Metropolis bought American industrial label Pendragon Pendragon or ( wlm, pen dreic, ''pen dragon''; composed of Welsh , 'head, chief, top' and / ''dragon'', 'dragon; warrior'; borrowed from the Latin word , plural , 'dragon , br, Penn Aerouant) literally means 'chief dragon' or 'head dragon', but .... It assumed distribution responsibilities for the back catalogues of Pendragon, as well as of label 21st Circuitry that went out of business at the time. Artists signed References External links Official site Electronic music record labels American independent record labels Record labels established in 1995 Industrial record label ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The 2nd Manifesto
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pron ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
7 (Apoptygma Berzerk Album)
''7'' is the second studio album from Norwegian futurepop group Apoptygma Berzerk. The album was released in 1996 following frontman Stephan Groth's work on several side projects. It has been remastered and re-released in 2003, 2008 and 2014 (on cassette) respectively. While each remaster included bonus songs, the samples of Carl Orff's "O Fortuna" present on "Love Never Dies – Part 1" were replaced with a choir keyboard patch playing an entirely different melody, due to copyright issues over the original pressings by Tatra and Metropolis Records. The album peaked at #18 on the CMJ CMJ Holdings Corp. is a music events and online media company, originally founded in 1978, which ran a website, hosted an annual festival in New York City, and published two magazines, ''CMJ New Music Monthly'' and ''CMJ New Music Report''. Th ... RPM Charts in the U.S. Track listing References {{DEFAULTSORT:7 (Apoptygma Berzerk Album) 1996 albums Apoptygma Berzerk albums [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norway
Norway, officially the Kingdom of Norway, is a Nordic country in Northern Europe, the mainland territory of which comprises the western and northernmost portion of the Scandinavian Peninsula. The remote Arctic island of Jan Mayen and the archipelago of Svalbard also form part of Norway. Bouvet Island, located in the Subantarctic, is a dependency of Norway; it also lays claims to the Antarctic territories of Peter I Island and Queen Maud Land. The capital and largest city in Norway is Oslo. Norway has a total area of and had a population of 5,425,270 in January 2022. The country shares a long eastern border with Sweden at a length of . It is bordered by Finland and Russia to the northeast and the Skagerrak strait to the south, on the other side of which are Denmark and the United Kingdom. Norway has an extensive coastline, facing the North Atlantic Ocean and the Barents Sea. The maritime influence dominates Norway's climate, with mild lowland temperatures on the se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Remaster
Remaster refers to changing the quality of the sound or of the image, or both, of previously created recordings, either audiophonic, cinematic, or videographic. The terms digital remastering and digitally remastered are also used. Mastering A master is the definitive recording version that will be replicated for the end user, commonly into other formats (e.g. LP records, CDs, DVDs, Blu-rays). A batch of copies is often made from a single original master recording, which might itself be based on previous recordings. For example, sound effects (e.g. a door opening, punching sounds, falling down the stairs, a bell ringing) might have been added from copies of sound effect tapes similar to modern sampling to make a radio play for broadcast. Problematically, several different levels of masters often exist for any one audio release. As an example, examine the way a typical music album from the 1960s was created. Musicians and vocalists were recorded on multi-track tape. This tape w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reissue
In the music industry, a reissue (also re-release, repackage or re-edition) is the release of an album or Single (music), single which has been released at least once before, sometimes with alterations or additions. Reasons for reissue New audio formats Recordings originally released in an audio format that has become technologically or commercially obsolete are reissued in new formats. For example, thousands of original vinyl record, vinyl albums have been reissued on Red Book (audio CD standard), CDs since introduction of that format in the early 1980s. With the introduction of the LP record in 1948, some collections of 78 rpm records were reissued on LP. More recently, many albums originally released on CD or earlier formats have been reissued on Super Audio CD, SACD, DVD-Audio, digital music downloads, and on streaming media, music streaming services. Budget records Beginning with Pickwick Records, which acquired the rights to reissue many of Capitol Records' non-current ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
All Tomorrow's Parties
"All Tomorrow's Parties" is a song by the Velvet Underground and Nico, written by Lou Reed and released on the group's 1967 debut studio album, ''The Velvet Underground & Nico''. Inspiration for the song came from Reed's observation of Andy Warhol’s clique—according to Reed, the song is "a very apt description of certain people at the Factory at the time. ... I watched Andy. I watched Andy watching everybody. I would hear people say the most astonishing things, the craziest things, the funniest things, the saddest things." In a 2006 interview Reed's bandmate John Cale stated: "The song was about a girl called Darryl, a beautiful petite blonde with three kids, two of whom were taken away from her." The song was Andy Warhol's favorite by The Velvet Underground. The song has notably lent its name to a music festival, a William Gibson novel, and a Yu Lik-wai film. Recording The song was recorded at Scepter Studios in Manhattan during April 1966. It features a piano motif playe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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