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Sly And The Family Stone Discography
This is the discography of the United States, American band Sly and the Family Stone. Albums Studio albums Live albums Charted compilation albums Singles Other charted songs See also * Sly Stone solo discography Notes References External links * Edwin & Arno Koningwww.slystonebook.com
* {{DEFAULTSORT:Sly and The Family Stone Discography Sly and the Family Stone, Discography Discographies of American artists, Stone, Sly Pop music group discographies Funk music discographies ...
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Sly And The Family Stone
Sly and the Family Stone was an American band formed in San Francisco, San Francisco, California, in 1966 and active until 1983. Their work, which blended elements of funk, soul music, soul, psychedelic rock, gospel music, gospel, and R&B, became a pivotal influence on subsequent American popular music. Their core line-up was led by singer-songwriter, producer, and multi-instrumentalist Sly Stone, and included Stone's siblings Freddie Stone (guitar, vocals) and Rose Stone (keyboard, vocals) alongside Cynthia Robinson (trumpet, vocals), Greg Errico (drums), Jerry Martini (saxophone), and Larry Graham (bass, vocals). The band was the first major American rock group to have a Racial integration, racially integrated, mixed-gender lineup. Formed in 1966, the group synthesized a variety of musical genres to pioneer the emerging "psychedelic soul" sound. They released a series of Top 10 Billboard Hot 100, ''Billboard'' Hot 100 hits such as "Dance to the Music (song), Dance to the Music" ...
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Fresh (Sly And The Family Stone Album)
''Fresh'' is the sixth album by American funk band Sly and the Family Stone, released by Epic/ CBS Records in June 1973. Written and produced by Sly Stone over two years, ''Fresh'' has been described as a lighter and more accessible take on the dense, drum machine-driven sound of its landmark 1971 predecessor '' There's a Riot Goin' On''. It was the band's final album to reach the US Top 10, entering the ''Billboard'' Album Chart on June 30, and their last of three consecutive number-one albums on the R&B chart. In 2003, the album was ranked number 186 on ''Rolling Stone'' magazine's list of the 500 greatest albums of all time. Recording and release The album's biggest hit was " If You Want Me to Stay". Other notable tracks include "Frisky" and " Que Sera, Sera (Whatever Will Be, Will Be)", a cover of Doris Day's Academy Award-winning song from Alfred Hitchcock's 1956 film '' The Man Who Knew Too Much'', sung here by Rose Stone. "Que Sera, Sera" is notable as the only cover so ...
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Different Strokes By Different Folks
''Different Strokes by Different Folks'' is a remix and cover album by American funk, and soul band Sly and the Family Stone. Description Released first as a Starbucks-exclusive in 2005, this version (recognizable by its black background cover) featured 12 tracks. The extended 14-track version of the album was released in 2006 by Epic Records Epic Records is an American record label owned by Sony Music Entertainment, a subsidiary of Sony Corporation of America, the American division of Japanese conglomerate Sony is a Japanese multinational conglomerate (company), cong ... It included two additional tracks: "Don't Call Me Nigger, Whitey" and "Thank You Rhythm Nation 1814". Each track is a remix of a previously released Sly and the Family Stone song. Track listing References {{Authority control 2005 remix albums Epic Records remix albums Sly and the Family Stone albums Albums produced by Sly Stone ...
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Greatest Hits (Sly And The Family Stone Album)
''Greatest Hits'' is a compilation album by the American group Sly and the Family Stone. It was first released on November 21, 1970, by Epic Records. The album includes all of the singles from the albums '' Dance to the Music'' (1968), ''Life'' (1968), and ''Stand!'' (1969). Three tracks released on singles in 1969 appear on album for the first time here: "Hot Fun in the Summertime", "Everybody Is a Star", and "Thank You (Falettinme Be Mice Elf Agin)". The recordings on this compilation are not the same as the single versions in all cases; some songs appear here in their album lengths and mixes. Mixes sometimes have different editing and changes in vocals and or instrumentation. ''Greatest Hits'' was certified quintuple platinum by the Recording Industry Association of America (RIAA), having shipped five million copies in the United States. In 2003, ''Rolling Stone'' magazine ranked the album number 60 on its list of the 500 greatest albums of all time, 61 in a 2012 revised lis ...
