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Smack My Bitch Up
"Smack My Bitch Up" is a song by English rave group The Prodigy. It was released in November 1997 as the third and final single from their third album, ''The Fat of the Land'' (1997). In 2013, ''Mixmag'' readers voted it the third greatest dance track of all time. The song caused considerable controversy because of its suggestive title and explicit music video, which depicted scenes of drunken and drug-fuelled sexual assault and violence. The refrain, which consists only of the line "Change my pitch up/Smack my bitch up" was sampled from the song " Give the Drummer Some" by the Ultramagnetic MCs, and it also contains a brief medley of an unidentified female singer vocalising alap. In 2010, the song was voted as the most controversial of all-time in a survey conducted by PRS for Music. Prior to the release of the single, Liam Howlett was presented with three remixes of the title song, one by Jonny L, one by DJ Hype and one by Slacker. Howlett chose the DJ Hype remix to be relea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Prodigy
The Prodigy are an English electronic dance music band formed in Braintree, Essex, in 1990 by producer, keyboard player and songwriter Liam Howlett. The original line-up also featured dancer and singer Keith Flint and dancer and occasional live keyboard player Leeroy Thornhill, dancer Sharky and MC and vocalist Maxim. They were pioneers of the breakbeat-influenced genre big beat, and achieved mainstream popularity in the 1990s. Howlett's rock-inspired drum rhythms infused with electronic rave music beats/breaks were combined with Maxim's omnipresent mystique, Thornhill's shuffle dancing style, and Flint's later modern punk appearance. The Prodigy describe their style as electronic punk. The band emerged during the underground rave scene and achieved early success in 1991 with their debut singles "Charly" and "Everybody in the Place", which reached the UK top five. After their debut album ''Experience'' (1992), the band moved from their rave roots and incorporated techno, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mixmag
''Mixmag'' is a British electronic dance and clubbing magazine published in London. Launched in 1983 as a print magazine, it has branched into dance events, including festivals and club nights. History The first issue of ''Mixmag'' was printed on 1 February 1983 as a 16-page black-and-white magazine published by Disco Mix Club, a DJ mailout service. The first cover featured American music group Shalamar. When house music began in the 1980s, editor and DJ Dave Seaman turned the magazine from a newsletter for DJs into a magazine covering all dance music and club culture. ''Mixmag'', in association with its original publishing company, DMC Publishing, released a series of CDs under the "Mixmag Live" heading. The magazine, which reached a circulation of up to 70,000 copies, was later sold to EMAP Ltd. in the mid-1990s. In 1996, an American version titled ''Mixmag USA'' was launched. It was renamed Mixer after the UK edition of Mixmag was sold to EMAP. It ceased publication alto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kool & The Gang
Kool & the Gang is an American R&B/soul/funk band formed in Jersey City, New Jersey, in 1964 by brothers Robert "Kool" Bell and Ronald Bell, with Dennis "Dee Tee" Thomas, Robert "Spike" Mickens, Charles Smith, George Brown, and Ricky West. They have undergone numerous changes in personnel and have explored many musical styles throughout their history, including jazz, rhythm and blues, soul, funk, disco, rock, and pop music. After settling on their name following several changes, the group signed to De-Lite Records and released their debut album, ''Kool and the Gang'' (1969). The band's first taste of success came with the release of their fourth album '' Wild and Peaceful'' (1973), which contained the US top-ten singles "Jungle Boogie" and "Hollywood Swinging". Kool & the Gang subsequently entered a period of decline before they reached a second commercial peak between 1979 and 1986 following their partnership with Brazilian musician and producer Eumir Deodato and the additio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sheila Chandra
Sheila Chandra (born 14 March 1965) is a retired English pop singer of Indian descent. She is no longer able to perform, as the result of burning mouth syndrome which she has had since 2010. Indian–Western pop fusion period Sheila Chandra was born in Waterloo, London, England. She first came to public attention as an actress, playing Sudhamani Patel in the BBC school drama ''Grange Hill'' from 1979 to 1981. As a teenager she formed the band Monsoon with Steve Coe (who became the band's producer) and bassist Martin Smith. Monsoon created a fusion of Western and Indian pop styles. The band recorded its only album, ''Third Eye'', in 1982 from which it had a hit single, "Ever So Lonely", which peaked at No. 12 in the UK Singles Chart. Monsoon followed-up with the single "Shakti," which peaked at No. 41, but this was to be the band's final charting single. The album also includes a cover of the Beatles' "Tomorrow Never Knows", featuring the distinctive EBow guitar sound of Bill N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shahin Badar
Shahin Badar (born 17 June 1974) is an English singer-songwriter who is best known in Europe and North America for her vocals on The Prodigy's single "Smack My Bitch Up" (1997). It earned her a Double Platinum award. Early life Badar was born in Colchester, Essex, England to a Bangladeshi father and Indian mother. She spent her formative years growing up in Kuwait and United Arab Emirates. Shahin Badar Inspired by her mother, Zohra Ahmed, who is a classical singer and encouraged by her teachers, Badar developed a blend of Arabic and Indian vocals. She sings in English, Arabic, Bengali and Indian languages. Badar returned to England to continue her schooling at Gilbert Grammar School. Upon leaving she took up a position in Customs and Excise. Career Recording In 1996, Badar's first album ''Destiny'' was released, produced by British music producer Kuljit Bhamra. In 2010, her second album '' Laila'' was released. Badar's vocal contributions feature in over 50 international ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Out Of Space (song)
"Out of Space" is the fourth EP/single released by English electronic music group the Prodigy in 1992. The song is also featured on their debut album, Experience (1992), and is the fourth single from it. The song samples the 1976 song "Chase the Devil" by Max Romeo as well as some lines by rapper Kool Keith on the 1988 track "Critical Beatdown" by Ultramagnetic MCs. The song is arguably the most successful of the Prodigy's early period and was often played live by the band. The British Phonographic Industry certified the single gold in May 2021. In 2005 "Out of Space" was released as a remix by Audio Bullys in the single " Voodoo People / Out of Space" from the greatest hits compilation '' Their Law: The Singles 1990–2005''. Critical reception James Masterton wrote in his weekly UK chart commentary, "This track is by far their most commercial yet. It may not progress much further but is their 4th Top 20 entry this year, not a feat to be sniffed at." Music video The colo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sampling (music)
In sound and music, sampling is the reuse of a portion (or sample) of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, sounds or entire bars of music, and may be layered, equalized, sped up or slowed down, repitched, looped, or otherwise manipulated. They are usually integrated using hardware ( samplers) or software such as digital audio workstations. A process similar to sampling originated in the 1940s with '' musique concrète'', experimental music created by splicing and looping tape. The mid-20th century saw the introduction of keyboard instruments that played sounds recorded on tape, such as the Mellotron. The term ''sampling'' was coined in the late 1970s by the creators of the Fairlight CMI, a synthesizer with the ability to record and play back short sounds. As technology improved, cheaper standalone samplers with more memory emerged, such as the E-mu Emulator, Akai S950 and Akai MPC. Sampling is a foundation of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
White Label
A white label record is a vinyl record with white labels attached. There are several variations each with a different purpose. Variations include test pressings, white label promos, and plain white labels. Test pressings Test pressings, usually with ''test pressing'' written on the label, with catalogue number, artist and recording time or date, are the first vinyl discs made at the factory. Such discs are produced in very small quantities (usually no more than 5 or 6 copies) to evaluate the quality of the disc before mass production begins. A review of the test pressing may expose problems with the tape to disc transfer ( mastering) and helps to ensure that the defective discs do not reach the public. Promotional recordings In the United States, the term ''white label promo'' (often abbreviated as WLP) refers to a promotional pressing with a label that has mostly the same text and label logo/artwork as the commercial label, but with a white background instead of the color l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muzik
''Muzik'' was a British dance music magazine published by IPC Media from June 1995 to August 2003. ''Muzik'' was created by two former ''Melody Maker'' journalists, Push and Ben Turner. Push was the editor of ''Muzik'' from its launch until he left the magazine in 1998, at which point Turner took over as editor. The title was subsequently edited by Conor McNicholas, who went on to edit ''NME''. Aimed at serious dance music fans rather than weekend clubbers, ''Muzik''s writers included a number of well-known DJs, including Kris Needs, Rob da Bank, Spoony, Terry Farley, Bob Jones, Jonty Skrufff and Dave Mothersole. The magazine sold over 50,000 copies a month at its peak, but was closed down by IPC Media just one issue short of its 100th edition. References External links *Archives at Internet Archive *Muzik' at Discogs Discogs (short for discographies) is a database of information about audio recordings, including commercial releases, promotional releases, and bootleg o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DJ Hype
Kevin Ford (born 1968), better known as DJ Hype, is a British jungle and drum and bass producer and DJ. Biography Hype first became involved in music as a teenager in 1982, assisting PJ and Smiley with their sound system Heatwave in East London, which evolved into Shut Up and Dance. Hype began producing in 1989, engineering and co-producing tracks (including "Exorcist" and "The Bee") for Kickin'Records, Strictly Underground and Suburban Base. UK garage producer Wookie remembers that Hype worked with The Scientist on "The Bee" to create one of the first jungle tunes to hit big, following "£10 to Get In" by Shut Up and Dance in 1989. Around this time, Hype hosted a show on the London pirate radio station Fantasy FM, and he was famed for his mixing and scratching skills. Suburban Base released Hype's track "Shot in the Dark" that made the UK Singles Chart in 1993. By 1994, he had become a big name in the breakbeat hardcore and jungle raves - landing awards for Best Male DJ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jonny L
Jonny L, real name Jon Lisners, (born November 1970) is a British drum and bass producer. He has also released music under the alias of Mr. L and was one half of the UK garage duo True Steppers. Biography Early career (1992–1995) Lisners first came to prominence with the single "Hurt You So" in 1992, popular in the rave scene. The single was sampled and looped in the 1997 track "Oh Boy" by the Fabulous Baker Boys. He signed to , the same label as and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
PRS For Music
PRS for Music Limited (formerly The MCPS-PRS Alliance Limited) is a British music copyright collective, made up of two collection societies: the Mechanical-Copyright Protection Society (MCPS) and the Performing Right Society (PRS). It undertakes collective rights management for musical works on behalf of its 160,000 members. PRS for Music was formed in 1997 following the MCPS-PRS Alliance. In 2009, PRS and MCPS-PRS Alliance realigned their brands and became PRS for Music. PRS represents their songwriter, composer and music publisher members’ performing rights, and collects royalties on their behalf whenever their music is played or performed publicly. MCPS also represents songwriters, composers and music publishers – representing their mechanical rights, and collects royalties whenever their music is reproduced as a physical product – this includes CDs, DVDs, digital downloads and broadcast or online. PRS (Performing Right Society) and MCPS (Mechanical Copyright Protect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