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The First Family - Live At The Winchester Cathedral 1967
''The First Family: Live at Winchester Cathedral 1967'' is an album containing a historic early live recording by Sly & the Family Stone. It was released in 2025. Background Sly & the Family Stone was the resident band at Winchester Cathedral club in Redwood City, California from 16 December 1966 to 28 April 1967. The performance on the album occurred in the early hours of 26 March. The songs performed are a mix of contemporary soul and R&B covers along with one original composition. The recording was made by the group's first manager Rich Romanello, who was also owner of Winchester Cathedral. This was before Sly & the Family Stone was signed to Epic Records in 1967, so after he lost control of the act, Romanello put the tapes aside. In 2002 Dutch collectors Edwin and Arno Konings learned of the Winchester recordings when visiting Romanello, after which archivist and reissue producer Alec Palao examined the tapes. At this stage, despite the obviously superlative performance they ...
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Legacy Recordings
Legacy Recordings is an American record label that is a division of Sony Music. Formed in 1990 after Sony's acquisition of CBS Records, Legacy originally handled the archives of Sony Music-owned labels Columbia Records and Epic Records. In 2004, under the Sony BMG joint venture, the label began to manage the archives of RCA Records, J Records, Windham Hill Records, Arista, LaFace, Jive, and Buddah Records. Legacy Recordings also distributes Philadelphia International Records and the catalog of recordings produced by Phil Spector. It is not related to the defunct British independent label Legacy Records. Reissues/The Essential Series ''The Essential Series'' are one- or two-disc compilations of an artist's extensive catalog. On occasion, certain albums in this series would include a limited edition third disc (labeled ''Essential'' ''3.0''), or be revised to include an artist's newer work (for example ''The Essential Bob Dylan).'' , several volumes in the ''Essential'' s ...
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Live At The Fillmore East October 4th & 5th 1968
Live may refer to: Arts, entertainment, and media Films * ''Live!'' (2007 film), 2007 American film * ''Live'' (2014 film), a 2014 Japanese film * ''Live'' (2023 film), a Malayalam-language film *'' Live: Phát Trực Tiếp'', a Vietnamese-language film * ''Live'' (Apocalyptica DVD) Music *Live (band), American alternative rock band * List of albums titled ''Live'' Extended plays * ''Live EP'' (Anal Cunt album) * ''Live EP'' (Breaking Benjamin EP) * ''Live'' (Roxus EP) * ''Live'' (The Smithereens EP) *''CeCe Peniston (EP Live)'' *''Ozzy Osbourne Live E.P.'', 1980 *''Live EP (Live at Fashion Rocks)'', by David Bowie * ''Live EP'' (The Jam EP) Songs * "Live" (Russian song) * "Live" (Superfly song) * "Live" (The Merry-Go-Round song) *"Live", by B'z from ''Highway X'', 2022 Radio *BBC Radio 5 Live *CILV-FM, branded LiVE 88.5, a radio station in Ottawa, Canada Television * ''Live'' (South Korean TV series), a 2018 South Korean television series *''Live'' (Danish TV series) *Live! ...
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Dutch Album Top 100
The Dutch Album Top 100 or Album Top 100 is a weekly hit list of music albums, compiled by Dutch Charts. It shows the 100 best-selling music albums of the moment in the Netherlands , Terminology of the Low Countries, informally Holland, is a country in Northwestern Europe, with Caribbean Netherlands, overseas territories in the Caribbean. It is the largest of the four constituent countries of the Kingdom of the Nether .... The list has passed through various name changes and has expanded from a Top 10 to a Top 100. Names Album chart by ''Stichting Nederlandse Top 40'' From 1969 to 1999, an alternative weekly album chart was published by offshore radio station Radio Veronica (1969–1974) and the '' Stichting Nederlandse Top 40'' (1974–1999). This chart varied in length from a top 20 (1969-1971 and from 1972 to 1974) to a top 50 (1971-1972 and 1974–1985), a top 75 (1985–1991) and a top 100 (1991–1999). This album chart was regarded by many as the official on ...
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Ultratop
Ultratop is an organization which generates and publishes the official record charts in Belgium. Ultratop is a non-profit organization, created in 1995 on the initiative of the Belgian Entertainment Association (BEA), the Belgian member organization of the International Federation of the Phonographic Industry. Two parallel sets of charts are concurrently produced and published; one is on behalf of Belgium's mainly Dutch-speaking Flanders region, and the other catering to the nation's mainly French-speaking region of Wallonia. Ultratop charts The music charts produced by Ultratop organization are separated along regional-language boundaries, an unusual division that is justified by the cultural differences in Belgium. So it is that the mainly Dutch-speaking Flanders region has one set of charts of record activity there, while the mainly French-speaking Wallonia region has another set to measure popularity in those provinces. The charts are broadcast on several Belgian radio st ...
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Top R&B Albums
Top R&B/Hip-Hop Albums is a music chart published weekly by '' Billboard'' magazine that ranks R&B and hip-hop albums based on sales in the United States and is compiled by Luminate. The chart debuted as Hot R&B LPs in the issue dated January 30, 1965, in an effort by the magazine to further expand into the field of rhythm and blues music. It then went through several name changes, being known as Soul LPs in the 1970s and Top Black Albums in the 1980s, before returning to the R&B identification in 1990 and affixing a hip hop designation in 1999 to reflect the latter's growing sales and relationship to R&B during the decade. From 1965 through 2009, the chart was compiled based on reported sales at a core panel of stores with a "higher-than-average volume" of R&B and/or hip-hop album sales to monitor buying trends of the African-American community. This panel included more independent and smaller chain stores compared to the high percentage of mass merchants that account for overal ...
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Ain't But The One Way
''Ain't but the One Way'' is the tenth and final studio album by Sly and the Family Stone, released by Warner Bros. Records in September 1982. The album began its existence as a collaborative project between Sly Stone and George Clinton, a sequel to Stone's appearance on the 1981 Funkadelic album ''The Electric Spanking of War Babies''. While working on ''Ain't but the One Way'', Clinton and Funkadelic quarreled with and eventually left Warner Bros. Records, and Sly Stone went into self-seclusion and could not be found. Producer Stewart Levine was assigned to take control of the project, and do what he could to complete an album. Upon its 1982 release, ''Ain't but the One Way'' underperformed and marked the end of Sly Stone's tenure with Warner Bros. Records. Release Both of Sly Stone's Warner Bros. albums, ''Ain't but the One Way'' and '' Back on the Right Track'', along with five unissued recordings, were combined by Rhino Records into a compilation called ''Who in the Funk ...
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Warner Records
Warner Records Inc. (known as Warner Bros. Records Inc. until 2019) is an American record label. A subsidiary of Warner Music Group, it is headquartered in Los Angeles, California. It was founded on March 19, 1958, as the recorded music division of the American film studio Warner Bros. History Founding At the end of the silent movie period, Warner Bros. Pictures decided to expand into Music publisher (popular music), publishing and Sound recording and reproduction, recording so that it could access low-cost music content for its films. In 1928, the studio acquired several smaller music publishing firms which included M. Witmark & Sons, Harms Inc., and a partial interest in New World Music Corp., and merged them to form the Music Publishers Holding Company. This new group controlled valuable copyrights on Standard (music), standards by George Gershwin, George and Ira Gershwin and Jerome Kern, and the new division was soon earning solid profits of up to US$2 million every year. In ...
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